PAPER-III
MUSIC

Signature and Name of Invigilator
1.
(Signature) OMR Sheet No. ............................................... (To be filled by the Candidate)

(Name)
Roll No.


2.
(Signature) (In figures as per admission card)




(Name) Roll (In words)
D 1 6 1 4

Time 2 1/2 hours] [Maximum Marks 150
Number of Pages in this Booklet 40 Instructions for the Candidates
1.
Write your roll number in the space provided on the top of this page.

2.
This paper consists of seventy five multiple-choice type of questions.

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After this verification is over, the OMR Sheet Number should be entered on this Test Booklet.


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Each item has four alternative responses marked and You have to darken the circle as indicated below on the correct response against each item.



Example
where is the correct response.

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You have to return the test question booklet and Original OMR Sheet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. You are, however, allowed to carry original question booklet and duplicate copy of OMR Sheet on conclusion of examination.

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In case of any discrepancy in the English and Hindi versions, English version will be taken as final.


Number of Questions in this Booklet 75
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1.
‡ÃÖ ¯Öéšü Ûêú ‰ú¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö ¯Ö¸ü †¯Ö®ÖÖ ¸üÖê»Ö ®Ö´²Ö¸ü ×»Ö×ÜÖ‹ …

2.
‡ÃÖ ¯ÖÏ¿®Ö-¯Ö¡Ö ´Öë ¯Ö"ÖÆü¢Ö¸ü ²ÖÆãü×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æïü …

3.
¯Ö¸üßõÖÖ ¯ÖÏÖ¸ü´³Ö ÆüÖê®Öê ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ †Ö¯ÖÛúÖê ¤êü ¤üß •ÖÖµÖêÝÖß … ¯ÖÆü»Öê


¯ÖÖÑ"Ö ×´Ö®Ö™ü †Ö¯ÖÛúÖê ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê ŸÖ£ÖÖ ˆÃÖÛúß ×®Ö´®Ö×»Ö×ÜÖŸÖ
•ÖÖÑ"Ö Ûêú ×»Ö‹ פüµÖê •ÖÖµÖëÝÖê, וÖÃÖÛúß •ÖÖÑ"Ö †Ö¯ÖÛúÖê †¾Ö¿µÖ Ûú¸ü®Öß Æîü
¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê Ûêú ×»Ö‹ ˆÃÖÛêú Ûú¾Ö¸ü ¯Öê•Ö ¯Ö¸ü »ÖÝÖß ÛúÖÝÖ•Ö
Ûúß ÃÖᯙ ÛúÖê ±úÖ›Ìü »Öë … ÜÖã»Öß Æãü‡Ô µÖÖ ×²Ö®ÖÖ Ã™üßÛú¸ü-ÃÖᯙ Ûú߯Öã×ßÖÛúÖ Ã¾ÖßÛúÖ¸ü Ûú¸ëü …
Ûú¾Ö¸ü ¯Öéšü ¯Ö¸ü "û¯Öê ×®Ö¤ìü¿ÖÖ®ÖãÃÖÖ¸ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ Ûêú ¯Öéšü ŸÖ£ÖÖ¯ÖÏ¿®ÖÖë Ûúß ÃÖÓܵÖÖ ÛúÖê †""ûß ŸÖ¸üÆü "ÖîÛú Ûú¸ü »Öë ×Ûú µÖê ¯Öæ¸êüÆïü … ¤üÖêÂÖ¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ ×•Ö®Ö´Öë ¯Öéšü/¯ÖÏ¿®Ö Ûú´Ö ÆüÖë µÖÖ ¤ãü²ÖÖ¸üÖ †ÖÝÖµÖê ÆüÖë µÖÖ ÃÖß׸üµÖ»Ö ´Öë ÆüÖë †£ÖÖÔŸÖË ×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü Ûúß¡Öã×™ü¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ Ã¾ÖßÛúÖ¸ü Ûú¸ëü ŸÖ£ÖÖ ˆÃÖß ÃÖ´ÖµÖ ˆÃÖê»ÖÖî™üÖÛú¸ü ˆÃÖÛêú ãÖÖ®Ö ¯Ö¸ü ¤æüÃÖ¸üß ÃÖÆüß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ »Öê »Öë …
‡ÃÖÛêú ×»Ö‹ †Ö¯ÖÛúÖê ¯ÖÖÑ"Ö ×´Ö®Ö™ü פüµÖê •ÖÖµÖëÝÖê … ˆÃÖÛêú ²ÖÖ¤ü ®ÖŸÖÖê †Ö¯ÖÛúß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¾ÖÖ¯ÖÃÖ »Öß •ÖÖµÖêÝÖß †Öî¸ü Æüß †Ö¯ÖÛúÖê
†×ŸÖ׸üŒŸÖ ÃÖ´ÖµÖ ×¤üµÖÖ •ÖÖµÖêÝÖÖ …
‡ÃÖ •ÖÖÑ"Ö Ûêú ²ÖÖ¤ü OMR ¯Ö¡ÖÛú Ûúß ÛÎú´Ö ÃÖÓܵÖÖ ‡ÃÖ ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ¯Ö¸ü †Ó×ÛúŸÖ Ûú¸ü ¤ëü …

4. ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ×»Ö‹ "ÖÖ¸ü ˆ¢Ö¸ü ×¾ÖÛú»¯Ö ŸÖ£ÖÖ ×¤üµÖê ÝÖµÖê Æïü … †Ö¯ÖÛúÖê ÃÖÆüß ˆ¢Ö¸ü Ûêú ¾Öé¢Ö ÛúÖê ¯Öê®Ö ÃÖê ³Ö¸üÛú¸ü ÛúÖ»ÖÖ Ûú¸ü®ÖÖ Æîü
•ÖîÃÖÖ ×Ûú ®Öß"Öê פüÜÖÖµÖÖ ÝÖµÖÖ Æîü …

ˆ¤üÖÆü¸üÞÖ
•Ö²Ö×Ûúú(C) ÃÖÆüß ˆ¢Ö¸ü Æîü …

5. ¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü Ûêú¾Ö»Ö ¯ÖÏ¿®Ö ¯Öã×ßÖÛúÖ Ûêú †®¤ü¸ü פüµÖê ÝÖµÖê OMR ¯Ö¡ÖÛú ¯Ö¸ü Æüß †Ó×ÛúŸÖ Ûú¸ü®Öê Æïü … µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü פüµÖê ÝÖµÖê ¾Öé¢Ö Ûêú †»ÖÖ¾ÖÖ×ÛúÃÖß †®µÖ ãÖÖ®Ö ¯Ö¸ü ˆ¢Ö¸ü ×"ÖÅ®ÖÖÓ×ÛúŸÖ Ûú¸üŸÖê ŸÖÖê ˆÃÖÛúÖ ´Ö滵ÖÖÓÛú®Ö®ÖÆüà ÆüÖêÝÖÖ …
6.
†®¤ü¸ü פüµÖê ÝÖµÖê ×®Ö¤ìü¿ÖÖë ÛúÖê ¬µÖÖ®Ö¯Öæ¾ÖÔÛú ¯ÖœÌëü …

7.
Ûú""ÖÖ ÛúÖ´Ö (Rough Work) ‡ÃÖ ¯Öã×ßÖÛúÖ Ûêú †×®ŸÖ´Ö ¯Öéšü ¯Ö¸ü Ûú¸ëü …

8.
µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö Ûêú †»ÖÖ¾ÖÖ †¯Ö®ÖÖ ¸üÖê»Ö®Ö´²Ö¸ü, ±úÖê®Ö ®Ö´²Ö¸ü µÖÖ ÛúÖê‡Ô ³Öß ‹êÃÖÖ ×"ÖÅ®Ö ×•ÖÃÖÃÖê †Ö¯ÖÛúß ¯ÖÆü"ÖÖ®Ö ÆüÖêÃÖÛêú, †Ó×ÛúŸÖ Ûú¸üŸÖê Æïü †£Ö¾ÖÖ †³Ö¦ü ³ÖÖÂÖÖ ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê µÖÖ ÛúÖê‡Ô

†
®µÖ †®Öã×"ÖŸÖ ÃÖÖ¬Ö®Ö ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê •ÖîÃÖê ×Ûú †Ó×ÛúŸÖ ×ÛúµÖê ÝÖµÖê

ˆ¢Ö¸ü ÛúÖê ×´Ö™üÖ®ÖÖ µÖÖ ÃÖ±êú¤ü õÖÖÆüß ÃÖê ²Ö¤ü»Ö®ÖÖ ŸÖÖê ¯Ö¸üßõÖÖ Ûêú ×»ÖµÖê

†
µÖÖêÝµÖ 'ÖÖê×ÂÖŸÖ ×ÛúµÖê •ÖÖ ÃÖÛúŸÖê Æïü …




9. †Ö¯ÖÛúÖê ¯Ö¸üßõÖÖ ÃÖ´ÖÖ¯ŸÖ ÆüÖê®Öê ¯Ö¸ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ‹¾ÖÓ ´Öæ»Ö OMR ¯Ö¡ÖÛú×®Ö¸üßõÖÛú ´ÖÆüÖê¤üµÖ ÛúÖê »ÖÖî™üÖ®ÖÖ †Ö¾Ö¿µÖÛú Æîü †Öî¸ü ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ Ûêú ²ÖÖ¤üˆÃÖê †¯Ö®Öê ÃÖÖ£Ö ¯Ö¸üßõÖÖ ³Ö¾Ö®Ö ÃÖê ²ÖÖÆü¸ü »ÖêÛú¸ü •ÖÖµÖë … ÆüÖ»ÖÖÓ×Ûú †Ö¯Ö¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ ¯Ö¸ü ´Öæ»Ö ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ŸÖ£ÖÖ OMR ¯Ö¡ÖÛú Ûúß ›ãü¯»ÖßÛêú™ü¯ÖÏ×ŸÖ †¯Ö®Öê ÃÖÖ£Ö »Öê •ÖÖ ÃÖÛúŸÖê Æïü …
10.
Ûêú¾Ö»Ö ®Öß»Öê/ÛúÖ»Öê ²ÖÖ»Ö ¯¾ÖÖ‡Õ™ü ¯Öê®Ö ÛúÖ Æüß ‡ÃŸÖê´ÖÖ»Ö Ûú¸ëü …

11.
×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü ÛúÖ ÃÖÓÝÖÞÖÛú (Ûîú»ÖÛãú»Öê™ü¸ü) µÖÖ »ÖÖÝÖ ™êü²Ö»Ö †Öפü ÛúÖ

¯ÖϵÖÖêÝÖ ¾ÖÙ•ÖŸÖ Æîü …


12.
ÝÖ»ÖŸÖ ˆ¢Ö¸üÖë Ûêú ×»Ö‹ ÛúÖê‡Ô ®ÖÛúÖ¸üÖŸ´ÖÛú †ÓÛú ®ÖÆüà Æïü …


13. µÖפü †ÓÝÖÏê•Öß µÖÖ ØÆü¤üß ×¾Ö¾Ö¸üÞÖ ´Öë ÛúÖê‡Ô ×¾ÖÃÖÓÝÖ×ŸÖ ÆüÖê, ŸÖÖê †ÓÝÖÏê•Öß ×¾Ö¾Ö¸üÞÖ
†Ó×ŸÖ´Ö ´ÖÖ®ÖÖ •ÖÖ‹ÝÖÖ …


MUSIC
Paper III

(Hindustani Karnatik Rabindra Sangeet Percussion Instrument Vocal/ Instrumental and Musicology)
Special Instructions This paper has two parts. Part-I consists of 50 objective questions common to all, which is compulsory and carries 2 marks each.
Part II has Four sections viz Part II, Part III, Part IV, Part V Hindustani, Karnatik, Rabindra Sangeet and Percussion Instruments with 25 questions each of 2 marks each. Candidates should select any one of the Part II Part III Part IV Part V as per his her discipline.
PART I
Hindustani Karnatik Rabindra Sangeet Percussion Instruments Common to all

1. When World Music Day is celebrated
14th December 1st October
st st
21June 21 September
2. Which Shiksha Granth is not related to Samaveda

Nardiya Shiksha Yajyavalkya Shiksha


Gautami Shiksha Lomashi Shiksha


3. In which period Guru went to the student to impart education

Vedic period Puran period


Mahabharat period Ramayan period


4. Which instrument is the most grave one

Veena Sitar


Sarod Guitar


5. To which Rasa Raaga Peelu is close to

Veera Rasa Adbhut Rasa


Karuna Rasa Bhayanaka Rasa



ÃÖÓÝÖߟÖ

¯ÖÏ
¿®Ö¯Ö¡Ö III (×ÆüãÔüü¾Öß®¦Óü üÓÓ
®¤ÃŸÖÖ®Öß Ûú®ÖÖ™Ûú ¸ü ÃÖÝÖßŸÖ †¾Ö®Ö«¾ÖÖª ÝÖÖ.Ö®Ö ¾ÖÖ¤®Ö ‹¾ÖÃÖÝÖߟֿÖÖáÖ)
×¾Ö¿ÖêÂÖ ×®Ö¤ìü¿Ö

¿®Ö¯Ö¡Ûú 2 ³ÖÖÝÖ Æü ë Öã×¾ÖÛú»¯Öß.¯¿®ï, •ÖÖÃÖ³Öß ¯Ö¸ßõÖÖÙ£Ö.ë Ûú ×»Ö‹ †×®Ö¾ÖÖÖ
‡ÃÖ¯ÖÏÖ êï…³ÖÖÝÖ I ´Ö50 ²ÆüÖÖÏÖÆüê üÖÖêÖ.ÔÆü Ó 2-2
†ÓÛúÖëÛúÆêïü…
³ÖÖÝÖ II ÛúÖê "ÖÖ¸ü ÜÖÓ›üÖë ³ÖÖÝÖ II ³ÖÖÝÖ III ³ÖÖÝÖ IV ³ÖÖÝÖ V (×Æü®¤ãüßÖÖ®Öß Ûú®ÖÖÔ™üÛú ¸ü¾Öß®¦ü ÃÖÓÝÖßŸÖ †¾Ö®Ö«ü
¾ÖÖª) ´Öë ×¾Ö³ÖÖ×•ÖŸÖ ×Ûú.ÖÖ ÝÖ.ÖÖ Æîü, ¯ÖÏŸ.ÖêÛú ³ÖÖÝÖ ´Öë 25-25 ¯ÖÏ¿®Ö 2-2 †ÓÛúÖë Ûêú Æïü … ¯Ö¸üßõÖÖ£Öá ³ÖÖÝÖ II ³ÖÖÝÖ III

³ÖÖÝÖ IV ³ÖÖÝÖ V ´Öë ÃÖê †¯Ö®Öê ×¾ÖÂÖ.Ö Ûêú †®ÖãÃÖÖ¸ü ‹Ûú ³ÖÖÝÖ ÛúÖ "Ö.Ö®Ö Ûú¸ëü †Öî¸ü ÃÖ³Öß 25 ²ÖÆãü×¾ÖÛú»¯Öß.Ö ¯ÖÏ¿®ÖÖë Ûêú
ˆ¢Ö¸ü ¤ëü …

³ÖÖÝÖ I
×ÆüãÔüÛú/¸üÓü ê
®¤ÃŸÖÖ®Öß Ûú®ÖÖ™ü¾Öß®¦ÃÖÝÖßŸÖ †¾Ö®Ö«¾ÖÖª ÃÖ³Öß Ûú ×»Ö‹ ÃÖÖ´ÖÖ®.Ö
1. ×¾Ö¿¾Ö ÃÖÓÖ ×¤ü®Ö Ûú²Ö ´Ö®ÖÖÖÖ •ÖÖŸÖÖ Æîü
ÝÖߟ.

14 פüÃÖÓ²Ö¸ü 1 †ŒŸÖæ²Ö¸ü


21 •Öæ®Ö 21 ×ÃÖŸÖÓ²Ö¸ü



2. ÛúÖî®Ö ÃÖß ×¿ÖõÖÖ ÃÖÖ´Ö¾Öê¤ü ÃÖê ÃÖ´²Ö×®¬ÖŸÖ ®ÖÆüà Æîü

®ÖÖ¸ü¤üß.Ö ×¿ÖõÖÖ .ÖÖ-Ö¾Ö»Œ.Ö ×¿ÖõÖÖ


ÝÖÖîŸÖ´Öß ×¿ÖõÖÖ »ÖÖê´Ö¿Öß ×¿ÖõÖÖ



3. ×ÛúÃÖ ÛúÖ»Ö ´Öë ÝÖã¹ý, ׿ÖÂ.Ö Ûêú .ÖÆüÖÑ ×¿ÖõÖÖ ¯ÖϤüÖ®Ö Ûú¸ü®Öê ÝÖ‹

¾ÖîפüÛú ÛúÖ»Ö ¯Öã¸üÖÞÖ ÛúÖ»Ö


´ÖÆüÖ³ÖÖ¸üŸÖ ÛúÖ»Ö ¸üÖ´ÖÖ.ÖÞÖ ÛúÖ»Ö



4. ÛúÖî®Ö ÃÖÖ ¾ÖÖª ÃÖ¾ÖÖÔ׬ÖÛú ÝÖÓ³Ö߸ü Æîü

¾ÖßÞÖÖ ×ÃÖŸÖÖ¸ü


ÃÖ¸üÖê¤ü ×ÝÖ™üÖ¸ü



5. ¸üÖÝÖ ¯Öß»Öæ ×ÛúÃÖ ¸üÃÖ Ûêú †×¬ÖÛú ×®ÖÛú™ü Æîü

¾Ö߸ü ¸üÃÖ †¤Ëü³ÖãŸÖ ¸üÃÖ


Ûú¹ýÞÖ ¸üÃÖ ³Ö.ÖÖ®ÖÛú ¸üÃÖ


D-16-14 3 Paper-III
6. How many 'Gamakas' are described in Sangeet Ratnakara

5 10


15 20


7. Which treatise has first mentioned the definition of Rasa

Naradiya Shiksha Natya Shashtra


Sangeet Ratnakar Brihaddeshi


8. How many Shudha Jaitis are derived from Madhyam Gram

Four Three


Two Five


9. is an Anga of which singing style

Dhamar Thumari


Khyal Prabandh


10. The ratio required for a Perfect Consonance is

3 4 4 5


5 6 5 8


11. Which of the following scale is not perfect according to Indian notes

Diatonic scale Natural scale


Tempered scale Equally tempered scale


12. Grantha published in respect of a scholar after his death is known as

Reference Grantha Commemoration Grantha


Felicitation Grantha Special Grantha


13. Which type of book is not placed in Reference section in Library

Dictionary Encyclopedia


Manuscripts General Book


14. Tijanbai of Chhattisgarh is famous for

Bohag Bihu Pandwani


Tapali Rauf



6. 'ÃÖÓÝÖßŸÖ ¸üŸ®ÖÖÛú¸ü' ´Öë ×ÛúŸÖ®Öß ÝÖ´ÖÛúÖë ÛúÖ ¾ÖÞÖÔ®Ö Æîü

5 10


15 20



7. Ûúß ¯Ö׸ü³ÖÖÂÖÖ ÃÖ¾ÖÔ¯ÖÏ£Ö´Ö ×ÛúÃÖ ÝÖÏ®£Ö ´Öë ¤üß ÝÖ‡Ô Æîü

®ÖÖ¸ü¤üß.Ö ×¿ÖõÖÖ ®ÖÖ™Ëü.Ö ¿ÖÖáÖ


ÃÖÓÝÖßŸÖ ¸üŸ®ÖÖÛú¸ü ²ÖéÆü§êü¿Öß



8. ´Ö¬.Ö´Ö ÝÖÏê ×ÛúŸÖ®Öß ¿Öã¨üÖ •ÖÖןÖ.ÖÖë Ûúß ¸ü"Ö®ÖÖ Æãü‡Ô Æîü ü
Ö´ÖÃÖ?

"ÖÖ¸ü ŸÖß®Ö


¤üÖê ¯ÖÖÑ"Ö


9. '×¾Ö¹ý¤ü' ×ÛúÃÖ ÝÖÖ.Ö®Ö ¿Ö»îÖß ÛúÖ †ÓÝÖ Æîü

¬Ö´ÖÖ¸ü šãü´Ö¸üß


Ü.ÖÖ»Ö


10. ‡Â™ü ÃÖÓ¾ÖÖ¤ü Ûêú ×»Ö.Öê ÛúÖî®Ö ÃÖÖ †®Öã¯ÖÖŸÖ ÆüÖê®ÖÖ •Öºþ¸üß Æîü

3 4 4 5


5 6 5 8


11. ‡®Ö´Öë ÃÖê ÛúÖî®Ö ÃÖÖ Ã¾Ö¸ü ÃÖ¯ŸÖÛú ³ÖÖ¸üŸÖß.Ö ÃÖ""Öê þָü Ûúß ¥ü×™ü ÃÖê ²ÖêÃÖã¸üÖ Æîü

›üÖ.Ö™üÖê×®ÖÛú ÃÛêú»Ö ®Öò"Öã¸ü»Ö ÃÛêú»Ö


™ëü¯Ö›Ôü ÃÛêú»Ö ‡Œ¾Ö»Öß ™ëü¯Ö›Ôü ÃÛêú»Ö


12. ´ÖéŸ.ÖÖê¯Ö¸üÖ®ŸÖ ×ÛúÃÖß ×¾Ö«üÖ®Ö Ûêú ÃÖ´´ÖÖ®Ö ´Öë ¯ÖÏÛúÖ×¿ÖŸÖ ÝÖÏ®£Ö ÛúÖê Œ.ÖÖ ÛúÆüŸÖê ÆîüÓ

ÃÖ®¤ü³ÖÔ ÝÖÏ®£Ö ôÖé×ŸÖ ÝÖÏ®£Ö


†×³Ö®Ö®¤ü®Ö ÝÖÏ®£Ö ×¾Ö¿ÖêÂÖ ÝÖÏ®£Ö


13. ÛúÖî®Ö ÃÖß ¯ÖãßÖÛú ¯ÖãßÖÛúÖ»Ö.Ö ´Öë ÃÖ®¤ü³ÖÔ ÝÖÏ®£Ö ×¾Ö³ÖÖÝÖ ´Öë ®ÖÆüà ¸üÜÖß •ÖÖŸÖß

¿Ö²¤üÛúÖêÂÖ ‡®ÃÖÖ‡Œ»ÖÖê¯Öß×›ü.ÖÖ


ÆüßÖ×»Ö×ÜÖŸÖ ÝÖÏ®£Ö ÃÖÆüÖ.ÖÛú ¯ÖãßÖÛú


14. "û¢ÖßÃÖÝÖœÌü ¯ÖϤêü¿Ö Ûúß ŸÖß•Ö®Ö²ÖÖ‡Ô ®Öê ×ÛúÃÖ »ÖÖêÛú ×¾Ö¬ÖÖ ´Öë ¯ÖÏ×ÃÖרü ¯ÖÏÖ¯ŸÖ Ûúß

²ÖÖêÆüÖÝÖ ×¾ÖÆæü ¯ÖÞ›ü¾ÖÖ®Öß


™ü¯ÖÖ»Öß ¸ü‰ú±ú


15. Yakshagana dance based on Kathanak is belong to

Kerala Karnataka


Odissa Bengal


16. Name of the author of 'Encyclopedia of Music, Dance and Drama in India' is

G.H. Ranade Sir Jons


Pt. Nikhil Ghosh P. Sambmurthy


17. In which Sampradaya Haveli Sangeet is sung

Sakhi Sampradaya


Radhaballabha Sampradaya


Nimbark Sampradaya


Ballabh Sampradaya


18. Match the following Ragas of Hindustani and Karnatak Music and select the correct match from the code below
a.
Bhairav i. Gaman Priya

b.
Poorvi ii. Shubh Pantu Varali

c.
Marva iii. Kam Vardhini

d.
Todi iv. Mayamalav Gaud


Codes
a b c d

ii i iv iii


iii ii i iv


iiv iii ii


iv iii i ii


19. Which historic sequence is right

Dhruva Prabandh Khyal Dhrupad


Prabandh Khyal Dhrupad Dhruva


Dhruva Prabandh Dhrupad Khyal


Dhrupad Dhruva Prabandh Khyal



15. Ûú£ÖÖ®ÖÛú ¯Ö¸ü †Ö¬ÖÖ׸üŸÖ .Öê .ÖõÖÝÖÖ®Ö ®ÖÖ´ÖÛú ®ÖŸ.éÖ ×ÛúÃÖ ¯ÖϤêü¿Ö ÛúÖ Æîü

Ûêú¸ü»Ö Ûú®ÖÖÔ™üÛú


ˆ›ÌüßÃÖÖ ²ÖÝÓÖÖ»Ö



16. "‹®ÃÖÖ‡Œ»ÖÖê¯Öß×›ü.ÖÖ †Öò±ú ´.ÖæוÖÌÛú, ›üÖ®ÃÖ ‹Þ›ü ›ÒüÖ´ÖÖ ‡®Ö ‡×®›ü.ÖÖ" ®ÖÖ´ÖÛú ¯ÖãßÖÛú Ûêú »ÖêÜÖÛú ÛúÖî®Ö ÆîüÓ

•Öß.‹"Ö. ¸üÖ®ÖÖ›êü ÃÖ¸ü •ÖÖê®ÃÖ


¯ÖÓ. ×®Ö×ÜÖ»Ö ¯Öß. ÃÖÖ´²Ö´ÖæÙŸÖ



17. 'Æü¾Öê»Öß ÃÖÓÖ' ×ÛúÃÖ ÃÖÓϤÖ.Ö Ûêú †ÓŸÖÝÖÔÖ ÝÖÖÖÖ •ÖÖŸÖÖ Æîü
ÝÖߟ¯ÖüŸ.

ÃÖ×ÜÖ ÃÖÓ¯ÖϤüÖ.Ö ¸üÖ¬ÖÖ ¾Ö»»Ö³Ö ÃÖÓ¯ÖϤüÖ.Ö


×®Ö´²ÖÖÛÔú ÃÖÓ¯ÖϤüÖ.Ö ¾Ö»»Ö³Ö ÃÖÓ¯ÖϤüÖ.Ö



18. ×®Ö´®Ö×»Ö×ÜÖŸÖ ×Æü®¤ãüßÖÖ®Öß ‹¾ÖÓ Ûú®ÖÖÔ™üÛú ¸üÖÝÖÖë ´Öë ÃÖê ÃÖÆüß Ûæú™ü ÛúÖ "Ö.Ö®Ö ÛúßוÖ.Öê
a.
³Öî¸ü¾Ö i. ÝÖ´Ö®Ö ×¯Ö.ÏÖÖ

b.
¯Öæ¾Öá ii. ¿Öã³Ö ¯ÖÓŸÖã ¾Ö¸üÖ»Öß

c.
´ÖÖ¸ü¾ÖÖ iii. ÛúÖ´Ö ¾ÖÙ¬Ö®Öß

d.
ŸÖÖê›Ìüß iv. ´ÖÖ.ÖÖ´ÖÖ»Ö¾ÖÝÖÖî›Ìü


Ûæú™ü
ab c d

ii i iv iii


iii ii i iv


iiv iii ii


iv iii i ii



19. ×®Ö´®Ö ´Öë ÛúÖî®Ö ÃÖÖ ‹êןÖÆüÖ×ÃÖÛú ÛÎú´Ö ÃÖÆüß Æîü

¬ÖÐã¾ÖÖ Ü.ÖÖ»Ö ¬ÖÐã¯Ö¤ü


Ü.ÖÖ»Ö ¬ÖÐã¯Ö¤ü ¬ÖÐã¾ÖÖ


¬ÖÐã¾ÖÖ ¬ÖÐã¯Ö¤ü Ü.ÖÖ»Ö


¬ÖÐã¯Ö¤ü ¬ÖÐã¾ÖÖ Ü.ÖÖ»Ö


20. Match the following
a.
Shiva i. Bansuri

b.
Saraswati ii. Mridanga

c.
Krishan iii. Damru

d.
Ganesh iv. Veena


Codes
ab c d

iii iv i ii


iv iii i ii


i ii iv iii


iii ii i iv


21. Which treatise has first mentioned the definition of Raga

Natyashastra Sangeet Ratnakar


Naradiya Shiksha Brihaddeshi


22. In which medium the velocity of sound is the highest

Air Metal


Wood Water


23. Where is the old form of Dhrupad hearable

Temples of Shaivyas


Temples of Shaktas


Vaishnav Temples of Pushti Marga (Haweli Sangeet)


Temples of Bhairava


24. The importance of Indian Raagas is focused on

Recreation Acrobat


Spiritualism Rest


25. The first lakshanakara to formulate scheme of Melas.

Venkatamakhi Ahobala


Somanatha Vidyaranya


26. Khanda Jati Ata Tala is equivalent to

Chautal Ada Chautal


Teen Taal Rupak


20. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ ÛúßוÖ.Öê
a. ×¿Ö¾Ö b. ÃÖ¸üþ֟Öß c. ÛéúÂÞÖ d. ÝÖÞÖê¿Ö Ûæú™ü i. ii. iii. iv. ²ÖÖÑÃÖã¸üß ´Öé¤ÓüÝÖ ›ü´Öºþ ¾ÖßÞÖÖ
a b c d
iii iv i iii iv iii ii ii i i iv i ii ii iii iv
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27. Sudha Saveri is similar to

Durga Jogia


Jog Vibhas


28. The Adhama Kutapa was also called as

Vrinda Lakshana Tata Kutapa


Mukha Gitas Kanishtaka


29. Pada varnas are popular in

Classical dance Music


Nritya Nataka Geya Nataka


30. Compositions of Tyagaraja are mostly written in

Kannada Telugu


Sanskrit Malayalam


31. Panchamukha Vadyam can be seen in

Padmanabhaswamy Temple


Tirupati Venkateswara


Kumbakonam Kumbeswara Swami


Chidambaram Nataraja Temple


32. Jalatarangam in ancient India was called as

Mahati Nakula


Udaka Vadyam Kastha Taranga


33. Blending of shruti and melody

Gamaka Kaku


Sthayi Anusvara


34. Samhita are found in

Sama Veda Yajur Veda


Rig Veda Atharva Veda


27. ¿Öã¨ü ÃÖÖ¾Öê¸üß ×ÛúÃÖÛêú ÃÖ´ÖÖ®Ö Æîü ¤ãüÝÖÖÔ •ÖÖêÝÖ •ÖÖê×ÝÖ.ÖÖ ×¾Ö³ÖÖÃÖ
28. †¬Ö´Ö Ûãú™ü¯ÖÖ ÛúÖê ³Öß ÛúÆüÖ •ÖÖŸÖÖ £ÖÖü … ¾ÖéÓ¤ü »ÖõÖÞÖÖ ´ÖãÜÖ ÝÖߟÖÖ ŸÖ™ü Ûãú™ü¯ÖÖ Ûú×®Ö™üÛúÖ
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34. ÃÖÓ×ÆüŸÖÖ ×ÛúÃÖ´Öë ¯ÖÖ.Öß •ÖÖŸÖß Æïü ÃÖÖ´Ö¾Öê¤ü ŠúݾÖê¤ü D-16-14 11 .Ö•Öã¾Öì¤ü †£Ö¾ÖÔ¾Öê¤ü Paper-III

35. Which nritya-natya was created by Rabindranath in support of Mahatma Gandhi's 'Harijan-Pratha Unmulan Andolan'

Shap Mochan Chandalika


Shyama Natir Puja


36. Rabindranath composed the song 'Joy hok tabo joy hok' on the occasion of

Felicitation of Bankim Chandra


Felicitation of Jagdish Chandra Bose


Felicitation of Chittaranjan Das


Annual Session of Indian National Congress


37. Which category of Tagore song is related to 'environment'

Puja Vichitra


Prem Prakriti


38. In which year did Tagore renounce his 'Knighthood'

1918 1919


1929 1930


39. Which one of the following is not a Tagore's creation

Shyama Rakta Kara bi


Kal Mrigaya Maya Mrigaya


40. According to 'Aakarmatrik Swarlipi System', the sign of repetition is like







41. The "Khalifa" of Lucknow Gharana

Ud. Munne Khan Ud. Aabid Hussain Khan


Ud. Modoo Khan Ud. Bakshoo Khan


42. Which Gharana Ud. Jahangir Khan belongs to

Lucknow Farukkhabad


Delhi Ajarana



35. ´ÖÆüÖŸ´ÖÖ ÝÖÖ¬Öß Ûêú ˆ®´Öæ»Ö®Ö †ÖÓ¤üÖê»®Ö' Ûêú ÃÖ´Ö£ÖÔë ¸ü®ÖÖ£Ö ®Ö×ÛúÃÖ ®ÖéËü.Ö Ûúß
ÓÖ®Ö ´Ö¾Öß®¦üê Ÿ.Ö­®ÖÖ™

¿ÖÖ¯Ö ´ÖÖê"Ö®Ö "ÖÞ›üÖ×»ÖÛúÖ


¿.ÖÖ´ÖÖ ®Ö×™ü¸ü ¯Öæ•ÖÖ



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²ÖÓ×Ûú´Ö "Ö®¦ü Ûêú ÃÖ´´ÖÖ®Ö ´Öë … •ÖÝÖ¤üß¿Ö "ÖÓ¦ü ²ÖÖêÃÖ Ûêú ÃÖ´´ÖÖ®Ö ´Öë …


×"ÖŸÖ¸Óü•Ö®Ö ¤üÖÃÖ Ûêú ÃÖ´´ÖÖ®Ö ´Öë … ³ÖÖ¸üŸÖß.Ö ¸üÖ™Òüß.Ö ÛúÖÓÝÖêÏÃÖ Ûêú ¾ÖÖÙÂÖÛú ÃÖ¡Ö



37. ™îüÝÖÖê¸ü ¸ü×"ÖŸÖ ×ÛúÃÖ ¯ÖÏÛúÖ¸ü Ûêú ÝÖߟÖÖë ÛúÖê '¯Ö.ÖÖÔ¾Ö¸üÞÖ¯Ö¸üÛú' ÝÖߟÖÖë Ûúß ÛúÖê×™ü ´Öë ¸üÜÖÖ •ÖÖŸÖÖ Æîü

¯Öæ•ÖÖ ×¾Ö×"Ö¡Ö


¯ÖêÏ´Ö ¯ÖÏÛéúןÖ



38. ™îüÝÖÖê¸ü ®Öê ×ÛúÃÖ ¾ÖÂÖÔ '®ÖÖ‡™Ææü›üü' Ûúß ˆ¯ÖÖ×¬Ö ÛúÖ ¯Ö׸üŸ.ÖÖÝÖ ×Ûú.ÖÖ

1918 1919


1929 1930



39. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ ¸ü"Ö®ÖÖ ÛúÖ ÃÖé•Ö®Ö ™îüÝÖÖ¸êü ®Öê ®ÖÆüà ×Ûú.ÖÖ £ÖÖ

¿.ÖÖ´ÖÖ ¸üŒŸÖ Ûú¸ü ²Öß


ÛúÖ»Ö ´ÖéÝÖ.ÖÖ ´ÖÖ.ÖÖ ´ÖéÝÖ.ÖÖ



40. '†ÖÛúÖ¸ü´ÖÖסÖÛú þָü×»Ö×¯Ö Ûêú †®ÖãÃÖÖ¸ü ¯Öã®Ö¸üÖ¾Öé×¢Ö ÛúÖ ×"ÖÆËü®Ö ×ÛúÃÖÛêú ÃÖ´ÖÖ®Ö ÆüÖêŸÖÖ Æîü








41. »ÖÜÖ®Ö‰ú Ûêú ÜÖ»Öß±úÖ £Öêü

ˆ. ´Öã®®Öê ÜÖÖÑ ˆ. †Öײ֤ü ÆãüÃÖî®Ö ÜÖÖÑ


ˆ. ´ÖÖê¤æÑü ÜÖÖÑ ˆ. ²ÖŒ¿Öæ ÜÖÖÑ



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»ÖÜÖ®Ö‰ú ±ú¹ýÜÖÖ²ÖÖ¤ü


פü»»Öß †•Ö¸üÖ›üÖÍ


¸ü"Ö®ÖÖ Ûúß £Öß
´Öë …
43. A Tabla Vadak of National repute who is equally well versed in Sitar playing

Pt. Nayan Ghose Pt. Vikram Ghose


Pt. Anindo Chatterjee Pt. Kumar Bose


44. Name of an Artist belonging to Punjab Gharana.

Sukhavinder Singh Pt. Laxaman Seen


Jagdev Singh Pt. Mohan Lal


45. Who is writer of "Abhinav Taal Manjhari"

Appa Tulsi Kashinath Bhatkhande


Swami Pagal Das Bhagwan Das


46. Which taal is used to accompany Chaiti style of singing

Jhaptaal Kahrva


Deepchandi Jat


47. What name was given to a student who received training continuously for 48 years

Aaditya Basu


Snatakotter Snatak


48. The Tabla-Vadak of National repute who plays Tabla with left hand

Pt. Swapan Chaudhari Pt. Kumar Bose


Pt. Anindo Chatterjee Md. Akaram Khan


49. Which electronic instrument is not used by Tabla Vadak

Lahra (Nagma) Taanpura


Tuner Octopaid


50. "Dhama", very likely to Tabla, is used in which State

Punjab Jammu Kashmir


Haryana Himachal Pradesh



43. ÛúÖî®Ö ÃÖê ¸üÖ™Òüß.Ö Ü.ÖÖ×ŸÖ ¯ÖÏÖ¯ŸÖ ŸÖ²Ö»ÖÖ­¾ÖÖ¤üÛú Æïü •ÖÖê