Exam Details
Subject | music | |
Paper | paper 3 | |
Exam / Course | ugc net national eligibility test | |
Department | ||
Organization | university grants commission | |
Position | ||
Exam Date | September, 2013 | |
City, State | , |
Question Paper
1. First person to play Indian Classical Music on Slide Guitar is
Pt. Brij Bhushan Kabra
Pt. Vishva Mohan Bhatt
Pt. Varun Kumar Pal
Nalin Kant Mukherjee
2. Correct Bols of Maseetkhani Gat are
Dir Dir Da Dir Da Ra Da Ra
Da Dir Dir Dir Da Dir Da Ra
Dir Da Dir Da Ra Da Da Ra
Dir Da Dir Da Ra Da Ra Da
3. Ravanhattha is a folk instrument of
Punjab
Kerala
Madhya Pradesh
Rajasthan
4. How many are mentioned in 'Sangeet Ratnakar'
8
4
6
5
5. Which of the following is a famous dance of Manipur
Navkuchiya
Teratali
Natuvangam
Laiharoba
6. Which of the following is a famous Oddissi dancer
Sitara Devi
Charan Girdhar
Kumudini Lakhiya
Kelucharan
7. Which term was used for orchestra, in Bharat Muni's Natyashastra
Vitat
Mandal
Krushtha
Kutap
8. As per Hindustani Music, what is the required interval between and 'Samvadi'
9/12
10/14
9/13
7/11
9. The conclusive part of 'Thumri' is rendered with
Rela
Kayda
Ladi laggi
Jhala
10. Which of the following musician is famous for Thumri
Saiduddin
Fahimuddin
Riyazuddin
Bindadeen
11. Avirbhav in a raga is meant for which of the following
Beginning of Raga
Soulful presentation
Reinstatement of Raga
Spiritual presentation
12. What is the length of 'Shudha according to Ahobal, as per the method of placing the swaras on the 36" wire of veena
20"
27"
32"
18"
13. Identify the correct order of tuning the four-string Tanpura
Madhya Pa, Tar Sa, Tar Sa, Madhya Sa
Mandra Pa, Madhya Sa, Madhya Sa, Mandra Sa
Mandra Pa, Tar Sa, Tar Sa, Mandra Sa
Madhya Pa,Tar Sa, Tar Sa, Mandra Sa
14. Ustad Faiyaz Khan was an artist of
Agra Gharana
Gwalior Gharana
Atrauli Gharana
Bhendi Bazar Gharana
15. Nandikeshwar is the author of
Raga Tatva Vibodh
Raga Rahasya
Rag Darpan
Abhinaya Darpan
16. Jangda Geet is the folk form of
Gujarat
Punjab
Rajasthan
Uttar Pradesh
17. Vikrit Swar of Bharat
Teevra Tar Ni
Kaushik Ni
Antar Gandhar
Teevratam Dhaivat
18. Dominant chord is formed of
Pa Ni Re
Dha Sa Ni
Ma Dha Sa
Sa Ga Pa
19. Instrument of equally tempered scale
Tanpura
Violin
Guitar
Harmonium
20. What is the basis of classification of Swaras in tempered scale
Major tone
Minor tone
Semi tone
Half tone
21. No.of Sanchari Bhavas
23
13
33
43
22. The main characteristic of Chanda
Varnic
Matric
Matra
Layabaddhata
23. Which music journal is edited by Prof. R.C.Mehta
Chayanut
Sangeet Masik
Kala Saurabh
Journal of Indian Musicological Society
24. Bilawal as Shuddha Swar Saptak was first recognized in
Chaturdandi Prakashika
Nagmate Aasfi
Sangeet Sar
Sangeet Kalpdrum
25. Chenda is an instrument
Cymbal
Wind
Percussion
Melodic
26. Musical form similar to Jawalli
Padam
Kriti
Tillana
Daru
27. Jyakara invented the
Dundubhi
Veena
Ancient Harp
Flute
28. Rag Bhairav corresponds to
Mayamalavagoula
Saveri
Bhupalam
Sriranjini
29. Jiva Svaras are
Raga Chaya Svaras
Nyasa Svaras
Amsa Svaras
None of the above
30. Misra Chapu Tala has
9 aksharakalas
6 aksharakalas
7 aksharakalas
8 aksharakalas
31. With which style of singing TAAL' is used
Dhrupad
Khayal
Thumari
Tappa
32. Writer of the book 'Bhartiya Taalon ka Shashtriya Vivechan'
Dr. Lal Mani Mishra
Dr. Arun Kumar Sen
Acharya K.C.D. Brihaspati
Dr. Avan E. Mistri
33. Composition with Tihayee played three times
Tihayee
Tukada
Rela
Chakradar
34. The Book in which word is used for the first time
Radha Govinda Sangeet Sar
Sarmaye Isharat
Sangeet Naad Vinoda
Sangeet Kaladhar
35. Writer of the book
Arvinda Mukherjee
Arvinda Sharma
Arvinda Mulgaonkar
Arvinda Azad
36. In which Swar should Tabla be tuned for accompaniment
Gandhar
Madhyama
Pancham
Shadaj
37. Which style of singing is adorned with PARANAS
Dhrupad
Khayal
Thumari
Tappa
38. Which TAAL of Karnatak Taal system is depicted by the symbol of 101
Dhruva Taal
Roopak Taal
Mathya Taal
Ek Taal
39. Most expandable composition of Tabla
Quiada
Tukada
Mohara
Kamali Chakradar
40. Match the following
List I List II
Zakir Hussain 1. Vazid Hussain
Kumarlal 2. Kishan Maharaj
Afak Hussain 3. Allarakha Khan
Pooran Maharaj 4. Gudai Maharaj
Codes
3 1 2 4
3 2 1 4
3 4 1 2
3 2 4 1
41. Who was not appointed as music teacher in the Tagore family
Srikantha Singh
Vishnu Chakravarti
Jadu Bhatta
Ramshankar Bhattacharya
42. Who was the second son of Maharshi Devendranath
Jyotirindranath
Satyandranath
Hemendranath
Rabindranath
43. Tagore family originally came from which place of 'Bangladesh'
Maimansingh
Chattagram
Dhaka
Jashore
44. What was the original surname of 'Tagore' before coming to Kolkata
Dishari
Kushari
Dastidar
Tripathi
45. Which song was composed by Rabindranath following his elder brother Jyotirindranath's Antaryami, Trahi
Kon Sundar Hote Amar
Anander-I Sagar Hote
E Parabase Robe Ke Hai
Sakal Garba Dur Kori Dibo
46. Which percussion instrument is being used for accompaniment with Rabindra Sangeet
Sarangi
Esraj
Mandira
Sri Khol
47. Mention the name of Rabindra opera with a story related to Dasarath, king of Ayodhya Rishi Kumar
Mayar Khela
Bhanu Singher Padavali
Kal Mrigaya
Chitrangada
48. Which one is the first of 'Bhanu Singher Padavali'
Bose Achhi He Kobe
Gahan Kusuma Kunja Mojhe
Sono Tar Sudha Vani
Sansare Tumi Rakhile
49. Which author is known for Ashtapadi
Vyankatmukhi
Jaydeva
Ramamatya
Lochan
50. What is the term for playing Tala on hand
Panivadak
Udgata
Veenavadak
Vitatvadak
51. Main Singer of Samveda is known as
Pratiharta
Trigata
Samvachik
Udgata
52. Arrange the following forms in chronological order
Rika Khayal
Salagsuda Dhrupad
Dhruva
2
2
2
3
53. Which of the following represents 'Mewati Gharana'
Joti Ram Moti Ram
Chhannu Lal Mishra Sen
Rajan Mishra Sajan Mishra
Surinder Singh Tejendar Singh
54. The title 'Gana Saraswati' was bestowed upon Sushri Kishori Amonkar by
Ragasheela Saraswati
Dayanand Saraswati
Naad Saraswati
Jagatguru Mahaswamiji of Shringeri Muth
55. Haveli Sangeet falls under which musical form
Dhrupad
Khyal
Thumari
Tappa
56. Which of the following is the biggest centre of Haveli-Sangeet at present
Mathura
Gokul
Nathdwara
Jaipur
57. Following Swara combination is of which Raga
Ma Dha Ni Dha a Ga
Maru Bihag
Hindol
Kamod
Multani
58. Following Swara combination is of which Raga
Ni Sa Ga Ma Pa Dha Pa
Bhimplasi
Bhairavi
Multani
Bilaskhani Todi
59. Write down the names of the following Scholars in chronological order
Parshwadev Sharangdev
Matang Ahobal
Codes
60. Name the pair of playback singers in the film 'Sur-Sangam'
Gundecha Brothers
Salamat Ali-Nazakat Ali
Rajan-Sajan Mishra
Singh Brothers
61. How many Brahamans are there in Samveda
6
8
7
9
62. Ranayani branch is related to
Atharavveda
Yajurveda
Samveda
None of these
63. The author of 'Pranav Bharati' is
V.N. Bhatkhande
Bholanath Bhatt
Omkarnath Thakkur
Ramashraya Jha
64. According to Solfa Notation system the swaras are known as
Sa, Re, Ga, Ma, Pa, Dha, Ni
B
7
Do, Re, Me, Fa, Sol, La, Si
65. Which is the most suitable combination representing Malhar Ang is
Re Ga Re Sa
Ma Re Re Pa
Pa Ga Ma Re Sa
Dha Ni Re Sa
66. Who was the son of Alladia Khan
Haddu Khan
Manji Khan
Mohammad Khan
Ali Akbar Khan
67. Acharya K.C.D. Brahaspati belonged to which Gharana
Kirana
Rampur
Gwalior
Agra
68. Raga of Kalyan thaat having Rishabh Vadi
Shuddha Kalyan
Chayanut
Kamod
Yaman Kalyan
69. Which combination of Ragas belongs to Deogiri Bilawal
Kalyan Shuddha Kalyan Nat.
Saranga Desh Kalyan.
Bilawal Kalyan Shuddha Kalyan.
Khamaj Kalyan Malhar.
70. Who is the author of "Gharandar Gayaki"
S.N. Ratanjankar
Vaman Rao Deshpande
Dr. Thakur Jaidev Singh
Dr. Subhadra Chowdhury
71. Which musician of the films sang "Hori Ayi Re Kanhai Rang Barse, Suna De Jara Bansuri"
Lata Mangeshkar
Asha Bhonsle
Suman Kalyanpur
Shamshad Begum
72. Name the Kuchipudi Dancer
Sonal Mansingh
Swapna Sundari
Shashwati Sen
Kiran Sehgal
73. Author of "Kala Nidhi Grantha"
Govind Dixit
Parshvadeva
Someshwar
Kallinath
74. Author of "Music of Hindustan"
William Johns
Fox Strangeways
E. Clements
N. Augustus Williard
75. Who edited "Sahsaras" Grantha
Krishnanand Vyas
Dr. Premlata Sharma
Parshvadeva
Bhatta Shubhankar
51. Thiruvattiyur Pancharatna
Dikshitar
Shyama Shastri
Swati Thirunal
Tyagaraja
52. Marga is an important part of
Dasa Prana
Yati
Kriya
Jati
53. Dikshitar's 'Chandram Bhaja Manasa' is a Kiriti
Nava Varna
Panchalinga Sthala
Nava Graha
None from the given
54. Tiruvasagam was composed by
Arunagirinathar
Manikkavasagar
Annamacharya
Andal
55. Arrange the following in order of Parent scales
Hindolam
Vijaysri
Malaymarutam
Ananda Bhairavi
Codes:
56. Venkatesha Pancharatnam composer
Swati Thirunal
Vina Kuppaiyar
Mahavaidyanatha Iyer
None of the above
57. Which is not a Pancha Dasa Gamaka
Andolita
Tribhinna
Ahata
Tripuscha
58. Kavi Kunjara Bharati has composed
Daru
Todaya Mangalam
Ashtap di
Sarabhendra Bhupala
59. Match the following
I. Janani Pahisada 1. Patnam Subramanyam Iyer
II. Aparad-hamulan 2. Navagraha Kriti
III. Smaramyaham 3. Navaratri Kriti
IV. Svara ragasudha 4. Tyagaraja
Codes
I II III IV
3 1 2 4
2 4 1 3
3 4 1 2
1 2 4 3
60. Assertion Devotion and Music have traversed together since time immemorial.
Reason Vedas glorify Gods.
Codes
Both and are true.
is true, is false.
is false, is true.
Both and are false.
61. Write the correct sequencing
Raga Vibodha, Sangita Ratnakara, Swaramela Kalanidhi, Chaturdandi Prakasika, Dattilam.
Dattilam, Chaturdandi Prakashika, Sangita Ratnakara, Raga Vibodha.
Sangita Ratnakara, Dattilam, Swaramela Kalanidhi, Chaturdandi Prakashika.
Dattilam, Sangita Ratnakara, Swaramela Kalanidhi, Chaturdandi Prakashika.
62. Padam 'Aliveni Entu Chaiwo' is composed by
Kshetregna
Swati Tirunal
Irayimman Tampi
Annamacharya
63. Match the following
I. Navavarna 1. Kanchipuram
II. Lalgudi Pancharatna 2. Swati Thirunal
III. Utsava Prabandham 3. Dikishitar
IV. Panchalinga Sthala 4. Tyagaraja
Codes
I II III IV
2 4 3 1
3 4 2 1
3 4 1 2
1 3 2 4
64. Papanasa Sivan composed
Marivere dikyavaru
Ma ramanan
Gopalaka pahimam
None of the above
65. Sadir Nritya is known as
Bhartanatyam
Mohiniyattam
Kuchipudi
Kavadi Chindu
66. Composer of Melaragamaleka
Patnam Subramanyam Iyer
Maha vaidyanatha Iyer
Maha vishwanatha Iyer
Madhurai Mani Iyer
67. Assertion Tanjore Vina is also known as the Saraswati Vina.
Reasoning Vina and Yazh developed side by side.
Codes
Both are false.
is true, is false.
is false, is true.
Both and are true.
68. 'Sita Rama Vijayam' of Tyagaraja is a
Kriti
Opera
Utsava Sampradaya Kriti
Bhajana
69. Tillana Daru is a
Divyanama Kirtana
Samkirtana
Misra Prabandha
Ugabhoga
70. Vijaya Raghava Pancharatna's composer is
Kshetregna
Annamacharya
Narayana Tirthar
Tyagaraja
71. Annamacharya's composition are also known as
Srinagara Kirtanas
Churnikas
Dandakams
Daru
72. Rudra Veena is also known as
Saraswati Veena
Mahati Veena
Yazh
None of the above
73. Tanjore Krishna Bhagavatar was famous for
Kalakshepam
Dandakam
Pallavi
Padam
74. 'Chetasri' in Dvijavanti is modelled after
Khayal
Tappa
Dhrupad
Abhang
75. Prathamanga and Dvitiyanga are parts of
Raga alapana
Varnam
Kuravanji
Rága Tanam Pallavi
51. Which was created by Tagore in divisions
Jhampak
Khemta
Rupak
Rupakda
52. 'Marana re, Tuhu mama Shyam Saman' song is from which opera
Valmiki Pratibha
Bhanu Singher Padabali
Kal Mrigaya
Mayar Khela
53. To whom Tagore mentioned as 'the curator of all of my songs'
Abanindranath
Dwijendranath
Dinendranath
Sourindranath
54. Mention the style of the following Rabindra Sangeet Compositions 'Amar Mallika Bane' …or 'Sakhi Bahe Gelo Bela…..'
Baul
Lok Geet
Kirtan
Thumri
55. Which one of the following mishraraga was not created by Tagore for his composition
Kafi-Kanda
Sohini-Kalingra
Bhup-Kalyan
Pilu-Barwa
56. Which type of singing influenced Tagore mostly in his compositions
Khyal
Thumri
Dhrupad
Lok-Geet
57. 'Tomar Geeti, Jagalo Smriti' belongs to which category of Rabindra Sangeet
Prakriti
Prem
Puja
Baul
58. Who was the author of the book 'Rabindra-Smriti'
Amiya Tagore
Sahana Devi
Indira Devi Choudhurani
Kanak Biswas
59. The following songs are based on which raga
Majhe Majhe Taba Dekha Pai
Achho Antare Chirodin
Bendhechho Premer
Pratidin Ami He
Codes
Gaud Mallhar
Khamaj
Kedara
Kafi
60. The song 'Simar Majhe Asim Tumi' is based on which raga
Jai Jayanti
Todi
Chhayanat
Paraj
61. The song 'Aji Pranami Tomare…' is based on which raga
Paraj
Bibhas
Bihagada
Bhairavi
62. Which 'Gharana' or style of Hindustani vocal tradition influenced Tagore mostly in his compositions
Banaras Gharana
Kirana Gharana
Gwalior Gharana
Vishnupur Gharana
63. Which 'Prohibited note' was used in his composition 'Tomaro Ashime' in raga by Tagore
Komal
Komal
Komal
Komal
64. According to the Tagore, which one is the correct division for accompaniment with Rabindra Sangeet in 'Ada-Chautal'
2 2 2 2 2 2 2
2 3 2 2 3 2
2 4 4 4
3 2 2 3 2 2
65. According to the Tagore, how many divisions are in Sur-faktal
3
4
5
2
66. How many songs were not composed by Rabindranath in 'Geetanjali' out of a total 157 number of songs
57
61
71
76
67. Which of the following is being used to play Esraj
Plectrum
Java
Stick
Bow
68. Who used to make suitable lyrics to Jyotirindranath's compositions other than Rabindranath
Nabo Gopal Mitra
Akshay Choudhury
Indira Devi
Radhika Prasad Goswami
69. How many were included in 'Bhanu Singher Padabali'
42
32
22
18
70. Match the following Talas in terms of their total number of
I. Ektal Ada-Chautal
II. Teental Khemta
III. Jat Tal Madhyaman
IV. Dhamar Rupakda
Codes
I II III IV
71. Who was felicitated by Rabindranath with the title 'Swar Saraswati'
Jadu Bhatt
Gyanendra Prasad Goswami
Gopeswar Bandopadhayay
Radhika Prasad Goswami
72. Who was the teacher of Sourindra Mohan Tagore and Kali Prasanna Bandopadhayay
Gyanendra Prasad Goswami
Radhika Prasad Goswami
Kshetra Mohan Goswami
Girija Shankar Chakravarthy
73. 'Tumi Sandhyar Megha Mala …'song is based on which Tal
Ektal
Kaharwa
Kawali
Teental
74. 'Naba Anande Jago' song is based on which raga
Todi
Gurjari Todi
Bhairavi
Asavari
75. Mor Debata based on which Tal
Jhaptal
Sur-faktal
Teental
Ektal
51. Aadi-Deva of Avanaddha Vadyas
Brahma
Vishnu
Mahesh
Ganesh
52. The percussion instrument used with 'Lawani' of Maharashtra is
Changa
Upanga
Dholak
Naal
53. The fraction depicting Layakari of Ku-aad
3/4
5/4
7/4
9/4
54. Assertion(A) The mukh (basic) of Quaida is played in dugun/chougun and after improvisations it ends with a Tihai.
Reason Because Quaida is a non-expandable composition.
Codes
correct, wrong.
correct, correct.
wrong, correct.
wrong, wrong.
55. Lakshan of Shatpitaputraka Tal is
<img src='./qimages/2-55A.jpg'>
<img src='./qimages/2-55B.jpg'>
<img src='./qimages/2-55C.jpg'>
<img src='./qimages/2-55D.jpg'>
56. Alla Rakkha Khan belongs to Gharana of
Delhi
Lucknow
Farukhabad
Punjab
57. On which part Varna is played of 'Dhumakit'
Chaanti
Syahi
Lava
Gajara
58. Tabla player who was famous for composing jodas of Gat
Haji Vilayat Ali
Salari Miyan
Sidhar Khan
Gudai Maharaj
59. A phrase of tabla syllables played three times is called
Tihai
Chakradar
Gat
Theka
60. Artist who had command equally over Tabla and Pakhawaj both
Laljee Gokhale
Ismail Daddukhan
Prem Vallabha
Rosevel Layal
61. First well-known lady tabla player
Dr. Yogmaya Shukla
Dr. Aban E.Mistri
Rimpa Shiva
Anuradha Pal
62. Match the following
List I List II
i. Guitar 1. Budhaditya Mukherjee
ii. Sitar 2. V.G. Jog
iii. Violin 3. Brij Bhushan Kabra
iv. Shehnai 4. Jagannath Pacheriwal
Codes
i ii iii iv
2 4 3 1
3 2 4 1
3 1 4 2
3 1 2 4
63. The form of Rupak tal in Karnatak system
<img src='./qimages/2-63.jpg'>
64. Composition played in uninterrupted flow set in fast tempo
Peshkar
Rela
Bant of Theka
Tihai
65. Tilwada Theka accompanies the singing style of
Thumri
Ghazal
Bada Khyal
Chhota Khyal
66. Awap is a
Nibaddha Kriya
Nishabd Kriya
Sashabd Kriya
Alap-gan
67. Total number of Dha and Dhin syllables are used in the Theka of Trital
6 Dha 6 Dhin
7 Dha 7 Dhin
7 Dha 6 Dhin
6 Dha 7 Dhin
68. Taal having four talies and three khaleis
Chautaal
Ada-Chautaal
Vasant Taal
Ek-Taal
69. Raja Chhatrapati Singh played
Tabla
Pakhawaj
Nakkara
Dukkada
70. Ustad Haji Vilayat Ali was the founder of which Gharana of Tabla
Delhi
Punjab
Lucknow
Farukhabad
71. To set Jhaptaal in the span of Ektaal (From Sam to Sam) causing layakari of
5/6
6/5
5/4
6/4
72. Gopuchha is a kind of
Jati
Gati
Graha
Yati
73. A small and attractive composition on Tabla to catch the sam.
Tukda
Mukhada
Gat
Tihai
74. Writer of the book "Pakhawaj Aur Tabla Ke Gharane Avam Paramparaen'
Yogmaya Shukla
Aban E. Mistri
Madhukar Ganesh Godbole
Girish Chandra Srivastava
75. Writer of the book 'Mridanga-Sagar'
Ghanshyam Das
Purushotam Das
Bhagwan Das
Gopal Das
Pt. Brij Bhushan Kabra
Pt. Vishva Mohan Bhatt
Pt. Varun Kumar Pal
Nalin Kant Mukherjee
2. Correct Bols of Maseetkhani Gat are
Dir Dir Da Dir Da Ra Da Ra
Da Dir Dir Dir Da Dir Da Ra
Dir Da Dir Da Ra Da Da Ra
Dir Da Dir Da Ra Da Ra Da
3. Ravanhattha is a folk instrument of
Punjab
Kerala
Madhya Pradesh
Rajasthan
4. How many are mentioned in 'Sangeet Ratnakar'
8
4
6
5
5. Which of the following is a famous dance of Manipur
Navkuchiya
Teratali
Natuvangam
Laiharoba
6. Which of the following is a famous Oddissi dancer
Sitara Devi
Charan Girdhar
Kumudini Lakhiya
Kelucharan
7. Which term was used for orchestra, in Bharat Muni's Natyashastra
Vitat
Mandal
Krushtha
Kutap
8. As per Hindustani Music, what is the required interval between and 'Samvadi'
9/12
10/14
9/13
7/11
9. The conclusive part of 'Thumri' is rendered with
Rela
Kayda
Ladi laggi
Jhala
10. Which of the following musician is famous for Thumri
Saiduddin
Fahimuddin
Riyazuddin
Bindadeen
11. Avirbhav in a raga is meant for which of the following
Beginning of Raga
Soulful presentation
Reinstatement of Raga
Spiritual presentation
12. What is the length of 'Shudha according to Ahobal, as per the method of placing the swaras on the 36" wire of veena
20"
27"
32"
18"
13. Identify the correct order of tuning the four-string Tanpura
Madhya Pa, Tar Sa, Tar Sa, Madhya Sa
Mandra Pa, Madhya Sa, Madhya Sa, Mandra Sa
Mandra Pa, Tar Sa, Tar Sa, Mandra Sa
Madhya Pa,Tar Sa, Tar Sa, Mandra Sa
14. Ustad Faiyaz Khan was an artist of
Agra Gharana
Gwalior Gharana
Atrauli Gharana
Bhendi Bazar Gharana
15. Nandikeshwar is the author of
Raga Tatva Vibodh
Raga Rahasya
Rag Darpan
Abhinaya Darpan
16. Jangda Geet is the folk form of
Gujarat
Punjab
Rajasthan
Uttar Pradesh
17. Vikrit Swar of Bharat
Teevra Tar Ni
Kaushik Ni
Antar Gandhar
Teevratam Dhaivat
18. Dominant chord is formed of
Pa Ni Re
Dha Sa Ni
Ma Dha Sa
Sa Ga Pa
19. Instrument of equally tempered scale
Tanpura
Violin
Guitar
Harmonium
20. What is the basis of classification of Swaras in tempered scale
Major tone
Minor tone
Semi tone
Half tone
21. No.of Sanchari Bhavas
23
13
33
43
22. The main characteristic of Chanda
Varnic
Matric
Matra
Layabaddhata
23. Which music journal is edited by Prof. R.C.Mehta
Chayanut
Sangeet Masik
Kala Saurabh
Journal of Indian Musicological Society
24. Bilawal as Shuddha Swar Saptak was first recognized in
Chaturdandi Prakashika
Nagmate Aasfi
Sangeet Sar
Sangeet Kalpdrum
25. Chenda is an instrument
Cymbal
Wind
Percussion
Melodic
26. Musical form similar to Jawalli
Padam
Kriti
Tillana
Daru
27. Jyakara invented the
Dundubhi
Veena
Ancient Harp
Flute
28. Rag Bhairav corresponds to
Mayamalavagoula
Saveri
Bhupalam
Sriranjini
29. Jiva Svaras are
Raga Chaya Svaras
Nyasa Svaras
Amsa Svaras
None of the above
30. Misra Chapu Tala has
9 aksharakalas
6 aksharakalas
7 aksharakalas
8 aksharakalas
31. With which style of singing TAAL' is used
Dhrupad
Khayal
Thumari
Tappa
32. Writer of the book 'Bhartiya Taalon ka Shashtriya Vivechan'
Dr. Lal Mani Mishra
Dr. Arun Kumar Sen
Acharya K.C.D. Brihaspati
Dr. Avan E. Mistri
33. Composition with Tihayee played three times
Tihayee
Tukada
Rela
Chakradar
34. The Book in which word is used for the first time
Radha Govinda Sangeet Sar
Sarmaye Isharat
Sangeet Naad Vinoda
Sangeet Kaladhar
35. Writer of the book
Arvinda Mukherjee
Arvinda Sharma
Arvinda Mulgaonkar
Arvinda Azad
36. In which Swar should Tabla be tuned for accompaniment
Gandhar
Madhyama
Pancham
Shadaj
37. Which style of singing is adorned with PARANAS
Dhrupad
Khayal
Thumari
Tappa
38. Which TAAL of Karnatak Taal system is depicted by the symbol of 101
Dhruva Taal
Roopak Taal
Mathya Taal
Ek Taal
39. Most expandable composition of Tabla
Quiada
Tukada
Mohara
Kamali Chakradar
40. Match the following
List I List II
Zakir Hussain 1. Vazid Hussain
Kumarlal 2. Kishan Maharaj
Afak Hussain 3. Allarakha Khan
Pooran Maharaj 4. Gudai Maharaj
Codes
3 1 2 4
3 2 1 4
3 4 1 2
3 2 4 1
41. Who was not appointed as music teacher in the Tagore family
Srikantha Singh
Vishnu Chakravarti
Jadu Bhatta
Ramshankar Bhattacharya
42. Who was the second son of Maharshi Devendranath
Jyotirindranath
Satyandranath
Hemendranath
Rabindranath
43. Tagore family originally came from which place of 'Bangladesh'
Maimansingh
Chattagram
Dhaka
Jashore
44. What was the original surname of 'Tagore' before coming to Kolkata
Dishari
Kushari
Dastidar
Tripathi
45. Which song was composed by Rabindranath following his elder brother Jyotirindranath's Antaryami, Trahi
Kon Sundar Hote Amar
Anander-I Sagar Hote
E Parabase Robe Ke Hai
Sakal Garba Dur Kori Dibo
46. Which percussion instrument is being used for accompaniment with Rabindra Sangeet
Sarangi
Esraj
Mandira
Sri Khol
47. Mention the name of Rabindra opera with a story related to Dasarath, king of Ayodhya Rishi Kumar
Mayar Khela
Bhanu Singher Padavali
Kal Mrigaya
Chitrangada
48. Which one is the first of 'Bhanu Singher Padavali'
Bose Achhi He Kobe
Gahan Kusuma Kunja Mojhe
Sono Tar Sudha Vani
Sansare Tumi Rakhile
49. Which author is known for Ashtapadi
Vyankatmukhi
Jaydeva
Ramamatya
Lochan
50. What is the term for playing Tala on hand
Panivadak
Udgata
Veenavadak
Vitatvadak
51. Main Singer of Samveda is known as
Pratiharta
Trigata
Samvachik
Udgata
52. Arrange the following forms in chronological order
Rika Khayal
Salagsuda Dhrupad
Dhruva
2
2
2
3
53. Which of the following represents 'Mewati Gharana'
Joti Ram Moti Ram
Chhannu Lal Mishra Sen
Rajan Mishra Sajan Mishra
Surinder Singh Tejendar Singh
54. The title 'Gana Saraswati' was bestowed upon Sushri Kishori Amonkar by
Ragasheela Saraswati
Dayanand Saraswati
Naad Saraswati
Jagatguru Mahaswamiji of Shringeri Muth
55. Haveli Sangeet falls under which musical form
Dhrupad
Khyal
Thumari
Tappa
56. Which of the following is the biggest centre of Haveli-Sangeet at present
Mathura
Gokul
Nathdwara
Jaipur
57. Following Swara combination is of which Raga
Ma Dha Ni Dha a Ga
Maru Bihag
Hindol
Kamod
Multani
58. Following Swara combination is of which Raga
Ni Sa Ga Ma Pa Dha Pa
Bhimplasi
Bhairavi
Multani
Bilaskhani Todi
59. Write down the names of the following Scholars in chronological order
Parshwadev Sharangdev
Matang Ahobal
Codes
60. Name the pair of playback singers in the film 'Sur-Sangam'
Gundecha Brothers
Salamat Ali-Nazakat Ali
Rajan-Sajan Mishra
Singh Brothers
61. How many Brahamans are there in Samveda
6
8
7
9
62. Ranayani branch is related to
Atharavveda
Yajurveda
Samveda
None of these
63. The author of 'Pranav Bharati' is
V.N. Bhatkhande
Bholanath Bhatt
Omkarnath Thakkur
Ramashraya Jha
64. According to Solfa Notation system the swaras are known as
Sa, Re, Ga, Ma, Pa, Dha, Ni
B
7
Do, Re, Me, Fa, Sol, La, Si
65. Which is the most suitable combination representing Malhar Ang is
Re Ga Re Sa
Ma Re Re Pa
Pa Ga Ma Re Sa
Dha Ni Re Sa
66. Who was the son of Alladia Khan
Haddu Khan
Manji Khan
Mohammad Khan
Ali Akbar Khan
67. Acharya K.C.D. Brahaspati belonged to which Gharana
Kirana
Rampur
Gwalior
Agra
68. Raga of Kalyan thaat having Rishabh Vadi
Shuddha Kalyan
Chayanut
Kamod
Yaman Kalyan
69. Which combination of Ragas belongs to Deogiri Bilawal
Kalyan Shuddha Kalyan Nat.
Saranga Desh Kalyan.
Bilawal Kalyan Shuddha Kalyan.
Khamaj Kalyan Malhar.
70. Who is the author of "Gharandar Gayaki"
S.N. Ratanjankar
Vaman Rao Deshpande
Dr. Thakur Jaidev Singh
Dr. Subhadra Chowdhury
71. Which musician of the films sang "Hori Ayi Re Kanhai Rang Barse, Suna De Jara Bansuri"
Lata Mangeshkar
Asha Bhonsle
Suman Kalyanpur
Shamshad Begum
72. Name the Kuchipudi Dancer
Sonal Mansingh
Swapna Sundari
Shashwati Sen
Kiran Sehgal
73. Author of "Kala Nidhi Grantha"
Govind Dixit
Parshvadeva
Someshwar
Kallinath
74. Author of "Music of Hindustan"
William Johns
Fox Strangeways
E. Clements
N. Augustus Williard
75. Who edited "Sahsaras" Grantha
Krishnanand Vyas
Dr. Premlata Sharma
Parshvadeva
Bhatta Shubhankar
51. Thiruvattiyur Pancharatna
Dikshitar
Shyama Shastri
Swati Thirunal
Tyagaraja
52. Marga is an important part of
Dasa Prana
Yati
Kriya
Jati
53. Dikshitar's 'Chandram Bhaja Manasa' is a Kiriti
Nava Varna
Panchalinga Sthala
Nava Graha
None from the given
54. Tiruvasagam was composed by
Arunagirinathar
Manikkavasagar
Annamacharya
Andal
55. Arrange the following in order of Parent scales
Hindolam
Vijaysri
Malaymarutam
Ananda Bhairavi
Codes:
56. Venkatesha Pancharatnam composer
Swati Thirunal
Vina Kuppaiyar
Mahavaidyanatha Iyer
None of the above
57. Which is not a Pancha Dasa Gamaka
Andolita
Tribhinna
Ahata
Tripuscha
58. Kavi Kunjara Bharati has composed
Daru
Todaya Mangalam
Ashtap di
Sarabhendra Bhupala
59. Match the following
I. Janani Pahisada 1. Patnam Subramanyam Iyer
II. Aparad-hamulan 2. Navagraha Kriti
III. Smaramyaham 3. Navaratri Kriti
IV. Svara ragasudha 4. Tyagaraja
Codes
I II III IV
3 1 2 4
2 4 1 3
3 4 1 2
1 2 4 3
60. Assertion Devotion and Music have traversed together since time immemorial.
Reason Vedas glorify Gods.
Codes
Both and are true.
is true, is false.
is false, is true.
Both and are false.
61. Write the correct sequencing
Raga Vibodha, Sangita Ratnakara, Swaramela Kalanidhi, Chaturdandi Prakasika, Dattilam.
Dattilam, Chaturdandi Prakashika, Sangita Ratnakara, Raga Vibodha.
Sangita Ratnakara, Dattilam, Swaramela Kalanidhi, Chaturdandi Prakashika.
Dattilam, Sangita Ratnakara, Swaramela Kalanidhi, Chaturdandi Prakashika.
62. Padam 'Aliveni Entu Chaiwo' is composed by
Kshetregna
Swati Tirunal
Irayimman Tampi
Annamacharya
63. Match the following
I. Navavarna 1. Kanchipuram
II. Lalgudi Pancharatna 2. Swati Thirunal
III. Utsava Prabandham 3. Dikishitar
IV. Panchalinga Sthala 4. Tyagaraja
Codes
I II III IV
2 4 3 1
3 4 2 1
3 4 1 2
1 3 2 4
64. Papanasa Sivan composed
Marivere dikyavaru
Ma ramanan
Gopalaka pahimam
None of the above
65. Sadir Nritya is known as
Bhartanatyam
Mohiniyattam
Kuchipudi
Kavadi Chindu
66. Composer of Melaragamaleka
Patnam Subramanyam Iyer
Maha vaidyanatha Iyer
Maha vishwanatha Iyer
Madhurai Mani Iyer
67. Assertion Tanjore Vina is also known as the Saraswati Vina.
Reasoning Vina and Yazh developed side by side.
Codes
Both are false.
is true, is false.
is false, is true.
Both and are true.
68. 'Sita Rama Vijayam' of Tyagaraja is a
Kriti
Opera
Utsava Sampradaya Kriti
Bhajana
69. Tillana Daru is a
Divyanama Kirtana
Samkirtana
Misra Prabandha
Ugabhoga
70. Vijaya Raghava Pancharatna's composer is
Kshetregna
Annamacharya
Narayana Tirthar
Tyagaraja
71. Annamacharya's composition are also known as
Srinagara Kirtanas
Churnikas
Dandakams
Daru
72. Rudra Veena is also known as
Saraswati Veena
Mahati Veena
Yazh
None of the above
73. Tanjore Krishna Bhagavatar was famous for
Kalakshepam
Dandakam
Pallavi
Padam
74. 'Chetasri' in Dvijavanti is modelled after
Khayal
Tappa
Dhrupad
Abhang
75. Prathamanga and Dvitiyanga are parts of
Raga alapana
Varnam
Kuravanji
Rága Tanam Pallavi
51. Which was created by Tagore in divisions
Jhampak
Khemta
Rupak
Rupakda
52. 'Marana re, Tuhu mama Shyam Saman' song is from which opera
Valmiki Pratibha
Bhanu Singher Padabali
Kal Mrigaya
Mayar Khela
53. To whom Tagore mentioned as 'the curator of all of my songs'
Abanindranath
Dwijendranath
Dinendranath
Sourindranath
54. Mention the style of the following Rabindra Sangeet Compositions 'Amar Mallika Bane' …or 'Sakhi Bahe Gelo Bela…..'
Baul
Lok Geet
Kirtan
Thumri
55. Which one of the following mishraraga was not created by Tagore for his composition
Kafi-Kanda
Sohini-Kalingra
Bhup-Kalyan
Pilu-Barwa
56. Which type of singing influenced Tagore mostly in his compositions
Khyal
Thumri
Dhrupad
Lok-Geet
57. 'Tomar Geeti, Jagalo Smriti' belongs to which category of Rabindra Sangeet
Prakriti
Prem
Puja
Baul
58. Who was the author of the book 'Rabindra-Smriti'
Amiya Tagore
Sahana Devi
Indira Devi Choudhurani
Kanak Biswas
59. The following songs are based on which raga
Majhe Majhe Taba Dekha Pai
Achho Antare Chirodin
Bendhechho Premer
Pratidin Ami He
Codes
Gaud Mallhar
Khamaj
Kedara
Kafi
60. The song 'Simar Majhe Asim Tumi' is based on which raga
Jai Jayanti
Todi
Chhayanat
Paraj
61. The song 'Aji Pranami Tomare…' is based on which raga
Paraj
Bibhas
Bihagada
Bhairavi
62. Which 'Gharana' or style of Hindustani vocal tradition influenced Tagore mostly in his compositions
Banaras Gharana
Kirana Gharana
Gwalior Gharana
Vishnupur Gharana
63. Which 'Prohibited note' was used in his composition 'Tomaro Ashime' in raga by Tagore
Komal
Komal
Komal
Komal
64. According to the Tagore, which one is the correct division for accompaniment with Rabindra Sangeet in 'Ada-Chautal'
2 2 2 2 2 2 2
2 3 2 2 3 2
2 4 4 4
3 2 2 3 2 2
65. According to the Tagore, how many divisions are in Sur-faktal
3
4
5
2
66. How many songs were not composed by Rabindranath in 'Geetanjali' out of a total 157 number of songs
57
61
71
76
67. Which of the following is being used to play Esraj
Plectrum
Java
Stick
Bow
68. Who used to make suitable lyrics to Jyotirindranath's compositions other than Rabindranath
Nabo Gopal Mitra
Akshay Choudhury
Indira Devi
Radhika Prasad Goswami
69. How many were included in 'Bhanu Singher Padabali'
42
32
22
18
70. Match the following Talas in terms of their total number of
I. Ektal Ada-Chautal
II. Teental Khemta
III. Jat Tal Madhyaman
IV. Dhamar Rupakda
Codes
I II III IV
71. Who was felicitated by Rabindranath with the title 'Swar Saraswati'
Jadu Bhatt
Gyanendra Prasad Goswami
Gopeswar Bandopadhayay
Radhika Prasad Goswami
72. Who was the teacher of Sourindra Mohan Tagore and Kali Prasanna Bandopadhayay
Gyanendra Prasad Goswami
Radhika Prasad Goswami
Kshetra Mohan Goswami
Girija Shankar Chakravarthy
73. 'Tumi Sandhyar Megha Mala …'song is based on which Tal
Ektal
Kaharwa
Kawali
Teental
74. 'Naba Anande Jago' song is based on which raga
Todi
Gurjari Todi
Bhairavi
Asavari
75. Mor Debata based on which Tal
Jhaptal
Sur-faktal
Teental
Ektal
51. Aadi-Deva of Avanaddha Vadyas
Brahma
Vishnu
Mahesh
Ganesh
52. The percussion instrument used with 'Lawani' of Maharashtra is
Changa
Upanga
Dholak
Naal
53. The fraction depicting Layakari of Ku-aad
3/4
5/4
7/4
9/4
54. Assertion(A) The mukh (basic) of Quaida is played in dugun/chougun and after improvisations it ends with a Tihai.
Reason Because Quaida is a non-expandable composition.
Codes
correct, wrong.
correct, correct.
wrong, correct.
wrong, wrong.
55. Lakshan of Shatpitaputraka Tal is
<img src='./qimages/2-55A.jpg'>
<img src='./qimages/2-55B.jpg'>
<img src='./qimages/2-55C.jpg'>
<img src='./qimages/2-55D.jpg'>
56. Alla Rakkha Khan belongs to Gharana of
Delhi
Lucknow
Farukhabad
Punjab
57. On which part Varna is played of 'Dhumakit'
Chaanti
Syahi
Lava
Gajara
58. Tabla player who was famous for composing jodas of Gat
Haji Vilayat Ali
Salari Miyan
Sidhar Khan
Gudai Maharaj
59. A phrase of tabla syllables played three times is called
Tihai
Chakradar
Gat
Theka
60. Artist who had command equally over Tabla and Pakhawaj both
Laljee Gokhale
Ismail Daddukhan
Prem Vallabha
Rosevel Layal
61. First well-known lady tabla player
Dr. Yogmaya Shukla
Dr. Aban E.Mistri
Rimpa Shiva
Anuradha Pal
62. Match the following
List I List II
i. Guitar 1. Budhaditya Mukherjee
ii. Sitar 2. V.G. Jog
iii. Violin 3. Brij Bhushan Kabra
iv. Shehnai 4. Jagannath Pacheriwal
Codes
i ii iii iv
2 4 3 1
3 2 4 1
3 1 4 2
3 1 2 4
63. The form of Rupak tal in Karnatak system
<img src='./qimages/2-63.jpg'>
64. Composition played in uninterrupted flow set in fast tempo
Peshkar
Rela
Bant of Theka
Tihai
65. Tilwada Theka accompanies the singing style of
Thumri
Ghazal
Bada Khyal
Chhota Khyal
66. Awap is a
Nibaddha Kriya
Nishabd Kriya
Sashabd Kriya
Alap-gan
67. Total number of Dha and Dhin syllables are used in the Theka of Trital
6 Dha 6 Dhin
7 Dha 7 Dhin
7 Dha 6 Dhin
6 Dha 7 Dhin
68. Taal having four talies and three khaleis
Chautaal
Ada-Chautaal
Vasant Taal
Ek-Taal
69. Raja Chhatrapati Singh played
Tabla
Pakhawaj
Nakkara
Dukkada
70. Ustad Haji Vilayat Ali was the founder of which Gharana of Tabla
Delhi
Punjab
Lucknow
Farukhabad
71. To set Jhaptaal in the span of Ektaal (From Sam to Sam) causing layakari of
5/6
6/5
5/4
6/4
72. Gopuchha is a kind of
Jati
Gati
Graha
Yati
73. A small and attractive composition on Tabla to catch the sam.
Tukda
Mukhada
Gat
Tihai
74. Writer of the book "Pakhawaj Aur Tabla Ke Gharane Avam Paramparaen'
Yogmaya Shukla
Aban E. Mistri
Madhukar Ganesh Godbole
Girish Chandra Srivastava
75. Writer of the book 'Mridanga-Sagar'
Ghanshyam Das
Purushotam Das
Bhagwan Das
Gopal Das
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