PAPER-III MUSIC Signature and Name of Invigilator
1.
(Signature) OMR Sheet No. ............................................... (To be filled by the Candidate)

(Name)
Roll No.


2.
(Signature) (In figures as per admission card)



(Name) Roll (In words)
J 1 6 1 2

Time 2 1/2 hours] [Maximum Marks 150
Number of Pages in this Booklet 32 Instructions for the Candidates
1.
Write your roll number in the space provided on the top of this page.

2.
This paper consists of seventy five multiple-choice type of questions.

3.
At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below

To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet.
Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given.
After this verification is over, the OMR Sheet Number should be entered on this Test Booklet.

4.
Each item has four alternative responses marked


and You have to darken the circle as indicated below on the correct response against each item.

Example
where is the correct response.
5.
Your responses to the items are to be indicated in the OMR Sheet given inside the Booklet only. If you mark at any place other than in the circle in the OMR Sheet, it will not be evaluated.

6.
Read instructions given inside carefully.

7.
Rough Work is to be done in the end of this booklet.

8.
If you write your Name, Roll Number, Phone Number or put any mark on any part of the OMR Sheet, except for the space allotted for the relevant entries, which may disclose your identity, or use abusive language or employ any other unfair means, you will render yourself liable to disqualification.

9.
You have to return the test question booklet and Original OMR Sheet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. You are, however, allowed to carry duplicate copy of OMR Sheet on conclusion of examination.

10.
Use only Blue/Black Ball point pen.

11.
Use of any calculator or log table etc., is prohibited.

12.
There is no negative marks for incorrect answers.


Number of Questions in this Booklet 75
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1.
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2.
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3.
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‡ÃÖÛêú ×»Ö‹ †Ö¯ÖÛúÖê ¯ÖÖÑ"Ö ×´Ö®Ö™ü פüµÖê •ÖÖµÖëÝÖê … ˆÃÖÛêú ²ÖÖ¤ü ®ÖŸÖÖê †Ö¯ÖÛúß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¾ÖÖ¯ÖÃÖ »Öß •ÖÖµÖêÝÖß †Öî¸ü Æüß †Ö¯ÖÛúÖê
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4.
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•ÖîÃÖÖ ×Ûú ®Öß"Öê פüÜÖÖµÖÖ ÝÖµÖÖ Æîü …
ˆ¤üÖÆü¸üÞÖ
•Ö²Ö×Ûúú(C) ÃÖÆüß ˆ¢Ö¸ü Æîü …

5.
¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü Ûêú¾Ö»Ö ¯ÖÏ¿®Ö ¯Öã×ßÖÛúÖ Ûêú †®¤ü¸ü פüµÖê ÝÖµÖê OMR ¯Ö¡ÖÛú ¯Ö¸ü Æüß †Ó×ÛúŸÖ Ûú¸ü®Öê Æïü … µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü פüµÖê ÝÖµÖê ¾Öé¢Ö Ûêú †»ÖÖ¾ÖÖ ×ÛúÃÖß †®µÖ ãÖÖ®Ö ¯Ö¸ü ˆ¢Ö¸ü ×"ÖÅ®ÖÖÓ×ÛúŸÖ Ûú¸üŸÖê ŸÖÖê ˆÃÖÛúÖ ´Ö滵ÖÖÓÛú®Ö ®ÖÆüà ÆüÖêÝÖÖ …

6.
†®¤ü¸ü פüµÖê ÝÖµÖê ×®Ö¤ìü¿ÖÖë ÛúÖê ¬µÖÖ®Ö¯Öæ¾ÖÔÛú ¯ÖœÌëü …

7.
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8.
µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö Ûêú †»ÖÖ¾ÖÖ †¯Ö®ÖÖ ¸üÖê»Ö ±úÖê®Ö ®Ö´²Ö¸ü µÖÖ ÛúÖê‡Ô ³Öß ‹êÃÖÖ ×"ÖÅ®Ö ×•ÖÃÖÃÖê †Ö¯ÖÛúß ¯ÖÆü"ÖÖ®Ö ÆüÖê ÃÖÛêú, †Ó×ÛúŸÖ Ûú¸üŸÖê Æïü †£Ö¾ÖÖ †³Ö¦ü ³ÖÖÂÖÖ ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê µÖÖ ÛúÖê‡Ô

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9.
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10.
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11.
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12.
ÝÖ»ÖŸÖ ˆ¢Ö¸üÖë Ûêú ×»Ö‹ ÛúÖê‡Ô †ÓÛú ÛúÖ™êü ®ÖÆüà •ÖÖ‹ÑÝÖê …


MUSIC
Paper III

(Hindustani Karnatak Rabindra Sangeet Percussion Instrument Vocal/ Instrumental and Musicology)
Special Instructions This paper has two parts. Part-I consists of 50 questions common to all, which is compulsory and carries 2 marks each. Part II has Four sections viz Hindustani, Karnatak, Rabindra Sangeet and Percussion Instruments with 25 questions each of 2 marks each. Candidates should select any one of the Part II section Part III Part IV Part V as per his her discipline.
PART I
Hindustani Karnatak Rabindra Sangeet Percussion Instruments Common to all

6. Who is the author of "Music of
1. Which of the following instrument is India"
used by 'Bhopas' of Rajasthan while
reciting 'Lok Katha' of 'Pabuji'

S.M. Tagore


Captain Williard



Rabab Tasha


William Jones

Khanjri Ravan hatta

D.R. Widdes
2. 'Langas' and 'Manganiars' are the folk singer of which of the following
7. Which one of the following states
statement is correct
Jammu Kashmir
Music has the quality of non­
Rajasthan verbal communication.
Maharashtra
The society disagree with the
Tamilnadu psychotherapeutic value of Music.
3. The number of Srutijaties mentioned
Creative self expression cannot in Sangita Ratnakara be expressed through music.
5 7
Music is the main cause of the
15 10 ailments related to nervous system.
4. The Sapta talas give rise to 35 talas
8. Which one of the following on account of statement is correct
Jati bhedam
Choirs are composed only for
Graha bhedam the purpose of Marching Songs.
Gati bhedam
'Rasa Nishpatti' is not
Sruti bhedam expected from choir singing.
Choir singing generates the
5. Who wrote Grantha 'Kalanidhi'
feeling of responsibility, co­
Abhinav Gupt operation, self control and

Kallinath


attentiveness.

Vidyaranya

Participants of choir, gradually
Sri Kanth deteriorate their voice quality.
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3. ÃÖÓÝÖßŸÖ ¸üŸ®ÖÖÛú¸ü ´Öë ×ÛúŸÖ®Öß ÁÖןãÖ •ÖÖןÖ.ÖÖë ÛúÖ
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5 7
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15 10
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9. Which of the following is derived from 'Sandhiprakash ragas' having Dha Komal' according to Pt. Bhatkhande

Hasya Rasa


Raudra Rasa


Vibhatsa Rasa


Shanta and Karuna Rasa



10. The folk song of Rajasthan "Kesariya Balam Aao Ni Padharo Mhare Desh", is sung by which of the following artist

Allah Jilai Bai


Manjari Kelkar


Bhasker Bua


M.S. Laxmi



11. Which Sarangi Player was awarded by Padmbhushan

Pt. Ramnarain


Mehboob Khan


Ustad Sultan Khan


None of these



12. Which of the following term is used as a synonym of in Samveda

Niyam


Aharya


Sam


Yam



13. Seven notes of 'Sam swara saptak' were known as

Pratham, Dvitiya, Tritiya, Chaturtha, Mandra, Tar, Swarita


Krushta, Pratham, Dvitiya, Tritiya, Chaturtha, Mandra, Atiswarya


Krushta, Pratham, Dvitiya, Tritiya, Chaturtha, Mandra, Atitar


Pratham, Dvitiya, Tritiya, Chaturtha, Pancham, Dhaiwat, Nishad



14. How many are mentioned in the 'Prakirnadhyaya' of Sangeet Ratnakar

10


8


6


4



15. Match List I with List II and select the correct answer by using the codes given below the lists
List-I List-II

Tatta vadya Shehnai


Avnadya Manjeera vadya


Sushir vadya Sarod


Ghan vadya Mridangam




Codes















16. National Song of Bangladesh composed in Bhatiyali style by Rabindranath Tagore is

Basante Ki Sudhu


Gram Chara ooi rangamatir path


Amar Sonar Bangla


Bhidhir Bandhon Bandhbe



17. Rabindranath used which nickname to compose Vaishnav padavali

Sri Singh


Madhu Singh


Bhanu Singh


Ram Singh



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10


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6


4



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†Ö¬ÖÖ׸üŸÖ ²ÖÖÑÝÖ»ÖÖ ¤üê¿Ö ÛúÖ ¸üÖ™ÒüÝÖßŸÖ ÛúÖî®Ö ÃÖÖ Æîü

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¸üÖ´Ö ØÃÖÆü


18. The rustic band Naiyandi Melam is used in the folk form

Lavani


Kaikottikkali


Pinnal Kolattam


Dummy horse show



19. The raga Madhuvanti is a

Audava Sampurna raga


Shadava Sampurna raga


Sampurna Shadava raga


Audava Shadava raga



20. Samvadi swaras are separated by an interval of

Seven or twelve srutis


Six or twelve srutis


Eight or twelve srutis


Five or twelve srutis



21. Matras of Tisra triputa tala is equal to which tala of Hindustani music

Rupak


Teental


Dadra


Keharva



22. Title of the 3rd chapter of Sangita Ratnakara is

Prakirnaka Adhyay


Prabandha Adhyay


Ragaviveka Adhyay


Narttana Adhyay



23. Which one of the following scale is used in folk and classical music both


24. An art form in which least tools are required is considered to be the best art form. From this point of view, which of the following is the best art form

Sculpture


Painting


Architechture


Music


25. Which one of the following statement is correct

Hindustani classical music is a completely precomposed music which does not provide space for improvisation.


'Jati Gayan' is the main musical form of modern Hindustani classical music.


Hindustani Classical Music provides sufficient space for the imagination of an artist within the discipline of Raga.


Hindustani Classical Music does not have a definite 'Tala System.


26. Kishori Amon kar is a leading vocalist of which of the following 'Gharana'

Agra


Gwalior


Kirana


Jaipur


Sa Re Ma Pa Ni S


·

a


27. Composition played in the beginning

Sa Re Ga Ma Dha Ni S


·

a

of tabla solo playing

Sa Re Ga Ma Pa Dha Ni S

·

a


Quaida Rela


Peshkar Gat


Sa Re Ga Pa Dha S


·

a


18. ÝÖÖÏ´ÖßÞÖ ²Öï›ü ®Öî.ÖÖÞ›üß ´Öê»Ö´Ö ÛúÖ ˆ¯Ö.ÖÖêÝÖ ×ÛúÃÖ »ÖÖêÛú ºþ¯Ö ´Öë ×Ûú.ÖÖ •ÖÖŸÖÖ Æîü

»ÖÖ¾ÖÞÖß


ÛîúÛúÖê¼üߌÛú»Öß


ׯ֮®Ö»Ö ÛúÖê»Ö¼ü´Ö


›ü´Öß ÆüÖòÃÖÔ ¿ÖÖê



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ÖÝÖ ´Ö¬Ö ŸÖß Æ

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ÃÖ´¯ÖæÞÖÔ ÂÖÖ›ü¾Ö ¸üÖÝÖ


†Öî›ü¾Ö ÂÖÖ›ü¾Ö ¸üÖÝÖ



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21. ןÖÄÖ ×¡Ö¯Ö™ãü ŸÖÖ»Ö Ûúß ´ÖÖ¡ÖÖ‹Ñ ØÆü¤ãüßÖÖ®Öß ÃÖÓÝÖßŸÖ Ûêú ×ÛúÃÖ ŸÖÖ»Ö Ûêú ²Ö¸üÖ²Ö¸ü ÆüÖêŸÖß Æïü

ºþ¯ÖÛú


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¤üÖ¤ü¸üÖ


ÛúÆü¸ü¾ÖÖ



22. ÃÖÝÖߟ¸Ÿ®ÖÛú¸êéÖß.ÖÖ.Ûú¿ßÂÔî
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†¬.ÖÖ.Ö



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´ÖæÙŸÖÛú»ÖÖ


×"Ö¡ÖÛú»ÖÖ


ãÖÖ¯ÖŸ.ÖÛú»ÖÖ


ÃÖÓÝÖߟÖÛú»ÖÖ



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26. ×Ûú¿ÖÖê¸üß †´ÖÖê®ÖÛú¸ü ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ Ûúß †ÝÖÏÞÖß ÝÖÖ×.ÖÛúÖ Æîü

†ÖÝÖ¸üÖ


ݾÖÖ×»Ö.Ö¸ü


×Ûú¸üÖ®ÖÖ


•Ö.Ö¯Öã¸ü


27. ŸÖ²Ö»ÖÖ ‹Ûú»Ö ¾ÖÖ¤ü®Ö ´Öë ²Ö•ÖÖ‡Ô •ÖÖ®Öê ¾ÖÖ»Öß ¯ÖÆü»Öß ¸ü"Ö®ÖÖ

ÛÌúÖ.Ö¤üÖ ¸êü»ÖÖ


¯Öê¿ÖÛúÖ¸ü ÝÖŸÖ


28. Writer of the book "Table Par Dilli Aur Poorab"

Bhagwat Prasad


Bhagwan Das Sharma


Satyanarayan Vasishtha


Bhagwat Sharan Sharma



29. Match the following 11

Sawagun


4 5


Paungun

4 9


Sawadogun

4


Paune teen 3


gun 4
Codes















30. Name the Gharana which Pt. Bhimsen Joshi represented

Patiyala


Agra


Jaipur


Kirana



31. Name the author of "Universal History of Music"

Rabindranath Tagore


Raja Sorindramohan Tagore


Sir William Jones


Narayan Menon



32. The bandishes which contain the title name of "Mohamedsa Rangeele" are written by

Adarang


Manrang


Sadarang


Subrang



33. In Bharat era the orchestra was known as

Karan


Kutap


Pushkar


Kukubha


34. Assertion Tihai is very important in the field of Tabla playing.
Reason Because most of the compositions ends with Tihaies.

is correct is wrong.


is wrong is correct.


is correct is correct.


is wrong is wrong.


35. Group Kriti 'Navaretna Malika' is composed by

Thyagaraja


Muthuswami Dikshitar


Syamasastri


Vinakuppier


36. Name of the 61st Mela in the scheme of 72 Melakartas

Nitimati


Chitrambari


Kantamani


Dhavalambari


37. Which treatise is known as the fifth Veda

Brihaddesi


Sangita Retnakara


Chaturdendiprakasika


Natyasastra


38. The Sruti name 'Kumudvati' is in the Sruti nomenclature of

Narada


Sarangadeva


Bhavabhatta


Somnath



28. üîüæüãßêêïÖÖÖ¯¸×¤»»Öß †Ö¸¯Ö¸²Ö' ¯ÖÖÛú Ûú »ÖÜÖÛú Æü

³ÖÝÖ¾ÖŸÖ ¯ÖÏÃÖÖ¤ü


³ÖÝÖ¾ÖÖ®Ö ¤üÖÃÖ ¿Ö´ÖÖÔ


ÃÖŸ.Ö®ÖÖ¸üÖ.ÖÞÖ ¾Ö×ÃÖšü


³ÖÝÖ¾ÖŸÖ ¿Ö¸üÞÖ ¿Ö´ÖÖÔ



29. ÃÖã´Öê×»ÖŸÖ ÛúßוÖ.Öê
11

ÃÖ¾ÖÖÝÖã®Ö
4 5

¯ÖÖî®Ö ÝÖã®Ö
4 9

ÃÖ¾ÖÖ ¤üÖê ÝÖã®Ö
4 3

¯ÖÖî®Öê ŸÖß®Ö ÝÖã®Ö
4
Ûæú™ü















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¯Ö×