Exam Details
Subject | dance | |
Paper | paper 2 | |
Exam / Course | ugc net national eligibility test | |
Department | ||
Organization | university grants commission | |
Position | ||
Exam Date | June, 2015 | |
City, State | , |
Question Paper
1. Match the List I with List II
List I List II
Java Clear of Speech
Sthiratva Lining
Vacho (iii) Speed
Rekha Balance
Codes
2. Write in the correct sequence
Kapola, Nasika, Adhara, Bhrukuta
Kapola, Bhrukuta, Nasika, Adhara
Nasika, Adhara, Kapola, Bhrukuta
Kapola, Adhara, Bhrukuta, Nasika
3. Pick the odd one out
Mayura
Samputa
Kurma
Nagabandha
4. Who is the author of Sangita Ratnakara
Nandikeshwara
Sarangadeva
Bharata
Parshvadeva
5. Assertion The vast Sanskritic textual corpus that we have, helps in dispelling the historical and aesthetic misconceptions woven around the art of dance.
Reason The Maratha's and the Rajput kings patronised the art of dance.
Codes
Both and true
Both and false
true false
false true
6. Match the List I with List II
List I List II
Kalidas Malti-Madhava
Bhavabhuti Urubhangam
Rajashekhara Malavika Agnimitram
Bhasa Karpura-Manjari
Codes
7. Write in the correct sequence
Angika, Aharya, Satvika, Vachika
Angika, Vachika, Aharya, Satvika
Aharya, Satvika, Angika, Vachika
Angika, Vachika, Aharya, Satvika
8. Pick the odd one out
Dhirodatta
Dhiroddhata
Dhiraprashanta
Dhrusta
9. The usage of Karana's is not given by Bharata, but is given by
Abhinavagupta
Nandikeshwara
Parshwadeva
Sarangadeva
10. Assertion The spiritual importance of representing divine beings through dance, drama and music is attested by the wide spread performances of Jayadeva's Gita Govinda.
Reason The enactment of Mahavira's life is evidence that "anukarana" was much a central element in the Jain traditions of performing arts.
Codes
Both and true
Both and false
true false
false true
11. Match the List I with List II
List I List II
Dr. Mandakranta Bose Rasa Theory
K.M. Varma Speaking of dance
G.K. Bhatta (iii) The Natyashastra of Bharata
Dr. Kapila Vatsyayan Natya, Nritta and Nritya
Codes
12. Write in the correct chronological sequence of age
Yudhisthira, Bhima, Arjuna, Sahadeva
Yudhisthira, Arjuna, Sahadeva, Bhima
Arjuna, Yudhisthira, Bhima, Sahadeva
Yudhisthira, Bhima, Sahadeva, Arjuna
13. Pick the odd one out
Sunil Kothari
Leela Venkatraman
Shyamhari Chakra
Ishira Parikh
14. 'Odra-Nritya' is connected to
Assam
Odissa
West Bengal
Bihar
15. Assertion Abhinaya in Indian Classical Dances convey a layered and circular approach as each line of the sahitya is interpreted and reinterpreted from several different perspectives.
Reason The emotional universe articulated through the dance has full of tonal nuances and shifts but it is never a commentary on the situation.
Codes
Both and true
Both and false
true false
false true
16. Match the List I with List II
List I List II
Zamorin of Calicut Maheswar Mahapatra
Paran Mohiniattam
Abhinaya Chandrika Pakhawaj
Cholkettu Krishnattam
Codes
17. Write in the correct sequence from Krishnattam
Avataram, Kaliya Mardan, Rasakrida, Kamsavadham
Kamsavadham, Avataram, Rasakrida, Kaliya Mardan
Kamsavadham, Kaliya Mardan, Avataram, Rasakrida
Avataram, Kamsavadham, Rasakrida, Kaliya Mardan
18. Pick the odd one out
Rasalila -Krishna
Bhamakalapam -Satyabhama
Ramanattam -Tampuran
Laiharaoba -Radha
19. Hajagiri is from
Tamil Nadu
Tripura
Chhattisgarh
Gujarat
20. Assertion Classical dances, patronised by kings, scholars and priests became a means of entertainment of the elites.
Reason Dance, a means of communication always went hand in hand with the religion, rituals and festivals.
Codes
Both and true
Both and false
true false
false true
21. Match the List I with List II
List I List II
Ballet Comique de la Raine Romantic Ballet
Gisselle The First Court Ballet
The Nutcracker Classical Ballet
Panchatantra Indian Ballet
Codes
22. Write in the correct sequence of the rulers who contributed to the development of Chinese Opera
Yuyan Dynasty, King Dynasty, Ming Dynasty, Sang Dynasty
Sang Dynasty, Ming Dynasty, King Dynasty, Yuyan Dynasty
Sang Dynasty, Yuyan Dynasty, Ming Dynasty, King Dynasty
Yuyan Dynasty, Sang Dynasty, Ming Dynasty, King Dynasty
23. Pick the odd one out
Bhavani
Bhaoriya
Ranglo
Rangli
24. A gap of beats between the adavu's is called
Karvai
Korvai
kattu
keimettu
25. Assertion Somewhat unusual in the history of world theatre, the mediaval phase of Indian theatre is often stamped as decline of Sanskrit theatre.
Reason The theatre of this phase is closely related to the life of the people.
Codes
Both and true
Both and false
true false
false true
26. Match the List I with List II
List I List II
Bhangara Martial dance
Jagar Marriage dance
Raika Trans dance
Jhoria .arvest dance
Codes
27. Write in the correct sequence the countries for the development of Ballet from the beginning
France, Russia Italy, America
Russia, Italy, America, France
Italy, Russia, France, America
Italy, France, Russia, America
28. Pick the odd one out
Wayang
Bedhaya
Gamelan
Topeng
29. The online portal of Dance is
Nartanam
Narthaki
Shruti
Ballet review
30. Assertion Apart from the Karana sculptures in various temples in India, Shiva as Nrittamurti can be seen in Cambodia, Vietnam, Indonesia with regional variations.
Reason The Kings from South India gave grants to make these temples.
Codes
Both and true
Both and false
true false
false true
31. Pick the odd one out The contemporary Indian dancers take to explore such themes as
Ethnicity
Gender and sexuality
Environment
Reality TV shows
32. Assertion No longer relegated to the so called World Dance Margins, Bharatanatyam appears alongside European and American Dance forms in the mainstream venues.
Reason America and Europe now accept Bharatanatyam as the major classical dance, at par with modern dance and Ballet.
Codes
Both and true
Both and false
true false
false true
33. Match the List I with List II
List I List II
Mohit Gangani Nattuvangam
Swami Malai Suresh Vocal
J.B. Sruthisagar Tabla
Sudharaghuraman Flutist
Codes
34. Write in the correct sequence
Avanti, Odhramagadhi, Dakshinatya, Panchali
Odhramagadhi, Avanti, Dakshinatya, Panchali
Odhramagadhi, Avanti, Panchali, Dakshinatya
Avanti, Odhramagadhi, Panchali, Dakshinatya
35. Who is the author of "The Cultural Policy in India"
Shovana Narayan
Joan Erdman
J.C. Desmond
Ranjana Srivastava
36. What do you learn through dance
Inner sense of being
Focus and poise
Discipline
All of above
37. Assertion The Sleeping Beauty and Swan Lake indicate a concept of choreography that stresses values such as clarity, harmony, symmetry and order.
Reason There is the symbiotic relationship between avant-garde and traditional dance forms in modern dance and Ballet.
Codes
Both and true
Both and false
true false
false true
38. Match the List I with List II
List I List II
Bharat Sharma Natyavriksha
Geeta Chandran Studio abhyas
Maya Krishna Rao Bhoomika
Navtej Singh Johar Vismaya
Codes
39. Write in the correct sequence in chronological order of happening in the year
Khajuraho Festival, Kalinga Festival, Natyakala Conference, Nrityaparva
Natyakala Conference, Khajuraho Festival, Nrityaparva, Kalinga Festival
Khajuraho Festival, Natyakala Conference, Kalinga Festival, Nrityaparva
Nrityaparva, Khajuraho Festival, Kalinga Festival, Natyakala Conference
40. Pick the odd one out
Kamani auditorium
Meghadoot auditorium
IGNCA
Siri Fort
41. Legong is
A male dance drama
A female dance drama
A mask dance
A puppet dance
42. Assertion Classical Dance in India today has achieved a creative blend of tradition and modernity.
Reason The colonial and Mughal rule enhanced our cultural heritage with assimilation of their ideas.
Both and true
Both and false
true false
false true
43. Match the List I with List II
List I List II
Sampoorna Anita Ratnam
A Million Sitas Aditi Mangaldas
Timeless Mallika Sarabhai
Unheard Voices Sharmila Biswas
Codes
44. Write in the correct sequence
Mahkut, Tikka, Ghungroo, Bengapatia
Tikka, Bengapatia, Mahkut, Ghungroo
Tikka, Mahkut, Bengapatia, Ghungroo
Bengapatia, Tikka, Ghungroo, Mahkut
45. Pick the odd one out
Mekhala-Chadar
Mundu-Vesthi
Dhoti-Shirt
Ghagra-Chunni
46. Asaita Thakar launched a participatory form called
Jatra
Bhavai
Kuttiattam
Tamasha
47. Assertion Nritta can be of two kinds, Baddha the dance that employs all the rules and Anibadhha -the dance created without following strict rules.
Reason The dancers were creative and independent.
Both and true
Both and false
true false
false true
48. Match the List I with List II
List I List II
Kathputli Tamil Nadu
Bommalattam Rajasthan
Puttanach West Bengal
Putul Nach Assam
Codes
49. Write in the correct sequence from North to South
Rouf, Hurka Baul, Bathakamma, Velkali
Bathakamma, Velkali, Hurka Baul, Rouf
Velkali, Rouf, Bathakamma, Hurka Baul
Rouf, Bathakamma, Hurka Baul, Velkali
50. Pick the odd one out
Nirmala Sheshadri
Sudarshan Chakraborty
Malavika Sarukkai
Tanushree Shankar
List I List II
Java Clear of Speech
Sthiratva Lining
Vacho (iii) Speed
Rekha Balance
Codes
2. Write in the correct sequence
Kapola, Nasika, Adhara, Bhrukuta
Kapola, Bhrukuta, Nasika, Adhara
Nasika, Adhara, Kapola, Bhrukuta
Kapola, Adhara, Bhrukuta, Nasika
3. Pick the odd one out
Mayura
Samputa
Kurma
Nagabandha
4. Who is the author of Sangita Ratnakara
Nandikeshwara
Sarangadeva
Bharata
Parshvadeva
5. Assertion The vast Sanskritic textual corpus that we have, helps in dispelling the historical and aesthetic misconceptions woven around the art of dance.
Reason The Maratha's and the Rajput kings patronised the art of dance.
Codes
Both and true
Both and false
true false
false true
6. Match the List I with List II
List I List II
Kalidas Malti-Madhava
Bhavabhuti Urubhangam
Rajashekhara Malavika Agnimitram
Bhasa Karpura-Manjari
Codes
7. Write in the correct sequence
Angika, Aharya, Satvika, Vachika
Angika, Vachika, Aharya, Satvika
Aharya, Satvika, Angika, Vachika
Angika, Vachika, Aharya, Satvika
8. Pick the odd one out
Dhirodatta
Dhiroddhata
Dhiraprashanta
Dhrusta
9. The usage of Karana's is not given by Bharata, but is given by
Abhinavagupta
Nandikeshwara
Parshwadeva
Sarangadeva
10. Assertion The spiritual importance of representing divine beings through dance, drama and music is attested by the wide spread performances of Jayadeva's Gita Govinda.
Reason The enactment of Mahavira's life is evidence that "anukarana" was much a central element in the Jain traditions of performing arts.
Codes
Both and true
Both and false
true false
false true
11. Match the List I with List II
List I List II
Dr. Mandakranta Bose Rasa Theory
K.M. Varma Speaking of dance
G.K. Bhatta (iii) The Natyashastra of Bharata
Dr. Kapila Vatsyayan Natya, Nritta and Nritya
Codes
12. Write in the correct chronological sequence of age
Yudhisthira, Bhima, Arjuna, Sahadeva
Yudhisthira, Arjuna, Sahadeva, Bhima
Arjuna, Yudhisthira, Bhima, Sahadeva
Yudhisthira, Bhima, Sahadeva, Arjuna
13. Pick the odd one out
Sunil Kothari
Leela Venkatraman
Shyamhari Chakra
Ishira Parikh
14. 'Odra-Nritya' is connected to
Assam
Odissa
West Bengal
Bihar
15. Assertion Abhinaya in Indian Classical Dances convey a layered and circular approach as each line of the sahitya is interpreted and reinterpreted from several different perspectives.
Reason The emotional universe articulated through the dance has full of tonal nuances and shifts but it is never a commentary on the situation.
Codes
Both and true
Both and false
true false
false true
16. Match the List I with List II
List I List II
Zamorin of Calicut Maheswar Mahapatra
Paran Mohiniattam
Abhinaya Chandrika Pakhawaj
Cholkettu Krishnattam
Codes
17. Write in the correct sequence from Krishnattam
Avataram, Kaliya Mardan, Rasakrida, Kamsavadham
Kamsavadham, Avataram, Rasakrida, Kaliya Mardan
Kamsavadham, Kaliya Mardan, Avataram, Rasakrida
Avataram, Kamsavadham, Rasakrida, Kaliya Mardan
18. Pick the odd one out
Rasalila -Krishna
Bhamakalapam -Satyabhama
Ramanattam -Tampuran
Laiharaoba -Radha
19. Hajagiri is from
Tamil Nadu
Tripura
Chhattisgarh
Gujarat
20. Assertion Classical dances, patronised by kings, scholars and priests became a means of entertainment of the elites.
Reason Dance, a means of communication always went hand in hand with the religion, rituals and festivals.
Codes
Both and true
Both and false
true false
false true
21. Match the List I with List II
List I List II
Ballet Comique de la Raine Romantic Ballet
Gisselle The First Court Ballet
The Nutcracker Classical Ballet
Panchatantra Indian Ballet
Codes
22. Write in the correct sequence of the rulers who contributed to the development of Chinese Opera
Yuyan Dynasty, King Dynasty, Ming Dynasty, Sang Dynasty
Sang Dynasty, Ming Dynasty, King Dynasty, Yuyan Dynasty
Sang Dynasty, Yuyan Dynasty, Ming Dynasty, King Dynasty
Yuyan Dynasty, Sang Dynasty, Ming Dynasty, King Dynasty
23. Pick the odd one out
Bhavani
Bhaoriya
Ranglo
Rangli
24. A gap of beats between the adavu's is called
Karvai
Korvai
kattu
keimettu
25. Assertion Somewhat unusual in the history of world theatre, the mediaval phase of Indian theatre is often stamped as decline of Sanskrit theatre.
Reason The theatre of this phase is closely related to the life of the people.
Codes
Both and true
Both and false
true false
false true
26. Match the List I with List II
List I List II
Bhangara Martial dance
Jagar Marriage dance
Raika Trans dance
Jhoria .arvest dance
Codes
27. Write in the correct sequence the countries for the development of Ballet from the beginning
France, Russia Italy, America
Russia, Italy, America, France
Italy, Russia, France, America
Italy, France, Russia, America
28. Pick the odd one out
Wayang
Bedhaya
Gamelan
Topeng
29. The online portal of Dance is
Nartanam
Narthaki
Shruti
Ballet review
30. Assertion Apart from the Karana sculptures in various temples in India, Shiva as Nrittamurti can be seen in Cambodia, Vietnam, Indonesia with regional variations.
Reason The Kings from South India gave grants to make these temples.
Codes
Both and true
Both and false
true false
false true
31. Pick the odd one out The contemporary Indian dancers take to explore such themes as
Ethnicity
Gender and sexuality
Environment
Reality TV shows
32. Assertion No longer relegated to the so called World Dance Margins, Bharatanatyam appears alongside European and American Dance forms in the mainstream venues.
Reason America and Europe now accept Bharatanatyam as the major classical dance, at par with modern dance and Ballet.
Codes
Both and true
Both and false
true false
false true
33. Match the List I with List II
List I List II
Mohit Gangani Nattuvangam
Swami Malai Suresh Vocal
J.B. Sruthisagar Tabla
Sudharaghuraman Flutist
Codes
34. Write in the correct sequence
Avanti, Odhramagadhi, Dakshinatya, Panchali
Odhramagadhi, Avanti, Dakshinatya, Panchali
Odhramagadhi, Avanti, Panchali, Dakshinatya
Avanti, Odhramagadhi, Panchali, Dakshinatya
35. Who is the author of "The Cultural Policy in India"
Shovana Narayan
Joan Erdman
J.C. Desmond
Ranjana Srivastava
36. What do you learn through dance
Inner sense of being
Focus and poise
Discipline
All of above
37. Assertion The Sleeping Beauty and Swan Lake indicate a concept of choreography that stresses values such as clarity, harmony, symmetry and order.
Reason There is the symbiotic relationship between avant-garde and traditional dance forms in modern dance and Ballet.
Codes
Both and true
Both and false
true false
false true
38. Match the List I with List II
List I List II
Bharat Sharma Natyavriksha
Geeta Chandran Studio abhyas
Maya Krishna Rao Bhoomika
Navtej Singh Johar Vismaya
Codes
39. Write in the correct sequence in chronological order of happening in the year
Khajuraho Festival, Kalinga Festival, Natyakala Conference, Nrityaparva
Natyakala Conference, Khajuraho Festival, Nrityaparva, Kalinga Festival
Khajuraho Festival, Natyakala Conference, Kalinga Festival, Nrityaparva
Nrityaparva, Khajuraho Festival, Kalinga Festival, Natyakala Conference
40. Pick the odd one out
Kamani auditorium
Meghadoot auditorium
IGNCA
Siri Fort
41. Legong is
A male dance drama
A female dance drama
A mask dance
A puppet dance
42. Assertion Classical Dance in India today has achieved a creative blend of tradition and modernity.
Reason The colonial and Mughal rule enhanced our cultural heritage with assimilation of their ideas.
Both and true
Both and false
true false
false true
43. Match the List I with List II
List I List II
Sampoorna Anita Ratnam
A Million Sitas Aditi Mangaldas
Timeless Mallika Sarabhai
Unheard Voices Sharmila Biswas
Codes
44. Write in the correct sequence
Mahkut, Tikka, Ghungroo, Bengapatia
Tikka, Bengapatia, Mahkut, Ghungroo
Tikka, Mahkut, Bengapatia, Ghungroo
Bengapatia, Tikka, Ghungroo, Mahkut
45. Pick the odd one out
Mekhala-Chadar
Mundu-Vesthi
Dhoti-Shirt
Ghagra-Chunni
46. Asaita Thakar launched a participatory form called
Jatra
Bhavai
Kuttiattam
Tamasha
47. Assertion Nritta can be of two kinds, Baddha the dance that employs all the rules and Anibadhha -the dance created without following strict rules.
Reason The dancers were creative and independent.
Both and true
Both and false
true false
false true
48. Match the List I with List II
List I List II
Kathputli Tamil Nadu
Bommalattam Rajasthan
Puttanach West Bengal
Putul Nach Assam
Codes
49. Write in the correct sequence from North to South
Rouf, Hurka Baul, Bathakamma, Velkali
Bathakamma, Velkali, Hurka Baul, Rouf
Velkali, Rouf, Bathakamma, Hurka Baul
Rouf, Bathakamma, Hurka Baul, Velkali
50. Pick the odd one out
Nirmala Sheshadri
Sudarshan Chakraborty
Malavika Sarukkai
Tanushree Shankar
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