Exam Details
| Subject | AnIntroduction To Karnatak Music | |
| Paper | ||
| Exam / Course | Certificate in Performing Arts/Visual/Arts | |
| Department | School of Performing Arts and Visual Arts(SOPVA) | |
| Organization | indira gandhi national open university | |
| Position | ||
| Exam Date | December, 2015 | |
| City, State | new delhi, |
Question Paper
1. Fill in the blanks with appropriate words given at the end of the questions.
and are the three essential parts of kriti.
The starting point of a Tala is known as
A dissonent note in a Raga is called as swara.
The litterature work dealing with the theoretical aspect of Ragas is called
The term used to denote music in Tamil language is
The musicologist who classified the Ragas into three categories -"Shuddha" "Chhayalag" and "Sankeerna" for the first time was
The keertanas are sung to create Rasa.
is a Karnatak Musical form that corresponds to the ghazals of Hindustani Music.
The main percussion instrument in ancient Tamil Music was
There are two types of Varnams and
Options:
Pada Varnam, Javali, Maddalam, Isai, Taana Varnam, Matang, Bhakti, Virodi, Pallavi, Anupallavi, Graha, Lakshana Granthas, Charanam.
2. Mark the correct options:
Sarna Saptak was in
Descending Order
Ascending Order
Zig -Zag Order
None of the above
According to Indian Philosophy Nada is a combination of
Air and water
Water and Fire
Air and Fire
None of the above
Indian music traces its origin to
Vedic Era
Buddhist Era
Puranik Era
Epic Era
Kamatak'Mela' is equivalent to Hindustani
Raga
Thata
Jati
Murchhana
In context of Karnatak Music instant improvisation is known as
Kalpita Sangeetha
Shastriya Sangeetha
Mauodharma Sangeetha
None of the above
Hymns of Sarna Veda were taken from:
Yajurveda
Atharvaveda
Rigveda
None of the above
In a musical composition Datu and Matu are:
Rhythm and Text
Text and Melody
Melody and Rhythm
None of the above
In context of Kamatak Music Vamam is
A part of composition
Type of composition
A type of Varisai
None of the above
Matang is the author of
Natyashastra
Brihaddesi
Sangeet Ratnakar
None of the above
The counterpart of Thillana in Hindustani Music is:
Chaturang
Khayal
Dhrupad
None of the above
3. Write short notes on any three of the following in not more than 100 words:
Music in Puranic Period
Evolution of Sapta Swaras
Contribution of Bharata in the field of Music
Sooladi Sapta Talas
Describe any two musical instruments those are essential in Kamatak Music
4. Write elaborately on any of the following topics:
Ancient Tamil Music
A brief history of evolution of Music in India
and are the three essential parts of kriti.
The starting point of a Tala is known as
A dissonent note in a Raga is called as swara.
The litterature work dealing with the theoretical aspect of Ragas is called
The term used to denote music in Tamil language is
The musicologist who classified the Ragas into three categories -"Shuddha" "Chhayalag" and "Sankeerna" for the first time was
The keertanas are sung to create Rasa.
is a Karnatak Musical form that corresponds to the ghazals of Hindustani Music.
The main percussion instrument in ancient Tamil Music was
There are two types of Varnams and
Options:
Pada Varnam, Javali, Maddalam, Isai, Taana Varnam, Matang, Bhakti, Virodi, Pallavi, Anupallavi, Graha, Lakshana Granthas, Charanam.
2. Mark the correct options:
Sarna Saptak was in
Descending Order
Ascending Order
Zig -Zag Order
None of the above
According to Indian Philosophy Nada is a combination of
Air and water
Water and Fire
Air and Fire
None of the above
Indian music traces its origin to
Vedic Era
Buddhist Era
Puranik Era
Epic Era
Kamatak'Mela' is equivalent to Hindustani
Raga
Thata
Jati
Murchhana
In context of Karnatak Music instant improvisation is known as
Kalpita Sangeetha
Shastriya Sangeetha
Mauodharma Sangeetha
None of the above
Hymns of Sarna Veda were taken from:
Yajurveda
Atharvaveda
Rigveda
None of the above
In a musical composition Datu and Matu are:
Rhythm and Text
Text and Melody
Melody and Rhythm
None of the above
In context of Kamatak Music Vamam is
A part of composition
Type of composition
A type of Varisai
None of the above
Matang is the author of
Natyashastra
Brihaddesi
Sangeet Ratnakar
None of the above
The counterpart of Thillana in Hindustani Music is:
Chaturang
Khayal
Dhrupad
None of the above
3. Write short notes on any three of the following in not more than 100 words:
Music in Puranic Period
Evolution of Sapta Swaras
Contribution of Bharata in the field of Music
Sooladi Sapta Talas
Describe any two musical instruments those are essential in Kamatak Music
4. Write elaborately on any of the following topics:
Ancient Tamil Music
A brief history of evolution of Music in India
Other Question Papers
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Subjects
- An Introduction To Theatre And Drama
- AnIntroduction To Hindustani Music
- AnIntroduction To Indian Art
- AnIntroduction To Karnatak Music
- Folk Culture And Tradition Of India
- India's Folk Culture And Tradition
- Indian Cultural Heritage
- Introduction To Indian Dance Forms
- Understanding Indian Art Forms