PAPER-III RABINDRA SANGIT Signature and Name of Invigilator
1.
(Signature) OMR Sheet No. ............................................... (To be filled by the Candidate)

(Name)
Roll No.


2.
(Signature)


(Name)

J 9 7 1 6

Time 2 1/2 hours] [Maximum Marks 150
Number of Pages in this Booklet 32 Instructions for the Candidates
1.
Write your roll number in the space provided on the top ofthis page.

2.
This paper consists of seventy five multiple-choice type ofquestions.

3.
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To have access to the Question Booklet, tear off thepaper seal on the edge of this cover page. Do not accepta booklet without sticker-seal and do not accept an openbooklet.


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After this verification is over, the Test Booklet Numbershould be entered on the OMR Sheet and the OMR Sheet Number should be entered on this Test Booklet.

4.
Each item has four alternative responses marked (3)and You have to darken the circle as indicated below onthe correct response against each item.



Example
where is the correct response.
5.
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If you write your Name, Roll Number, Phone Number or putany mark on any part of the OMR Sheet, except for the spaceallotted for the relevant entries, which may disclose youridentity, or use abusive language or employ any other unfairmeans, such as change of response by scratching or usingwhite fluid, you will render yourself liable to disqualification.

9.
You have to return the Original OMR Sheet to the invigilatorsat the end of the examination compulsorily and must notcarry it with you outside the Examination Hall. You are,however, allowed to carry original question booklet andduplicate copy of OMR Sheet on conclusion of examination.

10.
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12.
There is no negative marks for incorrect answers.

13.
In case of any discrepancy in the English and Hindi versions,English version will be taken as final.


Number of Questions in this Booklet 75


¯Ö¸üßõÖÖÙ£ÖµÖÖë Ûêú ×»Ö‹ ×®Ö¤ìü¿Ö

1.
‡ÃÖ ¯Öéšü Ûêú ‰ú¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö ¯Ö¸ü †¯Ö®ÖÖ ¸üÖê»Ö ®Ö´²Ö¸ü ×»Ö×ÜÖ‹ …

2.
‡ÃÖ ¯ÖÏ¿®Ö-¯Ö¡Ö ´Öë ¯Ö"ÖÆü¢Ö¸ü ²ÖÆãü×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æïü …

3.
¯Ö¸üßõÖÖ ¯ÖÏÖ¸ü´³Ö ÆüÖê®Öê ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ †Ö¯ÖÛúÖê ¤êü ¤üß •ÖÖµÖêÝÖß … ¯ÖÆü»Öê


¯ÖÖÑ"Ö ×´Ö®Ö™ü †Ö¯ÖÛúÖê ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê ŸÖ£ÖÖ ˆÃÖÛúß ×®Ö´®Ö×»Ö×ÜÖŸÖ
•ÖÖÑ"Ö Ûêú ×»Ö‹ פüµÖê •ÖÖµÖëÝÖê, וÖÃÖÛúß •ÖÖÑ"Ö †Ö¯ÖÛúÖê †¾Ö¿µÖ Ûú¸ü®Öß Æîü
¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê Ûêú ×»Ö‹ ¯Öã×ßÖÛúÖ ¯Ö¸ü »ÖÝÖß ÛúÖÝÖ•Ö Ûúß ÃÖß»Ö
ÛúÖê ±úÖ›Ìü »Öë … ÜÖã»Öß Æãü‡Ô µÖÖ ×²Ö®ÖÖ Ã™üßÛú¸ü-ÃÖᯙ Ûúß ¯Öã×ßÖÛúÖ
þÖßÛúÖ¸ü Ûú¸ëü …
Ûú¾Ö¸ü ¯Öéšü ¯Ö¸ü "û¯Öê ×®Ö¤ìü¿ÖÖ®ÖãÃÖÖ¸ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ Ûêú ¯Öéšü ŸÖ£ÖÖ
¯ÖÏ¿®ÖÖë Ûúß ÃÖÓܵÖÖ ÛúÖê †""ûß ŸÖ¸üÆü "ÖîÛú Ûú¸ü »Öë ×Ûú µÖê ¯Öæ¸êü
Æïü … ¤üÖêÂÖ¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ ×•Ö®Ö´Öë ¯Öéšü/¯ÖÏ¿®Ö Ûú´Ö ÆüÖë µÖÖ ¤ãü²ÖÖ¸üÖ †Ö
ÝÖµÖê ÆüÖë µÖÖ ÃÖß׸üµÖ»Ö ´Öë ÆüÖë †£ÖÖÔŸÖ ×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü Ûúß
¡Öã×™ü¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ Ã¾ÖßÛúÖ¸ü Ûú¸ëü ŸÖ£ÖÖ ˆÃÖß ÃÖ´ÖµÖ ˆÃÖê
»ÖÖî™üÖÛú¸ü ˆÃÖÛêú ãÖÖ®Ö ¯Ö¸ü ¤æüÃÖ¸üß ÃÖÆüß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ »Öê »Öë …
‡ÃÖÛêú ×»Ö‹ †Ö¯ÖÛúÖê ¯ÖÖÑ"Ö ×´Ö®Ö™ü פüµÖê •ÖÖµÖëÝÖê … ˆÃÖÛêú ²ÖÖ¤ü
ŸÖÖê †Ö¯ÖÛúß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¾ÖÖ¯ÖÃÖ »Öß •ÖÖµÖêÝÖß †Öî¸ü Æüß †Ö¯ÖÛúÖê

†×ŸÖ׸üŒŸÖ ÃÖ´ÖµÖ ×¤üµÖÖ •ÖÖµÖêÝÖÖ …
‡ÃÖ •ÖÖÑ"Ö Ûêú ²ÖÖ¤ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÛúÖ ®ÖÓ²Ö¸ü OMR ¯Ö¡ÖÛú ¯Ö¸ü †Ó×ÛúŸÖ
Ûú¸ëü †Öî¸ü OMR ¯Ö¡ÖÛú ÛúÖ ®ÖÓ²Ö¸ü ‡ÃÖ ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¯Ö¸ü †Ó×ÛúŸÖ Ûú¸ü
¤ëü …

4. ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ×»Ö‹ "ÖÖ¸ü ˆ¢Ö¸ü ×¾ÖÛú»¯Ö ŸÖ£ÖÖ ×¤üµÖê ÝÖµÖê Æïü … †Ö¯ÖÛúÖê ÃÖÆüß ˆ¢Ö¸ü Ûêú ¾Öé¢Ö ÛúÖê ¯Öê®Ö ÃÖê ³Ö¸üÛú¸ü ÛúÖ»ÖÖ Ûú¸ü®ÖÖ Æîü •ÖîÃÖÖ ×Ûú ®Öß"Öê פüÜÖÖµÖÖ ÝÖµÖÖ Æîü ˆ¤üÖÆü¸üÞÖ

•Ö²Ö×Ûúú(3) ÃÖÆüß ˆ¢Ö¸ü Æîü …

5. ¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü Ûêú¾Ö»Ö ¯ÖÏ¿®Ö ¯Öã×ßÖÛúÖ Ûêú †®¤ü¸ü פüµÖê ÝÖµÖê OMR ¯Ö¡ÖÛú ¯Ö¸üÆüß †Ó×ÛúŸÖ Ûú¸ü®Öê Æïü … µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü פüµÖê ÝÖµÖê ¾Öé¢Ö Ûêú †»ÖÖ¾ÖÖ ×ÛúÃÖß †®µÖ ãÖÖ®Ö ¯Ö¸ü ˆ¢Ö¸ü ×"ÖÅ®ÖÖÓ×ÛúŸÖ Ûú¸üŸÖê ŸÖÖê ˆÃÖÛúÖ ´Ö滵ÖÖÓÛú®Ö ®ÖÆüà ÆüÖêÝÖÖ …
6.
†®¤ü¸ü פüµÖê ÝÖµÖê ×®Ö¤ìü¿ÖÖë ÛúÖê ¬µÖÖ®Ö¯Öæ¾ÖÔÛú ¯ÖœÌëü …

7.
Ûú""ÖÖ ÛúÖ´Ö (Rough Work) ‡ÃÖ ¯Öã×ßÖÛúÖ Ûêú †×®ŸÖ´Ö ¯Öéšü ¯Ö¸ü Ûú¸ëü …

8.
µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö Ûêú †»ÖÖ¾ÖÖ †¯Ö®ÖÖ ¸üÖê»Ö®Ö´²Ö¸ü, ±úÖê®Ö ®Ö´²Ö¸ü µÖÖ ÛúÖê‡Ô ³Öß ‹êÃÖÖ ×"ÖÅ®Ö ×•ÖÃÖÃÖê †Ö¯ÖÛúß ¯ÖÆü"ÖÖ®Ö ÆüÖê ÃÖÛêú, †Ó×ÛúŸÖ Ûú¸üŸÖê Æïü †£Ö¾ÖÖ †³Ö¦ü ³ÖÖÂÖÖ ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê µÖÖ ÛúÖê‡Ô

†
®µÖ †®Öã×"ÖŸÖ ÃÖÖ¬Ö®Ö ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê •ÖîÃÖê ×Ûú †Ó×ÛúŸÖ ×ÛúµÖê ÝÖµÖê

ˆ¢Ö¸ü ÛúÖê ×´Ö™üÖ®ÖÖ µÖÖ ÃÖ±êú¤ü õÖÖÆüß ÃÖê ²Ö¤ü»Ö®ÖÖ ŸÖÖê ¯Ö¸üßõÖÖ Ûêú ×»ÖµÖê

†
µÖÖêÝµÖ 'ÖÖê×ÂÖŸÖ ×ÛúµÖê •ÖÖ ÃÖÛúŸÖê Æïü …




9. †Ö¯ÖÛúÖê ¯Ö¸üßõÖÖ ÃÖ´ÖÖ¯ŸÖ ÆüÖê®Öê ¯Ö¸ü ´Öæ»Ö OMR ¯Ö¡ÖÛú ×®Ö¸üßõÖÛú ´ÖÆüÖê¤üµÖ ÛúÖê »ÖÖî™üÖ®ÖÖ †Ö¾Ö¿µÖÛú Æîü †Öî¸ü ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ Ûêú ²ÖÖ¤ü ˆÃÖê †¯Ö®Öê ÃÖÖ£Ö ¯Ö¸üßõÖÖ ³Ö¾Ö®ÖÃÖê ²ÖÖÆü¸ü »ÖêÛú¸ü •ÖÖµÖë … ÆüÖ»ÖÖÓ×Ûú †Ö¯Ö ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ ¯Ö¸ü ´Öæ»Ö ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖŸÖ£ÖÖ OMR ¯Ö¡ÖÛú Ûúß ›ãü¯»ÖßÛêú™ü ¯ÖÏ×ŸÖ †¯Ö®Öê ÃÖÖ£Ö »Öê •ÖÖ ÃÖÛúŸÖê Æïü …
10.
Ûêú¾Ö»Ö C.B.S.E. «üÖ¸üÖ ¯ÖϤüÖ®Ö ×ÛúµÖê ÝÖµÖê ÛúÖ»Öê ²ÖÖ»Ö ¯¾ÖÖ‡Õ™ü ¯Öê®Ö ÛúÖ Æüß ‡ÃŸÖê´ÖÖ»Ö Ûú¸ëü …

11.
×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü ÛúÖ ÃÖÓÝÖÞÖÛú (Ûîú»ÖÛãú»Öê™ü¸ü) µÖÖ »ÖÖÝÖ ™êü²Ö»Ö †Öפü ÛúÖ

¯ÖϵÖÖêÝÖ ¾ÖÙ•ÖŸÖ Æîü …


12.
ÝÖ»ÖŸÖ ˆ¢Ö¸üÖë Ûêú ×»Ö‹ ÛúÖê‡Ô ®ÖÛúÖ¸üÖŸ´ÖÛú †ÓÛú ®ÖÆüà Æïü …

13.
µÖפü †ÓÝÖÏê•Öß µÖÖ ØÆü¤üß ×¾Ö¾Ö¸üÞÖ ´Öë ÛúÖê‡Ô ×¾ÖÃÖÓÝÖ×ŸÖ ÆüÖê, ŸÖÖê †ÓÝÖÏê•Öß ×¾Ö¾Ö¸üÞÖ


†Ó×ŸÖ´Ö ´ÖÖ®ÖÖ •ÖÖ‹ÝÖÖ …


P.T.O.


RABINDRA SANGIT
Paper III

Note This paper contains seventy five objective type questions of two marks each. All questions are compulsory.
1. Match List I with List II. List I List II

Basanta 1925


Grihaprabesh 1929


Raktakarabi 1923


Mahuya 1926


Codes







2. Arrange chronologically.
a.
Chhabi O Gan b. Sonar Tori

c.
Manasi d. Chitra


Codes


d d


c a


3. Match List I with List II. List I List II

Pramoda Shapmochan


Kamalika Chandalika


Prakriti Mayar Khela


Uttiya Shyama



Codes















¸ü²Öß®¦ü ÃÖÓÝÖߟÖ
¯ÖÏ¿®Ö-¯Ö¡Ö III

×®Ö¤ìü¿Ö ‡ÃÖ ¯ÖÏ¿®Ö¯Ö¡Ö ´Öë ¯Ö"ÖÆü¢Ö¸ü ²ÖÆãü-×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æüï … ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ¤üÖê †ÓÛú Æïü … ÃÖ³Öß ¯ÖÏ¿®Ö †×®Ö¾ÖÖµÖÔ Æïü …
1. ÃÖæ"Öß I ÛúÖê ÃÖæ"Öß II Ûêú ÃÖÖ£Ö ÃÖã´Öê×»ÖŸÖ Ûú¸ëü … ÃÖæ"Öß I ÃÖæ"Öß II

²ÖÃÖÓŸÖ 1925


ÝÖéÆü¯Ö²ÏÖê¿Ö 1929


¸üŒŸÖÛú²Öá (iii) 1923


´ÖÆãü†Ö 1926





Ûæú™ü





(iii)








2. ÛúÖ»ÖÛÎú´ÖÖ®ÖãÃÖÖ¸ü ÛÎú´Ö²Ö¨ü Ûú¸ëü
a.
"û×²Ö †Öê ÝÖÖ®Ö b. ÃÖÖê®ÖÖ¸ü ŸÖÖê›üß

c.
´ÖÖ®ÖÃÖß d. ×"Ö¡ÖÖ


Ûæú™ü

d d


c a



3. ÃÖæ"Öß I ÛúÖê ÃÖæ"Öß II Ûêú ÃÖÖ£Ö ÃÖã´Öê×»ÖŸÖ Ûú¸ëü
ÃÖæ"Öß I ÃÖæ"Öß II
¯ÖÏ´ÖÖê¤üÖ ¿ÖÖ¯Ö´ÖÖê"Ö®Ö
Ûú´ÖÖ×»ÖÛúÖ "ÖÓ›üÖ×»ÖÛúÖ
¯ÖÏÛéú×ŸÖ ´ÖÖµÖÖ¸ü ÜÖê»ÖÖ
ˆ¢ÖßµÖ ¿µÖÖ´ÖÖ
Ûæú™ü





J-97-16 3 Paper-III

4. Match List I with List II. List I List II

Anek diyeccha nath Kafi


Abelai yadi eshecho Khambaj


Asimdhan to ache Chhyanat


Alpo laiya thaki tai Ashabari


Codes














5. Match List I with List II. List I List II

He sakha, mamo hridaye Baje jhanana jhanana


Eso sharater amalmahima Aba mori payela


Tomahina kate dibase E sakhi, aba kaise


Aaji mamo jibane Tuma bina kaise



Codes
















4. ÃÖæ"Öß I ÛúÖê ÃÖæ"Öß II Ûêú ÃÖÖ£Ö ÃÖã´Öê×»ÖŸÖ Ûú¸ëü



ÃÖæ"Öß I ÃÖæ"Öß II

†®ÖêÛú פü‹ "êû ®ÖÖ£Ö ÛúÖ±úß


†²Öê»ÖÖ‡Ô •Öפü ‹¿Öê "ûÖê ÜÖ´²Ö•Ö


†ÃÖß´Ö ŸÖÖê ‹"êû "ûÖµÖÖ®Ö™ü


†»¯ÖÖê »ÖÖ‡µÖÖê £ÖÖÛúß ŸÖÖ‡ †Ö¿ÖÖ²ÖÖ¸üß



Ûæú™ü














5. ÃÖæ"Öß I ÛúÖê ÃÖæ"Öß II Ûêú ÃÖÖ£Ö ÃÖã´Öê×»ÖŸÖ Ûú¸ëü ÃÖæ"Öß I ÃÖæ"Öß II

Æêü ÃÖÜÖÖ ´Ö´ÖÖê Çü¤üµÖê ²ÖÖ•Öê


‹¿ÖÖê ¿ÖÖ¸üÖŸÖê¸ü †´ÖÖê»Ö ´Ö×Æü´ÖÖ †Ö²ÖÖ ´ÖÖê¸üß ¯ÖÖµÖ»ÖÖ


ŸÖÖê´ÖÖ Æüß®ÖÖë ÛúÖ™êü פü¾ÖÃÖê ‹ ÃÖÜÖß, †Ö²ÖÖ Ûú‡ÃÖê


†Ö•Öß ´Ö´ÖÖê •Öß²Ö®Öê ŸÖã´Ö ×²Ö®Ö Ûú‡ÃÖê



Ûæú™ü














6. Match List I with List II. List I List II

Aamar Latar Pratham Mukul Bichitra


Ki Pai Ni Tari Hisabe Milate Puja


Patar Bhela Vasai Nire Prem


Nil Aakasher kone kone Prakriti


Codes














7. Match List I with List II. List I List II

Ajay Amader Angane Kalpana


Ami Sansare Man diyechinu Kori O Komal


Ami ye aar saite parine Banabani


Ami nishi-nishi kata rachiba Gitali



Codes














8. "Amra dujana swarga-khelana Gariba" occurs in

Gora Yogayog


Sesher Kabita Chokher Bali


Paper-III 6

6. ÃÖæ"Öß I Ûêú ÃÖÖ£Ö ÃÖæ"Öß II ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûú¸ëü



ÃÖæ"Öß I ÃÖæ"Öß II

†Ö´ÖÖ¸ü »ÖÖŸÖÖ¸ü ¯ÖÏ£Ö´Ö ´ÖãÛãú»Ö ײÖ×"Ö¡Ö


Ûúß ¯ÖÖ‡Ô ®Öß ŸÖÖ¸üß ×ÆüÃÖÖ²Ö ×´Ö»ÖÖŸÖê ¯Öæ•ÖÖ


¯ÖÖŸÖÖ¸ü ³Öê»ÖÖ ³ÖÖÂÖÖ‡Ô ®Ö߸êü ¯ÖÏê´Ö


®Öᯙ †ÖÛúÖ¿Öê¸ü ÛúÖê®Öê ÛúÖê®Öê ¯ÖÏÛéúןÖ



Ûæú™ü














7. ÃÖæ"Öß I Ûêú ÃÖÖ£Ö ÃÖæ"Öß II ÛúÖ ×´Ö»ÖÖ®Ö Ûú¸ëü ÃÖæ"Öß I ÃÖæ"Öß II

†Ö•Öê †Ö´ÖÖ¤êü¸ü †ÓÝÖ®Öê Ûú»¯Ö®ÖÖ


†Ö´Öß ÃÖÓÃÖÖ¸êü ´Ö®ÖÖê פü‹ ×"û®Öã ÛúÖê›Ìüß †Öê ÛúÖê´Ö»Ö


†Ö´Öß •Öê †Ö¸ü ÃÖ‡ŸÖê ¯ÖÖ¸üß ®Öê ²Ö®ÖÖê²ÖÖ®Öß


†Ö´Öß ×®Ö¿Öß ×®Ö¿Öß ÛúŸÖÖê ¸ü×"Ö²ÖÖê ÝÖߟÖÖ×»Ö



Ûæú™ü














8. "†Ö´ÖÖ¸ü ¤ãü•Ö®ÖÖ Ã¾ÖÝÖÖÔ-ÜÖê»ÖÖê®ÖÖ ÝÖÖê×›Ìü²ÖÖê" ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ´Öë †ÖŸÖÖ Æîü

ÝÖÖê¸üÖ •ÖÖêÝÖÖ•ÖÖêÝÖ


¿ÖêÂÖê¸ü Ûúײ֟ÖÖ "ÖÖêÜÖê¸ü ²ÖÖ»Öß


9. "Aar Rekho na Aandhare" occurs in

Baikali Natir Puja


Nataraj Riturangashala Gora


10. Match List I with List II. List I List II

Prangane Mor Shirish Shakhai Sandhan


Aamar Nayan Taba Nayaner Pratyasha


Aaji E Nirala Kunje Abashese


Bahir pathe Bibagi Hiya Barandala


Codes














11. Dharanira gaganera milanera chhande occurs in
Barshamangal Seshbarshan
Prakriti Gitamalika
Find out the correct combination


and are correct and are correct.


and are correct. and are correct.


12. 'Aaj aloker ei jharnadharay dhuiye dao' is based on the raga

Bhairav-Bhairabi Gandhar


Todi Behag


13. 'Sesh Barshan' was written and staged in

1330 1331


1332 1334


9. "†Ö¸ü





¸üêÜÖÖê †¬ÓÖê¸êü" ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ´Öë †ÖµÖÖ Æîü

10. ÃÖæ"Öß I ÛúÖ ÃÖæ"Öß II Ûêú ÃÖÖ£Ö ×´Ö»ÖÖ®Ö Ûú¸ëü













Ûæú™ü









²ÖîÛúÖ»Ö߮֙ü¸üÖ•Ö ŠúŸÖã¸ÓüÝÖ¿ÖÖ»ÖÖ

ÃÖæ"Öß I
¯ÖÏÖÓÝÖ®ÖÖµÖ ´ÖÖê¸ü ׿ָüßÂÖ ¿ÖÖÜÖÖµÖ
†
Ö´ÖÖ¸ü ŸÖÖ²ÖÖê ®ÖµÖÖê®Öê¸ü

†
ÖÝÖß ‹ ×®Ö¸üÖ»ÖÖÛãÓú•Öê²ÖÖ×Æü¸ü ¯ÖÖê£Öê ײ־ÖÖÝÖß ÆüßµÖÖ









®ÖÖŸÖ߸ü ¯Öæ•ÖÖ


ÝÖÖê¸üÖ



ÃÖæ"Öß II

ÃÖÓ¬ÖÖ®Ö


¯ÖÏŸµÖÖ¿ÖÖ


†²ÖÖ¿ÖêÃÖê
²Ö¸ü®Ö¤üÖ»ÖÖ
11. ÝÖÝÖ®Öê¸ü ×´Ö»Ö®Öê¸ü' "Óû¤ü ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ´Öë †ÖŸÖÖ Æîü
²ÖÂÖÖÔ´ÖÓÝÖ»Ö ¿ÖêÂÖ²ÖÂÖÔ®Ö
¯ÖÏÛéú×ŸÖ ÝÖߟִÖÖ×»ÖÛúÖ
ÃÖÆüß µÖãÝ´Ö ÛúÖ "ÖµÖ®Ö Ûú¸ëü

ŸÖ£ÖÖ ÃÖÆüß Æîü … ŸÖ£ÖÖ ÃÖÆüß Æîü …
†Öî¸ü ÃÖÆüß Æîü … †Öî¸ü ÃÖÆüß Æîü …

12. †Ö»ÖÖêÛêú¸ü ‹‡ —Ö¸ü®ÖÖ ¬ÖÖ¸üÖ‹ ¬Ö懋 ¤üÖ¾Ö' ×ÛúÃÖ ¸üÖÝÖ ¯Ö¸ü †Ö¬ÖÖ׸üŸÖ Æîü

³Öî¸ü¾Ö-³Öî¸ü¾Öß ÝÖÓ¬ÖÖ¸ü


ŸÖÖê›Ìüß ²ÖêÆüÖÝÖ



13. '¿ÖêÂÖ Ûúß ¸ü"Ö®ÖÖ †Öî¸ü †×³Ö®ÖµÖ ÛúÖ ¾ÖÂÖÔ Æîü

1330 1331


1332 1334


J-97-16 9 Paper-III
14. Which book has been authored by Charuchandra Bandhopadhyay

Bangaikatan Rabi Rashmi


Ananda Sarbakaje Rasa Manjari


15. The first of Rabindranath.

Sandhya Sangeet Pravat Sangeet


Geetanjali Kavi-kahini


16. Rabindranath dedicated 'Purabi' to.

Einstein Vivekananda


Rajnikanta Sen Victoria Ocampo


17. Rabindranath was given the chair of editor of 'Bharati Patrika' in the year.

1878 1888


1898 1908


18. Rabindranath wrote his novel 'Karuna' inspired by.

Sister Nibedita Mrinalini Devi


Swarnakumari Devi Kadambari Devi


19. Rabindranath started to live permanently in Shantiniketan from

1918 1901


1913 1927


20. 'Maharaja Eki Saje' is mainly based on

Behag Todi


Malkaus Iman


21. Kalmrigaya was first staged in

December 1882 June 1882


September 1882 January 1882



14. "ÖÖºþ"ÖÓ¦ü ²ÖÓ¬ÖÖê¯ÖÖ¬µÖÖµÖ «üÖ¸üÖ ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÛúÖî®Ö ÃÖß ¯ÖãßÖÛú Ûúß ¸ü"Ö®ÖÖ Ûúß ÝÖ‡Ô Æîü


²ÖÓÝÖ‡Ô ÛúÖêŸÖÖ®Ö ¸ü×²Ö ¸ü׿´Öß


†Ö®ÖÓ¤üÖë ÃÖ²ÖÔÛúÖ•Öê ¸üÃÖ ´ÖÓ•Ö¸üß



15. ¸ü²Öß®¦ü®ÖÖ£Ö ™îüÝÖÖê¸ü ÛúÖ ¯ÖÏ£Ö´Ö 'ÛúÖ¾µÖ' Æîü

ÃÖÓ¬µÖÖ ÃÖÓÝÖßŸÖ ¯ÖϳÖÖŸÖ ÃÖÓÝÖߟÖ


ÝÖߟÖÖÓ•Ö×»Ö Ûú×¾Ö-ÛúÖ×Æü®Öß



16. ¸ü²Öß®¦ü®ÖÖ£Ö ™îüÝÖÖê¸ü ®Öê ÃÖ´ÖÙ¯ÖŸÖ ×ÛúµÖÖ £ÖÖ

†Ö‡ÓÙüÖ‡®Ö ×¾Ö¾ÖêÛúÖ®ÖÓ¤ü


¸ü•Ö®ÖßÛúÖÓŸÖ ÃÖê®ÖÖ ×¾ÖŒ™üÖê׸üµÖÖ †ÖêÛúÖ´¯ÖÖê



17. ¸ü²Öß®¦ü®ÖÖ£Ö ™îüÝÖÖê¸ü ÛúÖê ¯ÖסÖÛúÖ' Ûêú ÃÖÓ¯ÖÖ¤üÛú Ûúß ÛãúÃÖá ¾ÖÂÖÔ ´Öë ¤üß ÝÖ‡Ô …

1878 1888


1898 1908



18. ¸ü²Öß®¦ü®ÖÖ£Ö ™îüÝÖÖê¸ü ®Öê †¯Ö®Öê ˆ¯Ö®µÖÖÃÖ 'Ûú¹ýÞÖÖ' Ûúß ¸ü"Ö®ÖÖ ×ÛúÃÖÃÖê ¯ÖϳÖÖ×¾ÖŸÖ ÆüÖêÛú¸ü ×ÛúµÖÖ

×ÃÖÙü¸ü ×®Ö¾ÖêפüŸÖÖ ´ÖéÞÖÖ×»Ö®Öß ¤êü¾Öß


þÖÞÖÔÛãú´ÖÖ¸üß ¤êü¾Öß ÛúÖ¤ü´²Ö¸üß ¤êü¾Öß



19. ¸ü²Öß®¦ü®ÖÖ£Ö ™îüÝÖÖê¸ü ¿ÖÖÓןÖ×®ÖÛêúŸÖ®Ö ´Öë ãÖÖµÖß ºþ¯Ö ÃÖê ¸üÆü®ÖÖ †Ö¸Óü³Ö ×ÛúµÖÖ ¾ÖÂÖÔ

1918 1901


1913 1927



20. ´ÖÆüÖ¸üÖ•ÖÖ ‡Ûúß ÃÖÖ•Öê ×ÛúÃÖ ¸üÖÝÖ ¯Ö¸ü †Ö¬ÖÖ׸üŸÖ Æîü

²ÖêÆüÖÝÖ ŸÖÖê›üß


´ÖÖ»ÖÛúÖïÃÖ ‡´ÖÖê®Ö



21. ÛúÖ»Ö´ÖéÝÖµÖÖ ÛúÖ ¯ÖÆü»Öß ²ÖÖ¸ü ´ÖÓ"Ö®Ö ×ÛúµÖÖ ÝÖµÖÖ ¾ÖÂÖÔ
פüÃÖ´²Ö¸ü, 1882 1882
×ÃÖŸÖ´²Ö¸ü, 1882 •Ö®Ö¾Ö¸üß, 1882
22. 'Tumi robe nirobe' was written in the year

1877 1897


1895 1885


23. What is the name of the short story, written about the memory of Shahibag Palace (Ahmedabad)

Atithi Chutti


Khudito Pashan Monihara


24. Name two male characters of 'Shesher Kabita'

Amit Sobhonlal Amit Nalinaksho


Mahendro Behari Shovonlal Nalinaksho


25. In which novel, the character of Jogomaya in included

Gora Chokher Bali


Shesher Kobita Jogajog


26. Who sang the song "Giridhara nagara" in the novel 'Jogajog'

Shyama Kumudini


Binodini Sucharita


27. Mention the main female character of 'Yogayog'.

Ela Labanya


Kumudini Niroja


28. Mention the relationship between Kumudini and Biprodas

Teacher Student Husband Wife


Father Daughter Brother Sister



22. "ŸÖã´Öß ¸ü²Öê ×®Ö¸üÖê²Öê" ÛúÖ ¸ü"Ö®ÖÖ ¾ÖÂÖÔ Æîü

1877 1897


1895 1885



23. †Æü´Ö¤üÖ²ÖÖ¤ü Ûêú ¿ÖÖÆüß²ÖÖÝÖ ¯ÖÏÖÃÖÖ¤ü ÛúÖ Ã´Öé×ŸÖ ¯Ö¸ü ¸ü²Öß®¦ü®ÖÖ£Ö ™îüÝÖÖê¸ü «üÖ¸üÖ ¸ü×"ÖŸÖ »Ö'Öã ÛúÆüÖ®Öß ÛúÖ ŒµÖÖ ®ÖÖ´Ö Æîü

†×ŸÖ×£Ö "æû™Ëü™üß


ÜÖã¬ÖߟÖÖê ¯ÖÖÂÖÖÞÖ ´ÖÖê®ÖßÆüÖ¸üÖ



24. '¿ÖêÂÖê¸ü Ûú×¾ÖŸÖÖ' Ûêú ¤üÖê ¯Öã¹ýÂÖ "Ö׸ü¡Ö ÛúÖ ®ÖÖ´Ö Æîü

†×´ÖŸÖ ÃÖÖê³ÖÖê®Ö»ÖÖ»Ö †×´ÖŸÖ ®Ö×»Ö®ÖÖõÖ


´ÖÆëü¦ü-ײÖÆüÖ¸üß ¿ÖÖê³Ö®Ö»ÖÖ»Ö -®Ö×»Ö®ÖÖõÖÖê



25. ×ÛúÃÖ ˆ¯Ö®µÖÖÃÖ ´Öë •ÖÖêÝÖ´ÖÖµÖÖ ®ÖÖ´ÖÛú "Ö׸ü¡Ö ÛúÖê ¿ÖÖ×´Ö»Ö ×ÛúµÖÖ ÝÖµÖÖ Æîü

ÝÖÖê¸üÖ "ÖÖêÜÖê¸ü²ÖÖ»Öß


¿ÖêÂÖê¸ü Ûú×¾ÖŸÖÖ •ÖÖêÝÖÖ•ÖÖêÝÖ



26. •ÖÖêÝÖÖ•ÖÖêÝÖ ˆ¯Ö®µÖÖÃÖ ´Öë ×ÝÖ¸ü¬Ö¸ü ®ÖÖÝÖ¸ü ®ÖÖ´ÖÛú ÝÖßŸÖ ×ÛúÃÖ®Öê ÝÖÖµÖÖ £ÖÖ

¿µÖÖ´ÖÖ Ûãú´Öãפü®Öß


ײ֮ÖÖêפü®Öß ÃÖã"Ö׸üŸÖÖ



27. µÖÖêÝÖÖµÖÖêÝÖ Ûúß ´ÖãÜµÖ ´Ö×Æü»ÖÖ ®ÖÖ×µÖÛúÖ ÛúÖ ®ÖÖ´Ö ²ÖŸÖÖ‹Ñ …

‡Ô»ÖÖ »ÖÖ¾ÖÞµÖÖ


Ûãú´Öãפü®Öß ×®Ö¸ü•ÖÖ



28. Ûãú´Öãפü®Öß †Öî¸ü ײ֯ÖÏÖê¤üÖÃÖ Ûêú ²Öß"Ö Ûêú ÃÖÓ²ÖÓ¬Ö ²ÖŸÖÖ‹Ñ …

׿ÖõÖÛú "ûÖ¡ÖÖ ¯ÖןÖ


ׯ֟ÖÖ -¯Öã¡Öß ³ÖÖ‡Ô


29. Which of the following songs is based on Kirtan

Khara Bayu Boi Bege Phule Phule Dhole Dhole


Sakhi Bohe gelo Bela Mayabana biharini harini


30. "Amala dhabala pale legeche" occurs in
Sarodotsab Geetanjali
Rinsodh Prakriti
Find out the correct combination


and are correct and are correct.


and are correct. and are correct.


31. Ascertain the title of Tagore's Hibbert Lecture in Oxford.

The Religion of Man The Religion of an Artist


Personality Sadhana


32. Where did Tagore quote the full text of the song "Aaji Kamala Mukula dal khulilo"

Sur O Sangati Sangit O Bhab


Amader Sangit Sangiter Mukti


33. The opening song sung by Panchak in Achalayatan is

Sabkaje hat lagai mora


Tumi dak diyechho kon sakale


Ghareti bhramar elo gunguniye


Ha re re re re re amay chhede de re de re


34. Tagore dedicated his drama Achalayatan to

Prof. Satyendranath Basu


Prof. Kshitimohan Sen


Prof. Jagadishchandra Basu


Prof. Jadunath Sarkar



29. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÝÖߟÖÖë ´Öë ÃÖê ÛúÖî®Ö-ÃÖÖ ÛúߟÖÔ®Ö ¯Ö¸ü †Ö¬ÖÖ׸üŸÖ Æîü

ÜÖ¸üÖê ¾ÖÖµÖã ²ÖÖêµÖ ²ÖêÝÖê ±æú»Öê ±æú»Öê œüÖê»Öê œüÖê»Öê


ÃÖÜÖß ²ÖÖêÆêü ÝÖê»ÖÖê ²Öê»ÖÖ ´ÖÖµÖÖ²Ö®ÖÖê ײÖÆüÖ׸ü®Öß ÆüÖê¸üß®Öß



30. "†´Ö»ÖÖê ¬Ö²Ö»ÖÖê ¯ÖÖ»Öê »ÖêÝÖê "êû" ……. ´Öë †ÖŸÖÖ Æîü
¿Ö¸ü¤üÖêŸÃÖ¾Ö ÝÖߟÖÖÓ•Ö×»Ö
ŠúÞÖ¿ÖÖê¬Ö ¯ÖÏÛéúןÖ
ÃÖÆüß µÖãÝ´Ö ÛúÖ "Öã®ÖÖ¾Ö Ûú¸ëü

ŸÖ£ÖÖ ÃÖÆüß Æîü … ŸÖ£ÖÖ ÃÖÆüß Æîü …
†Öî¸ü ÃÖÆüß Æîü … †Öî¸ü ÃÖÆüß Æîü …

31. ™îüÝÖÖê¸ü Ûêú 'Æêü²Ö™Ôü »ÖêŒ"Ö¸ü ‡®Ö †ÖòŒÃÖ±úÖê›Ôü' Ûêú ¿ÖßÂÖÔÛú Ûúß ¯ÖÆü"ÖÖ®Ö Ûú¸ëü

¤ü ׸ü×»Ö•Ö®Ö †Öò±ú ´Öî®Ö ¤ü ׸ü×»Ö•Ö®Ö †Öò±ú ‹®Ö †ÖÙ™üÙü


¯ÖÃÖÔ®ÖÖ×»Ö™üß ÃÖÖ¬Ö®ÖÖ



32. ™îüÝÖÖê¸ü ®Öê ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ´Öë "†Ö•Öß Ûú´Ö»Ö ´ÖãÛãú»Ö ¤ü»Ö ÜÖã×»Ö»ÖÖê" ÝÖßŸÖ Ûêú ¯Öæ¸êü ¯ÖÖšü (™êüŒÃ™ü) ÛúÖê ˆ¨éüŸÖ ×ÛúµÖÖ £ÖÖ

ÃÖã¸ü †Öê ÃÖÓÝÖ×ŸÖ ÃÖÓÝÖ×ŸÖ †Öê ³ÖÖ¾Ö


†´ÖÖ¤êü¸ü ÃÖÓÝÖßŸÖ ÃÖÓÝÖߟÖê¸ü ´Öã׌ŸÖ



33. ´Öë ¯ÖÓ"ÖÛú «üÖ¸üÖ ÝÖÖµÖÖ ÝÖµÖÖ ¯ÖÏÖ¸ü×´³ÖÛú ÝÖßŸÖ Æîü

ÃÖ²Ö ÛúÖ•Öê ÆüÖ£Ö »ÖÝÖÖµÖ ´ÖÖê¸üÖ


ŸÖã´Öß ›üÖÛú פü‹"ûÖê ÛúÖê®Ö ÃÖÛúÖ»Öê


'Ö¸êüŸÖê ³ÖÏ´Ö¸ü ‡»ÖÖê ÝÖã®ÖÝÖã×®Ö‹


ÆüÖ ¸êü ¸êü ¸êü ¸êü ¸êü †´ÖµÖ "ûÖê›Ìêü ¤êü ¸êü ¤êü ¸êü



34. ™îüÝÖÖê¸ü ®Öê †¯Ö®Öê ®ÖÖ™üÛú ÛúÖê ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖÛúÖê ÃÖ´ÖÙ¯ÖŸÖ ×ÛúµÖÖ £ÖÖ

¯ÖÏÖê±êúÃÖ¸ü ÃÖŸµÖꮦü®ÖÖ£Ö ²ÖÃÖã


¯ÖÏÖê±êúÃÖ¸ü ×õÖןִÖÖêÆü®Ö ÃÖê®Ö


¯ÖÏÖê±êúÃÖ¸ü •ÖÝÖ¤üß¿Ö"ÖÓ¦ü ²ÖÃÖã


¯ÖÏÖê±êúÃÖ¸ü •Ö¤ãü®ÖÖ£Ö ÃÖ¸üÛúÖ¸ü


J-97-16 15 Paper-III
35. Find out the song, composed aboard a bullock cart from Saruel to Santiniketan, as mentioned by Rabindranath himself

Nai ba dako, raibo tomar dware


Jete Jete ekla pathe


Mala hote khose pada phuler ekti dal


Shesh nahi je, shesh katha ke balbe


36. 'Kartaveeryarjuna' is an important reference point made by Tagore as we find in

Sangit O Kabita Alap Alochana


Antar-Bahir Sur O Sangati


37. Where is the character Shonpangshu

Raja Arupratan


Achalayatan Basanta


38. Rajanikanta Sen's "Tumi nirmala karo mangala kare malina marma muchhaye" resembles Tagore's

Antara mama bikashita karo antarantara he


Tumi kemon kore gan karo he guni


Sandhya holo go o ma


Tomar surer dhara


39. The Tagorean coinage of the phrase "MAN-IN-THE-UNIVERSE" occurs in

The Creative Unity My Boyhood days


The Reminiscences The Religion of Man


40. Who did eulogise Dinendranath as the "Utsavaraj" of Santiniketan

Indira Debi Rabindranath


Pramathanath Bishi Abanindranath


35. ×®Ö´®Ö×»Ö&ti