PAPER-II
COMPARATIVE LITERATURE

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D 7 2 1 4

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Number of Pages in this Booklet 16 Instructions for the Candidates
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Number of Questions in this Booklet 50
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1.
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2.
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3.
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4.
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•ÖîÃÖÖ ×Ûú ®Öß"Öê פüÜÖÖµÖÖ ÝÖµÖÖ Æîü …

ˆ¤üÖÆü¸üÞÖ
•Ö²Ö×Ûúú(C) ÃÖÆüß ˆ¢Ö¸ü Æîü …

5. ¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü Ûêú¾Ö»Ö ¯ÖÏ¿®Ö ¯Ö¡Ö I Ûêú †®¤ü¸ü פüµÖê ÝÖµÖê OMR ¯Ö¡ÖÛú ¯Ö¸ü Æüß
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6.
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8.
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11.
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D-72-14



1 P.T.O.
COMPARATIVE LITERATURE
Paper II

Note This paper contains fifty objective type questions of two marks each. All questions are compulsory.
1. Which of the following is an example of an Anachronism

Clocks in Julius Ceasar


Flying saucers in science fiction


Elves in a farry tale


The Trojan horse in Iliad


2. Who defines General Literature as "The study of literature without regard to linguistic frontiers"

S.S. Prawer Ulrich Weisstein


R.A. Sayce Anna Balakian


3. Anandakumar's Tamil translation Iyandiran won the

Gnanpith Award Sahitya Akademi Award


Yashpal Award Vaylar Award


4. Identify the founder of the Revue de Littérateur Comparee

Paul Van Tieghem Fernand Baldensperger


Jean Marie Carré Marius François Guyard.


5. What is the proper chronological sequence for the state of the discipline reports in Comparative Literature
I. Haun Saussy II. Harry Levin
III. Charles Bernheimer IV. Thomas Greene
Codes

III I II IV


III IV II I


II IV III I


I II III IV


6. Match the authors with the languages in which they write. List I List II
I. Namedv Dhasal 1. Hindi
II. Ismat Chughtai 2. Kannada
III. C.S. Bendre 3. Urdu
IV. Abdul Bismillah 4. Marathi

Codes
I II III IV

3 4 1 2


2 3 4 1


4 3 2 1


3 2 1 4




ŸÖãüŸ.Ö

»Ö®ÖÖŸ´ÖÛú ÃÖÖ×ƯÖÏ
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ü‡ÃÖ ¯Ö¿®Ö¯Ö ´Öã­×¾ÖÛú»¯Öß.¯ÏÖ ï… ¯ÖŸ.Ûú ¯¿®Ûú †ÛúÆü ÏÖ.Ôî…
1. ÛúÖ»Ö¤üÖêÂÖ (†®ÖÖÛúÎÖ×®êÖ•ûÌ´Ö) ÛúÖ ˆ¤üÖÆü¸üÞÖ ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÛúÖ®îÖ ÃÖÖ Æîü

•Öã×»Ö.ÖÃÖ ÃÖß•Ö¸Ìü ´Öë 'Ö×›üÌ.ÖÖÑ


×¾Ö-ÖÖ®Ö Ûú£ÖÖ ÃÖÖ×ÆüŸ.Ö ´Öë ˆ›Ìü®Öê ¾ÖÖ»Öß ŸÖ¿ŸÖ׸ü.ÖÖÑ


¯Ö¸üßÛú£ÖÖ ´Öë ‹»¾ÖÃÖË


‡×»Ö.› ´Ö™üêêÌÖ


Öë ÒÖ•Ö®Ö

2. ÃÖÖ´ÖÖ®.Ö ÃÖÖ×ÆüŸ.Ö ÛúÖ, ³êÖÖÂÖÖ‡Ô ÃÖß´ÖÖ†Öë ¯Ö¸ü פü‹ ²ÖÝÖî¸ü, ÃÖÖ×ÆüŸ.Ö †¬.Ö.Ö®Ö Ûêú ºþ¯Ö ´Öë ×ÛúÃÖ®Öê ¯Ö׸ü³ÖÖ×ÂÖŸÖ ×Ûú.ÖÖ Æîü

‹ÃÖ. ‹ÃÖ. ¯ÖϾָü ˆ»Ö׸ü"Ö ¾ÖÖ‡ÃÖÙüÖ‡®Ö


†Ö¸ü.‹. ÃÖê‡ÃÖ †®®ÖÖ ²ÖÖ»ÖÖ×Ûú‹®Ö



3. †Ö®Ö®¤ü Ûú´ÖÖ¸ãü Ûúß ŸÖ×´Ö»Ö ´Öë †®Ö¾ÖÖפãüŸÖ Ûú×ŸÖ é'.Ö®¦êüÞÖ' ÛúÖê ÃÖê ÃÖ´´ÖÖ×®ÖŸÖ ×Ûú.ÖÖ ÝÖ.ÖÖ Æîü …

-ÖÖ®Ö¯Ößšü ¯Ö¸ãüÃÛúÖ¸ü ÃÖÖ×ÆüŸ.Ö †ÛúÖ¤ü´Öß ¯Öã¸üÃÛúÖ¸ü


.Ö¿Ö¯ÖÖ»Ö ¯Öã¸üÃÛúÖ¸ü ¾ÖÖ‡»ÖÖ¸ü ¯Ö¸ãüÃÛúÖ¸ü



4. '¤ß ׸¾.Ö¤ü êŸ.ÖÖ¸Ûú¯Ö¸üêÓîï?üüã ê×»ÖŸÖ¸üêü Óêê' Ûú ÃÖãÖÖ¯ÖÛú ÛúÖ®Ö Æü

¯ÖÖ»òÖ ¾Ö®êÖ ™üß'Ö´Ö ±ú®Öí›ü ²ÖÖ»›êü®Öïָ֕Ôü
Ö Öü êüÖ úÛúÖ.›Ô



•Öß®´Ö׸ÛúÖ¸ü ´ÖÖ׸.Ö±Ïïê ÝÖæÖÖü



5. ŸãÖ®ÖŸ´ÛúÃÖ×ÆÖ Öë üü ò±ú¤üÖׯ»Ö®Ö׸êÔüüãÎÎîüÖ»ÖÖÖüŸ.´"ÙꙆÖüß ×›×Ãü¯ÖÖ™ËÃÖ" ÛúÖ ÃÖÆß ÛúÖ»ÖÖ®ÖÛú×´ÖÛú Ûú´Ö Œ.ÖÖ
I. ÆÖ®Ö ÃÖÖÃÖß II. Æüüê
üòòî¸ß »Ö×¾Ö®Ö
Ô Ôü ´ÖÃÖ ÝÖß®

III. "ÖÖ»ÃÖ²Ö®ÖÆüÖ‡´Ö¸IV. £ÖÖòÏÖ
Ûú™æü

III I II IV


III IV II I


II IV III I


I II III IV


ÖÖÖÖÖ ê ÖÖˆ®Öוִê ê ïÛ´Ö×»ÖŸÖÛúßו֋
6. ×®´®×»×ÜŸ»ÖÜÖÛúë Ûúê ÖÛúß ³ÖÖÂÖ ÖÃÖë ¾Ö×»ÖÜÖŸÖÆü ú ÃÖÖ£Ö ÃÖêãêÃÖ"Ößæ I ÃÖæ"Öß II
I. ®ÖÖ´Ö¤êü¾Ö œüÃÖÖ»Ö 1. ×Æü®¤üß
II. ‡Ã´ÖŸÖ "ÖãÝÖŸÖ‡Ô 2. Ûú®®Ö›üÌ
III. ÃÖß.‹ÃÖ. ²Öꮦêü 3. ˆ¤Ôãü
IV. †²¤ãü»Ö ײÖ×ôֻ»ÖÖÆü 4. ´Ö¸üÖšüß
Ûú™æü
I II III IV

3 4 1 2


2 3 4 1


4 3 2 1


3 2 1 4


7. Which among the following groups belong to American school of Comparative Literature

H.H. Remak, Harry Levin, Arthur Kunst


J. Marie-Carre, F. Baldensperger, P. Van Tieghem


Viktor Shklovsky, Roman Jakobson, Boris Eichen Baum


Kasper Daniel Morhof, Friedrich Bouterwek, Gottfrid Eichhorn


8. The Birmingham Centre for Contemporary Cultural Studies was set up in

1960 1964


1968 1970


9. Match the following List I List II
I. Mahakavya 1. Mahabharata
II. Itihasa 2. Ramayana
III. Drsya Kavya 3. Kuntaka
IV. Vakrokti 4. Abhignana Sakuntalam
Codes
I II III IV

1 2 4 3


2 1 4 3


4 2 1 3


3 2 4 1


10. Match the Bhakti poets with their professions List I List II
I. Kabir 1. Goldsmith
II. Raidas 2. Tanner
III. Namdev 3. Weaver
IV. Akho 4. Tailor
Codes
I II III IV

3 2 1 4


3 2 4 1


4 3 2 1


4 3 1 2


11. Who among the following described literary history as 'the Non-subject par excellence'

Harry Levin Leon Edel


F.W. Bateson George Watson



7. ŸÖã»Ö®ÖÖŸ´ÖÛú ÃÖÖ×ÆüŸ.Ö Ûêú †´Ö׸êüÛú®Ö ÃÖ´¯Ö¤ÏüÖ.Ö ´Öë ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÛúÖ®îÖ ÃÖÖ ÃÖ´ÖÆæü ÃÖ×´´Ö×»ÖŸÖ Æüî?

‹"Ö.‹"Ö. ¸êü´ÖÛú, Æüî¸üß »Ö×¾êÖ®Ö, †Ö£òÖ¸Ôü ÛÓãúÙü


•Öê. ´ÖÖ¸üß ÛúÖ¸êü, ‹±ú. ²ÖÖ»›üê®Öïָ֕Ôü, ¯Öß.¾Ö®êÖ ™üß'Ö´Ö


×¾ÖŒ™¸¿»ÖÖ¾ÖÃÛúß, ¸ÖêÖ®•êÖò׸ÃÖ †Ö‡Ûú®Ö ²ÖÖ´Ö

üü êü´ Ö ÖÛú²ÖÃÖ®Ö, ²ÖÖêüò


ÛúÖïָ›üêüüê±ú,±ú›×¸Ûú²Öˆ™üêüÏü ÔÖÆòÖÔ


ü ê×®Ö.Ö»Ö ´ÖÖ¸ÆÖÏêüüÖü¸¾ÖÛú, ÝÖ™±úÖ‡›‡"üÖ®
8. ÃÖ´ÖÛúÖ»Öß®Ö ÃÖÖÓÃÛéúןÖÛú †¬.Ö.Ö®Ö ÛúÖ ²Ö¸üØ´Ö'Ö´Ö Ûêú®¦ü Ûú²Ö ãÖÖ×¯ÖŸÖ ×Ûú.ÖÖ ÝÖ.ÖÖ £ÖÖ

1960 1964


1968 1970


9. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖ ×´Ö»ÖÖ®Ö Ûúßו֋ ÃÖ"Ößæ I ÃÖæ"Öß II
I. ´ÖÆüÖÛúÖ¾.Ö 1. ´ÖÆüÖ³ÖÖ¸üŸÖ
II. ‡×ŸÖÆüÖÃÖ 2. ¸üÖ´ÖÖ.ÖÞÖ
III. ¥ü¿.Ö ÛúÖ¾.Ö 3. ÛãÓú™üÛú
IV. ¾ÖÛÎúÖê׌ŸÖ 4. †×³Ö-ÖÖ®Ö ¿ÖÖÛú®ŸãÖ»Ö´ÖË
Ûú™æü
I II III IV

1 2 4 3


2 1 4 3


4 2 1 3


3 2 4 1


ÖÖÖÖÖ ÖÖë Öˆ®ú¾.ÃÖ úÃÖÖ£ÖÃÖ´Ö×»ÖŸÖÛúßו֋
10. ×®´®×»×ÜŸ³×ŒŸÖ Ûú×¾Ö.ÖÛúê ÖÛêÖ¾ÖÖÖ.ÛêãêÃÖ"Ößæ I ÃÖæ"Öß II
I. Ûú²Ö߸ü 1. ÃÖ®ÖãÖ¸ü
II. ¸üü2. Ôê
î¤ÖÃÖ "Ö´Ö¿ÖÖ¬ÖÛú
III. ®Ö´¤ü3. ãü
ÖÖê¾Ö •Ö»ÖÖÆÖ
IV. †ÜÖÖê 4. ¤ü•Öá
Ûú™æü
I II III IV

3 2 1 4


3 2 4 1


4 3 2 1


4 3 1 2


11. ÃÖÖ×Æüן.ÖÛú ‡×ŸÖÆüÖÃÖ ÛúÖê ®ÖÖ®òÖ­ÃÖ²Ö•Öꌙü ¯ÖÖ¸ü ‹ŒÃÖß»ÖëÃÖ (ˆŸÛéú™üŸÖÖ ÛúÖ ÝÖî¸ ü×¾ÖÂÖ.Ö) Ûêú ºþ¯Ö ´Öë ×ÛúÃÖ®Öê ¯Ö׸ü³ÖÖ×ÂÖŸÖ ×Ûú.ÖÖ Æüî?

Æüü ê(B) ÖÖü

î¸ß »Ö×¾Ö®Ö ×»Ö.ë ‹›»Ö


‹±ú.›ü²».Ö. ²Öæ™êüÃÖ®Ö •ÖÖ•ÖòÔ ¾ÖÖ™üÃÖ®Ö


12. With which theorist is the concept of 'ideological state of Apparatus' associated

Louis Althusser Claude Levi-Strauss


Ferdinand de Saussure Gayatri Chakravorty Spivak


13. Nirmal Verma's Antim Aranya has been translated into English as

The Last Landscape The Last Wilderness


The Ultimate Landscape The Ultimate Wilderness


14. An early attempt at negotiating between Marxist and Psychoanalytic literary Criticism was attempted by

Bertolt Brecht Sigmund Freud


Christopher Caudwell D.D. Kosambi


15. The person credited with initiating the genres of Gadya, Nagada and Sataka in Telugu literature is

Palakuriki Somanatha Nannaya


Buddha Reddy Tikkanna


16. Queer Theory as designated by Paullina Palmea is concerned with

Narcissism Libertarian Lesbianism


Instinctual Drive Scopophilia


17. Lawrence Venuti argues that translation tends to
I. be an invisible practice
II. rewrite the text in opposition to the prevailing styles of the receiving culture.
III. reinforce the linguistic or cultural differences of the foreign text.
IV. marginalize practicing translators.
Codes

I and III are correct I and II are correct


I and IV are correct II and III are correct


18. Rasa is the combination of

Vibhava and Anubhava


Sthayibhava and Vibhava


Bhava, Anubhava, Vybhicharibhava, Stayibhava


Vibhava, Anubhava, Vyabhicharibhava


19. The 'oriental form' that influenced Ezra Pound was

Kavya Ghazal


Vasana Kavithai Haiku


20. Marxist-feminist approach to literature has been articulated by

Shulamith Friestone Donna Haraway


Kate Millett Judith Fetterley


12.

13.

14.

15.

16.

17.

18.

19.

20.


'‹¯Ö¸êüê™üÃÖ Ûúß ¾Öî"ÖÖ׸üÛú †¾ÖãÖÖ' Ûúß ¬ÖÖ¸üÞÖÖ ×ÛúÃÖ ×ÃÖ¨üÖ®ŸÖ¾Öê¢ÖÖ ÃÖê ÃÖ´²Ö×®¬ÖŸÖ Æîü ãÔ æü ›¾Ö߭Ùüò

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21. Prefiguration in its original sense refers to

Symbolic correspondence between motifs and mythologies


Characters and events in the New Testament of the Bible.


Characters and events in the Mahabharata.


Similarities between types in folklore and modern poetry.


22. Which among the following are states of the discipline studies on Comparative Literature
I. The Bernheimer Report
II. The Brundtland Commission Report
III. The Levin Report
IV. The Club of Rome Report
Codes

II and III I and III


II and IV III and IV


23. The concept of Thematology has been attacked by

Jean Marie Carré Stith Thomson


F. Baldensperger V. Weisstein


24. Select a pair of Novels with the common theme of adultery and its consequences.

Chemmeen and Kutravali Avasthe and Godaan


Sumati Satakam and Paraja Durgeshnandini and Gora


25. The codification of Sanskrit Grammar in the Vyakarana Mahabhasya was done by

Abhinava Gupta Vamana


Patanjali Bharata


26. A Seme is the basic unit which constructs

Language Grammar


A sign system A text


27. Synchronic study of literature deals with

Literatures across time


Literatures across space


Literatures read and written at different times but in the same space.


Literatures written at the same time in different places.


28. Which of the following film makers made a Cinematic version of Premchand's

Satyajit Ray Mrinal Sen


Ritwik Ghatak Gautam Ghosh



21. ¯Öæ¾ÖÔ †»ÖÓÛúÖ¸ü ×¾Ö¬ÖÖ®Ö (¯ÖÏß­×±úÝÖË.Öã¸üê¿Ö®Ö) †¯Ö®Öê ´Ö»æÖ †£ÖÔ ´Öë

´ÖÖê×™ü±ú †Öî¸ü ¯ÖÖî¸üÖ×ÞÖÛú Ûú£ÖÖ†Öë Ûêú ²Öß"Ö ¯ÖÏŸÖßÛúÖŸ´ÖÛú ÃÖÓ¾ÖÖ¤üÖë ÛúÖ ÃÖÓÛêúŸÖ Ûú¸üŸÖÖ Æîü …


²Ö‡×²Ö êÖæ üÙëë ë îü üÖë ÛúŸÖÛú¸ŸÖÖÆü

ÖÖ»Ûú ®.™êüÖ´Ö™ ´Ö¯ÖÖ¡ÖÖ†Ö¸'Ö™®ÖÖ†ÛúÖ ÃÖÓêüî…


´ÖÆüÖ³ÖÖ¸üŸÖ ´Öë ¯ÖÖ¡ÖÖë †Ö¸îü ÛúÖ ÃÖÓÛúŸÖ Ûú¸êüŸÖÖ Æîü …


»ÖÖêÛú¾ÖÖ¢ÖÖÔ †Öî¸ü †Ö¬Öã×®ÖÛú Ûú×¾ÖŸÖÖ ´Öë ¯ÖÏÛúÖ¸üÖë Ûêú ²Öß"Ö ÃÖ´ÖÖ®ÖŸÖÖ†Öë ÛúÖ ÃÖÓÛêúŸÖ Ûú¸üŸÖÖ Æîü …



22. ŸÖã»Ö®ÖÖŸ´ÖÛú ÃÖÖ×ÆüŸ.Ö ¯Ö¸ü 'Ùêü™üËÃÖ †Ö±ú ¤òüß ×›ü×ÃÖׯ»Ö®Ö ÙËü›üßÃÖ' ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÛúÖî®Ö ÃÖß Æüï
I. ²Ö®ÖÆÔüÖ‡´Ö¸ü ׸ü¯ÖÖê™Ôü
II. ²ÖÓΛü»ÖîÞ›ü †Ö.ÖÖêÝÖ ×¸ü¯ÖÖ™êÔü
III. »Öê×¾Ö®Ö ×¸ü¯ÖÖ™êüÔ
IV. ¤üß Œ»Ö²Ö †Öò±ú ¸üÖ´Ö ×¸êü¯ÖÖ™êÔü
Ûú™æü

II †Öî¸ü III I †Öî¸ü III


II †Öî¸ü IV III †Öî¸ü IV



23. ×¾ÖÂÖ.Ö¾ÖßÖã ×¾Ö¬ÖÖ (£Öß´Öê™üÖê»ÖÖê•Öß) Ûúß ¬ÖÖ¸üÞÖÖ ¯Ö¸ü ×ÛúÃÖ®Öê †ÖõÖ¯êÖ ×Ûú.ÖÖ Æüî?

•Öß®Ö ´ÖÖ¸üß ÛúÖ¸êü ×Ùü£Ö £ÖÖò´ÖÃÖ®Ö


‹±ú. ²ÖÖ»›êü®Öïָ֕Ôü ¾Æüß. ¾ÖÖ‡ÃÖÙüÖ‡®Ö



24. ¯Ö¸üáÖßÝÖ´Ö®Ö †Ö¸îü ˆÃÖÛêú ¯ÖϳÖÖ¾ÖÖë Ûúß ÃÖÖ´ÖÖ®.Ö ×¾ÖÂÖ.Ö¾ÖßÖã Ûêú ÃÖÖ£Ö ˆ¯Ö®.ÖÖÃÖÖë Ûú .êÖÝ´ãÖ ÛúÖ "Ö.Ö®Ö Ûúßו֋

"Öê´Öß®Ö †Ö¸îü Ûãú¡ÖÖ¾Ö»Öß †¾ÖãÖß †Ö¸îü ÝÖÖ¤êüÖ®Ö


ÃÖã´Ö×ŸÖ ¿ÖŸÖÛú´Ö †Öî¸ü ¯Ö¸ü•ÖÖ ¤ãüÝÖ¿Ö®ìÖ¤Óü®Öß †Ö¸îü ÝÖÖ¸êüÖ



25. ¾.ÖÖÛú¸üÞÖ ´ÖÆüÖ³ÖÖÂ.Ö ´Öë ÃÖÃÛÓúŸÖ ¾.ÖÖÛú¸éüÞÖ ÛúÖ Ûú™æüßÛú¸üÞÖ ×ÛúÃÖÛú «êüÖ¸üÖ ×Ûú.ÖÖ ÝÖ.ÖÖ Æüî?

†×³Ö®Ö¾ÖÝÖã¯ŸÖ ¾ÖÖ´Ö®Ö


¯ÖŸÖ•ÓÖ×»Ö ³ÖÖ¸üŸÖ



26. ´Ö»Ö³ÖŸÖ ‡ÛúÖ‡Æü ê Ôüî:
êêææÔ î•ÖÖ×®Ö´ÖÖÞÖ Ûú¸ŸÖß Æü

³ÖÖÂÖÖ ÛúÖ ¾.ÖÖÛú¸üÞÖ ÛúÖ


¯ÖÏŸÖßÛú .ÖÖ ×"ÖÅ®Ö ¯ÖÞÏÖÖ»Öß ÛúÖ ÝÖÓÏ£Ö ÛúÖ



27. ÃÖÖ×ÆüŸ.Ö ÛúÖ ‹Ûú­ÛúÖ×»ÖÛú †¬.Ö.Ö®Ö ×ÛúÃÖÃÖê ÃÖ´²Ö×®¬ÖŸÖ Æîü

ÃÖ²Ö ÃÖ´Ö.ÖÖë ÛúÖ ÃÖÖ×ÆüŸ.Ö


ÃÖ²Ö Ã£ÖÖ®ÖÖë ÛúÖ ÃÖÖ×ÆüŸ.Ö


‹Ûú Æüß Ã£ÖÖ®Ö ¯Ö¸ü ÃÖ´Ö.Ö ¯Ö¸ü ¯ÖœÌüÖ ŸÖ£ÖÖ ×»ÖÜÖÖ ÝÖ.ÖÖ ÃÖÖ×ÆüŸ.Ö


ãÖÖ®ÖÖë ¯Ö¸ü ‹Ûú Æüß ÃÖ´Ö.Ö ¯Ö¸ü ×»ÖÜÖÖ ÝÖ.ÖÖ ÃÖÖ×ÆüŸ.Ö



28. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ ×±ú»´Ö ×®Ö´ÖÖŸÔÖÖ ®Öê ¯ÖêÏ´Ö"ÖÓ¤ü Ûêú 'Ûú±ú®Ö' ÛúÖ "Ö»Ö×"Ö¡ÖÖŸ´ÖÛú ×±ú»´Öß) ºþ¯ÖÖ®ŸÖ¸üÞÖ ŸÖî.ÖÖ¸ü ×Ûú.ÖÖ Æîü

ÃÖŸ.Ö•ÖßŸÖ ¸êü ´ÖéÞÖÖ»Ö ÃÖê®Ö


Šúן¾ÖÛú 'Ö™üÛú ÝÖÖîŸÖ´Ö


29. Match the following List I List II
I. Champu 1. Composition in prose and verse
II. Manipravalam 2. A stage in the history of Persian Literature
III. Sabk-i-hindi 3. A poetic style
IV. Vidarbhi 4. A combination of Malyalam and Sanskrit
Codes
I II III IV

4 1 3 2


3 1 4 2


1 4 2 3


2 3 1 4


30. Match the reg