PAPER-II MUSIC Signature and Name of Invigilator
1.
(Signature) OMR Sheet No. ............................................... (To be filled by the Candidate)

(Name)
Roll No.


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(Signature) (In figures as per admission card)



(Name) Roll (In words)
D 1 6 1 1

Time 1 1/4 hours] [Maximum Marks 100




Number of Pages in this Booklet 24 Number of Questions in this Booklet 50 Instructions for the Candidates
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Ûú¾Ö¸ü ¯Öéšü ¯Ö¸ü "û¯Öê ×®Ö¤ìü¿ÖÖ®ÖãÃÖÖ¸ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ Ûêú ¯Öéšü ŸÖ£ÖÖ¯ÖÏ¿®ÖÖë Ûúß ÃÖÓܵÖÖ ÛúÖê †""ûß ŸÖ¸üÆü "ÖîÛú Ûú¸ü »Öë ×Ûú µÖê ¯Öæ¸êü
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or duplicate or not in serial order or any other
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correct booklet from the invigilator within the period

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ŸÖÖê †Ö¯ÖÛúß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¾ÖÖ¯ÖÃÖ »Öß •ÖÖµÖêÝÖß †Öî¸ü Æüß †Ö¯ÖÛúÖê

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4. ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ×»Ö‹ "ÖÖ¸ü ˆ¢Ö¸ü ×¾ÖÛú»¯Ö ŸÖ£ÖÖ ×¤üµÖê
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and You have to darken the oval as indicated below on the
correct response against each item.
Æîü •ÖîÃÖÖ ×Ûú ®Öß"Öê פüÜÖÖµÖÖ ÝÖµÖÖ Æîü …
ˆ¤üÖÆü¸üÞÖ


Example
•Ö²Ö×Ûúú(C) ÃÖÆüß ˆ¢Ö¸ü Æîü …

where is the correct response.
5. ¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü Ûêú¾Ö»Ö ¯ÖÏ¿®Ö ¯Ö¡Ö I Ûêú †®¤ü¸ü פüµÖê ÝÖµÖê ˆ¢Ö¸ü-¯Ö¡ÖÛú ¯Ö¸ü Æüß Sheet given inside the Paper I Booklet only. If you mark at
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not be evaluated.
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±úÖê®Ö ®Ö´²Ö¸ü µÖÖ ÛúÖê‡Ô ³Öß ‹êÃÖÖ ×"ÖÅ®Ö ×•ÖÃÖÃÖê †Ö¯ÖÛúß ¯ÖÆü"ÖÖ®Ö ÆüÖê
any mark on any part of the Answer Sheet, except for the
ÃÖÛêú, †Ó×ÛúŸÖ Ûú¸üŸÖê Æïü †£Ö¾ÖÖ †³Ö¦ü ³ÖÖÂÖÖ ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê µÖÖ ÛúÖê‡Ô
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9. You have to return the test question booklet and OMR Answer
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×®Ö¸üßõÖÛú ´ÖÆüÖê¤üµÖ ÛúÖê »ÖÖî™üÖ®ÖÖ †Ö¾Ö¿µÖÛú Æîü †Öî¸ü ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ Ûêú ²ÖÖ¤ü
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Examination Hall.
10. Ûêú¾Ö»Ö ®Öß»Öê/ÛúÖ»Öê ²ÖÖ»Ö ¯¾ÖÖ‡Õ™ü ¯Öê®Ö ÛúÖ Æüß ‡ÃŸÖê´ÖÖ»Ö Ûú¸ëü …
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12. There is no negative marks for incorrect answers.

MUSIC PAPER II Hindustani Karnatak Rabindra Sangeet (Vocal, Instrumental Musicology) and Percussion Instrument
Special Instructions
Note Candidates are required to answer all the 25 questions in Part which are compulsory, they should select any one of the groups from Part II, Part III, Part IV and Part V and answer all the 25 questions. Each question carries two marks.
PART I Common to Hindustani Karnatak Rabindra Sangeet Percussion Instrument.


1. Commentator of Sangeet Ratnakar

Abhinab Gupta


Nanyadev


Singh Bhoopal


Lochan



2. Who wrote "Vaishnav Jana To Tene Kahiye"

Kabeer Meera


Narsi Mehata Surdas



3. Name the artist who has been awarded Padmashree in 2010

Pt. Ulhas Kashalkar


Pt. Ajay Chakrabarti


Pt. Ajay Pohankar


Pt. Uday Bhawalkar



4. Name the famous "Bharat Ratna" who passed away recently in 2011

Pt. Bhimsen Joshi


U. Bismillah Khan


Pt. Phiroze Dastur


Vidushi M.S. Subbalaxmi



5. Which is not a percussion instrument

Tabla Pakhawaj


Flute Mridangam



6. This Raga comes from Karnatic Music

Kirwani Malkaunc


Deskar Durga



7. Assertion The issue of deteriorating quality in Indian Music should be the prime concern of all music maestros, because the young generation is more attracted towards lighter forms of music.
Reason Attractive music in fast tempo in Film Music and T.V. serials is more liked by the young generation.

Codes

Both and are true.


Both and are true, but

is not the correct answer.


is true, but is false.


is false, but is true.


8. Assertion The Ragas in music have been associated with different Gods and Goddesses and several Dhyanas and Raga-Ragini paintings have been made in Ancient/Medieval period.
Reason Music in India originated in Temples and religious ceremonies.

Codes

is true, but is false.


and both are false.


and both are true.


is false, but is true.


9. Sequence correctly

Raganga, Jatigayan, Rag Ragini, Thata-Raga Vargikaran


Jatigayan, Rag-Ragini, Raganga, Thata-Raga Vargikaran


Rag-Ragini, Jatigayan, Raganga, Thata-Raga Vargikaran


Thata-Raga Vargikaran, Raga-Ragini, Jatigayan, Raganga


ÃÖÓ

ÝÖßŸÖ ¯ÖÏ
¿®Ö¯Ö¡Ö II ×Æü®¤üãßÖÖ®Öß Ûú®ÖÖÔ™üÛú ÃÖÓÝÖßŸÖ ¸ü²Öß®¦ü ÃÖÓÝÖßŸÖ ¾ÖÖ¤ü®Ö ‹¾ÖÓ ÃÖÓÝÖߟֿÖÖáÖ) ŸÖ£ÖÖ †¾Ö®Ö¨ü ¾ÖÖª
×¾Ö¿Öêì¿Ö ÂÖ ×®Ö¤ü
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Ÿ.êÖÖÛú †Ûú Æü ³ÖÖÝÖ I ×Æü®¤üãßÖÖ®Öß Ûú®ÖÖÔ™üÛú ÃÖÓÝÖßŸÖ ¸ü²Öß®¦ü ÃÖÓÝÖßŸÖ ŸÖ£ÖÖ †¾Ö®Ö¨ü ¾ÖÖª "ÖÖ¸üÖë Ûêú ×»Ö‹


1. ÃÖÓÝÖßŸÖ ¸üŸ®ÖÖÛú¸ü Ûú ™êüßÛúÖÛúÖ¸ü

†×³Ö®Ö¾Ö ÝÖ㯟Ö


¤êü¾Ö


ØÃÖÆü ³Öæ¯ÖÖ»Ö


»ÖÖê"Ö®Ö



2. "¾ÖîÂÞÖ¾Ö ŸÖÖê ŸÖêÞÖê Ûú×Æü.Öê" ‡ÃÖ ÛúÖê ×ÛúÃÖ®Öê ×»ÖÜÖÖ

Ûú²Ö߸ü ´Ö߸üÖ


®Ö¸üÃÖß ´ÖêÆüŸÖÖ ÃÖæ¸ü¤üÖÃÖ



3. 2010 ´Öë ×ÛúÃÖ Ûú»ÖÖÛúÖ¸ü ÛúÖê ¯Ö©ÁÖß ¯ÖϤüÖ®Ö Ûúß ÝÖ.Öß Æîü

¯Ö. ˆ»ÆÓüÖÃÖ Ûú¿ÖÖ»ÖÛú¸ü


¯Ö. †•Ö.ÓÖ "ÖÛÎú¾ÖŸÖá


¯Ö. †•Ö.ÓÖ ¯ÖÖÆêü®ÖÛú¸ü


¯Ö. ˆ¤Óü.Ö ³Ö¾ÖÖ»ÖÛú¸ü



4. ¾ÖÂÖ2011 ´Öו֮ÖÛúÖ ¤üüÓãüÖ"³ÖÖ¸ŸÖ ¸Ÿ®Ö"Ô ë êÆÖŸÖ Æ†Ö ¾Öê üüÛúÖîîü®Ö

¯ÖÓ. ³Öß´ÖÃÖê®Ö •ÖÖ¿êÖß


ˆ. ײÖ×ôֻ»ÖÖ ÜÖÖÑ


¯ÖÓ. ×±ú¸üÖê•Ö ¤üßÖæ¸ü


×¾Ö¤üãã


ãÂÖß ‹´Ö.‹ÃÖ. ÃÖ²²Ö»Öõ´Öß

5. .ÖÆü ŸÖÖ»Ö¾ÖÖª ®ÖÆüß Æîü

ŸÖ²Ö»ÖÖ ¯ÖÜÖÖ¾Ö•Ö


²ÖÖÓÃÖ¸ãüß ´Ö¤éÓüÝÖ´Ö



6. .ÖÆü ¸üÖÝÖ Ûú®ÖÖÔ™üÛú ÃÖÓÝÖßŸÖ ÃÖê Æîü

×Ûú¸ü¾ÖÖ®Öß ´ÖÖ»ÖÛúÖëÃÖ


¤êüÃÖÛúÖ¸ü ¤ãüÝÖÖÔ



7. †×³ÖÛú£Ö®Ö ³ÖÖ¸üŸÖß.Ö ¿ÖÖáÖß.Ö ÃÖÓÝÖßŸÖ ´Öë ÝÖÞãÖ¾Ö¢ÖÖ Ûú ×ÝÖ¸êüŸÖê ßָü ¯Ö¸ü ÃÖÝÖßŸÖ ×¾Ö«ÓüÖ®ÖÖë ÛúÖ ×¾Ö¿ÖêÂÖ †ÖÛúÙÂÖŸÖ ÆüÖ®êÖÖ "ÖÖ×Æü.Öê, Œ.ÖÖë×Ûú .Öã¾ÖÖ ¯ÖßœüÌß ÛúÖ †×¬ÖÛú —ÖãÛúÖ¾Ö ÃÖÓÖ êúÆüêú±êú¯ÖÏüë Öüüê
ÝÖߟۻÛãú»ÛÛúÖ¸ÖÛúß Ÿ¸±ú ÆÖ¸üÆüÖ Æîü …. ŸÖÛúÔ(R) Œ.ÖÖ×Ûú ë×±ú»´Öß †Ö¸îü ™üß.¾Öß. Ö¾ÖÖ×ÆÛúÖÛú ÃÖÝÖßŸÖ Ûúß ¦ŸÖ ÝÖ×ŸÖ Û
¬ÖÖ¸ü üëêÓãüêú
†ÖÛúÂÖÔÞÖ Ûêú ÛúÖ¸üÞÖ .Öã¾ÖÖ ¯ÖßœÌüß ˆÃÖê †×¬ÖÛú ¯ÖÃÖ®¤ü Ûú¸ü ¸üÆüß Æüî…

ÛúÖ›êü

†Öî¸ü ¤üÖê®ÖÖë ÃÖŸ.Ö


†Ö¸îü ¤üÖê®ÖÖë ÃÖÆüß ¯Ö¸ü ˆÃÖÛúÖ ÃÖÆüß ˆ¢Ö¸ü ®ÖÆüà


ÃÖŸ.Ö, ÝÖ»ÖŸÖ


ÝÖ»ÖŸÖ, ¯Ö¸ü ÃÖÆüß


8. †×³ÖÛú£Ö®Ö ¸üÖÝÖÖë ÛúÖ ÃÖÓÝÖßŸÖ ´Öë ¤üê¾Öß ¤êü¾ÖŸÖÖ†Öë ÃÖê êÌÖÝÖ.ÖÆü îü Ï
ÃÖ´²Ö®¬Ö •ÖÖ›üÖ î†Ö¸¯ÖÖ"Öß®Ö ¾Ö ´Ö¬.ÖÛúÖ»Ö ´Öë ÏÖÛú üêÓ ü
¯ÖŸ.ê¸ÖÝÖ Ûú ‹¾Ö¸ÖÝÖ­¸üÖÖÖ Ö´Ÿ×Ûú.ê Öê
Ö×ÝÖ®ß×"¡×®ÙÖÖ ÖÝ.Ö… ú ³ÖÖ¸ŸÖ ´ÖÝÖߟÛúß ˆŸ¯×¢×¤¸Ö‹¾Ö

ŸÖÛÔüëÃÖÓÖ ÖÖ´ÖÓüüë Ó ¬ÖÖÙ´ÖÛú ÃÖ´ÖÖ¸üÖÆêüÖë ´Öë Æãü‡Ô …
ÛúÖ›êü

ÃÖŸ.Ö, ÝÖ»ÖŸÖ


†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ


†Öî¸ü ¤üÖê®ÖÖë ÃÖÆüß


ÝÖ»ÖŸÖ, ÃÖÆüß


9. ÃÖÆüß ÛÎú´Ö ¯ÖÆü"ÖÖ×®Ö‹

¸üÖÝÖÖÝÓÖ, •ÖÖןÖÝÖÖ.Ö®Ö, ¸üÖÝÖ­¸üÖ×ÝÖ®Öß, £ÖÖ™ü­¸üÖÝÖ­¾ÖÝÖáÛú¸üÞÖ


•ÖÖןÝÖÖÖ¸ÖÖü×ÝÖ®Öß, üÓüüÖ


üÝ­¸Ö¸ÖÝÖÖÝÖ, £ÖÖ™­¸ÖÝ­
¾ÖÝÖáÛú¸üÞÖ


¸üÖÝÖ­¸üÖ×ÝÖ®Öß, •ÖÖןÖÝÖÖ.Ö®Ö, ¸üÖÝÖÖÝÖ, Ó£ÖÖ™ü­¸üÖÝÖ ¾ÖÝÖáÛú¸üÞÖ


£ÖÖ™ü­¸üÖÝÖ­¾ÖÝÖáÛú¸üÞÖ, ¸üÖÝÖ­¸üÖ×ÝÖ®Öß,


•ÖÖןÖÝÖÖ.Ö®Ö, ¸üÖÝÖÖÝÖ Ó

10. Sequence correctly

SemiBreve, Crotehet, Minim, Quaver


Crotehet, Minim, Semibreve, Quaver


Quaver, Minim, Crotehet, Semibreve


Semibreve, Minim, Crotehet, Quaver



11. Bharata in Natya Shastra speaks of two gramas

Shadja-Madhyama grama


Shadja-Gandhara grama


Gandhara-Madhyama grama


None of the above



12. Difference between a Trisruti and Dvisruti interval is a

Pramana sruti


Nyuna sruti


Purna sruti


None of the above



13. Tick the odd one Navavidha bhakti includes

Sravanam Smaranam


Dasyam Premam



14. Match the following

Dhruva Pan


Maddalam Gamaka


Panchamam Naishkramiki


Tripuscha Pakhavaj


Codes















15. Assertion Knowledge of Music and its appreciation brings about a unique experience of joy.
Reason Art experience is closer to spiritual experience.
Codes

is true, is false.


Both and are true.


is false, is true.


Both and are false.



16. A Swar lower by one semitone in Staff-Notation is called

Sharp Natural


Double Flat Flat



17. Views of Bhatta Nayak on Rasa is known as

Utpattivad


Anukritivad


Muktivad


Abhivyaktivad


18. Which book contains a collection of songs by Tagore

Gitavitan Manashi


Puravi Chaturanga


19. The song 'Amar praner manush acche prane' has a tune from

Baul songs


Kirtan


Dhrupad


Scottish ballad


20. Which musical instrument was commonly used to accompany Rabindra Sangeet

Esraj Sitar


Veena Violin


21. Match the following

Khol Uttar Pradesh


Pung Bengal


Dholak Uttarakhand


Hudukka Manipur


Codes















22. The author of 'Ashtottar shat taal lakshanam'

Subhadra Chaudhary


Pundrik Vitthal


Appa Tulsi


Ramamatya


23. Total matras of Jat taal

16 14


12 10


24. Lakshan of Karnatak Jhamp taal

¯ O O ¯


¯ O ¯


25. 'Panch Mukh Vadyam' is still found in Temple

Padmanabha Swamy


Dwarka


Suchindram


Konark


10. ÃÖÆüß ÛÎú´Ö ¯ÖÆü"ÖÖ×®Ö‹

ÃÖ´Öß²êÖÎß¾Ö, ÛÎúÖê"Ö™êü, ×´Ö×®Ö´Ö, Œ¾Öê¾Ö¸ü


ÛÎúÖê"Öê™ü, ×´Ö×®Ö´Ö, ÃÖê´Öß²ÖÎß¾Ö, Œ¾Öê¾Ö¸ü


Œ¾Öê¾Ö¸ü, ×´Ö×®Ö´Ö, ÛÎúÖê"Öê™ü, ÃÖê´Öß²ÖÎß¾Ö


ÃÖê´Öß²Öß¾ÎÖ, ×´Ö×®Ö´Ö, ÛúÎÖê"Ö™êü, Œ¾Ö¾Ö¸êü



11. ³Ö¸üŸÖ ®ÖÖ™Ëü.Ö ¿ÖÖÃ¡Ö ´Öë ¤üÖê ÝÖÖ´ÖÖÏë Ûúß "Ö"ÖÖÔ Ûú¸üŸÖê Æïü

ÂÖ›Ìü•Ö­´Ö¬.Ö´Ö ÝÖÏÖ´Ö


ÂÖ›Ìü•Ö­ÝÖÖ®¬ÖÖ¸ü ÝÖÏÖ´Ö


ÝÖÖ®¬ÖÖ¸ü­´Ö¬.Ö´Ö ÝÖÖÏ´Ö


ˆ¯Ö¸üÖŒŸÖ ´Öêë ÃÖê ÛúÖê‡Ô ®ÖÆüà



12. סÖÁÖןãÖ †Öî¸ü ׫üÁÖã×ŸÖ Ûêú †®ŸÖ¸üÖ»Ö ´Öë

¯ÖÏ´ÖÖÞÖ ÁÖãןÖ


®.Öæ®Ö ÁÖןãÖ


¯ÖæÞÖÔ ÁÖãןÖ


ˆ¯Ö¸üÖŒŸÖ ´Öêë ÃÖê ÛúÖê‡Ô ®ÖÆüà



13. ×¾ÖÂÖ´Ö ¯Ö¸ü ×®Ö¿ÖÖ®Ö »ÖÝÖÖ.Öë … ®Ö¾Ö×¾Ö¬Ö ³Ö׌ŸÖ ´Öë ÃÖ×´´Ö×»ÖŸÖ ®ÖÆüà Æîü

ÁÖ¾ÖÞÖ´Ö Ã´Ö¸üÞÖ´Ö


¤üÖÃ.Ö´Ö ¯ÖÏê


´Ö´Ö

14. ÃÖ´Öã×»ÖŸêÖ Ûúßו֋

¬ÖоÖÖ ¯ÖÞÖ


´Ö§ü»Ö´Ö ÝÖ´ÖÛú


¯ÖÓ(iii) ®ÖÂÛú×´×Ûú

"Ö´Ö´Ö îÖÎÖÖ


ס֯Öã¯ŸÖ ¯ÖÜÖÖ¾Ö•Ö


ÛúÖ›êü















15. †×³ÖÛú£Ö®Ö ÃÖÓÝÖßŸÖ ÛúÖ †Ö¸îü †ÖþÖÖ¤ü®Ö ‹Ûú ×¾Ö¿ÖÂÖ Ïü Ûúß †®Ö³Ö×ŸÖ ÏÖ
ê¯ÖÛúÖ¸ãæ¯ÖÖ¯ŸÛú¸üÖŸÖÖ Æîü … ÛúÖ¸üÞÖ Ûú»ÖÖ Ûúß †®Ö³Öãæ×ŸÖ †Ö¬.ÖÖן´ÖÛú
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12 10



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26.
27.

28.

29.

30.

31.


PART II Hindustani Music (Vocal Instrumental)
Name the author of Sangeet Samay 32. The Interval between Sa Re is

Saar

8 9 15 16
Vidyaranya 9 10 10 9


Chetramohan Goswami


Raja Pratap Singh



33. This is used in string instruments
Parshwadev


Alapti


Jati


A treatise written by Kallinath is Jamjama


Bharat Bhashyam



Mukhchalan

Rasa Kaumudi


Naad Roop


34. To which Gharana belonged Ustad

Kalanidhi



Bahre Wahid Khan

Senia Kirana Who is the author of "Music of

Gwalior Agra
Hindustan"
Fox Strangeways 35. Kathakali Dance form belongs to


William Johns



which State

E. Clements


Andhra Pradesh

Augustus Williard


Maharashtra

Orissa Who compiled the book "Sahasras"

Kerala

Prof. Subhadra Chowdhari


Thakur Jaidev Singh


36. Folk Dance popular in Uttar Pradesh
Prof. Premlata Sharma Karagittam Kalvilia

Acharya Brihaspati Rai-Shera Gidda

Who is the commentator of Naradiya 37. Dominant chord is a formation of

Shiksha

Sa Ga Pa
Maharana Kumbha
.

Ma Dha S a

Bhatt Shubhankar .


Dattil


Pa Ni R e


Abhinav Gupta



Re Ga Pa
The musical scale containing 6 38. Who wrote the Sutras of Chanda

Swaras

Shastra

Pentatonic



Bharat

Heptatonic


Maharshee Pingal

Hexatonic


Abhinav Gupta

Chromatic


Pt. Raj Jagannath
³ÖÖÝÖ II
×Æü®¤ãüßÖÖ®Öß ÃÖÓÝÖßŸÖ (ÝÖÖ.Ö®Ö ¾ÖÖ¤ü®Ö)

26. 'ÃÖÓÝÖßŸÖ ÃÖ´Ö.Ö ÃÖÖ¸ü' Ûêú ÝÖÓÏ£ÖÛúÖ¸ü ÛúÖî®Ö Æïü

32. ÂÖ›üîü êü®ŸÖ¸ü
Ì•Ö †Ö¸ŠúÂÖ³Ö Ûú ²Öß"Ö ÛúÖ Ã¾Ö¸Ö
×¾ÖªÖ¸üÞ.Ö


8 9 15 16


9 10 10 9



"êû¡Ö´ÖÖÆêü®Ö ÝÖÖêþÖÖ´Öß


¸üÖ•ÖÖ ¯ÖÏŸÖÖ¯Ö ØÃÖÆü



33. ŸÖÓ¡Ö ¾ÖÖªÖë ´Öë ‡ÃÖÛúÖ ¯Ö.ÏÖÖÝêÖ ÆüÖŸêÖÖ Æîü ¯ÖÖÀ¾ÖÔ¤êü¾Ö

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•ÖÖןÖ


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Ûêú¸ü»Ö

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šüÖÛãú¸ü •Ö.Ö¤êü¾Ö ØÃÖÆü



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ü Ïê¿Ö ÛúÖ ¯Ö"Ö×»ÖŸÖ »ÖÖÛú®ÖŸ.Ö ¯ÖÏÖê. ¯ÖêÏ´Ö»ÖŸÖÖ ¿Ö´ÖÖÔ

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30. '®ÖÖ¸ü¤üß.Ö ×¿ÖõÖÖ' Ûêú ™üßÛúÖÛúÖ¸ü ÛúÖî®Ö Æïü

37. ›üÖê×´Ö®Öê®™ü ÛúÖò›Ôü ‡®ÖÃÖê ²Ö®ÖŸÖß Æüî:

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³Ö¼ü ¿Öã³ÖÓÛú¸ü


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¤ü×¢Ö»Ö


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31. þָüÖë ¾ÖÖ»ÖÖ ÃÖ¯ŸÖÛú ÛúÖî®Ö ÃÖÖ Æîü

38. "û®¤ü¿ÖÖÃ¡Ö Ûêú ÃÖæ¡Ö ×ÛúÃÖ®Öê ×»ÖÜÖê

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³Ö¸üŸÖ

Æüüüê

ꯙ֙Ö×®ÖÛú ´ÖÆüÙÂÖ Ø¯ÖÝÖ»Ö

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†×³Ö®Ö¾Ö ÝÖ㯟Ö
ÛÎúÖê´Öê×™üÛú ¯ÖÓ. ¸üÖ•Ö •ÖÝÖ®®ÖÖ£Ö

39. In which Raga Ma Re Ni Ni
. .
Dha Ni Dha Sa is again and again
.
used

..

Durga


Malhar


Narayani


Gorakh Kalyan



40. The Rhythm in staff Notation resembling to Dadra Tal of Indian Music

Simple Duple Time


Simple Quadruple Time


Compound Duple Time


Simple Triple Time



41. The number of Sanchari Bhavas

23 13


33 43



42. Which Raga is a combination of Kanhara, Malhar and Sarang

Suha Shahana


Abhogi Nayaki



43. Match the following

Vidushi U. Zakir Siddheshwari Devi Hussain


Vidushi N. Rajam Savita Devi


U. Allarakhan (iii) Mukul Komkali


Pt. Kumar Sangeeta Gandharva Shankar


Codes















44. Pt. Bhimsen Joshi was a disciple of

U. Alladiyakhan


Pt. Sawai Gandharva


Pt. Omkarnath Thakur


U. Abdul Karim Khan


45. Name the famous artist who sings both North Indian Music and South Indian Music.

Aruna Sairam


Vani Jayram


Kavita Krishnamurthi


Malini Rajurkar


46. Name the artist who is not a Bharat Ratna

U. Bismillah Khan


Pt. Ravi Shankar


Pt. Jasraj


Pt. Bhimsen Joshi


47. Which of these following is a Musicologist

U. Amir Khan


Pt. Ajay Chakraborti


Pt. Nikhil Banerjee


Pt. Vasudeo Shastri


48. Pt. T.D. Janorikar is related to

Kirana Gharana


Patiala Gharana


Bhedibazar Gharana


Jaipur Gharana


49. Who was lyricist of 'Jai Geet

Sameer


Prasoon Joshi


Javed Akhtar


Gulzar


50. The ratio of 1 2 occurs between

Sa Pa Sa Ma ..


Sa S a Sa G a


39. ×ÛúÃÖ ¸üÖÝÖ ´Öë ´Ö ¸êü ®Öß ®Öß ®Öß ÃÖÖ ÛúÖ ²ÖÖ¸ü­
.. .
.
²ÖÖ¸ü ¯ÖÏ.ÖÖêÝÖ ÆüÖêŸÖÖ Æüî?


¤ãüÝÖÖÔ


´Ö»ÆüÖ¸ü


®ÖÖ¸üÖ.ÖÞÖß


ÝÖÖ¸êüÜÖ Ûú».ÖÖÞÖ



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Ûú´¯ÖÖˆÓ›ü ›ü¶æ×¯Ö»Ö ™üÖ‡´Ö


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41. ÃÖÓ"ÖÖ¸üß ³Ö