PAPER-III MUSIC Signature and Name of Invigilator
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(Signature) OMR Sheet No. ............................................... (To be filled by the Candidate)

(Name)
Roll No.


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(Name) Roll (In words)
D

Time 2 1/2 hours] [Maximum Marks 150
Number of Pages in this Booklet 32 Instructions for the Candidates
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Write your roll number in the space provided on the top of this page.

2.
This paper consists of seventy five multiple-choice type of questions.

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Number of Questions in this Booklet 75
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1.
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2.
‡ÃÖ ¯ÖÏ¿®Ö-¯Ö¡Ö ´Öë ¯Ö"ÖÆü¢Ö¸ü ²ÖÆãü×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æïü …

3.
¯Ö¸üßõÖÖ ¯ÖÏÖ¸ü´³Ö ÆüÖê®Öê ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ †Ö¯ÖÛúÖê ¤êü ¤üß •ÖÖµÖêÝÖß … ¯ÖÆü»Öê ¯ÖÖÑ"Ö ×´Ö®Ö™ü †Ö¯ÖÛúÖê ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê ŸÖ£ÖÖ ˆÃÖÛúß ×®Ö´®Ö×»Ö×ÜÖŸÖ

•ÖÖÑ"Ö Ûêú ×»Ö‹ פüµÖê •ÖÖµÖëÝÖê, וÖÃÖÛúß •ÖÖÑ"Ö †Ö¯ÖÛúÖê †¾Ö¿µÖ Ûú¸ü®Öß Æîü

¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê Ûêú ×»Ö‹ ˆÃÖÛêú Ûú¾Ö¸ü ¯Öê•Ö ¯Ö¸ü »ÖÝÖß ÛúÖÝÖ•ÖÛúß ÃÖᯙ ÛúÖê ±úÖ›Ìü »Öë … ÜÖã»Öß Æãü‡Ô µÖÖ ×²Ö®ÖÖ Ã™üßÛú¸ü-ÃÖᯙ Ûúß ¯Öã×ßÖÛúÖ Ã¾ÖßÛúÖ¸ü Ûú¸ëü …


Ûú¾Ö¸ü ¯Öéšü ¯Ö¸ü "û¯Öê ×®Ö¤ìü¿ÖÖ®ÖãÃÖÖ¸ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ Ûêú ¯Öéšü ŸÖ£ÖÖ¯ÖÏ¿®ÖÖë Ûúß ÃÖÓܵÖÖ ÛúÖê †""ûß ŸÖ¸üÆü "ÖîÛú Ûú¸ü »Öë ×Ûú µÖê ¯Öæ¸êü Æïü … ¤üÖêÂÖ¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ ×•Ö®Ö´Öë ¯Öéšü/¯ÖÏ¿®Ö Ûú´Ö ÆüÖë µÖÖ ¤ãü²ÖÖ¸üÖ †Ö ÝÖµÖê ÆüÖë µÖÖ ÃÖß׸üµÖ»Ö ´Öë ÆüÖë †£ÖÖÔŸÖË ×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü Ûúß ¡Öã×™ü¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ Ã¾ÖßÛúÖ¸ü Ûú¸ëü ŸÖ£ÖÖ ˆÃÖß ÃÖ´ÖµÖ ˆÃÖê »ÖÖî™üÖÛú¸ü ˆÃÖÛêú ãÖÖ®Ö ¯Ö¸ü ¤æüÃÖ¸üß ÃÖÆüß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ »Öê »Öë …


‡ÃÖÛêú ×»Ö‹ †Ö¯ÖÛúÖê ¯ÖÖÑ"Ö ×´Ö®Ö™ü פüµÖê •ÖÖµÖëÝÖê … ˆÃÖÛêú ²ÖÖ¤ü ŸÖÖê †Ö¯ÖÛúß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¾ÖÖ¯ÖÃÖ »Öß •ÖÖµÖêÝÖß †Öî¸ü Æüß †Ö¯ÖÛúÖê
†×ŸÖ׸üŒŸÖ ÃÖ´ÖµÖ ×¤üµÖÖ •ÖÖµÖêÝÖÖ …
‡ÃÖ •ÖÖÑ"Ö Ûêú ²ÖÖ¤ü OMR ¯Ö¡ÖÛú Ûúß ÛÎú´Ö ÃÖÓܵÖÖ ‡ÃÖ ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ¯Ö¸ü †Ó×ÛúŸÖ Ûú¸ü ¤ëü …

4.
¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ×»Ö‹ "ÖÖ¸ü ˆ¢Ö¸ü ×¾ÖÛú»¯Ö ŸÖ£ÖÖ ×¤üµÖê ÝÖµÖê Æïü … †Ö¯ÖÛúÖê ÃÖÆüß ˆ¢Ö¸ü Ûêú ¾Öé¢Ö ÛúÖê ¯Öê®Ö ÃÖê ³Ö¸üÛú¸ü ÛúÖ»ÖÖ Ûú¸ü®ÖÖ Æîü


•ÖîÃÖÖ ×Ûú ®Öß"Öê פüÜÖÖµÖÖ ÝÖµÖÖ Æîü …
ˆ¤üÖÆü¸üÞÖ
•Ö²Ö×Ûúú(C) ÃÖÆüß ˆ¢Ö¸ü Æîü …

5.
¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü Ûêú¾Ö»Ö ¯ÖÏ¿®Ö ¯Öã×ßÖÛúÖ Ûêú †®¤ü¸ü פüµÖê ÝÖµÖê OMR ¯Ö¡ÖÛú ¯Ö¸ü Æüß †Ó×ÛúŸÖ Ûú¸ü®Öê Æïü … µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü פüµÖê ÝÖµÖê ¾Öé¢Ö Ûêú †»ÖÖ¾ÖÖ ×ÛúÃÖß †®µÖ ãÖÖ®Ö ¯Ö¸ü ˆ¢Ö¸ü ×"ÖÅ®ÖÖÓ×ÛúŸÖ Ûú¸üŸÖê ŸÖÖê ˆÃÖÛúÖ ´Ö滵ÖÖÓÛú®Ö ®ÖÆüà ÆüÖêÝÖÖ …

6.
†®¤ü¸ü פüµÖê ÝÖµÖê ×®Ö¤ìü¿ÖÖë ÛúÖê ¬µÖÖ®Ö¯Öæ¾ÖÔÛú ¯ÖœÌëü …

7.
Ûú""ÖÖ ÛúÖ´Ö (Rough Work) ‡ÃÖ ¯Öã×ßÖÛúÖ Ûêú †×®ŸÖ´Ö ¯Öéšü ¯Ö¸ü Ûú¸ëü …

8.
µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö Ûêú †»ÖÖ¾ÖÖ †¯Ö®ÖÖ ¸üÖê»Ö ±úÖê®Ö ®Ö´²Ö¸ü µÖÖ ÛúÖê‡Ô ³Öß ‹êÃÖÖ ×"ÖÅ®Ö ×•ÖÃÖÃÖê †Ö¯ÖÛúß ¯ÖÆü"ÖÖ®Ö ÆüÖê ÃÖÛêú, †Ó×ÛúŸÖ Ûú¸üŸÖê Æïü †£Ö¾ÖÖ †³Ö¦ü ³ÖÖÂÖÖ ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê µÖÖ ÛúÖê‡Ô

†®µÖ †®Öã×"ÖŸÖ ÃÖÖ¬Ö®Ö ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê ŸÖÖê ¯Ö¸üßõÖÖ Ûêú ×»ÖµÖê †µÖÖêÝµÖ 'ÖÖê×ÂÖŸÖ ×ÛúµÖê •ÖÖ ÃÖÛúŸÖê Æïü …

9.
†Ö¯ÖÛúÖê ¯Ö¸üßõÖÖ ÃÖ´ÖÖ¯ŸÖ ÆüÖê®Öê ¯Ö¸ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ‹¾ÖÓ ´Öæ»Ö OMR ¯Ö¡ÖÛú×®Ö¸üßõÖÛú ´ÖÆüÖê¤üµÖ ÛúÖê »ÖÖî™üÖ®ÖÖ †Ö¾Ö¿µÖÛú Æîü †Öî¸ü ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ Ûêú ²ÖÖ¤ü ˆÃÖê †¯Ö®Öê ÃÖÖ£Ö ¯Ö¸üßõÖÖ ³Ö¾Ö®Ö ÃÖê ²ÖÖÆü¸ü »ÖêÛú¸ü •ÖÖµÖë … ÆüÖ»ÖÖÓ×Ûú †Ö¯Ö ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ ¯Ö¸ü OMR ¯Ö¡ÖÛú Ûúß ›ãü¯»ÖßÛêú™ü ¯ÖÏ×ŸÖ †¯Ö®Öê ÃÖÖ£Ö »Öê •ÖÖÃÖÛúŸÖê Æïü …

10.
Ûêú¾Ö»Ö ®Öß»Öê/ÛúÖ»Öê ²ÖÖ»Ö ¯¾ÖÖ‡Õ™ü ¯Öê®Ö ÛúÖ Æüß ‡ÃŸÖê´ÖÖ»Ö Ûú¸ëü …

11.
×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü ÛúÖ ÃÖÓÝÖÞÖÛú (Ûîú»ÖÛãú»Öê™ü¸ü) µÖÖ »ÖÖÝÖ ™êü²Ö»Ö †Öפü ÛúÖ ¯ÖϵÖÖêÝÖ ¾ÖÙ•ÖŸÖ Æîü …

12.
ÝÖ»ÖŸÖ ˆ¢Ö¸üÖë Ûêú ×»Ö‹ ÛúÖê‡Ô †ÓÛú ÛúÖ™êü ®ÖÆüà •ÖÖ‹ÑÝÖê …


D-16-12 1 P.T.O.

MUSIC
Paper III

(Hindustani Karnatak Rabindra Sangeet Percussion Instrument Vocal/ Instrumental and Musicology)
Special Instructions
This paper has two parts. Part-I consists of 50 objective questions common to all,
which is compulsory and carries 2 marks each.
Part II has Four sections viz Part II, Part III, Part IV, Part V Hindustani,
Karnatak, Rabindra Sangeet and Percussion Instruments with 25 questions each of 2
marks each. Candidates should select any one of the Part II Part III Part IV Part
V as per his her discipline.

PART I
Hindustani Karnatak Rabindra Sangeet Percussion Instruments Common to all

1. The term is used for which of
5. Which are the two main components of the following
'Sam Veda'
Mukam Sanyukta Niryukta
Textual part of a song

Avahan Avgahan


Dhankshree Geetangi


Matra Archik Gan(D) Murki 6. Which is the correct order for

2. According to ancient scholars the term 'Anuddata', and 'Swarita'
'vipanchi' was used for which of the
respectively

following
Lower, middle, upper Nine string veena Upper, middle, lower Seven string veena Upper, lower, middle Twelve string veena Middle, upper, lower(D) Three string veena 7. Famous Rabindra Sangeet composed in 3. As per the method of placement of Purvi Raga is'swaras' on the 36" wire of veena, Jago mangalo loke what is the place of 'shudha-madhyam' Joto tara tabo aakashe according to Pt. Ahobal

Kar Milan chao birohi(A) 32" 18" Amar man mane na 27" 20" 8. Which Nritya Natya is created by4. and 'Gayatra' Rabindranath to support of Mahatma are used in 'Rigveda' as a synonym of Gandhi's 'Harijan Unmulan Andolan'


Ganesha


Chandalika

Girdhari

Shyama

Gayatri

Shap Mochan

Geet

Natir puja

ÃÖÓÝÖߟÖ

¯ÖÏ¿®Ö¯Ö¡Ö III
×¾ÖÂÖµÖ ×Æü®¤ãßÖÖ®Öß Ûú®ÖÖÔ™üÛú ¸ü¾Öß®¦ü ÃÖÓÝÖßŸÖ †¾Ö®Ö«ü ¾ÖÖª (ÝÖÖµÖ®Ö ¾ÖÖ¤ü®Ö ‹¾ÖÓ ÃÖÓÝÖߟֿÖÖáÖ)
×¾Ö¿ÖêÂÖ ×®Ö¤ìü¿Ö

‡ÃÖ ¯ÖÏ¿®Ö¯Ö¡Ö Ûêú 2 ³ÖÖÝÖ Æïü … ³ÖÖÝÖ I ´Öë 50 ²ÖÆãü×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö •ÖÖê ÃÖ³Öß ¯Ö¸üßõÖÖÙ£ÖµÖÖë Ûêú ×»Ö‹ †×®Ö¾ÖÖµÖÔ Æïü ‹¾ÖÓ
2-2 †ÓÛúÖë Ûêú Æïü …
³ÖÖÝÖ II ÛúÖê "ÖÖ¸ü ÜÖÓ›üÖê ³ÖÖÝÖ II ³ÖÖÝÖ III ³ÖÖÝÖ IV ³ÖÖÝÖ V (×Æü®¤ãüßÖÖ®Öß Ûú®ÖÖÔ™üÛú ¸ü¾Öß®¦ü ÃÖÓÝÖߟÖ

†¾Ö®Ö«ü ¾ÖÖª) ´Öë ×¾Ö³ÖÖ×•ÖŸÖ ×ÛúµÖÖ ÝÖµÖÖ Æîü, ¯ÖÏŸµÖêÛú ³ÖÖÝÖ ´Öë 25-25 ¯ÖÏ¿®Ö 2-2 †ÓÛúÖë Ûêú Æïü … ¯Ö¸üßõÖÖ£Öá ³ÖÖÝÖ II
³ÖÖÝÖ III ³ÖÖÝÖ IV ³ÖÖÝÖ V ´Öë ÃÖê †¯Ö®Öê ×¾ÖÂÖµÖ Ûêú †®ÖãÃÖÖ¸ü ‹Ûú ³ÖÖÝÖ ÛúÖ "ÖµÖ®Ö Ûú¸ëü †Öî¸ü ÃÖ³Öß 25
²ÖÆãü×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü ¤ëü …

³ÖÖÝÖ I
×Æü®¤ãßÖÖ®Öß Ûú®ÖÖÔ™üÛú ¸ü¾Öß®¦ü ÃÖÓÝÖßŸÖ †¾Ö®Ö«ü ¾ÖÖª ÃÖ³Öß Ûêú ×»Ö‹ ÃÖÖ´ÖÖ®µÖ

1. ¿Ö²¤ü ÛúÖ ¯ÖϵÖÖêÝÖ ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖÛêú †£ÖÔ
5. ÃÖÖ´Ö¾Öê¤ü Ûêú ¤üÖê ³ÖÖÝÖ ÛúÖî®Ö ÃÖê Æïü ¯ÖϵÖãŒŸÖ ×ÛúµÖÖ •ÖÖŸÖÖ Æîü
ÃÖÓµÖãŒŸÖ ×®ÖµÖãÔŒŸÖ
´ÖãÛúÖ´Ö †Ö¾ÖÖÆü®Ö †¾ÖÝÖÖÆü®Ö
ÝÖßŸÖ ÛúÖ ÃÖÖ×ÆüŸµÖ †ÓÝÖ
¬Ö®ÖÖŒÁÖß ÝÖߟÖÖÓÝÖß
´ÖÖ¡ÖÖ
†ÖÙ"ÖÛú ÝÖÖ®Ö
´ÖãÛúá

6. ˆ¤üÖ¢Ö, †®Öã¤üÖ¢Ö ‹¾ÖÓ Ã¾Ö׸üŸÖ Ûêú ×»ÖµÖê ×®Ö´®Ö ´Öë ÃÖê ÛúÖî®Ö
ÃÖÖ ÛÎú´Ö ÃÖÆüß Æîü
×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ ¾ÖßÞÖÖ Ûêú ×»ÖµÖê ×ÛúµÖÖ ÝÖµÖÖ

2. ¯ÖÏÖ"Öß®Ö ÝÖÏÓ£ÖÛúÖ¸üÖë Ûêú †®ÖãÃÖÖ¸ü '×¾Ö¯ÖÓ"Öß' ¿Ö²¤ü ÛúÖ ¯ÖϵÖÖêÝÖ

´Ö¬µÖ´Ö, ‰Ñú"ÖÖ


‰Ñú"ÖÖ, ´Ö¬µÖ´Ö, ®Öß"ÖÖ



®ÖÖî ŸÖÓ¡Öß ¾ÖßÞÖÖ


‰Ñú"ÖÖ, ´Ö¬µÖ´Ö

ÃÖ¯ŸÖ ŸÖÓ¡Öß ¾ÖßÞÖÖ

´Ö¬µÖ´Ö, ‰Ñú"ÖÖ, ®Öß"ÖÖ

²ÖÖ¸üÆü ŸÖÓ¡Öß ¾ÖßÞÖÖ


ס֟ÖÓ¡Öß ¾ÖßÞÖÖ


7. ¸üÖÝÖ ¯Öæ¸ü²Öß ¸üÖÝÖÖ×ÁÖŸÖ ¸ü¾Öß®¦ü ÃÖÓÝÖßŸÖ Æîü …
•ÖÖÝÖÖê ´ÖÓÝÖ»ÖÖê »ÖÖêÛêú
þָüÖë Ûúß Ã£ÖÖ¯Ö®ÖÖ Ûúß ×¾Ö×¬Ö Ûêú †®ÖãÃÖÖ¸ü '¿Öã¨ü

3. ¯ÖÓ. †ÆüÖê²Ö»Ö Ûêú †®ÖãÃÖÖ¸ü 36" »ÖÓ²Öê ¾ÖßÞÖÖ Ûêú ŸÖÖ¸ü ¯Ö¸ü
•ÖÖêŸÖÖê ŸÖÖ¸üÖ ŸÖ²ÖÖê †ÖÛúÖ¿Öê
ÛúÖ Ã£ÖÖ®Ö ÛúÆüÖÑ ÆüÖêÝÖÖ

ÛúÖ¸ü ×´Ö»Ö®Ö "ÖÖ†Öê ײָüÆüß

32" 18"


†Ö´ÖÖ¸ü ´ÖÖê®Ö ´ÖÖ®Öê

27" 20"


8. ´ÖÆüÖŸ´ÖÖ ÝÖÖÓ¬Öß Ûêú Æü׸ü•Ö®Ö ˆ®´Öæ»Ö®Ö †ÖÓ¤üÖê»Ö®Ö Ûêú 4. ŠúݾÖê¤ ´Öë ‹¾ÖÓ ÛúÖ ÃÖ´Ö£ÖÔ®Ö ´Öë ¸ü¾Öß®¦ü®ÖÖ£Ö ®Öê ÛúÖî®Ö ÃÖê ®ÖéŸµÖ ®ÖÖ™ËüµÖ Ûú߯ÖϵÖÖêÝÖ ×®Ö´®Ö ´Öë ÃÖê ×ÛúÃÖÛêú ÃÖ´ÖÖ®ÖÖ£ÖÔ ¯ÖϵÖãŒŸÖ Æãü†Ö Æîü
¸ü"Ö®ÖÖ Ûúß £Öß

ÝÖÞÖê¿Ö


"ÖÞ›üÖ×»ÖÛúÖ

×ÝÖ¸ü¬ÖÖ¸üß

¿µÖÖ´ÖÖ

ÝÖÖµÖ¡Öß

¿ÖÖ¯Ö ´ÖÖê"Ö®Ö
ÝÖߟÖ
®Ö™ü߸ü ¯Öæ•ÖÖ

9. The last prabanda which is kept lively even today

Nowka Charitram


Geetgovindam


Nandanar Charitam


Krishnalila Tarangani



10. Tick the correct order of chronology of the following

Geet Govind, Natyashastra, Sangeet Ratnakar


Sangeet Ratnakar, Natyashastra, Geet Govind


Natyashastra, Geet Govind, Sangeet Ratnakar


Natyashastra, Sangeet Ratnakar, Geet Govind



11. The modulation of voice is expressed through

Kaku Laya


Bandish Tala



12. What is the interval between Madhyam and Tar Shadaj

2 3 3 4


4 5 8 9



13. Who is the author of "Music of Hindustan"

William Jones


N. Augustus Williard


E. Clementz


Fox Strangeways



14. Name the famous musicologist

Kishori Amonkar


Prabha Atre


Pt. Jasraj


B.C. Deva



15. What is the name of Odav Scale in western music

Heptatonic Scale


Hexatonic Scale


Natural Scale


Pentatonic scale



16. Match the following List I List II
a.
Siddharam i. Vichitra Jadhav Veena

b.
Vinayak Vora ii. Guitar

c.
Ramesh Prem iii.Taar Shehanai

d.
Brijbhushan iv. Sundari Kabra


Codes
a b c d

iii i ii iv


ii iv iii i


iv iii i ii


i iv ii iii



17. Who introduced Sargam Swarlipi and Sanketic Swarlipi

Maulabaksh


Krishnadhan Bandopadhya


Pt. Vishnu Digamber Paluskar


Pt. Vishnu Narayan Bhatkhande



18. Who introduced the word for the first time in the musical texts

Sharangdev


Matang


Narad


Dattil



9. †Ó×ŸÖ´Ö ¯ÖϲÖÓ¬Ö •ÖÖê †Ö•Ö ³Öß »ÖÖêÛúׯÖ쵅 Æîü

®ÖÖîÛúÖ "Ö׸ü¡Ö´Ö


ÝÖßŸÖ ÝÖÖê×¾Ö®¤ü´Ö


®Ö®¤ü®ÖÖ¸ü "Ö׸üŸÖ´Ö


ÛéúÂÞÖ »Öß»ÖÖ ŸÖ¸Óü×ÝÖ®Öß



10. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÃÖÆüß ¾µÖ¾Ö×Ã£ÖŸÖ ÛÎú´Ö ¯Ö¸ü ×"ÖÅ®Öü »ÖÝÖÖ‡µÖê …

ÝÖßŸÖ ÝÖÖê×¾Ö®¤ü, ®ÖÖ™ËüµÖ¿ÖÖáÖ, ÃÖÓÝÖßŸÖ ¸üŸ®ÖÖÛú¸ü


ÃÖÓÝÖßŸÖ ¸üŸ®ÖÖÛú¸ü, ®ÖÖ™ËüµÖ¿ÖÖáÖ, ÝÖßŸÖ ÝÖÖê×¾Ö®¤ü


®ÖÖ™ËüµÖ¿ÖÖáÖ, ÝÖßŸÖ ÝÖÖê×¾Ö®¤ü, ÃÖÓÝÖßŸÖ ¸üŸ®ÖÖÛú¸ü


®ÖÖ™ËüµÖ¿ÖÖáÖ, ÃÖÓÝÖßŸÖ ¸üŸ®ÖÖÛú¸ü, ÝÖßŸÖ ÝÖÖê×¾Ö®¤ü



11. ¬¾Ö×®Ö ÛúÖ »Ö"Öß»ÖÖ¯Ö®Ö »ÖÖê»ÖŸÖÖ †×³Ö¾µÖŒŸÖ Ûú¸ü®Öê ¾ÖÖ»ÖÖ ŸÖ¢¾Ö

ÛúÖÛãú »ÖµÖ


²ÖÓפü¿Ö ŸÖÖ»Ö



12. ´Ö¬µÖ´Ö †Öî¸ü ŸÖÖ¸ü ÂÖ›Ìü•Ö Ûêú ²Öß"Ö ÛúÖî®Ö ÃÖÖ Ã¾Ö¸üÖ®ŸÖ¸ü Æîü

2 3 3 4


4 5 8 9



13. "´µÖæוÖÛú †Ö±ú ×Æü®¤üÖêßÖÖ®Ö" Ûêú »ÖêÜÖÛú ÛúÖî®Ö Æïü

×¾Ö×»ÖµÖ´Ö •ÖÖê®ÃÖ


‹®Ö. †ÝÖßÖÃÖ ×¾Ö×»ÖµÖ›Ôü


‡Ô. Œ»Öê´ÖêÞ™üÃÖ


±úÖŒÃÖ Ã™Òêü®•Ö¾Öê•Ö



14. ¯ÖÏ×ÃÖ¨ü ÃÖÓÝÖߟֿÖÖáÖß ÛúÖ ®ÖÖ´Ö ²ÖŸÖÖ‡µÖê …

×Ûú¿ÖÖê¸üß †´ÖÖêÞÖÛú¸ü


¯ÖϳÖÖ †Ö¡Öê


¯ÖÓ. •ÖÃÖ¸üÖ•Ö


²Öß.ÃÖß. ¤êü¾ÖÖ



15. ¯ÖÖ¿"ÖÖŸµÖ ÃÖÓÝÖßŸÖ ´Öë †Öî›Ìåü¾Ö •ÖÖ×ŸÖ Ûêú ÃÖ¯ŸÖÛú ÛúÖ ŒµÖÖ ®ÖÖ´Ö Æîü

Æêü¯™üÖ™üÖê×®ÖÛú ÃÛêú»Ö


ÆêüŒÃÖÖ™üÖê×®ÖÛú ÃÛêú»Ö


®Öê"Öã¸ü»Ö ÃÛêú»Ö


¯ÖêÞ™üÖ™üÖê×®ÖÛú ÃÛêú»Ö



16. ÃÖã´Öê×»ÖŸÖ ÛúßוֵÖê ÃÖæ"Öß I ÃÖæ"Öß II
a.
×ÃÖ¨ü¸üÖ´Ö •ÖÖ¬Ö¾Ö i. ×¾Ö×"Ö¡Ö ¾ÖßÞÖÖ

b.
×¾Ö®ÖÖµÖÛú ¾ÖÖê¸üÖ ii. ×ÝÖ™üÖ¸ü

c.
¸ü´Öê¿Ö ¯ÖÏê´Ö iii.ŸÖÖ¸ü ¿ÖÆü®ÖÖ‡Ô

d.
ײÖΕֳÖæÂÖÞÖ ÛúÖ²Ö¸üÖ iv. ÃÖãÓ¤ü¸üß


Ûæú™ü
a b c d

iii i ii iv


ii iv iii i


iv iii i ii


i iv ii iii



17. ÃÖ¸üÝÖ´Ö Ã¾Ö¸ü×»Ö¯Öß †Öî¸ü ÃÖÖÓÛêúןÖÛú þָü×»Ö¯Öß ×ÛúÃÖ®Öê ²Ö®ÖÖ‡Ô

´ÖÖî»ÖÖ²ÖõÖ


ÛéúÂÞÖ¬Ö®Ö ²ÖÓ¤üÖê¯ÖÖ¬µÖÖµÖ


¯ÖÓ. ×¾ÖÂÞÖã פüÝÖ²ÓÖ¸ü ¯Ö»ÖãÃÛú¸ü


¯ÖÓ. ×¾ÖÂÞÖã ®ÖÖ¸üÖµÖÞÖ ³ÖÖŸÖÜÖÓ›êü



18. ÃÖÓÝÖßŸÖ Ûú ÝêÖÏÓ£ÖÖë ´Öë ÃÖ¾ÖÔ¯Ö£ÏÖ´Ö ¿Ö²¤ü ÛúÖ ¯ÖϵÖÖêÝÖ ×ÛúÃÖ®Öê ×ÛúµÖÖ

¿ÖÖ¸ÓüÝÖ¤êü¾Ö


´ÖŸÖÓÝÖ


®ÖÖ¸ü¤ü


¤ü×¢Ö»Ö



19. Who originated the Pushtimarg

Aadi Shankaracharya


Shri Vallabhacharya


Ramamatya


Kumbhandas



20. Singing based on a single note is known as

Samik Gathik


Archic Aaranyak



21. Match the following List I List II
a.
Pt. Ramshrya i. Abhinav Geet Zha Manjiri

b.
Pt. Kumar ii. Bhavarang Gandharv Lahiri

c.
Pt. Balwantrai iii. Abhinav Bhatt Geetanjali

d.
Pt. Annasaheb iv. Anupragvilas Ratanjankar


Codes
a b c d

iii iv ii i


iv ii i iii


ii i iii iv


i iii iv ii



22. Which western sign is used for 1 Matra in Indian music

Minim


Crotchet


Quaver


Breve



23. What is the interval between Gandhar and Madhyam

Major Tone Interval


Minor Tone Interval


Major Sixth Interval


Semi Tone Interval



24. The author of "Sahsaras" Grantha is

Raghunath Bhoop


Krishna Nand Vyas


Jaidev Thakur


Nayak Bakshoo



25. How many Rasas have been mentioned by Bharat in Natyashastra

9 8


7 6



26. Layakari of playing 6 swaras in the duration of 4 Matras in Western Music is

Septolet


Sextolet


Quintuplet


Quadruplet



27. Who wrote commentary on "Nardiya Shiksha"

Maharana Kumbha


Bhatt Shubhankar


Dattil


Parshvadeva



19. ¯Öã™üß ´ÖÖÝÖÔ Ûêú •Ö®ÖÛú ÛúÖî®Ö Æïü

†Öפü ¿ÖÓÛú¸üÖ"ÖÖµÖÔ


ÁÖß ²Ö»»Ö³ÖÖ"ÖÖµÖÔ


¸üÖ´ÖÖ´ÖÖŸµÖ


ÛãÓú³Ö®Ö¤üÖÃÖ



20. ‹Ûú þָü ÃÖê µÖãŒŸÖ ÝÖÖµÖ®Ö ÛúÖê ŒµÖÖ ÛúÆüŸÖê Æïü

ÃÖÖ×´ÖÛú ÝÖÖ×£ÖÛú


†ÖÙ"ÖÛú †Ö¸üÞµÖÛú



21. ÃÖã´Öê×»ÖŸÖ ÛúßוֵÖê ÃÖæ"Öß I ÃÖæ"Öß II
a.
¯ÖÓ. ¸üÖ´ÖÖÁÖµÖ —ÖÖ i. †×³Ö®Ö¾Ö ÝÖßŸÖ ´ÖÓוָüß

b.
¯ÖÓ. Ûú´ãÖÖ¸ü ÝÖÓ¬Ö¾ÖÔ ii. ³ÖÖ¾Ö¸ÓüÝÖ »ÖÆü¸üß

c.
¯ÖÓ. ²Ö»Ö¾ÖÓŸÖ¸üÖµÖ ³Ö¼ü iii.†×³Ö®Ö¾Ö ÝÖߟÖÖÓ•Ö»Öß

d.
¯ÖÓ. †®®ÖÖÃÖÖÆêü²Ö iv. †®Öã¯Ö¸üÖÝÖ×¾Ö»ÖÖÃÖ¸üÖŸÖÓ•Ö®ÖÛú¸ü


Ûæú™ü
a b c d

iii iv ii i


iv ii i iii


ii i iii iv


i iii iv ii



22. ³ÖÖ¸üŸÖßµÖ ÃÖÓÝÖßŸÖ ´Öë ‹Ûú ´ÖÖ¡ÖÖ Ûêú ×»ÖµÖê ¯ÖÖ¿"ÖÖŸµÖ ÃÖÓÝÖßŸÖ Ûêú ×ÛúÃÖ ×"ÖÅ®Ö ÛúÖ ¯ÖϵÖÖêÝÖ ÆüÖêŸÖÖ Æîü

×´Ö×®Ö´Ö


ÛÎúÖê"Öê™ü


ŒµÖê¾Ö¸ü


²ÖÎß¾Ö



23. ÝÖÓ¬ÖÖ¸ü ‹¾ÖÓ ´Ö¬µÖ´Ö Ûêú ²Öß"Ö ÛúÖî®Ö ÃÖÖ Ã¾Ö¸üÖ®ŸÖ¸ü Æîü

´Öê•Ö¸ü ™üÖê®Ö ‡Ó™ü¸ü¾Öê»Ö


´ÖÖ‡®Ö¸ü ™üÖê®Ö ‡Ó™ü¸ü¾Öê»Ö


´Öê•Ö¸ü ×ÃÖŒÃÖ ‡Ó™ü¸ü¾Öê»Ö


ÃÖê´Öß ™üÖê®Ö ‡Ó™ü¸ü¾Öê»Ö



24. "ÃÖÆüÃÖ¸üÃÖ" ÝÖÏÓ£Ö Ûêú »ÖêÜÖÛú Æïü

¸ü'Öã®ÖÖ£Ö ³Öæ¯Ö


ÛéúÂÞÖÖ ®ÖÓ¤ü ¾µÖÖÃÖ


•ÖµÖ¤êü¾Ö šüÖÛãú¸ü


®ÖÖµÖÛú ¾ÖÜ¿Öæ



25. ³Ö¸üŸÖ ®Öê ®ÖÖ™ËüµÖ¿ÖÖÃ¡Ö ´Öë ×ÛúŸÖ®Öê ¸üÃÖÖë Ûúß "Ö"ÖÖÔ Ûúß Æîü

9 8


7 6



26. "û„ þָüÖë ÛúÖê "ÖÖ¸ü ´ÖÖ¡ÖÖ ÛúÖ»Ö ´Öë ²Ö•ÖÖ®Öê Ûúß »ÖµÖÛúÖ¸üß ÛúÖê ¯ÖÖ¿"ÖÖŸµÖ ÃÖÓÝÖßŸÖ ´Öë ŒµÖÖ ÛúÆŸÖê Æïü

ÃÖꯙüÖê»Öê™ü


ÃÖêŒÃÖ™üÖê»Öê™ü


Œ¾Öß®™ãüׯ»Ö™ü


Œ¾ÖÖ›ü¸üׯ»Ö™ü



27. "®ÖÖ¸ü¤üßµÖ ×¿ÖõÖÖ" ¯Ö¸ü ×ÛúÃÖ®Öê ×™üÛúÖ ×»ÖÜÖß

´ÖÆüÖ¸üÖÞÖÖ ÛãÓú³ÖÖ


³Ö¼ü ¿Öã³ÖÓÛú¸ü


¤ü×¢Ö»Ö


¯ÖÖ¿¾ÖÔ¤êü¾Ö



28. What was the title name of Firoz Khan

Sadarang


Adarang


Rangeele


Prem Priya



29. The musicologist who divided Ragas into two parts i.e. Gram Raga and Bhasha Ragas

Narad


Bharat


Matang


Sarangdeva



30. Tick the correct name for denoting the
value of 41 note in staff notation.

Crotehel


Quaver


Minim


Semibreve



31. Who has been a famous conductor of western orchestra

Pt. Ravishankar


Hari Prasad Chaurasia


Ustad Allauddin Khan


Zubin Mehta



32. The main folk dance form of Manipur State is

Chau


Kalvalia


Maharas


Rai-Shera



33. One of the main objectives of teaching music is also

to encourage social justice


to provide proper leadership


to discover new facts


to establish music at par with other disciplines



34. Which Sampraday was followed by Matang and Abhinavgupta

Bharat Mat


Hanumat Mat


Shiv Mat


Brahma Mat



35. The main objective of Research in music is

to propagate the musicological aspect


to bring out the historical aspect


to discover new facts


to strengthen the practical aspect



36. Guru of Matang

Bharat


Dattil


Abhinav Gupta


Acharya Nandikeshwara



37. The symbol denoting the position of Madhya in Staff Notation is

Clef signature


Key signature


Time signature


Value of Notes



38. The philosopher who adopted the view of utility in Aesthetics

Plato


Socrates


Kant


Hegal



39. 'Aharya' and 'Satvik' are related to

Pakhawaj


Dhrupad


Khayal Gharana


Dance



28. ×±ú¸üÖê•Ö ÜÖÖÑ ÛúÖ ˆ¯Ö®ÖÖ´Ö ŒµÖÖ £ÖÖ

ÃÖ¤üÖ¸ÓüÝÖ


†¤üÖ¸ÓüÝÖ


¸ÓüÝÖß»Öê


¯ÖÏê´ÖׯֵÏÖÖ



29. ¿ÖÖáÖÛúÖ¸ü, ו֮ÆüÖë®Öê ¸üÖÝÖÖë ÛúÖ ¾ÖÝÖáÛú¸üÞÖ ¤üÖê ³ÖÖÝÖÖë ´Öë
•ÖîÃÖê ÝÖÏÖ´Ö ¸üÖÝÖ †Öî¸ü ³ÖÖÂÖÖ ¸üÖÝÖ ´Öë ×ÛúµÖÖ

®ÖÖ¸ü¤ü


³Ö¸üŸÖ


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ÃÖÖ¸ÓüÝÖ¤êü¾Ö



30. ÙüÖ±ú ®ÖÖê™êü¿Ö®Ö ´Öë 41 ´ÖÖ¡ÖÖ ÛúÖê ¤ü¿ÖÖÔ®Öê ¾ÖÖ»Öê ®ÖÖ´Ö ¯Ö¸ü ÃÖÆüß ÛúÖ ×"Ö®Æü »ÖÝÖÖ‡µÖê …

ÛÎúÖê"Öê™ü


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31. ¯ÖÖ¿"ÖÖŸµÖ ¾ÖÖª ¾Ö鮤ü ÃÖÓ"ÖÖ»ÖÛú ÛúÖî®Ö ¸üÆêü Æïü

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32. ´Ö×ÞÖ¯Öã¸ü ¯ÖϤêü¿Ö ÛúÖ ¯ÖÏ´ÖãÜÖ »ÖÖêÛú ®ÖéŸµÖ Æîü
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34. ´ÖŸÖÓÝÖ ŸÖ£ÖÖ †×³Ö®Ö¾ÖÝÖã¯ŸÖ ×ÛúÃÖ ÃÖÓ´¯ÖϤüÖµÖ Ûêú
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36. ´ÖŸÖÓÝÖ Ûêú ÝÖã¹ý

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