PAPER-III PERCUSSION INSTRUMENTS JA-098-17 1 P.T.O. PERCUSSION INSTRUMENTS PAPER III Note This paper contains seventy five objective type questions of two marks each. All questions are compulsory.

1. A Farmaishee Chakkardar is completed in how many minimum cycles Four Five Six Seven

2. A player would have to begin with which Matra to come to sam after playing theka of Jhaptal first in dugun once and then in chaugun once only After 2 After 2 After 2 After 2

3. Which layakari will be formed in playing char tal in Kaharava tal from sam to sam 3/2

(2) 3/4

(4) 4/3

4. A tal of 8 beats (matras) in Ravindra Sangeet is Jhampak Nataal Rupkada Navpanch Taal

5. Read Assertion and Reason and give the correct answer with the help of codes given below

Assertion The compositions which are expanded are called Vistarsheel bandishen.

Reason Tukdas are called Vistarsheel Bandishen in Tabla.

Codes and both are true. and both are false. is true and is false. is false and is true.

6. Each Charan of Bharauva Chhand consists of how many Matras 4-4 5-5 3-3 6-4

7. Match List I with List II. Use the code given below for right answer

List I List II Shattantri Veena Hudukka Awaj (ii) Mardal Morchang (iii) Santoor Muraj Mukhchang

Codes

8. The only tal of Karnatak tal system which consist 'Anudrut' Dhruva Taal Mathya Taal Jhamp Taal Triputh Taal

9. The book Tabla Shashtra written by Madhukar Ganesh Godebole was published in which of the following cities New Delhi Hatharas Allahabad Benaras

10. In which of the following books, the percussion instruments have been called Padmavat Geet Govind Ratnakar Brihatdeshi

11. Which among the following is written in a right chronological order according to their emergence as Gharanas Delhi, Lucknow, Farrukhabad, Ajrada, Benaras Delhi, Ajrada, Farrukhabad, Lucknow, Benaras Delhi, Ajrada, Lucknow, Farrukhabad, Benaras Delhi, Lucknow, Ajrada, Farrukhabad, Benaras

12. How many bits are there in each bar of quadruple compound time in western music 4-4 5-5 6-6 9-9

13. Which tabla player was conferred upon a degree of D.Lit. by Jivaji University, Gwalior Pt. Kishen Maharaj Ustad Jahangir Khan Ustad Zakir Hussain Ustad Ahmed Jan Thirakava


14. Konark Mahotsav is organized at which of the following places Bhubaneshwar Banaras Bombay Cuttack


15. The artist who equally expertises in Shahnai and Bansuri Pt. Rajendra Prasanna Shree Durgalal Shree Ajay Shankar Shree Rakesh Prasanna

16. Which one is different from the other three Nakhaj Vayuj Charmaj Jalaj

17. "Tat Vitat Shikhar Ghan tara

Pancho Shabda Hoi Jhankara

- is an extract from which of the following granthas Padmavat Sangeet Darpan Makarand Sangeet Sar

18. Kamali Chakradar in teen tal could be played without any change in which other tal Ektal Basant Rupak tal Jhap tal

19. A player would have to begin with which Matra to come to sam after playing theka of Gaj-jhampa tal first in dugun once and then in chaugun once only After 3 1/2 After 3 After 3 1/4 After 3 1/3

20. Bedam Tihai in Rudra tal will consist of how many varnas 13 15 17 19

21. Read Assertion and Reason and give the correct answer with the help of codes given below

Assertion Avanaddha Vadak of North India usually use the term Bant in sense of Prastar.

Reason Various Bants are played in Benaras Gharana.

Codes and both are true. and both are false. is true, but is false. is false, but is true.

22. Anubhav has how many types Two Three Four Five

23. Match List I with List II. Use the code given below for right answer

List I List II Quadruplet <img src='./qimages/12544-23i.jpg'>

(b) Duplet <img src='./qimages/12544-23ii.jpg'>

(c) Triplet <img src='./qimages/12544-23iii.jpg'> Quintuplet <img src='./qimages/12544-23iv.jpg'>

Codes

(a)

24. Match List I with List II and choose the right answer from codes given below

List I List II
(Swara) (Sign) Black one G

(b) Black two D

(c) White one (iii) C

(d) Black four C

Codes

(a)

25. Which one of the following is a treatise authored by Vishnu Sharma Ashtottar shat tal lakshanam Dashottar shat tal lakshanam Tal lakshanam Shat tal lakshanam

26. Who is the author of the book 'Tabla Vadan Shashtra Evam Kala' Girish Chandra Srivastav Sudhir Mainkar Arvind Mulagaokar Vasant Lele

27. Upanga Vadya belongs to which category Tal vadya Swar vadya Ghan vadya None of the above

28. Choose the right order. Paungun, Dedhgun, Tigun, Chhahgun Dedhgun, Paungun, Tigun, Chhahgun Paungun, Dedhgun, Chhahgun, Tigun Paungun, Chhahgun, Dedhgun, Tigun

29. Tabla player who was expert in playing laggi with thumri Ustad Nizamuddin Khan Ustad Ramjan Khan Ustad Najimuddin Khan Ustad Bashiruddin Khan

30. Ten pranas of Tal indicate Tal management Ten types of talas Speciality of talas Tal

31. Sam, Ateet and Anagat are kinds of Laya Taal Graha Yati

32. The artists of which Gharana use the same Mudra (Takhallus) in their bandish Bhindi Bazar Gharana Kirana Gharana Jaipur Gharana Gwalior Gharana

33. Which one of the following gharanas uses the language such as 'dhan katak dhan tak tak dhat dhat dhat tat' Benaras Lucknow Farrukhabad Punjab

34. Who among the following is not a tabla player Dr. Yogmaya Shukla Sushree Anuradha Paul Sushree Rimpa Shiva Sushree Chitrangana Pant

35. One Chakra (Palla) in Kamali Chakkardar in Pancham Sawari will consist of how many matras 25 26 27 23

36. 'Lahori gat' is an speciality of which gharana Farrukhabad Benaras Delhi Punjab

37. The characteristics of how many ancient talas have been described in the Ashtottar Shat tal lakshanam 8 108 1008 180

38. Read Assertion and Reason and give the correct answer with the help of codes given below

Assertion According to Sangeet Ratnakar the right side of a Bheri Vadya is played with a stick and left with hand.

Reason Because this has been shown as the speciality of Bheri Vadan.

Codes and both are true. and both are false. is true, but is false. is false, but is true.

39. Most of the Bandishen (compositions) of Tabla had been created in Varnik Chhanda Matrik Chhanda Varnik and Matrik Chhandas both None of the above

40. Match the following. Use the code given below to give right answer.

List I List II
(Book) (Publisher) Bhartiya Sangeet Vadhya Swar Sadhna Samiti, Mumbai Bhartiya Taalon ka Shastriya Papular Prakashan, Mumbai Vivechan Pakhawaj Aur Tabla ke Gharane Evam M.P. Granth Academy, Bhopal Parmparayen Taal Kosh Bhartiya Gyanpeeth, New Delhi

Ruby Prakashan, Allahabad

Codes

(a)

41. Total Akshar kal of Mishrajati Jhamptal 10 9 8 7

42. Who is the author of the book 'Bharat Kosh' Bharat Muni Someshwar Sudha Kalash Narad Muni

43. Which one among the following is a book written by Mannuji Mridangacharya Sangeet Saramrut Mridang-Vadan Mridang Prabhakar Taal Dipika

44. The first Avanaddha Vadya to be tuned to swara was Bhu Dundubhi Tri Pushkar Patah Bheri

45. Which one of the following is written in a proper chronological order Abid Hussain, Wazid Hussain, Ilmas Hussain, Afaque Hussain Wazid Hussain, Abid Hussain, Ilmas Hussain, Afaque Hussain Wazid Hussain, Abid Hussain, Afaque Hussain, Ilmas Hussain Abid Hussain, Wazid Hussain, Afaque Hussain, Ilmas Hussain

46. In which year two Tabla players simultaneously received their Padma Awards 2002 2003 2004 2005

47. Meaning of the term in Sanskrit is Spread Bounded Placed None of the above

48. 'Timila' is an Avanaddha Vadya from which state Tamil Nadu Telangana Kerala Andhra Pradesh

49. Which among the following is Nagbandh Patakshara according to Sangeet Ratnakar n n gid gid dagi gid gid dat th thaungi thaungi tan gin gin nagi

50. Which finger is used to produce syllable in Delhi gharana Tarjani Madhyama Anamika Kanishthika

51. Guru (trainer) of Prof. Sudhir Kumar Verma Ustad Ahmed Jan Thirkava Ustad Amir Hussain Ustad Jahangir Khan Prof. Sudhir Kumar Saxena

52. The form of Sampkveshyak tal is similar to which of the following s s s s s s s s

53. Which Layakari will be formed in playing Ganesh tal (21 Matras) in Rupak tal in one avartan from sam to sam Dugun Tigun Chaugun Aad

54. Navpanch tal of Ravindra Sangeet consists of 5 beats (matras). True False Doubtful None of the above

55. Read Assertion and Reason and give the correct answer with the help of codes given below

Assertion Laggi-Ladi is usually played in Dadra and Keharwa talas.

Reason Because these talas have more gravity and less playfulness.

Codes is true but is false. is false, but is true. and both are true. and both are false.

56. Chhand Shastra/Pingal Shashtra is a work of which period Ramayana Kal Sutra Kal Mahabharat Kal None of the above

57. Match the following styles and gharanas given in List-I and List II. Use the code given below for right answer

List I List II
(Style) (Gharana) A baj of two fingers Ajrada Famous for Gatas Benaras Famous for Fard Farrukhabad Famous for Quayadas of Ada Laya Punjab

Codes

58. Structure of Triput taal in Karnatak taal system is 100 10 1001 1100

59. Who has written the foreword of the book 'Pakhawaj Aur Tabla ke Gharane Evam Paramparayen' Thakur Jaideo Singh Dr. Subhadra Chowdhari Dr. Aban Mistri Dr. Yogmaya Shukla

60. Which of the following terms has been used for Vrindvadan in Pali literature Aatodya Turiya Dyotak None of the above

61. 'Jhagen Jhagen dhage Jhage tit ghidan' is a language of which musical instrument Manipuri Khol Nakkara Dholak Mridangam

62. Choose the right order. Sam Gan, Dhruv Pada, Prabandh, Khayal Sam Gan, Prabandh, Dhruvpada, Khayal Prabandh, Sam Gan, Dhruvpada, Khayal Prabandh, Sam Gan, Khayal, Dhruvpada

63. In which year two Tabla players simultaneously received their Sangeet Natak Academy awards 1997 1998 1991 1993

64. Bharat Bhashyam by Nanyadev consists of about how many Shlokas 2000 3000 4000 7000

65. Who is the founder of Swar Sadhna Samiti, Mumbai Dr. Yogmaya Shukla Dr. Anita Sen Prof. Poornima Pandey Dr. Aban E. Mistri

66. Ancient Upang Vadya is now popular in Bengal as Swar Lahari Vadya Lahari Upang Lahari Anand Lahari

67. Which finger is used to maintain speed in Kayadas of Ajarada Gharana Tarjani Madhyama Anamika Kanishthika

Read the following passage carefully and answer the following questions on the basis of your understanding of the text

From the very beginning Avanaddha Vadyas had an important place in Indian music. In Natyashashtra by Bharat, the description of Tripushkar, a highly developed Avanaddha Vadya explains that such Anga Vadyas were popular even two thousand years ago. In fact, Avanaddha Vadyas had two clear categories Anga Vadyas and Pratyanga Vadyas.
The instruments on which the desired notes were obtained with the help of on their face were called 'Anga Vadyas', while the instruments which could not be tuned to the desired notes were called 'Pratyang Vadyas'.
The Avanaddha Vadyas were used only for accompaniment. Gradually, a complete and beautiful Avanaddha Vadya named came into picture and then became popular, and later, along with the accompaniment, the tradition of solo Tabla playing started.
With the amalgamation of different playing techniques, compositions of syllables in different manners, use of Layakari, special composition types and way of presentation; six unique Gharanas of solo Tabla playing came into existence.
Delhi Gharana focussed on compositions of Chatasra Jati, playing mainly on Chant (Kinar) and emphasis on use of two fingers (i.e. Index and middle), while two disciples of the same Gharana enriched Tabla playing by using the ring finger along with Index and middle and by making compositions of Tisra Jati, which resulted into the emergence of Ajarada Gharana.
The maestros of Lucknow Gharana created a new flavour with their resonant and forceful technique of Tabla playing. Ustad Hazi Vilayat Ali of Farrukhabad Gharana, with his extra ordinary skills, composed many beautiful although he was trained by the famous Tabla maestro of Lucknow, Ustad Bakhshoo Khan.
The founder of Benaras Gharana, Pandit Ram Sahay too was the disciple of Ustad Modu Khan of Lucknow Gharana, while Punjab Gharana was popularised by Ustad Qadir Bhakhsh (Second) and his disciples viz. Ustad Allarakha Khan and Ustad Shauqat Hussain etc.
Presently, the instrument is a necessary part of music and placed on top by virtue of it's popularity of solo playing and as an accompanying instrument with classical, semi classical, light music and filmy music.

68. How many types of Avanaddha Vadyas are mentioned by Bharat Four Five Two Three

69. Instruments which could be tuned to the desired notes are called Pratyang Upang Anga Matang

70. The total number of popular Gharanas of solo Tabla playing are four five six two

71. The Tabla Gharana famous for 'Kinar Ka Baj' and compositions of Chatasra Jatis Farrukhabad Delhi Ajarada Lucknow

72. The Kaidas of Tisra Jati started in Punjab Gharana Delhi Gharana Ajarada Gharana Benaras Gharana

73. The famous disciple of Ustad Bakhshoo Khan who established a new Gharana is Hazi Malang Khan Hazi Amanat Ali Pt. Ram Sahay Hazi Vilayat Ali

74. The senior 'Gurubhai' of Ustad Allarakha Ustad Qadar Bakhsha Ustad Shaukat Hussain Ustad Modu Khan Ustad Lal Khan

75. From which Guru did Pt. Ram Sahay receive his Talim Ustad Mohammed Khan Pt. Bhairav Sahay Ustad Modu Khan Ustad Bakhshoo Khan