Exam Details
Subject | rabindra?? sangeet | |
Paper | paper 3 | |
Exam / Course | ugc net national eligibility test | |
Department | ||
Organization | university grants commission | |
Position | ||
Exam Date | January, 2017 | |
City, State | , |
Question Paper
1. Identify the raga of the song 'Bipula Taronga
Purabi
Bhimpalasree
Imankalyan
Tori
2. Which one of the following songs is tuned in 'Sindhu'
Pipasa hai nahi mitilo
Chiro sakha, chero na more
Sada thako Anande
Ke basile aji hridayasthane
3. 'Prabhater Adim Abhas Arunbarna Abhar Abarane'
Trace out the source
Chandalika
Chitrangada
Shapmochan
Shyama
4. "Deko na amare, deko na …" belongs to the category
Puja
Bichitra
Prem
Swadesh
5. 'Basante basante tomar kobire dao dak' is from
Phalguni
Nataraj riturangasala
Nabin
Muktadhara
6. The song sung by Satyajit Ray himself in his film Agantuk
E parabase robe ke
Bajilo kahara bina
Andhojane deho alo
Thora pata go
7. How does 'Tomar asime' deviate from Behag
By the use of
Komal Dhaibat
Komal Nishad
Komal Rishabh
Komal Gazdhar
8. Who played the veena along with singing
Santi Dev Ghosh
Pankaj Kumar Mallik
Anadi Kumar Dastidar
Shailajaranjan Mazumdar
9. Which song was composed by Tagore to celebrate the harvest ceremony
O amar desher mati
Eso shyamolo sundar
Aay re mora phasal kati
Amar praner pare
10. 'Srabonor borisona par hoye ki bani' was written when Rabindranath Tagore was
58
38
33
63
11. Raga and tala of 'Majhe majhe taba dekha'
Bilabal/Dadra
Kafi/Ektal
Bhupali/Dadra
Todi/Rupakra
12. 'Rabirashmi' is written by
Nihar Ranjan Roy
Sarala Devi
Prasanta Kumar Pal
Charuchandra Bandyopadhyay
13. "Ogo tomra Sabai bhalo" occurs in
Raja o Rani
Goray galad
Sonar tari
Chitra
14. tomari milano sudha roilo prane sanchita' this line is from the song
Preme prane gane gandhe
Amar bela je jay
Ei labhinu sango tabo
Ohe sundaro mano
15. The number of songs in 'Prarthana' is
59
10
36
143
16. From 'Nitu charano mule' Tagore composed the song
Yao re anantodhame
Nomi nomi bharoti
Baje karuna sure
Eso shyamal sundar
17. What was Tagore's age when he composed the song 'Matrimandir punya Angana'
52
76
56
53
18. "Yogi he, yogi he, ke tumi hridi-asane" in Kedar, Ektal occurs in the play …
Prakritir Pratishodh
Guru
Achalayatan
Chirakumar Sabha
19. Who edited Tagore's posthumous publication Sangit-Chinta
Santideb Ghosh
Indira Debi Chaudhurani
Pramatha Chaudhuri
Pulinbihari Sen
20. "Shudhu tomar vani nay go he bandhu, he priya" occurs in
gitali
gitimalya
utsarga
naivedya
21. Where do you find the monsoon composition "Aowe piarawa, rimijhimi barakhana lage", tuned in the raga Nata-Malnar (as mentioned by Rabindranath)
In the poem "Bhiru"
In the novel "Yogayog"
In the play Shesh Barshan
In the book Chhelebela
22. Find out the title of the song "Keno bajao kanka kana kana kato chhabhari"
Bhikhari
Lila
Lajjita
Kalpanik
23. Recognise the tune of the concerned song
II R G M P P |DP-MP M G R I
I S R G M P M G RSN. I
Mile Sabe Bharatsantan
Madhura rupe Biraja
Malina Mukha Chandrama
Banglar Mati Banglar Jal
24. The year of composition of "Phire chal matir tane"
23rd Falgun 1328
23rd Falgun 1327
23rd Falgun 1329
23rd Falgun 1326
25. "Tumi ki eshecho mor dware" occurs in
Nabin
Tapati
Natir Puja
Gora
26. In which part of 'Swarabitan' the rotation of the song "Tor Gopan prane ekla manus" is compiled
Swarabitan 31
Swarabitan 30
Swarabitan 29
Swarabitan 27
27. In which story do you find the full text of the song "Eso eso phire eso"
Gupta Dhan
Laboratory
Megh o Raudra
Post Master
28. Match List I with List II
List I List II
a. Nirabo rajani dekho magno i. Bramha Sangeet
b. Asima Kalsagare ii. Bibaho Utsab
c. O gan gasne-gasne iii. Bibidha Sangeet
d. Tumi acho kon para iv. Jatiya Sangeet
Codes
a b c d
i ii iii iv
(2)iii i iv ii
iii ii i
iv i iii
29. Match List I with List II
List I List II
a. Yadi tor dak sune i. Gitasutrasar 2
b. He mon, tare dekho ii. Kanthakoumudini
c. Saktirupo hero taro iii. Satagan
d. Tomari madhuro rupe iv. Sangeetmonjari
Codes
a b c d
iv i iii
ii iii i
iii ii iv
(4)iii i iv ii
30. Match List I with List II
List I List II
a. Tomari madhuro rupe i. E monke ankh
b. Shaktirup hero tanro ii. Tero ri nayanban
c. He mon, tanro dekho iii. Hari nam diye jagat
d. Yadi tor dak sune iv. Saptasur tingram
Codes
a b c d
i iii ii iv
iv i iii
(3)iii i iv ii
ii iii i
31. Match List I with List II
List I List II
a. Sakhi Bhabana Kahare Bale i. Rudrachando
b. Basanto Prabhate Ek Malatir ii. Dakghar
c. Kothao amar hariye yaoyar iii. Falguni
d. Bhalo Manus Nai Re Mora iv. Bhagnahriday
Codes
a b c d
(1)iii ii i iv
i iii iv ii
iv iii i
i ii iii
32. Match List I with List II
List I List II
a. Etodin ye bosechilem i. Ketaki
b. Emon dine tare bala ii. Shyama
c. Era sukher lagi chahe iii. Phalguni
d. Eto din Tumi sakha iv. Mayar Khela
Codes
a b c d
(1)iii i iv ii
i iii ii iv
iv i iii
ii iii i
33. Recognise the tune of the concerned song
P II S N DP D M P G M I
I P S M G M R GR S I
Sakali Phuralo Swapna Parai
Dekhbi Re Bhai
Katobara Bhebechinu
Purano Sei Diner Katha
34. "Kato barne kato gandhe, kato gane kato chhande" this line is from the song
Tai tomar anando amar por
Amar milan lagi tumi
Nishar swapan chutlo re ei
Simar majhe, asim, tumi
35. "Ami sansare mon diyechinu" occurs in
Kshanika
Gora
Kalpana
Chirokumar Sabha
36. "Yabar bela sesh kathati" occurs in
Natarajriturangashala
Sesher Kabita
Seshraksha
Tapati
37. Which song is based on Brindabani sarang
Bipulo taranga re
Mahasinghasone basi
Jayataba bichitra
Tomaro asime
38. Match the following
List I List II
a. Chokh je oder chhute chale i. Shephali
b. Akash amay bhorlo aloy ii. Tapati
c. Jago alasha shayana iii. Phalguni
d. Ananderi sagar hote iv. Arup ratan
Codes
a b c d
(1)iii ii i iv
iii ii i
ii i iii iv
i iv iii ii
39. 'Madhura rupe birajo' is mainly based on
Behag
Khambaj
Tilak Kamod
Desh
40. Which of the following songs is not in puja paryay
Kanna hasir dol dolano
Prathama yugera udaya
Prabhu amara priyo amaro
Antara mama bikashito karo
41. Which of the following songs is based on thumri style
Chiro Sakha he Chhero na
Tobu mone rekho
Kebosile aji hridayasane
Khelar Sathi biday dwar
42. Find out the unmatching song with the other three
Buddha Susubdha karuna
Namo namo Buddha dibakaraya
Buddha Sharanm gachchhami
Pari purnam ananandwam
43. Select the correct pair from the following
Na jeo na jeona go Dance drama shyama
Dekona amare dekona Dance drama mayarkhela
Ogo dekona more dekona Drama sapmochan
Kon bandhaner granthi Dance drama chandalika
44. Identify the Raga Tala of 'Ananta sagar majhe dao tori'
Bageshri Ada theka
Behag Chawtal
Purabi Ektal
Multan Jhaptal
45. Find out the wrong pair
Thakurmoshay deri na say Hunter's
Sakti Sadh Kore Jaha dibe Kumar
Danrao Kotha Chalo tomra ke Bajrasen
Satdeshete Khunje Khunje go Anuchar
46. Match the following
List I List II
a. oi maraner sagar pare i. Valmiki Pratira
b. oi re tari dilo khule ii. Basanta
c. oi bhanglo hasir Bandh iii. Gitanjali
d. oi megh kare bujhi gagane iv. Grihaprabesh
Codes
a b c d
i ii iii iv
iii ii i
(3)iii ii i iv
iv i iii
47. Match the following
List I List II
a. Lachhasar i. Sanshay timiro majhe
b. Adana ii. Jagate ananda yajne
c. Sarfarda iii. Nityo satye chintana karo
d. Rajbijoy iv. Bahe nirantara ananta
Codes
a b c d
iii ii i
(2)iii iv i ii
ii i iii iv
i ii iv iii
48. Who established Sangita-Sangha
Sarala Devi
Pratibha Devi
Pratima Devi
Mrinalini Devi
49. Find out the song not composed by Rabindra Nath Tagore.
Antara mamo bikoshito karo
Tumi nirmala karo mangala kare
Anek diechho nath amar
Satya mongala prema mayo tumi
50. The song of Kazi Nazrul Islam 'Sunnyo e buke pakhi mor' resembles the Tagore song
Ami tomari matira kanya
Ami kemon karia janabo
Alpa laiya thaki Tai
Amay chha jonay mile
51. Who wrote "The Music of India" chapter in The New Oxford History of Music
Nikhil Banerjee
Damodar Hota
Rabindralal Ray
Arnold Adrian Bake
52. What is the pre-marital British name of Ratan Devi
Marguerite Wilkinson
Ethel Rozenthal
Alice Richardson
Mrs. Thompson
Read the notation and answer the following . ...
I P S N S NS NR I S R S N DP I
I P D P M G R I
53. Recognize the song
Badal dhara holo sara
Badala Meghe madala baje
Barisha dhara majhe shantira bari
Barshana mandrita andhakare
54. Recognize the raga of the song
Imam
Desh-pilu
Khambaj
Purabi
55. Recognize the tala of the song
Dadra
Shasthi
Ektal
Kaharwa
56. Who is the author of the book On the Edges of Time, published by Visva-Bharati
Rabindranath Tagore
Rathindranath Tagore
Satyendranath Tagore
Supriya Tagore
57. What is the title of the song Visva-Vina-Rabe Visvajana mohichhe as per Herbert A. Popley's book The Music of India (the Heritage of India Series)
The Cosmic Music
Music of the Sphere
The Lyre of the Universe
Visva-Veena
58. Arrange sequentially as per Gitabitan
Bandhu
Gaan
Antarmukhe
Prarthana
59. Sort out the asymmetrical one in tonal mode
Mana jago mangala loke
Dao he hriday bhore dao
Ankhijal muchhaile
Sandhya holo o ma
60. Find out the odd one
Jogajog
Pratham Alo
Char Adhyay
Malancha
61. Find out the wrong pair
Shilpotsav Kathir Loha Kathin Ghume
Halakarshan Amra Chash Kari Anande
Briksharopan Ahwan Asilo Mahotsabe
Maghotsav Marubijayera Ketana Urao
62. Pick the odd paryay out
Dujane dekha halo
Amar nikhila bhuban
Sabe na yatana
Tumi sandhyar meghmala
63. Pick the odd paryay out from the other three songs
Na na go na, koro na bhabona
Nayan chhere gele chole
Tor praner ras to sukiye
Mone roye gelo maner katha
64. Pick the odd paryay out from the other three
Tumi kichu diye Jao
Aan go tora kar ki ache
Durdeshi sei rakhal chele
Tomar bas kotha ye pathik
65. Single out the song them. atically different from the other three
Eshechhile tabu aso nai
Mone ki dwidha rekhe
E bela dak poreche
Kichhn bolbo bole esechilem
66. "Ar nahe, ar nay" occurs in
Natir Puja
Muktadhara
Nabin
Achalayatan
67. Match the following
a. Arup Ratan i. Swarabitan 34
b. Basanta ii. Swarabitan 14
c. Gitabithika iii. Swarabitan 6
d. Nabagitika I iv. Swarabitan 42
Codes
a b c d
i ii iii iv
ii i iv iii
iii i ii
(4)iii iv ii i
68. Which song is based on "Madhyaman" among the following
Asima Kalsagare
Bandhu, raho raho sathe
Rohi Rohi Ananda Tarango
Baro Asha Kore
69. Arrange sequentially as per Gitabitan
Dao he hriday bhore dao
Tomay gaan sonabo
Se din amay bolechhile
Keno bani tabo nahi shuni
70. Find out the wrong pair
Tumi amarer pita Om pita no asi
Shono Shono suro loka Shrinwontu Visve
Yadi jharer me gher mato Yademi Prasfuranniba
Ananda dhara bohichhe Sangachi chhadhwang Sambadadhwang
71. Assertion Tagore's certificate to Kesar Bai (23.4.1938) and his letter to Sahana Devi (29.4.1938) regarding Kesar Bai's singing are contradictory and confusing.
Reason In the certificate, Tagore praises Kesar Bai's singing very highly, but in his letter he denounces Kesar Bai's singing vehemently.
Considering both A and find out the most easy and acceptable judgement.
We must accept both and since these are documented in Sangit-Chinta.
is true, is false.
is false, is true.
As a reader of Sangit-Chinta, we should ignore the contents of both and
72. Assertion Tagore has composed many songs which have defied the canons of orthodox propriety and good people are disgusted at the impedance of a man who is audacious only because he is untrained. "Possibly that is the best way of doing things in the sphere of art."
Reason We do not hesitate to say that Tagore-songs have found their place in the heart of his land along with her flowers that are never exhausted.
Considering the statements in A and R choose the right resolution
Both and are true.
Both and are false.
is true, is partially true.
A and R are partially true and partially false.
73. Assertion "Diner seshe ghumer deshe" despite being written by Rabindranath, cannot be called a Rabindra-Sangit.
Reason It is just a poem. Tagore did not set it into musical tune. The poem is that of day-ending but the tune given by Pankaj Kumar Mallik is that of morning.
Both and are justified.
is doubtful. cannot be taken as a logical syllogism.
Fans of Pankaj Kumar Mallik know it as Rabindra Sangit. So is correct.
It should have been included in Gitabitan and Swarabitan.
74. Who scored the "Piano Arrangement and symphony orchestra" for Janagana mana adhinayaka jaya he, (published by Visva-Bharati)
Alan Danielou
Rabi Shankar
Alauddin Khan
Bhimrao Shastri
75. "The pulse of India throbs in her music and dance-dramas." Who asserted this and in which book
Peggy Hobroyde, Indian Music
Subhankar, Sangit Damodar
Susanne K. Langer, Feeling and Form
G.W.F. Hegel, Lectures on Fine Arts
Purabi
Bhimpalasree
Imankalyan
Tori
2. Which one of the following songs is tuned in 'Sindhu'
Pipasa hai nahi mitilo
Chiro sakha, chero na more
Sada thako Anande
Ke basile aji hridayasthane
3. 'Prabhater Adim Abhas Arunbarna Abhar Abarane'
Trace out the source
Chandalika
Chitrangada
Shapmochan
Shyama
4. "Deko na amare, deko na …" belongs to the category
Puja
Bichitra
Prem
Swadesh
5. 'Basante basante tomar kobire dao dak' is from
Phalguni
Nataraj riturangasala
Nabin
Muktadhara
6. The song sung by Satyajit Ray himself in his film Agantuk
E parabase robe ke
Bajilo kahara bina
Andhojane deho alo
Thora pata go
7. How does 'Tomar asime' deviate from Behag
By the use of
Komal Dhaibat
Komal Nishad
Komal Rishabh
Komal Gazdhar
8. Who played the veena along with singing
Santi Dev Ghosh
Pankaj Kumar Mallik
Anadi Kumar Dastidar
Shailajaranjan Mazumdar
9. Which song was composed by Tagore to celebrate the harvest ceremony
O amar desher mati
Eso shyamolo sundar
Aay re mora phasal kati
Amar praner pare
10. 'Srabonor borisona par hoye ki bani' was written when Rabindranath Tagore was
58
38
33
63
11. Raga and tala of 'Majhe majhe taba dekha'
Bilabal/Dadra
Kafi/Ektal
Bhupali/Dadra
Todi/Rupakra
12. 'Rabirashmi' is written by
Nihar Ranjan Roy
Sarala Devi
Prasanta Kumar Pal
Charuchandra Bandyopadhyay
13. "Ogo tomra Sabai bhalo" occurs in
Raja o Rani
Goray galad
Sonar tari
Chitra
14. tomari milano sudha roilo prane sanchita' this line is from the song
Preme prane gane gandhe
Amar bela je jay
Ei labhinu sango tabo
Ohe sundaro mano
15. The number of songs in 'Prarthana' is
59
10
36
143
16. From 'Nitu charano mule' Tagore composed the song
Yao re anantodhame
Nomi nomi bharoti
Baje karuna sure
Eso shyamal sundar
17. What was Tagore's age when he composed the song 'Matrimandir punya Angana'
52
76
56
53
18. "Yogi he, yogi he, ke tumi hridi-asane" in Kedar, Ektal occurs in the play …
Prakritir Pratishodh
Guru
Achalayatan
Chirakumar Sabha
19. Who edited Tagore's posthumous publication Sangit-Chinta
Santideb Ghosh
Indira Debi Chaudhurani
Pramatha Chaudhuri
Pulinbihari Sen
20. "Shudhu tomar vani nay go he bandhu, he priya" occurs in
gitali
gitimalya
utsarga
naivedya
21. Where do you find the monsoon composition "Aowe piarawa, rimijhimi barakhana lage", tuned in the raga Nata-Malnar (as mentioned by Rabindranath)
In the poem "Bhiru"
In the novel "Yogayog"
In the play Shesh Barshan
In the book Chhelebela
22. Find out the title of the song "Keno bajao kanka kana kana kato chhabhari"
Bhikhari
Lila
Lajjita
Kalpanik
23. Recognise the tune of the concerned song
II R G M P P |DP-MP M G R I
I S R G M P M G RSN. I
Mile Sabe Bharatsantan
Madhura rupe Biraja
Malina Mukha Chandrama
Banglar Mati Banglar Jal
24. The year of composition of "Phire chal matir tane"
23rd Falgun 1328
23rd Falgun 1327
23rd Falgun 1329
23rd Falgun 1326
25. "Tumi ki eshecho mor dware" occurs in
Nabin
Tapati
Natir Puja
Gora
26. In which part of 'Swarabitan' the rotation of the song "Tor Gopan prane ekla manus" is compiled
Swarabitan 31
Swarabitan 30
Swarabitan 29
Swarabitan 27
27. In which story do you find the full text of the song "Eso eso phire eso"
Gupta Dhan
Laboratory
Megh o Raudra
Post Master
28. Match List I with List II
List I List II
a. Nirabo rajani dekho magno i. Bramha Sangeet
b. Asima Kalsagare ii. Bibaho Utsab
c. O gan gasne-gasne iii. Bibidha Sangeet
d. Tumi acho kon para iv. Jatiya Sangeet
Codes
a b c d
i ii iii iv
(2)iii i iv ii
iii ii i
iv i iii
29. Match List I with List II
List I List II
a. Yadi tor dak sune i. Gitasutrasar 2
b. He mon, tare dekho ii. Kanthakoumudini
c. Saktirupo hero taro iii. Satagan
d. Tomari madhuro rupe iv. Sangeetmonjari
Codes
a b c d
iv i iii
ii iii i
iii ii iv
(4)iii i iv ii
30. Match List I with List II
List I List II
a. Tomari madhuro rupe i. E monke ankh
b. Shaktirup hero tanro ii. Tero ri nayanban
c. He mon, tanro dekho iii. Hari nam diye jagat
d. Yadi tor dak sune iv. Saptasur tingram
Codes
a b c d
i iii ii iv
iv i iii
(3)iii i iv ii
ii iii i
31. Match List I with List II
List I List II
a. Sakhi Bhabana Kahare Bale i. Rudrachando
b. Basanto Prabhate Ek Malatir ii. Dakghar
c. Kothao amar hariye yaoyar iii. Falguni
d. Bhalo Manus Nai Re Mora iv. Bhagnahriday
Codes
a b c d
(1)iii ii i iv
i iii iv ii
iv iii i
i ii iii
32. Match List I with List II
List I List II
a. Etodin ye bosechilem i. Ketaki
b. Emon dine tare bala ii. Shyama
c. Era sukher lagi chahe iii. Phalguni
d. Eto din Tumi sakha iv. Mayar Khela
Codes
a b c d
(1)iii i iv ii
i iii ii iv
iv i iii
ii iii i
33. Recognise the tune of the concerned song
P II S N DP D M P G M I
I P S M G M R GR S I
Sakali Phuralo Swapna Parai
Dekhbi Re Bhai
Katobara Bhebechinu
Purano Sei Diner Katha
34. "Kato barne kato gandhe, kato gane kato chhande" this line is from the song
Tai tomar anando amar por
Amar milan lagi tumi
Nishar swapan chutlo re ei
Simar majhe, asim, tumi
35. "Ami sansare mon diyechinu" occurs in
Kshanika
Gora
Kalpana
Chirokumar Sabha
36. "Yabar bela sesh kathati" occurs in
Natarajriturangashala
Sesher Kabita
Seshraksha
Tapati
37. Which song is based on Brindabani sarang
Bipulo taranga re
Mahasinghasone basi
Jayataba bichitra
Tomaro asime
38. Match the following
List I List II
a. Chokh je oder chhute chale i. Shephali
b. Akash amay bhorlo aloy ii. Tapati
c. Jago alasha shayana iii. Phalguni
d. Ananderi sagar hote iv. Arup ratan
Codes
a b c d
(1)iii ii i iv
iii ii i
ii i iii iv
i iv iii ii
39. 'Madhura rupe birajo' is mainly based on
Behag
Khambaj
Tilak Kamod
Desh
40. Which of the following songs is not in puja paryay
Kanna hasir dol dolano
Prathama yugera udaya
Prabhu amara priyo amaro
Antara mama bikashito karo
41. Which of the following songs is based on thumri style
Chiro Sakha he Chhero na
Tobu mone rekho
Kebosile aji hridayasane
Khelar Sathi biday dwar
42. Find out the unmatching song with the other three
Buddha Susubdha karuna
Namo namo Buddha dibakaraya
Buddha Sharanm gachchhami
Pari purnam ananandwam
43. Select the correct pair from the following
Na jeo na jeona go Dance drama shyama
Dekona amare dekona Dance drama mayarkhela
Ogo dekona more dekona Drama sapmochan
Kon bandhaner granthi Dance drama chandalika
44. Identify the Raga Tala of 'Ananta sagar majhe dao tori'
Bageshri Ada theka
Behag Chawtal
Purabi Ektal
Multan Jhaptal
45. Find out the wrong pair
Thakurmoshay deri na say Hunter's
Sakti Sadh Kore Jaha dibe Kumar
Danrao Kotha Chalo tomra ke Bajrasen
Satdeshete Khunje Khunje go Anuchar
46. Match the following
List I List II
a. oi maraner sagar pare i. Valmiki Pratira
b. oi re tari dilo khule ii. Basanta
c. oi bhanglo hasir Bandh iii. Gitanjali
d. oi megh kare bujhi gagane iv. Grihaprabesh
Codes
a b c d
i ii iii iv
iii ii i
(3)iii ii i iv
iv i iii
47. Match the following
List I List II
a. Lachhasar i. Sanshay timiro majhe
b. Adana ii. Jagate ananda yajne
c. Sarfarda iii. Nityo satye chintana karo
d. Rajbijoy iv. Bahe nirantara ananta
Codes
a b c d
iii ii i
(2)iii iv i ii
ii i iii iv
i ii iv iii
48. Who established Sangita-Sangha
Sarala Devi
Pratibha Devi
Pratima Devi
Mrinalini Devi
49. Find out the song not composed by Rabindra Nath Tagore.
Antara mamo bikoshito karo
Tumi nirmala karo mangala kare
Anek diechho nath amar
Satya mongala prema mayo tumi
50. The song of Kazi Nazrul Islam 'Sunnyo e buke pakhi mor' resembles the Tagore song
Ami tomari matira kanya
Ami kemon karia janabo
Alpa laiya thaki Tai
Amay chha jonay mile
51. Who wrote "The Music of India" chapter in The New Oxford History of Music
Nikhil Banerjee
Damodar Hota
Rabindralal Ray
Arnold Adrian Bake
52. What is the pre-marital British name of Ratan Devi
Marguerite Wilkinson
Ethel Rozenthal
Alice Richardson
Mrs. Thompson
Read the notation and answer the following . ...
I P S N S NS NR I S R S N DP I
I P D P M G R I
53. Recognize the song
Badal dhara holo sara
Badala Meghe madala baje
Barisha dhara majhe shantira bari
Barshana mandrita andhakare
54. Recognize the raga of the song
Imam
Desh-pilu
Khambaj
Purabi
55. Recognize the tala of the song
Dadra
Shasthi
Ektal
Kaharwa
56. Who is the author of the book On the Edges of Time, published by Visva-Bharati
Rabindranath Tagore
Rathindranath Tagore
Satyendranath Tagore
Supriya Tagore
57. What is the title of the song Visva-Vina-Rabe Visvajana mohichhe as per Herbert A. Popley's book The Music of India (the Heritage of India Series)
The Cosmic Music
Music of the Sphere
The Lyre of the Universe
Visva-Veena
58. Arrange sequentially as per Gitabitan
Bandhu
Gaan
Antarmukhe
Prarthana
59. Sort out the asymmetrical one in tonal mode
Mana jago mangala loke
Dao he hriday bhore dao
Ankhijal muchhaile
Sandhya holo o ma
60. Find out the odd one
Jogajog
Pratham Alo
Char Adhyay
Malancha
61. Find out the wrong pair
Shilpotsav Kathir Loha Kathin Ghume
Halakarshan Amra Chash Kari Anande
Briksharopan Ahwan Asilo Mahotsabe
Maghotsav Marubijayera Ketana Urao
62. Pick the odd paryay out
Dujane dekha halo
Amar nikhila bhuban
Sabe na yatana
Tumi sandhyar meghmala
63. Pick the odd paryay out from the other three songs
Na na go na, koro na bhabona
Nayan chhere gele chole
Tor praner ras to sukiye
Mone roye gelo maner katha
64. Pick the odd paryay out from the other three
Tumi kichu diye Jao
Aan go tora kar ki ache
Durdeshi sei rakhal chele
Tomar bas kotha ye pathik
65. Single out the song them. atically different from the other three
Eshechhile tabu aso nai
Mone ki dwidha rekhe
E bela dak poreche
Kichhn bolbo bole esechilem
66. "Ar nahe, ar nay" occurs in
Natir Puja
Muktadhara
Nabin
Achalayatan
67. Match the following
a. Arup Ratan i. Swarabitan 34
b. Basanta ii. Swarabitan 14
c. Gitabithika iii. Swarabitan 6
d. Nabagitika I iv. Swarabitan 42
Codes
a b c d
i ii iii iv
ii i iv iii
iii i ii
(4)iii iv ii i
68. Which song is based on "Madhyaman" among the following
Asima Kalsagare
Bandhu, raho raho sathe
Rohi Rohi Ananda Tarango
Baro Asha Kore
69. Arrange sequentially as per Gitabitan
Dao he hriday bhore dao
Tomay gaan sonabo
Se din amay bolechhile
Keno bani tabo nahi shuni
70. Find out the wrong pair
Tumi amarer pita Om pita no asi
Shono Shono suro loka Shrinwontu Visve
Yadi jharer me gher mato Yademi Prasfuranniba
Ananda dhara bohichhe Sangachi chhadhwang Sambadadhwang
71. Assertion Tagore's certificate to Kesar Bai (23.4.1938) and his letter to Sahana Devi (29.4.1938) regarding Kesar Bai's singing are contradictory and confusing.
Reason In the certificate, Tagore praises Kesar Bai's singing very highly, but in his letter he denounces Kesar Bai's singing vehemently.
Considering both A and find out the most easy and acceptable judgement.
We must accept both and since these are documented in Sangit-Chinta.
is true, is false.
is false, is true.
As a reader of Sangit-Chinta, we should ignore the contents of both and
72. Assertion Tagore has composed many songs which have defied the canons of orthodox propriety and good people are disgusted at the impedance of a man who is audacious only because he is untrained. "Possibly that is the best way of doing things in the sphere of art."
Reason We do not hesitate to say that Tagore-songs have found their place in the heart of his land along with her flowers that are never exhausted.
Considering the statements in A and R choose the right resolution
Both and are true.
Both and are false.
is true, is partially true.
A and R are partially true and partially false.
73. Assertion "Diner seshe ghumer deshe" despite being written by Rabindranath, cannot be called a Rabindra-Sangit.
Reason It is just a poem. Tagore did not set it into musical tune. The poem is that of day-ending but the tune given by Pankaj Kumar Mallik is that of morning.
Both and are justified.
is doubtful. cannot be taken as a logical syllogism.
Fans of Pankaj Kumar Mallik know it as Rabindra Sangit. So is correct.
It should have been included in Gitabitan and Swarabitan.
74. Who scored the "Piano Arrangement and symphony orchestra" for Janagana mana adhinayaka jaya he, (published by Visva-Bharati)
Alan Danielou
Rabi Shankar
Alauddin Khan
Bhimrao Shastri
75. "The pulse of India throbs in her music and dance-dramas." Who asserted this and in which book
Peggy Hobroyde, Indian Music
Subhankar, Sangit Damodar
Susanne K. Langer, Feeling and Form
G.W.F. Hegel, Lectures on Fine Arts
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