Exam Details
Subject | music | |
Paper | paper 2 | |
Exam / Course | ugc net national eligibility test | |
Department | ||
Organization | university grants commission | |
Position | ||
Exam Date | December, 2009 | |
City, State | , |
Question Paper
1. Who introduced Flute to Classical Music
Hari Prasad Chaurasiya
Devendra Murdeshwar
Pannalal Ghosh
Ragunath Seth
2. Sitarist who played Sur-Bahar also
Pt. Ravi Shankar
Nikhil Banerjee
Halim Jafar Khan
Imrat Khan
3. 'Santoor' belongs to
Kashmir
Punjab
Haryana
Rajasthan
4. For which instrument Gopal Krishna was famous
Vichitra Veena
Rudra Veena
Sitar
Saroda
5. Who plays 'Mohan Veena'
Shashi Mohan Bhatt
Vishwa Mohan Bhatt
Krishna Mohan Bhatt
Atik Mohan Bhatt
6. Who was the author of famous book "Rag-Tarangini" based on Hindustani music
Ameer Khusro
Sharang Deo
Lochan
Sultan Hussain Shirkee
7. Which of the following belong to Kalyan Thata
Bhatiyar
Chandra Kant
Pooriya
Maligaura
8. Who is a thumri artist of the following
Gangabai Hangal
Heera Bai Barodkar
Girija Devi
Kishori Amonkar
9. Who is the violin player
Annapurna Devi
Sharan Rani
N. Rajam
Shanno Khurana
10. To which gharana Abdul Baheed Khan Saheb belonged
Delhi
Gwalior
Kirana
Jaipur
11. The accompanying instrument used in South-Indian music concert
Khanjira
Harmonium
Nadaswaram
Saxophone
12. The signature of Muthuswamy Dikshitar
Shri Vasudeva
Shama Krishna
Guruguha
Gurupada
13. Raga Shankarabharana has the prefix name.
Mecha
Hari
Maya
Dheera
14. Match the following. Use the code given below
List-I List-II
Kshetragna Keertana
Mysore Sadashiva Rao Pada
Lalgudi Jayaraman Kruti
Badrachala Ramdas Tillana
Codes
15. Assertion and Reason
Assertion Papanashashivam has composed Panchalinga Krutis.
Reason Muttuswamy Dikshitar has also composed Panchalinga Krutis.
is false but is true.
is true but is false.
Both and are true.
Both and are false.
16. Find out the Tagore song tuned in Vrindavani Sarang and set to Teevra tala
Jay taba vichitra ananda
Timirmay nivid nisha
Biras din biral kaj
Amar prane gabhir gopan
17. Find out the Tagore-song based on the theme of Varsha-Abhisar (tryst during the rains)
Aji jhader rate tomar abhisar
Tumi kon pathe je ele
Viraha madhur holo
Eso neepa-vane
18. Find out the Tagore-song addressed to Nataraj and applied in the drama Tapati
Nrityer tale tale Nataraj
Pralay nachan nachle yakhan he Nataraj
Dui hate kaler mandiraye.
He mor devata
19. "Man-in-the universe" is the idea of the Tagore-song
Akash hote akash pathe
Oi maha manav ase
He sakha mama
Tomari gehe
20. Find out the Tagore-song starting with the tonal arrangement/array
Naba vasanter daner dali
Ekada tumi priye
Tomar geeti jagalo smriti
Kichhu bolbo bole esechhilem
21. Who was awarded 'Padma-Bhushan
Allarakha Khan
Karamatulla Khan
Habibudhin
Ahamed Jan Thirakua
22. Number of beats in Aada Chartaal
12
13
14
15
23. Which fraction denotes "Sava Gun"
1/4
3/4
5/4
7/4
24. Match the following
Tabla Paran
Pakhawaj Laggi
Nakkara Thap
Dholak Quada
Codes
25. Tabla/Pakhawaj is generally tuned in
Shadaja
Gandhar
Madhyama
Panchama
26. Hindustani Classical Music is face to face training.
Wrong
Correct
Perhaps
None of the above
27. Music cannot be fully notated.
not required
it is wrong
perhaps
it is correct
28. That cannot be sung and played upon.
it is wrong
perhaps
it is correct
none of the above
29. For becoming a performing artist, only practice is required.
it is wrong
it is correct
perhaps
none of the above
30. Which are the two 'Achal Swars'
Sa, Ga
Ni, Ri
Sa, Pa
Gha, Ni
31. Best accompanying instrument for vocal music is
Sitar
Sarod
Sarangi
Flute
32. Pakhawaj is used with musical style of
Khyal
Tappa
Dhrupad
Thumri
33. The most prevalent instrument is
Dundabhi
Bheri
Israj
Tabla
34. Ras nishpati in music can be achieved only by usage of notes.
it is wrong
it is correct
perhaps
none of the above
35. Kishori Amongkar is an expert in vocal music style of
Thumri
Dhrupad
Khyal
Tappa
36. Who has made use the most of new experiments of Indian and Western instrumental music
Vilayat Khan
Ali Akbar
Ravi Shankar
Nikhil Banerji
37. Santoor player of Hindustani Music is
Hariprasad Chaurasia
Shiv Kumar Sharma
Budhaditya Mukerji
Vishwa Mohan Bhatt
38. The propagation of Music has increased because of university education in music.
it is correct
it is wrong
to some extent
perhaps
39. Two types of lists are given below. Match the items given in List-I with the items given in List-II, and select the correct answer with the help of codes given below
List-I List-II
These Ragas are mixed in Ahir Bhirav Jog
In which Raga both the Gandhars are used Kafi Bhairav
Which Raga takes shape by making Re and Dha komal in Raga Bhupali Madhuvanti
Which Raga evolves by converting Komal Rishab Dhewat of Raga Multani into Shudh Vibhas
Codes
40. Two types of lists are given below. Match the items given in List-I with the items given in List-II, and select the correct answer with the help of codes given below
List-I List-II
Natyashastra Matang
Vrihad deshi Ahobal
Sangit Parijat Bharat
Sangit Makrand Narad
Codes
41. Raga, in which two Madhyams are used
Nat Bhairav
Bilaskhani Todi
Jaunpuri
Bhatiyar
42. The singing style prevalent more in the modern period is
Dhrupad
Dhamar
Tirwat
Khyal
43. Lyakari and Bol Bant is used the most in vocal style of
Thumri
Bhajan
Dhrupad
Chaturang
44. By combining Shudha and Komal Teevra the number of notes formed are
Seven
Eight
Twelve
Eleven
45. The Tal, mostly used in Vilambit Khyal
Char Tal
Dadra
Ek Tal
Deepchandi
46. Assertion Out of two aspects of music practical and musicology, first the practical aspect originates. Only after its development, the aspect of musicology evolves.
Reason Though the practical aspect of music is prominent, it cannot be properly systemized without musicology aspect.
is correct but is wrong.
is wrong but is correct.
Both and are correct.
Both and are wrong.
47. Assertion The tunes of folk songs generally depict the heart beats of simple and illiterate people living in villages. Folk songs are accompanied by notes demonstrating sweet, melodious and delicate feelings.
Reason Folk songs, by their ability, have been highly successful in expressing the scenario of the area.
is correct but is wrong.
is wrong but is correct.
Both and are wrong.
Both and are correct
48. Shrimati Sulochana Brihaspati belongs to Gharana tradition of
Kirana Gharana
Jaipur Gharana
Rampur Gharana
Delhi Gharana
49. According to sequence order from Nad to Saptak, mark the correct order of development
Nad, Shruti, Dhwani, Saptak, Swar
Saptak, Shruti, Swar, Dhwani, Nad.
Dhwani, Shruti, Swar, Saptak, Nad.
Dhwani, Nad, Shruti, Swar, Saptak
50. Which part is not used in Dhrupad Gayaki
Aalap
Meend
Gamak
Tan
26. South-Indian composer among the trinities.
Tallapakam Annamacharya
Patnam Subramanya Iyer
Shamashastry
Muttair Bhagavatar
27. The first charana of Sree Raga pancharatna starts with the word
Bhagavata
Nee Menu
Samagana
Parama Bhagavata
28. The correspondent raga of Mohana in Hindustani Music
Bilaval
Malakouns
Bhoopali
Sindhu
29. Astapadi of Jayadeva is
Champu Kavya
Dwidhatu Prabandha
Suladi
None of the above
30. The 2nd Chakra in 72 melakarta scheme
Nethra
Indu
Agni
Bana
31. Khanda Chaputala kruti
Mamava Meenakshi
Meevalla gunadosha
Nidhichala
Durmarga
32. Kriya is an important element of
Talas of Tirupagazh
Talas of Tiruppavaih
Madhyadi Tala
Taladosha Pranas
33. A place popularly known for Thyagaraja Aradhana
Madhurai
Thirucchi
Tanjore
Thiruvayyur
34. Kshetragna's padas depict the rasa
Bheebatsa
Roudra
Adbhuta
Shrungara
35. Anuloma in a pallavi is the change in speed in
Sahitya
Tala
Both the above
None of the above
36. A famous musician who was disciple of Chembai Vaidyanatha Iyer
M.S. Subbalakshmi
M.L. Vasanthakumari
M. Balamurali Krishna
K.J. Yesudas
37. Kudumiyamalai inscription is found in
Suchindram
Vellore
Hampi
Pudukkottai
38. The folk form of South Indian Music
Garbha
Vrittanama
Noutanki
Kavadi Attam
39. A musician who was also a Harikatha performer
Swati Tirunal
Ariyakkudi Ramanuja Iyengar
Annamacharya
Muttaih Bhagavatar
40. The composition, 'Sudhamayi' is in the raga
Amrutavarshini
Hamsanada
Sree
Hari Kambhoji
41. Thyagaraja's famous opera
Nouka Geetham
Nouka Charitram
Nouka Katham
Nouka Prasangam
42. Match the following. Use the code given below
List-I List-II
Yakshagana Tamil Nadu
Burrakatha Karnataka
Kathakali Andhra Pradesh
Bhagavathmela Kerala
Codes
43. Write the correct sequence of the following compositions according to their evolution
Kriti
Prabandha
Devaranama
Dhruvageetha
Codes
44. Arrange the following in the order of 72 melakarta scheme.
Senapathi
Kokilapriya
Rupavathi
Hanuma Todi
Codes
45. The text 'Sangita Sampradaya Pradarshini' is written by
Subbarama Dikshitar
Ramaswamy Dikshitar
Rama Matya
Venkatamakhi
46. Suladis are composed by
Purandaradasa
Sadashiva Brahmendra
Akkamahadevi
Margadarshi Shesha Iyengar
47. Arrange the following janya ragas in the order of their parent scales
Bilahari
Saveri
Dhanyasi
Sree Ranjani
Codes
48. Assertion and Reason
Assertion Purandaradasa composed Devaranamas.
Reason He also composed Ugabhogas.
is True is False
is True is True
is False is True
is False is False
49. Assertion and Reason
Assertion Manodharma sangita is an important part of South Indian music
Reason Varnam is a branch of Manodharma sangita.
Both and are true.
Both and are false.
is true but is false
is false but is true.
50. The first Shuddhamela of Samagana was
Ma ri ga sa ni dha pa
Ma ga ri sa dha ni pa
Ma sa ri ga ni dha pa
Ma ga sa ri pa dha ni
26. The tune of the song Ami sansare mana diyechhinu is
Baul
Kirtan
Bhairab
Jhumur
27. Janani, tomar, karun, charankhani is set to 18-beat
Navapancha tal
Navatal
Shashthital
Rupak.da tal
28. The author of the book 'Shatgan' is
Rabindranath himself
Bankim Chandra Chattopadhyay
Swarnakumari Debi
Sarala Devi
29. Jana gana mana was composed by Rabindranath in the year
1900
1905
1911
1940
30. Rabindranath's first and foremost lecture demonstration on music is titled
Sangiter Mukti
Sangit and Kabita
Katha and Sur
Sangit and Bhab
31. The book Sur O Sangati is co-authored by Rabindranath and
Atul Prasad
Mahatma Gandhi
Professor Dhurjati Prasad Mukhopadhyay
Nidhu Babu
32. Identify the raga of the song Amar Matha Nata Kare.
Yaman Kalyan
Kalyan
Yaman
Bhupali
33. The language of the lyrics of Bhanusinher Padabali is
Bengali
Sanskrit
Hindi
Maithili
34. "The origin and function of Music" is written by
Herbert Spencer
Edmund Spencer
Ratan Devi
Sir William Jones
35. 'Shreematee' is the heroine of which Rabindranath's drama
Natir Puja
Phalguni
Guru
Bisarjan
36. Title of Rabindranath's Hibbert Lecture in Oxford is
The Crisis of Civilization
Creative Trinity
The Religion of Man
Fruit Gathering
37. The song Dhire bandhu dhire, sung by the blind Baul in Rabindranath's drama
Phalguni has in its tune
5 swaras
6 swaras
7 swaras
12 swaras
38. Rabindranath derived the theme of his devotional song Tumi amader pita (Thou art our Father) from
Sukla yajur veda
The Ramayana
The Gita
Manu Sanhita
39. Rabindranath won the Nobel Prize for his book
Gitanjali in English
Gitanjali in Bengali
Gora
Dakghar
40. Rabindranath dedicated his drama Taser Desh to
Vishnu Narayan Bhatkhande
Kazi Nazrul Islam
Subhash Chandra Basu
Rajanikanta Sen
41. Alap-Alochana is Rabindranath's dialogue with
Romain Rolland
Albert Einstein
Dilip Kumar Roy
Ananda Kumarswamy
42. Identify the very starting song of Prem (Love) category.
Chitta pipasita re
Amare karo tomar vina
Se amar gopan katha
Tumi kon kananer phul
43. The thematic influence of Kalidasa's Meghadutam is found in Rabindranath's song
Amar priyar chhaya akashe aj bhase
Ogo badhu sundari
Aj bari jhare
Samukhe Shanti-Parabar
44. The Rajput chronicle inspired Rabindranath to write the song
Jwal jwal chita dwigun dwigun
Aguner parashmani
Ore agun amar bhai
Nil digante oi phuler agun laglo
45. "Music of different nations has a common psychological foundation." was the topic
of Tagore's discussion with
Herbert George Wells
A.H. Stapleton
Dr. Yorktotter
Marguerite Wilkinson
46. The title of the anthology of Tagore's congregation addresses is
Santiniketan
Sriniketan
Bhashandhara
Puja O Prarthana
47. For opening the Department of Music in the University of Calcutta Rabindranath recommended to the-then D.P.I. the name of
Gopeshwar Banerjee
Dilipkumar Ray
Vishnu Narayan Bhatkhande
Fhaiyaz Khan
48. The introductory (Bhumika) song of Tagore's Gitabitan is
Pratham yuger uday-digangane
Kanna-hasir dol-dolano
Surer Guru
Akash bhara surya-tara
49. All the twelve notes are aesthetically/artistically applied by Tagore in his song
Amar praner pare chole gelo ke
He nirupama
Gagane gagane apanar mone
Tumi kon kananer phul
50. Guru is the shortened form of the drama
Achalayatan
Rakta Karabi
Dakghar
Prayashchitta
26. Beats in Shikar Taal
11
13
15
17
27. "Durdur" falls under which class of instruments
Tat Vadya
Ghan Vadya
Sushir Vadya
Avanaddha Vadya
28. falls on which beat in Roopak Taal
1
4
5
6
29. 'Ahmed Jaan Thirkua' belonged to
Delhi Gharana
Punjab Gharana
Ajrada Gharana
Farrukhabad Gharana
30. 'Bafati Miyan was famous for
Tabla
Pakhawaj
Dholak
Nakkara
31. Who mastered Dhin Dhin
Gudai Maharaj
Kishan Maharaj
Anokhe Lal
Kumar Lal
32. Arrange the following Musicologists in chronological order
Sharang Dev
Bharat
K.C.D. Brihaspati
Bhatkhande
Codes
33. Who has written 'Taalkosh'
Aban-E-Mistry
Yogmaya Shukla
Harishchandra Srivastava
Girish Chandra Srivastava
34. 'Tabla Ka Udgam, Vikas Avam Vadan Shailiyan' is written by
Satya Narayan Vashishtha
Girish Chandra Srivastava
Yogmaya Shukla
Aban E. Mistri
35. falls on which beat in Sawari Taal
7
8
9
10
36. Who is called 'Sangat-Samrat'
Habibuddin
Nanhe Khan
Ahmed Jan Thirakua
Munne Khan
37. 'Allarakha' belonged to which Gharana
Delhi
Punjab
Azarada
Farrukhabad
38. Match the following
Karamat Ulla Khan Farrukhabad Gharana
Masit Khan Banaras Gharana
Gudai Maharaj Punjab Gharana
Zakir Hussain Delhi Gharana
Codes
39. Match the following
Nikhil Ghosh Nayan
Karamatulla Khan Kumarlal
Gudia Maharaj Zakir Hussain
Alla Rakkha Khan Sabir Khan
Codes
40. On Tabla/Pakhawaj Pudi, Syahi is made of
Coal powder
Wood powder
Iron ore powder
None of these
41. Number of 'Margi Taalas' are
3
5
7
9
42. Which fraction denotes 'Savagun' Laykari
1/4
3/4
5/4
7/4
43. Match the following
Dhrupad Punjabi
Khayal Deep Chandi
Thumari Teen Taal
Tappa Chaar Taal
Codes
44. Writer of 'Bhartiya Sangeet Vadya'
Bhagwat Sharan Sharma
Satya Narayan Vashishtha
Lalmani Mishra
Girish Chandra Srivastava
45. Which Taal is used with 'Sadara'
Char Taal
Dhamar
Sool Taal
Teevra
46. 'Tilwada' Taal is played with which style
Dhrupad
Khayal (Vilambit)
Thumari
Tappa
47. Theka of which taal has got Dhin Tin coving 11/2 beats
Kheta
Dhumali
Jhumara
Ada char taal
48. Number of beats in Ek Taal (Chatashra Jaati) of Karnataka Sangeet.
4
8
12
16
49. Form of ATH Taal in Karnataka Music system
1
10
101
1100
50. Assertion Maximum expansion of is possible.
Reason Because has identical Bolas systematically arranged according to the Taal Form.
is True is False
is False is True
is True is True
is False is False
Hari Prasad Chaurasiya
Devendra Murdeshwar
Pannalal Ghosh
Ragunath Seth
2. Sitarist who played Sur-Bahar also
Pt. Ravi Shankar
Nikhil Banerjee
Halim Jafar Khan
Imrat Khan
3. 'Santoor' belongs to
Kashmir
Punjab
Haryana
Rajasthan
4. For which instrument Gopal Krishna was famous
Vichitra Veena
Rudra Veena
Sitar
Saroda
5. Who plays 'Mohan Veena'
Shashi Mohan Bhatt
Vishwa Mohan Bhatt
Krishna Mohan Bhatt
Atik Mohan Bhatt
6. Who was the author of famous book "Rag-Tarangini" based on Hindustani music
Ameer Khusro
Sharang Deo
Lochan
Sultan Hussain Shirkee
7. Which of the following belong to Kalyan Thata
Bhatiyar
Chandra Kant
Pooriya
Maligaura
8. Who is a thumri artist of the following
Gangabai Hangal
Heera Bai Barodkar
Girija Devi
Kishori Amonkar
9. Who is the violin player
Annapurna Devi
Sharan Rani
N. Rajam
Shanno Khurana
10. To which gharana Abdul Baheed Khan Saheb belonged
Delhi
Gwalior
Kirana
Jaipur
11. The accompanying instrument used in South-Indian music concert
Khanjira
Harmonium
Nadaswaram
Saxophone
12. The signature of Muthuswamy Dikshitar
Shri Vasudeva
Shama Krishna
Guruguha
Gurupada
13. Raga Shankarabharana has the prefix name.
Mecha
Hari
Maya
Dheera
14. Match the following. Use the code given below
List-I List-II
Kshetragna Keertana
Mysore Sadashiva Rao Pada
Lalgudi Jayaraman Kruti
Badrachala Ramdas Tillana
Codes
15. Assertion and Reason
Assertion Papanashashivam has composed Panchalinga Krutis.
Reason Muttuswamy Dikshitar has also composed Panchalinga Krutis.
is false but is true.
is true but is false.
Both and are true.
Both and are false.
16. Find out the Tagore song tuned in Vrindavani Sarang and set to Teevra tala
Jay taba vichitra ananda
Timirmay nivid nisha
Biras din biral kaj
Amar prane gabhir gopan
17. Find out the Tagore-song based on the theme of Varsha-Abhisar (tryst during the rains)
Aji jhader rate tomar abhisar
Tumi kon pathe je ele
Viraha madhur holo
Eso neepa-vane
18. Find out the Tagore-song addressed to Nataraj and applied in the drama Tapati
Nrityer tale tale Nataraj
Pralay nachan nachle yakhan he Nataraj
Dui hate kaler mandiraye.
He mor devata
19. "Man-in-the universe" is the idea of the Tagore-song
Akash hote akash pathe
Oi maha manav ase
He sakha mama
Tomari gehe
20. Find out the Tagore-song starting with the tonal arrangement/array
Naba vasanter daner dali
Ekada tumi priye
Tomar geeti jagalo smriti
Kichhu bolbo bole esechhilem
21. Who was awarded 'Padma-Bhushan
Allarakha Khan
Karamatulla Khan
Habibudhin
Ahamed Jan Thirakua
22. Number of beats in Aada Chartaal
12
13
14
15
23. Which fraction denotes "Sava Gun"
1/4
3/4
5/4
7/4
24. Match the following
Tabla Paran
Pakhawaj Laggi
Nakkara Thap
Dholak Quada
Codes
25. Tabla/Pakhawaj is generally tuned in
Shadaja
Gandhar
Madhyama
Panchama
26. Hindustani Classical Music is face to face training.
Wrong
Correct
Perhaps
None of the above
27. Music cannot be fully notated.
not required
it is wrong
perhaps
it is correct
28. That cannot be sung and played upon.
it is wrong
perhaps
it is correct
none of the above
29. For becoming a performing artist, only practice is required.
it is wrong
it is correct
perhaps
none of the above
30. Which are the two 'Achal Swars'
Sa, Ga
Ni, Ri
Sa, Pa
Gha, Ni
31. Best accompanying instrument for vocal music is
Sitar
Sarod
Sarangi
Flute
32. Pakhawaj is used with musical style of
Khyal
Tappa
Dhrupad
Thumri
33. The most prevalent instrument is
Dundabhi
Bheri
Israj
Tabla
34. Ras nishpati in music can be achieved only by usage of notes.
it is wrong
it is correct
perhaps
none of the above
35. Kishori Amongkar is an expert in vocal music style of
Thumri
Dhrupad
Khyal
Tappa
36. Who has made use the most of new experiments of Indian and Western instrumental music
Vilayat Khan
Ali Akbar
Ravi Shankar
Nikhil Banerji
37. Santoor player of Hindustani Music is
Hariprasad Chaurasia
Shiv Kumar Sharma
Budhaditya Mukerji
Vishwa Mohan Bhatt
38. The propagation of Music has increased because of university education in music.
it is correct
it is wrong
to some extent
perhaps
39. Two types of lists are given below. Match the items given in List-I with the items given in List-II, and select the correct answer with the help of codes given below
List-I List-II
These Ragas are mixed in Ahir Bhirav Jog
In which Raga both the Gandhars are used Kafi Bhairav
Which Raga takes shape by making Re and Dha komal in Raga Bhupali Madhuvanti
Which Raga evolves by converting Komal Rishab Dhewat of Raga Multani into Shudh Vibhas
Codes
40. Two types of lists are given below. Match the items given in List-I with the items given in List-II, and select the correct answer with the help of codes given below
List-I List-II
Natyashastra Matang
Vrihad deshi Ahobal
Sangit Parijat Bharat
Sangit Makrand Narad
Codes
41. Raga, in which two Madhyams are used
Nat Bhairav
Bilaskhani Todi
Jaunpuri
Bhatiyar
42. The singing style prevalent more in the modern period is
Dhrupad
Dhamar
Tirwat
Khyal
43. Lyakari and Bol Bant is used the most in vocal style of
Thumri
Bhajan
Dhrupad
Chaturang
44. By combining Shudha and Komal Teevra the number of notes formed are
Seven
Eight
Twelve
Eleven
45. The Tal, mostly used in Vilambit Khyal
Char Tal
Dadra
Ek Tal
Deepchandi
46. Assertion Out of two aspects of music practical and musicology, first the practical aspect originates. Only after its development, the aspect of musicology evolves.
Reason Though the practical aspect of music is prominent, it cannot be properly systemized without musicology aspect.
is correct but is wrong.
is wrong but is correct.
Both and are correct.
Both and are wrong.
47. Assertion The tunes of folk songs generally depict the heart beats of simple and illiterate people living in villages. Folk songs are accompanied by notes demonstrating sweet, melodious and delicate feelings.
Reason Folk songs, by their ability, have been highly successful in expressing the scenario of the area.
is correct but is wrong.
is wrong but is correct.
Both and are wrong.
Both and are correct
48. Shrimati Sulochana Brihaspati belongs to Gharana tradition of
Kirana Gharana
Jaipur Gharana
Rampur Gharana
Delhi Gharana
49. According to sequence order from Nad to Saptak, mark the correct order of development
Nad, Shruti, Dhwani, Saptak, Swar
Saptak, Shruti, Swar, Dhwani, Nad.
Dhwani, Shruti, Swar, Saptak, Nad.
Dhwani, Nad, Shruti, Swar, Saptak
50. Which part is not used in Dhrupad Gayaki
Aalap
Meend
Gamak
Tan
26. South-Indian composer among the trinities.
Tallapakam Annamacharya
Patnam Subramanya Iyer
Shamashastry
Muttair Bhagavatar
27. The first charana of Sree Raga pancharatna starts with the word
Bhagavata
Nee Menu
Samagana
Parama Bhagavata
28. The correspondent raga of Mohana in Hindustani Music
Bilaval
Malakouns
Bhoopali
Sindhu
29. Astapadi of Jayadeva is
Champu Kavya
Dwidhatu Prabandha
Suladi
None of the above
30. The 2nd Chakra in 72 melakarta scheme
Nethra
Indu
Agni
Bana
31. Khanda Chaputala kruti
Mamava Meenakshi
Meevalla gunadosha
Nidhichala
Durmarga
32. Kriya is an important element of
Talas of Tirupagazh
Talas of Tiruppavaih
Madhyadi Tala
Taladosha Pranas
33. A place popularly known for Thyagaraja Aradhana
Madhurai
Thirucchi
Tanjore
Thiruvayyur
34. Kshetragna's padas depict the rasa
Bheebatsa
Roudra
Adbhuta
Shrungara
35. Anuloma in a pallavi is the change in speed in
Sahitya
Tala
Both the above
None of the above
36. A famous musician who was disciple of Chembai Vaidyanatha Iyer
M.S. Subbalakshmi
M.L. Vasanthakumari
M. Balamurali Krishna
K.J. Yesudas
37. Kudumiyamalai inscription is found in
Suchindram
Vellore
Hampi
Pudukkottai
38. The folk form of South Indian Music
Garbha
Vrittanama
Noutanki
Kavadi Attam
39. A musician who was also a Harikatha performer
Swati Tirunal
Ariyakkudi Ramanuja Iyengar
Annamacharya
Muttaih Bhagavatar
40. The composition, 'Sudhamayi' is in the raga
Amrutavarshini
Hamsanada
Sree
Hari Kambhoji
41. Thyagaraja's famous opera
Nouka Geetham
Nouka Charitram
Nouka Katham
Nouka Prasangam
42. Match the following. Use the code given below
List-I List-II
Yakshagana Tamil Nadu
Burrakatha Karnataka
Kathakali Andhra Pradesh
Bhagavathmela Kerala
Codes
43. Write the correct sequence of the following compositions according to their evolution
Kriti
Prabandha
Devaranama
Dhruvageetha
Codes
44. Arrange the following in the order of 72 melakarta scheme.
Senapathi
Kokilapriya
Rupavathi
Hanuma Todi
Codes
45. The text 'Sangita Sampradaya Pradarshini' is written by
Subbarama Dikshitar
Ramaswamy Dikshitar
Rama Matya
Venkatamakhi
46. Suladis are composed by
Purandaradasa
Sadashiva Brahmendra
Akkamahadevi
Margadarshi Shesha Iyengar
47. Arrange the following janya ragas in the order of their parent scales
Bilahari
Saveri
Dhanyasi
Sree Ranjani
Codes
48. Assertion and Reason
Assertion Purandaradasa composed Devaranamas.
Reason He also composed Ugabhogas.
is True is False
is True is True
is False is True
is False is False
49. Assertion and Reason
Assertion Manodharma sangita is an important part of South Indian music
Reason Varnam is a branch of Manodharma sangita.
Both and are true.
Both and are false.
is true but is false
is false but is true.
50. The first Shuddhamela of Samagana was
Ma ri ga sa ni dha pa
Ma ga ri sa dha ni pa
Ma sa ri ga ni dha pa
Ma ga sa ri pa dha ni
26. The tune of the song Ami sansare mana diyechhinu is
Baul
Kirtan
Bhairab
Jhumur
27. Janani, tomar, karun, charankhani is set to 18-beat
Navapancha tal
Navatal
Shashthital
Rupak.da tal
28. The author of the book 'Shatgan' is
Rabindranath himself
Bankim Chandra Chattopadhyay
Swarnakumari Debi
Sarala Devi
29. Jana gana mana was composed by Rabindranath in the year
1900
1905
1911
1940
30. Rabindranath's first and foremost lecture demonstration on music is titled
Sangiter Mukti
Sangit and Kabita
Katha and Sur
Sangit and Bhab
31. The book Sur O Sangati is co-authored by Rabindranath and
Atul Prasad
Mahatma Gandhi
Professor Dhurjati Prasad Mukhopadhyay
Nidhu Babu
32. Identify the raga of the song Amar Matha Nata Kare.
Yaman Kalyan
Kalyan
Yaman
Bhupali
33. The language of the lyrics of Bhanusinher Padabali is
Bengali
Sanskrit
Hindi
Maithili
34. "The origin and function of Music" is written by
Herbert Spencer
Edmund Spencer
Ratan Devi
Sir William Jones
35. 'Shreematee' is the heroine of which Rabindranath's drama
Natir Puja
Phalguni
Guru
Bisarjan
36. Title of Rabindranath's Hibbert Lecture in Oxford is
The Crisis of Civilization
Creative Trinity
The Religion of Man
Fruit Gathering
37. The song Dhire bandhu dhire, sung by the blind Baul in Rabindranath's drama
Phalguni has in its tune
5 swaras
6 swaras
7 swaras
12 swaras
38. Rabindranath derived the theme of his devotional song Tumi amader pita (Thou art our Father) from
Sukla yajur veda
The Ramayana
The Gita
Manu Sanhita
39. Rabindranath won the Nobel Prize for his book
Gitanjali in English
Gitanjali in Bengali
Gora
Dakghar
40. Rabindranath dedicated his drama Taser Desh to
Vishnu Narayan Bhatkhande
Kazi Nazrul Islam
Subhash Chandra Basu
Rajanikanta Sen
41. Alap-Alochana is Rabindranath's dialogue with
Romain Rolland
Albert Einstein
Dilip Kumar Roy
Ananda Kumarswamy
42. Identify the very starting song of Prem (Love) category.
Chitta pipasita re
Amare karo tomar vina
Se amar gopan katha
Tumi kon kananer phul
43. The thematic influence of Kalidasa's Meghadutam is found in Rabindranath's song
Amar priyar chhaya akashe aj bhase
Ogo badhu sundari
Aj bari jhare
Samukhe Shanti-Parabar
44. The Rajput chronicle inspired Rabindranath to write the song
Jwal jwal chita dwigun dwigun
Aguner parashmani
Ore agun amar bhai
Nil digante oi phuler agun laglo
45. "Music of different nations has a common psychological foundation." was the topic
of Tagore's discussion with
Herbert George Wells
A.H. Stapleton
Dr. Yorktotter
Marguerite Wilkinson
46. The title of the anthology of Tagore's congregation addresses is
Santiniketan
Sriniketan
Bhashandhara
Puja O Prarthana
47. For opening the Department of Music in the University of Calcutta Rabindranath recommended to the-then D.P.I. the name of
Gopeshwar Banerjee
Dilipkumar Ray
Vishnu Narayan Bhatkhande
Fhaiyaz Khan
48. The introductory (Bhumika) song of Tagore's Gitabitan is
Pratham yuger uday-digangane
Kanna-hasir dol-dolano
Surer Guru
Akash bhara surya-tara
49. All the twelve notes are aesthetically/artistically applied by Tagore in his song
Amar praner pare chole gelo ke
He nirupama
Gagane gagane apanar mone
Tumi kon kananer phul
50. Guru is the shortened form of the drama
Achalayatan
Rakta Karabi
Dakghar
Prayashchitta
26. Beats in Shikar Taal
11
13
15
17
27. "Durdur" falls under which class of instruments
Tat Vadya
Ghan Vadya
Sushir Vadya
Avanaddha Vadya
28. falls on which beat in Roopak Taal
1
4
5
6
29. 'Ahmed Jaan Thirkua' belonged to
Delhi Gharana
Punjab Gharana
Ajrada Gharana
Farrukhabad Gharana
30. 'Bafati Miyan was famous for
Tabla
Pakhawaj
Dholak
Nakkara
31. Who mastered Dhin Dhin
Gudai Maharaj
Kishan Maharaj
Anokhe Lal
Kumar Lal
32. Arrange the following Musicologists in chronological order
Sharang Dev
Bharat
K.C.D. Brihaspati
Bhatkhande
Codes
33. Who has written 'Taalkosh'
Aban-E-Mistry
Yogmaya Shukla
Harishchandra Srivastava
Girish Chandra Srivastava
34. 'Tabla Ka Udgam, Vikas Avam Vadan Shailiyan' is written by
Satya Narayan Vashishtha
Girish Chandra Srivastava
Yogmaya Shukla
Aban E. Mistri
35. falls on which beat in Sawari Taal
7
8
9
10
36. Who is called 'Sangat-Samrat'
Habibuddin
Nanhe Khan
Ahmed Jan Thirakua
Munne Khan
37. 'Allarakha' belonged to which Gharana
Delhi
Punjab
Azarada
Farrukhabad
38. Match the following
Karamat Ulla Khan Farrukhabad Gharana
Masit Khan Banaras Gharana
Gudai Maharaj Punjab Gharana
Zakir Hussain Delhi Gharana
Codes
39. Match the following
Nikhil Ghosh Nayan
Karamatulla Khan Kumarlal
Gudia Maharaj Zakir Hussain
Alla Rakkha Khan Sabir Khan
Codes
40. On Tabla/Pakhawaj Pudi, Syahi is made of
Coal powder
Wood powder
Iron ore powder
None of these
41. Number of 'Margi Taalas' are
3
5
7
9
42. Which fraction denotes 'Savagun' Laykari
1/4
3/4
5/4
7/4
43. Match the following
Dhrupad Punjabi
Khayal Deep Chandi
Thumari Teen Taal
Tappa Chaar Taal
Codes
44. Writer of 'Bhartiya Sangeet Vadya'
Bhagwat Sharan Sharma
Satya Narayan Vashishtha
Lalmani Mishra
Girish Chandra Srivastava
45. Which Taal is used with 'Sadara'
Char Taal
Dhamar
Sool Taal
Teevra
46. 'Tilwada' Taal is played with which style
Dhrupad
Khayal (Vilambit)
Thumari
Tappa
47. Theka of which taal has got Dhin Tin coving 11/2 beats
Kheta
Dhumali
Jhumara
Ada char taal
48. Number of beats in Ek Taal (Chatashra Jaati) of Karnataka Sangeet.
4
8
12
16
49. Form of ATH Taal in Karnataka Music system
1
10
101
1100
50. Assertion Maximum expansion of is possible.
Reason Because has identical Bolas systematically arranged according to the Taal Form.
is True is False
is False is True
is True is True
is False is False
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