PAPER-II MUSIC Signature and Name of Invigilator
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(Name)
Roll No.


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(Signature) (In figures as per admission card)



(Name) Roll (In words)
D

Time 1 1/4 hours] [Maximum Marks 100




Number of Pages in this Booklet 24 Number of Questions in this Booklet 50 Instructions for the Candidates
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MUSIC
Paper II
Hindustani Karnatak Rabindra Sangeet
(Vocal, Instrumental Musicology and Percussion Instrument)
Special Instructions

Note Candidates are required to answer all the 25 questions in Part which are compulsory. They should select any one of the groups from Part II, Part III, Part IV, Part V and answer all the 25 questions in that part. Each question carries two marks.
PART I Common to Hindustani Karnatak Rabindra Sangeet Percussion Instrument.


4. 'Tirobhava' in a is meant for
1. The interval between two 'Shruties', as which of the following
compared to the interval between two
'Swaras' is
Hiding the main 'swaroop' of raga during improvisation by


Less using the swaras of other raga.


More

Using variety of in the


Equal

presentation.


None of the above



Using the of 'mridangam' in the composition.

2. A musical scale contains how many Voice modulation.
shruties according to the ancient
scholars


5. Tabla player, who composed music for 20 films as A.R. Qureshee
24 Ustad Allarakha
22 Ustad Abdul Kareem
21

Ustad Ahmedjan Thirkawa


Ustad Ameer Hussain



3. A special method of presenting in the ancient times is known by which
6. Founder of Banaras Gharana of Tablaof the following name
Sharda Sahai

Swasthan


Kishan Maharaj

Sargam

Ram Sahai

Ragmala

Janki Prasad

Sadra


ÃÖÓÝÖߟÖ
¯ÖÏ¿®Ö¯Ö¡Ö II
×Æü®¤ãüßÖÖ®Öß Ûú®ÖÖÔ™üÛú ¸ü²Öß®¦ü ÃÖÓÝÖߟÖ
¾ÖÖ¤ü®Ö ‹¾ÖÓ ÃÖÓÝÖߟֿÖÖÃ¡Ö ŸÖ£ÖÖ †¾Ö®Ö¨ü ¾ÖÖª
×¾Ö¿ÖêÂÖ ×®Ö¤ìü¿Ö

®ÖÖê™ü ¯Ö¸üßõÖÖ£Öá ³ÖÖÝÖ I Ûêú ÃÖ³Öß 25 ¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü ¤ëü … µÖÆü ³ÖÖÝÖ †×®Ö¾ÖÖµÖÔ Æîü … ¯Ö¸üßõÖÖ£Öá ³ÖÖÝÖ II, ³ÖÖÝÖ III, ³ÖÖÝÖ IV ŸÖ£ÖÖ ³ÖÖÝÖ V ´Öë ÃÖê ×ÛúÃÖß ‹Ûú ³ÖÖÝÖ Ûêú ÃÖ³Öß 25 ¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü ¤ëü … ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ¤üÖê †ÓÛú Æïü …
³ÖÖÝÖ
I ×Æü®¤ãüßÖÖ®Öß Ûú®ÖÖÔ™üÛú ¸ü²Öß®¦ü ÃÖÓÝÖßŸÖ ŸÖ£ÖÖ †¾Ö®Ö¨ü ¾ÖÖª "ÖÖ¸üÖë Ûêú ×»Ö‹
1. ÁÖãןֵÖÖë ÛúÖ ¯Ö¸üïָü †®ŸÖ¸üÖ»Ö, þָüÖë Ûêú †®ŸÖ¸üÖ»Ö
4. ¸üÖÝÖ ´Öë ÛúÖ ¯ÖϵÖÖêÝÖ ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê Ûúß †¯ÖêõÖÖ
×ÛúÃÖ Ûêú ×»ÖµÖê ×ÛúµÖÖ •ÖÖŸÖÖ Æîü
²ÖœÌüŸÖ Ûêú ÃÖ´ÖµÖ ¸üÖÝÖ Ûêú ´ÖãÜµÖ Ã¾Öºþ¯Ö ÛúÖê
Ûú´Ö ÆüÖêŸÖÖ Æîü …
†®µÖ ¸üÖÝÖ Ûêú þָüÖë ÃÖê ×"û¯ÖÖ®Öê Ûêú ×»ÖµÖê …
†×¬ÖÛú ÆüÖêŸÖÖ Æîü …
¯ÖÏßÖã×ŸÖ ´Öë ×¾Ö׳֮®Ö ¯ÖÏÛúÖ¸ü Ûúß Ûêú

²Ö¸üÖ²Ö¸ü ÆüÖêŸÖÖ Æîü …


¯ÖϵÖÖêÝÖ Ûêú ×»ÖµÖê …

ˆ¯Ö¸üÖêŒŸÖ ´Öë ÃÖê ÛúÖê‡Ô ®ÖÆüà …


¸ü"Ö®ÖÖ ´Öë ´Öé¤ÓüÝÖ Ûêú ²ÖÖê»ÖÖë Ûêú ¯ÖϵÖÖêÝÖ Ûêú ×»ÖµÖê …


†Ö¾ÖÖ•ÖÌ Ûêú ˆŸÖÖ¸ü "ÖœÌüÖ¾Ö Ûêú ×»ÖµÖê …



2. ¯ÖÏÖ"Öß®Ö ÝÖÏÓ£ÖÛúÖ¸üÖë Ûêú †®ÖãÃÖÖ¸ü ‹Ûú ÃÖ¯ŸÖÛú ´Öë ×ÛúŸÖ®Öß ÁÖãןֵÖÖÑ ÆüÖêŸÖß Æïü
5. ‹. †Ö¸ü. Ûãú¸îü¿Öß Ûêú ®ÖÖ´Ö ÃÖê ×±ú»´ÖÖë ´Öë ÃÖÓÝÖßŸÖ ¤êü®Öê
20
¾ÖÖ»Öê ŸÖ²Ö»ÖÖ ¾ÖÖ¤üÛú

24


ˆÃŸÖÖ¤ü †»»ÖÖ¸üÜÖÖ

22

ˆÃŸÖÖ¤ü †²¤ãü»Ö Ûú¸üß´Ö
21

ˆÃŸÖÖ¤ü †Æü´Ö¤ü•ÖÖ®Ö ×£Ö¸üÛú¾ÖÖ


ˆÃŸÖÖ¤ü †´Ö߸ü ÆãüÃÖî®Ö



3. ¯ÖÏÖ"Öß®Ö ÃÖ´ÖµÖ ´Öë †Ö»ÖÖ¯Ö Ûú¸ü®Öê Ûúß ×¾Ö¿ÖêÂÖ ×¾Ö×¬Ö ÛúÖê, ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ ®ÖÖ´Ö ÃÖê •ÖÖŸÖÖ Æîü
6. ŸÖ²Ö»ÖÖ Ûêú ²Ö®ÖÖ¸üÃÖ Ûêú ÃÖÓãÖÖ¯ÖÛú

þÖãÖÖ®Ö


¿ÖÖ¸ü¤üÖ ÃÖÆüÖµÖ

ÃÖ¸üÝÖ´Ö

×Ûú¿Ö®Ö ´ÖÆüÖ¸üÖ•Ö

¸üÖÝÖ´ÖÖ»ÖÖ

¸üÖ´Ö ÃÖÆüÖµÖ

ÃÖÖ¤ü¸üÖ

•ÖÖ®ÖÛúß ¯ÖÏÃÖÖ¤ü

7. Ghanaraga Pancharatna Kritis are composed by

Swati Thirunal


Syama Shastri


Tyagaraja


Muthuswami Dikshitar



8. Mechkalyani is a

Utharanga raga


Janya raga


Ghana raga


Vakra raga



9. Number of Kharaharapriya in the 72 Melakartha scheme is

25


22


20


15



10. According to modern 'shudha' scale, the frequency of is 240, what will be the frequency of 'shudha madhyam'

270


288


320


360



11. 'Lakshan Geet' is a musical form, which describes

Characteristics of a


Quality of sound


Musicology


Variety of



12. Popular Mridangam player

Ambadas Pant Agale


Umyalpuram Shivraman


Tyagaraja


Chitti Babu



13. Sign for Khali in Paluskar taal notation system

X


O





S



14. In which book does Tagore's concept of music appear

Shangeeter Dharma


Sangeet Chiata


Sangeet-O-Bhav


Sangeeter Mukti



15. Which character did Rabindranath portray in the drama 'Tapoti'

Kumar Sen


Vikram


Ratneshwar


Devadutta



16. How many have been used by Pt. Bhatkhande for the classification of ragas

15


22


10


12



7. 'Ö®Ö¸üÖÝÖ ¯ÖÓ"Ö¸üŸ®Ö ÛéúןֵÖÖë ÛúÖê ÛÓú¯ÖÖê•Ö Ûú¸ü®Öê ¾ÖÖ»ÖÖ ÛúÖî®Ö Æîü

þÖÖ×ŸÖ ×ŸÖ¹ý®Ö»Ö


¿µÖÖ´ÖÖ ¿ÖÖáÖß


ŸµÖÖÝÖ¸üÖ•Ö


´Öã£ÖãþÖÖ´Öß ¤üß×õÖŸÖ¸ü



8. ´Öê"ÖÛú»µÖÖ®Öß ‹Ûú

ˆ¢Ö¸ÓüÝÖ ¸üÖÝÖ Æîü …


•Ö®µÖ ¸üÖÝÖ Æîü …


¸üÖÝÖ Æîü …


¾ÖÛÎú ¸üÖÝÖ Æîü …



9. 72 ´Öê»ÖÛúŸÖÖÔ µÖÖê•Ö®ÖÖ ´Öë ÜÖ¸üÆü¸üׯÖ쵅 Ûúß ÃÖÓܵÖÖ ÆüÖêŸÖß Æîü

25


22


20


15



10. †Ö¬Öã×®ÖÛú ¿Öã¨ü £ÖÖ™ü ´Öë µÖפü Ûúß †ÖÓ¤üÖê»Ö®Ö ÃÖÓܵÖÖ 240 Æîü ŸÖÖê '¿Öã¨ü Ûúß †ÖÓ¤üÖê»Ö®Ö ÃÖÓܵÖÖ ŒµÖÖ ÆüÖêÝÖß

270


288


320


360



11. '»ÖõÖÞÖ ÝÖߟÖ' ´Öë ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖÛúÖ ¾ÖÞÖÔ®Ö ×ÛúµÖÖ •ÖÖŸÖÖ Æîü

¸üÖÝÖ Ûêú »ÖõÖÞÖÖë ÛúÖ


¬¾Ö×®Ö Ûêú ÝÖãÞÖ¬Ö´ÖÔ ÛúÖ


ÃÖÓÝÖßŸÖ ¿ÖÖÃ¡Ö ÛúÖ


Ûêú ¯ÖÏÛúÖ¸ü ÛúÖ



12. »ÖÖêÛúׯÖ쵅 ´Öé¤ÓüÝÖ´Ö ¾ÖÖ¤üÛú

†Ó²ÖÖ¤üÖÃÖ ¯ÖÓŸÖ †ÖÝÖ»Öê


ˆ´ÖµÖÖ»Ö¯Öã¸ü´Ö ׿־ָüÖ´Ö®Ö


ŸµÖÖÝÖ¸üÖ•Ö


×"Ö¢Öß ²ÖÖ²Öæ



13. '¯Ö»ÖãÃÛú¸'ü ŸÖÖ»Ö ×»Ö×¯Ö ¯Ö¨ü×ŸÖ ´Öë ÜÖÖ»Öß ÛúÖ ×"ÖÅ®Ö

X


O





S



14. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ ¯ÖãßÖÛú ´Öë ™îüÝÖÖê¸ü Ûêú ÃÖÓÝÖßŸÖ ÛúÖ ×¾Ö"ÖÖ¸ü ¯ÖϤüÙ¿ÖŸÖ Æãü†Ö

ÃÖÓÝÖߟÖê¸ü ¬Ö´ÖÔ


ÃÖÓÝÖßŸÖ "ÖîŸÖ


ÃÖÓÝÖßŸÖ †Öê ³ÖÖ¾Ö


ÃÖÓÝÖߟÖê¸ü ´Öã׌ŸÖ



15. ŸÖ¯ÖÖêŸÖß ®ÖÖ™üÛú ´Öë ¸ü²Öß®¦ü®ÖÖ£Ö ®Öê ×ÛúÃÖ "Ö׸ü¡Ö Ûúß ³Öæ×´ÖÛúÖ Ûúß £Öß

Ûãú´ÖÖ¸ü ÃÖê®Ö


×¾ÖÛÎú´Ö


¸üŸ®Ö꿾ָü


¤êü¾Ö¤ü¢Ö



16. ¯ÖÓ. ³ÖÖŸÖÜÖÞ›êü ®Öê ¸üÖÝÖ ¾ÖÝÖáÛú¸üÞÖ ÆêüŸÖã ×ÛúŸÖ®Öê £ÖÖ™üÖë ÛúÖ ¯ÖϵÖÖêÝÖ ×ÛúµÖÖ Æîü

15


22


10


12



17. Identify the structure of 'Major Scale'

Tone, Tone, Semi Tone, Tone, Tone, Tone, Semi Tone.


Tone, Semi Tone, Tone, Tone, Semi Tone, Tone, Tone.


Semi Tone, Tone, Tone, Tone, Semi Tone, Tone, Tone.


Tone, Tone, Tone, Semi Tone, Tone, Semi Tone, Tone.



18. Tagore composed amar desher mati' at the age of

35


75


45


15



19. Which was the last dance drama composed by Tagore

Kalmrigaya


Mayor Khela


Chitrangada


Chandalika



20. A musical scale divided into 12 equal intervals for 12 swaras, is known as

Diatonic scale


Pythagorean scale


Minor scale


Equally tempered scale



21. 'Dasvidh Raga Vargikaran' is mentioned in

Natya Shastra


Sangeet Makrand


Brihaddeshi


Sangeet Ratnakar



22. Tyagaraja Swami lived in

15th Century


17th Century


14th Century


13th Century



23. Name of Mohanam raga in Hindustani Music is

Malkauns


Bhupali


Durga


Sohini



24. Match the following List I List II
a.
Sudha 1. Instrumental Prabandhas Joom

b.
Mukta Gita 2. Kriti

c.
Equal 3. Ancient Music temperament

d.
Gandhara 4. Western Music Grama


Code
a b c d

2 1 4 3


1 2 3 4


3 4 2 1


4 3 1 2



25. Who is the author of "Bharat Bhashyam" Granth

Singh Bhupal


Vidyaranya


Nanya Bhoopal


Raja Pratap Singh



17. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê '´Öê•Ö¸ü ÃÛêú»Ö' Ûêú þֺþ¯Ö ÛúÖê
‡Ó×ÝÖŸÖ ÛúßוֵÖê

ÃÖê.™üÖê®Ö, ÃÖê.™üÖê®Ö


ÃÖê.™üÖê®Ö, ÃÖê.™üÖê®Ö, ™üÖê®Ö


ÃÖê.™üÖê®Ö, ÃÖê.™üÖê®Ö, ™üÖê®Ö


ÃÖê.™üÖê®Ö, ÃÖê.™üÖê®Ö, ™üÖê®Ö



18. ™îüÝÖÖê¸ü ®Öê '†Öê †Ö´ÖÖ¸ü ¤êü¿Öê¸ü ´ÖÖ™üß' ÛúÖê ×ÛúÃÖ ˆ´ÖÏ ´Öë ÛÓú¯ÖÖê•Ö ×ÛúµÖÖ £ÖÖ

35


75


45


15



19. ™îüÝÖÖê¸ü ÛéúŸÖ †Ó×ŸÖ´Ö ®ÖéŸµÖ ®ÖÖ™üÛú ÛúÖî®Ö ÃÖÖ Æîü

ÛúÖ»Ö´ÖéÝÖµÖÖ


´ÖêµÖê¸ü ÜÖê»ÖÖ


×"Ö¡ÖÖÓÝÖ¤üÖ


"ÖÖÓ›üÖ×»ÖÛúÖ



20. ‹Ûú ÃÖ¯ŸÖÛú Ûêú 12 þָüÖë ÛúÖê, ²Ö¸üÖ²Ö¸ü Ûêú 12 ³ÖÖÝÖÖë ´Öë ×¾Ö³ÖÖ×•ÖŸÖ Ûú¸ü ¤êü®Öê ¯Ö¸ü ˆÃÖê ×®Ö´®Ö ´Öë ÃÖê ÛúÖî®Ö ÃÖÖ 'ÃÛêú»Ö' ÛúÆëüÝÖê

›üÖµÖ™üÖò×®ÖÛú ÃÛêú»Ö


¯ÖÖµÖ£ÖÖêÝÖÖê׸üµÖ®Ö ÃÛêú»Ö


´ÖÖ‡®Ö¸ü ÃÛêú»Ö


ÃÖ´ÖÖ®ÖÖ®ŸÖ¸ü ÃÛêú»Ö



21. '¤üÃÖ ×¾Ö¬Ö ¸üÖÝÖ ¾ÖÝÖáÛú¸üÞÖ' ÛúÖ ˆ»»ÖêÜÖ ×´Ö»ÖŸÖÖ Æîü

®ÖÖ™ü¶ ¿ÖÖÃ¡Ö ´Öë


ÃÖÓÝÖßŸÖ ´ÖÛú¸Óü¤ü ´Öë


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ÃÖÓÝÖßŸÖ ¸üŸ®ÖÖÛú¸ü ´Öë



22. ŸµÖÖÝÖ¸üÖ•Ö Ã¾ÖÖ´Öß ÛúÖ •Öß¾Ö®ÖÛúÖ»Ö ×ÛúÃÖ ¿ÖŸÖÖ²¤üß ÃÖê ÃÖÓ²ÖÓ×¬ÖŸÖ Æîü

15¾Öà ¿ÖŸÖÖ²¤üß


17¾Öà ¿ÖŸÖÖ²¤üß


14¾Öà ¿ÖŸÖÖ²¤üß


13¾Öà ¿ÖŸÖÖ²¤üß



23. ØÆü¤ãüßÖÖ®Öß ÃÖÓÝÖßŸÖ ´Öë ´ÖÖêÆü®Ö´Ö ¸üÖÝÖ ÛúÖ ®ÖÖ´Ö ŒµÖÖ Æîü

´ÖÖ»ÖÛúÖî¿Ö


³Öæ¯ÖÖ»Öß


¤ãüÝÖÖÔ


ÃÖÖê×Æü®Öß



24. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ ÃÖæ"Öß I ÃÖæ"Öß II
a.
¿Öã¨ü ¯ÖϲÖÓ¬Ö 1. ¾ÖÖª •Öæ´Ö

b.
´ÖãŒŸÖ ÝÖßŸÖ 2. ÛéúןÖ

c.
ÃÖ´ÖÖ®ÖÖÓŸÖ¸üÖ»Ö®Ö 3. ¯ÖÏÖ"Öß®Ö ÃÖÓÝÖߟÖ

d.
ÝÖÖÓ¬ÖÖ¸ü ÝÖÏÖ´Ö 4. ¯ÖÖ¿"ÖÖŸµÖ ÃÖÓÝÖߟÖ


󜅐ݟ
a b c d

2 1 4 3


1 2 3 4


3 4 2 1


4 3 1 2



25. ³ÖÖµִÖ' ÝÖÏÓ£Ö Ûêú »ÖêÜÖÛú ÛúÖî®Ö Æïü

ØÃÖÆü ³Öæ¯ÖÖ»Ö


×¾ÖªÖ¸üÞµÖ


³Öæ¯ÖÖ»Ö


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PART II
Hindustani Music (Vocal Instrumental)

26. Vikrit Swara of Bharat 33. Name the thata of Devgiri Bilaval

Teevratar Ni


Kalyan

Kaushik Ni

Khamaj

Antar Gandhar

Bilaval

Teevratar Gandhar

Kafi

27. Which artist is famous for Merukhandi 34. Which scale of Western Music has
Gayaki major, minor and semi tones

Ustad Fayyaj Khan


Natural scale

Ustad Abdul Karim Khan

Tempered scale

Bade Ghulam Ali Khan

Dia-tonic scale

Ustad Aman Ali Khan

Hexatonic scale

28. What is the interval of Semi Tone
9 10 8 9 35. What is the interval between Shadaj

and Pancham
15 16 10 15 3 4 2 3

29. He had a spiritual concept of

2 4 8 9 Aesthetics.


Plato


36. The frequency of Teevra Madhyam


Aristotle



according to Pt. Bhatkhande
Hegal 432 256 Baumgarton -337½ 288

30. How many varieties of Arts have been 37. Which scholar has referred tomentioned by Vatsyayana
"Chidabaran Bhang" in context of

32 74


Rasa theory

20 64


Bharat


Abhinav Gupta



31. Frequency is related to K.C. Pandey Magnitude Pitch Pt. Raj Jagganath(C) Timbre Vibrator 38. Which of the following is required to 32. Consonance of perfect sound depends enhance breathing-control whileupon singing
Relation between basic note and Singing loudly its overtones.
Singing very slowly(B) Manda and Madhya Saptak Singing on mike

Vibration and Frequency


Pranayam

Length of Vibrator


³ÖÖÝÖ II
×Æü®¤ãüßÖÖ®Öß ÃÖÓÝÖßŸÖ (ÝÖÖµÖ®Ö ¾ÖÖ¤ü®Ö)

26.

27.

28.

29.

30.

31.

32.


³Ö¸üŸÖ Ûêú ×¾ÖÛéúŸÖ þָü

ŸÖß¾ÖΟָü ®Öß


ÛúÖî׿ÖÛú ®Öß


†®ŸÖ¸ü ÝÖ®¬ÖÖ¸ü


ŸÖß¾ÖΟָü ÝÖ®¬ÖÖ¸ü

ÛúÖî®Ö ÃÖê Ûú»ÖÖÛúÖ¸ü ´ÖêºþÜÖÞ›üß ÝÖÖµÖÛúß Ûêú ×»ÖµÖê ¯ÖÏ×ÃÖ¨ü Æïü


ˆÃŸÖÖ¤ü ±îúµµÖÖ•Ö ÜÖÖÑ


ˆÃŸÖÖ¤ü †²¤ãü»Ö Ûú¸üß´Ö ÜÖÖÑ


²Ö›Ìêü ÝÖã»ÖÖ´Ö †»Öß ÜÖÖÑ


ˆÃŸÖÖ¤ü †´ÖÖ®Ö †»Öß ÜÖÖÑ


ÃÖê´Öß™üÖê®Ö ÛúÖ †®ŸÖ¸üÖ»Ö Æîü

9 10 8 9


15 16 10 15


‡®ÖÛúÖ ÃÖÖüµÖÔ †Ö¬µÖÖן´ÖÛú £ÖÖ

¯»Öê™üÖê


†¸üßÖã


ÆüßÝÖ»Ö


²ÖÖ´ÖÝÖÖ™Ôü®Ö


¾Ö֟õÖÖµÖ®Ö ®Öê Ûú»ÖÖ†Öë Ûêú ×ÛúŸÖ®Öê ¯ÖÏÛúÖ¸ü ¾ÖÙÞÖŸÖ ×ÛúµÖê Æïü

32 74


20 64


†ÖÓ¤üÖê»Ö®Ö ÃÖÓܵÖÖ ÛúÖ ÃÖ´²Ö®¬Ö ×ÛúÃÖÃÖê Æîü

®ÖÖ¤ü ÛúÖ "ûÖê™üÖ ²Ö›ÌüÖ


®ÖÖ¤ü ÛúÖ ‰Ñú"ÖÖ ®Öß"ÖÖ


®ÖÖ¤ü Ûúß •ÖÖןÖ


¬¾Ö×®Ö ˆŸ¯ÖÖ¤üÛú ¯Ö¤üÖ£ÖÔ

¯ÖæÞÖÔ ¬¾Ö×®Ö Ûúß ´Ö¬Öã¸üŸÖÖ ×ÛúÃÖ ¯Ö¸ü ×®Ö³ÖÔ¸ü Ûú¸üŸÖß Æîü


´Öæ»Ö®ÖÖ¤ü †Öî¸ü ÃÖÆüÖµÖÛú ®ÖÖ¤ü Ûêú ¯ÖÖ¸üÖïÖ׸üÛú ÃÖ´²Ö®¬Ö


´Ö®¤ü †Öî¸ü ´Ö¬µÖ ÃÖ¯ŸÖÛú


Ûú´¯Ö®Ö †Öî¸ü †ÖÓ¤üÖê»Ö®Ö ÃÖÓܵÖÖ


¬¾Ö×®Ö ˆŸ¯ÖÖ¤üÛú ¯Ö¤üÖ£ÖÔ Ûúß »Ö´²ÖÖ‡Ô



33. ¤êü¾Ö×ÝÖ¸üß ×²Ö»ÖÖÓ¾Ö»Ö ÛúÖ £ÖÖ™ü ²ÖŸÖÖ‡µÖê

Ûú»µÖÖÞÖ


ÜÖ´ÖÖ•Ö


ײֻÖÖ¾Ö»Ö


ÛúÖ±úß



34. ¯ÖÖ¿"ÖÖŸµÖ ÃÖÓÝÖßŸÖ ´Öë ×ÛúÃÖ ÃÖ¯ŸÖÛú ´Öë ´Öê•Ö¸ü, ´ÖÖ‡®Ö¸ü
†Öî¸ü ÃÖê´Öß ™üÖê®Ö ŸÖß®ÖÖë ÛúÖ ¯ÖϵÖÖêÝÖ ÆüÖêŸÖÖ Æîü

®Öî"Ö¸ü»Ö ÃÛêú»Ö


™êü´¯Ö›Ôü ÃÛêú»Ö


›üÖµÖÖ™üÖê×®ÖÛú ÃÛêú»Ö


ÆêüŒÃÖÖ™üÖê×®ÖÛú ÃÛêú»Ö



35. ÂÖ›Ìü•Ö †Öî¸ü ¯ÖÓ"Ö´Ö Ûêú ²Öß"Ö ŒµÖÖ †®Öã¯ÖÖŸÖ Æîü

3 4 2 3


2 4 8 9



36. ¯ÖÓ. ³ÖÖŸÖÜÖÓ›êü Ûêú †®ÖãÃÖÖ¸ü ŸÖß¾ÖÎ ´Ö¬µÖ´Ö Ûúß †Ö®¤üÖê»Ö®Ö ÃÖÓܵÖÖ

432 256


-337½ 288



37. ×ÛúÃÖ †Ö"ÖÖµÖÔ ®Öê ¸üÃÖ ×ÃÖ¨üÖ®ŸÖ Ûêú ÃÖ®¤ü³ÖÔ ´Öë "×"Ö¤üÖ¾Ö¸üÞÖ ³ÖÓÝÖ" Ûúß "Ö"ÖÖÔ Ûúß Æîü

³Ö¸üŸÖ


†×³Ö®Ö¾Ö ÝÖ㯟Ö


Ûêú.ÃÖß. ¯ÖÖÞ›êü


¯ÖÓ. ¸üÖ•Ö •ÖÝÖ®®ÖÖ£Ö



38. ÝÖÖµÖ®Ö ÆêüŸÖã ¿¾ÖÖÃÖ ×®ÖµÖÓ¡ÖÞÖ ²ÖœÌüÖ®Öê Ûêú ×»ÖµÖê ×®Ö´®Ö ´Öë ÃÖê ÛúÖî®Ö ÃÖê ŸÖ¢¾Ö †Ö¾Ö¿µÖÛú Æîü

•ÖÌÖê¸ü ÃÖê ÝÖÖ®ÖÖ


²ÖÆãüŸÖ ¬Ö߸êü ÝÖÖ®ÖÖ


'´ÖÖ‡Ûú' ¯Ö¸ü ÝÖÖ®ÖÖ


¯ÖÏÖÞÖÖµÖÖ´Ö



39. Harmony is based on

Metre


Chord


Staccto


Rest



40. Author of Mansollas is

Damodar Pandit


Someshwar


Pundrik Vitthal


None of these



41. Which Raga belongs to Audav Jati

Jog Kauns


Todi


Jog


Rageswari



42. Shri Krishna Narain Ratanjankar died in which month

January


February


March


April



43. Notes of Raga Todi are

Re Ga Re Sa


Re Ga Re Sa


Re Ga Re Sa


None of these



44. Bols of Maseetkhani Gat are

Dir Da Rada Dir Da Dir Da Ra


Dir Da Dir Da Ra Da Da Ra


Da Ra Dir Dir Da Rada Dar Da


None of these




45. 'Sa Ma, Ga Ma Notes belong to which Raga

Raga Yaman


Raga Kedar


Raga Kamod


Raga Marubihag



46. Which instrument does not belong to stringed instruments

Sitar Sarod


Sehnai Sarangi



47. Who is the founder of Kawali

Miya Tansen


Amir Khusroo


Sadarang


Adarang



48. Who was called Kinnar in Vedic period

Singer


Instrumentalist


Composer


A person who was expert in singing and playing an instrument



49. Who is the composer of Raghupati Raghav Rajaram

Narayan Moreshwar Khare


Pt. Vishnu Digamber Paluskar


Pt. Vishnu Narayan Bhatkhande


Pt. Annasaheb Ratanjankar



50. Who had the honour of presenting Classical Music in the temples of Mewar Shrinathji

Pt. Bhimsen Joshi


Pt. Jasraj


Pt. Omkarnath Thakur


Pt. Rasiklal Andharia



39. ÆüÖ¸ü´ÖÖê®Öß Ûúß ¸ü"Ö®ÖÖ ÛúÖ †Ö¬ÖÖ¸ü Æîü

´Öß™ü¸ü


ÛúÖò›Ôü


ÙêüÛêú™üÖê


×™üÛúÖ¾Ö



40. '´ÖÖ®ÖÃÖÖê»»ÖÖÃÖ' Ûêú ¸ü"Ö×µÖŸÖÖ Æïü

¤üÖ´ÖÖê¤ü¸ü ¯ÖÓ×›üŸÖ


ÃÖÖê´Ö꿾ָü


¯ÖãÞ›ü¸üßÛú ×¾Ö½ü»Ö


ÛúÖê‡Ô ®ÖÆüà



41. ÛúÖî®Ö ÃÖÖ ¸üÖÝÖ †Öî›Ìü¾Ö •ÖÖ×ŸÖ ÛúÖ ¸üÖÝÖ Æîü

•ÖÖêÝÖÛúÖëÃÖ


ŸÖÖê›Ìüß


•ÖÖêÝÖ


¸üÖÝÖ꿾ָüß



42. ÁÖßÛéúÂÞÖ ®ÖÖ¸üÖµÖÞÖ ¸üÖŸÖÓ•Ö®ÖÛú¸ü Ûúß ´Ö韵Öã ×ÛúÃÖ ´ÖÖÆü ´Öë Æãü‡Ô