Exam Details
Subject | visual art | |
Paper | paper 2 | |
Exam / Course | ugc net national eligibility test | |
Department | ||
Organization | university grants commission | |
Position | ||
Exam Date | 10, July, 2016 | |
City, State | , |
Question Paper
PAPER-II VISUAL ARTS Signature and Name of Invigilator
1.
(Signature) OMR Sheet No. ............................................... (To be filled by the Candidate)
(Name)
Roll No.
2.
(Signature) (In figures as per admission card)
(Name) Roll (In words)
J 7 9 1 6
Time 1 1/4 hours] [Maximum Marks 100
Number of Pages in this Booklet 24 Instructions for the Candidates
1.
Write your roll number in the space provided on the top ofthis page.
2.
This paper consists of fifty multiple-choice type of questions.
3.
At the commencement of examination, the question bookletwill be given to you. In the first 5 minutes, you are requestedto open the booklet and compulsorily examine it as below
To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accepta booklet without sticker-seal and do not accept an openbooklet.
Tally the number of pages and number of questionsin the booklet with the information printed on thecover page. Faulty booklets due to pages/questionsmissing or duplicate or not in serial order or anyother discrepancy should be got replaced immediatelyby a correct booklet from the invigilator within theperiod of 5 minutes. Afterwards, neither the QuestionBooklet will be replaced nor any extra time will begiven.
After this verification is over, the Test Booklet Numbershould be entered on the OMR Sheet and the OMR Sheet Number should be entered on this Test Booklet.
4.
Each item has four alternative responses marked (3)and You have to darken the circle as indicated below on the correct response against each item.
Example
where is the correct response.
5.
Your responses to the items are to be indicated in the OMR Sheet given inside the Booklet only. If you mark yourresponse at any place other than in the circle in the OMRSheet, it will not be evaluated.
6.
Read instructions given inside carefully.
7.
Rough Work is to be done in the end of this booklet.
8.
If you write your Name, Roll Number, Phone Number or putany mark on any part of the OMR Sheet, except for the spaceallotted for the relevant entries, which may disclose youridentity, or use abusive language or employ any other unfairmeans, such as change of response by scratching or usingwhite fluid, you will render yourself liable to disqualification.
9.
You have to return the Original OMR Sheet to the invigilatorsat the end of the examination compulsorily and must notcarry it with you outside the Examination Hall. You are,however, allowed to carry original question booklet andduplicate copy of OMR Sheet on conclusion of examination.
10.
Use only Black Ball point pen provided by C.B.S.E.
11.
Use of any calculator or log table etc., is prohibited.
12.
There is no negative marks for incorrect answers.
13.
In case of any discrepancy in the English and Hindi versions,English version will be taken as final.
Number of Questions in this Booklet 50
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2.
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3.
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5.
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6.
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7.
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8.
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10.
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11.
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12.
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13.
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VISUAL ARTS
Paper II
Note This paper contains fifty objective type questions of two marks each. All questions are compulsory.
1. A technique of two colour half-tone printing done from two identical plates of a single colour image is called
Half-tone Duo tone
Continuous tone Quarter tone
2. The value of white, black or any colour is called
Value Hues
Chroma Tints
3. Intaglio is a technique of
Photography Printmaking
Serigraphy Sculpture
4. Who has not done work as printmaker
Jai Zharotia Anupam Sud
Raja Ravi Varma Chitta Prasad
5. Bartered Walls are characteristic features of which Indo-Islamic architectural style
Khilji Tughlaq
Lodhi Mamluk
6. Colossal Mahaparinirvana Buddha in India is in
Ajanta and Badami Ajanta and Kushinagar
Kushinagar and Pitalkhora Ajanta and Bagh
7. Andy Warhol is associated with
Fauvism Futurism
Pop Art Romanticism
¥ü¿µÖ Ûú»ÖÖ
¯ÖÏ¿®Ö¯Ö¡Ö II
®ÖÖê™ü ‡ÃÖ ¯ÖÏ¿®Ö¯Ö¡Ö ´Öë ¯Ö"ÖÖÃÖ ²ÖÆãü-×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æüï … ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûúê¤üÖê †ÓÛú Æïü … ÃÖ³Öß ¯ÖÏ¿®Ö †×®Ö¾ÖÖµÖÔ Æïü …
1. ¤üÖê ¸ÓüÝÖ ÆüÖ±Ìú™üÖê®Ö "û¯ÖÖ‡Ô ÛúÖê ‹Ûú †Ûêú»Öê ¸ÓüÝÖ ¯ÖÏןÖØ²Ö²Ö Ûúß ¤üÖê ÃÖ´ÖÖ®Ö ¯»Öê™üÖë ÃÖê Ûú¸ü®Öê Ûúß ŸÖÛú®ÖßÛú ÛúÖê ÛúÆüÖ •ÖÖŸÖÖ Æîü
ÆüÖ±Ìú™üÖê®Ö ¤ãü¸ÓüÝÖÖ
¯ÖæÞÖÔ "ûÖµÖÖ Œ¾ÖÖ™Ôü¸ü ™üÖê®Ö
2. ÃÖ±êú¤ü, ÛúÖ»ÖÖ µÖÖ ×ÛúÃÖß ¸ÓüÝÖ Ûêú ´ÖÖ®Ö ÛúÖê ÛúÆüÖ •ÖÖŸÖÖ Æîü
´ÖÖ®Ö ¸ÓüÝÖŸÖ
ÛÎúÖê´ÖÖ †Ö³ÖÖ¸ÓüÝÖ
3. ˆŸÛúßÞÖÔ ×®Ö´®Ö ´Öë ×ÛúÃÖÛúß ‹Ûú ŸÖÛú®ÖßÛú Æîü
±ÌúÖê™üÖêÝÖÏÖ±úß ×¯ÖÏ®™ü ´ÖêØÛúÝÖ
ÃÖê׸üÝÖÏÖ±úß ´ÖæÙŸÖÛú»ÖÖ
4. ×ÛúÃÖ®Öê "ûÖ¯ÖÖÛúÖ¸ü Ûêú ºþ¯Ö ´Öë ÛúÖµÖÔ ®ÖÆüà ×ÛúµÖÖ
•ÖµÖ —Ö¸üÖê×™üµÖÖ †®Öã¯Ö´Ö ÃÖæ¤ü
¸üÖ•ÖÖ ¸ü×¾Ö ¾Ö´ÖÖÔ ×"Ö¢Ö ¯ÖÏÃÖÖ¤ü
5. ŸÖ߸ü"ûß ¤üß¾ÖÖ¸ëü ×ÛúÃÖ ‡Ó›üÖê-‡Ã»ÖÖ×´ÖÛú ¾ÖÖßÖã¿Öî»Öß Ûúß ×¾Ö¿ÖêÂÖŸÖÖ‹Ñ Æïü
×ÜÖ»Ö•Öß ŸÖãÝÖ»ÖÛú
»ÖÖê¬Öß ´ÖÖ´Ö»ÖãÛú
6. ×¾Ö¿ÖÖ»ÖÛúÖµÖ ´ÖÆüÖ¯Ö׸ü×®Ö¾ÖÖÔÞÖ ²Öã¨ü ³ÖÖ¸üŸÖ ´Öë ÛúÆüÖÑ ×Ã£ÖŸÖ Æîü
†•Ö®ŸÖÖ †Öî¸ü ²Ö¤üÖ´Öß †•Ö®ŸÖÖ †Öî¸ü Ûãú¿Öß®ÖÝÖ¸ü
Ûãú¿Öß®ÖÝÖ¸ü †Öî¸ü ¯ÖߟֻÖÜÖÖê¸üÖ †•Ö®ŸÖÖ †Öî¸ü
7. ‹Ó›üß ¾Ö¸üÆüÖê»Ö ×ÛúÃÖÃÖê ÃÖ´²Ö¨ü Æîü
±úÖî×¾Ö•´Ö °µÖæ"µÖæ׸ü•´Ö
¯ÖÖî¯Ö †Ö™Ôü ¸üÖê´ÖÖ×®™ü×ÃÖ•´Ö
8. Temple dedicated to Vaikuntha Vishnu
Lakshamana Temple, Khajuraho
Lingaraja Temple, Bhubaneswar
Durga Temple, Aihole
Brihadesvara Temple, Tanjore
9. In Vishnu iconography is represented as
Female companion Celestial being
Male companion A-vehicle
10. Gandhara art relates to
Greco-Roman Art Indo-Persian Art
Indo-Greek Art Central Asian Art
11. Standard bronze consists of
90% copper, 07% tin and 03% zinc
90% copper and 10% tin
88% copper, 10% tin and 02% zinc
95% copper, 02% silver and 03% zinc
12. "Amalgamate" is an appropriate word for
Stone Bronze
Wood Fibre Glass
13. and are the two terms associated with
Portrait painting Bronze casting
Typography Ceramic glazing
14. Who would be accredited for coining of the term 'Graphic Design' in 1921 in U.S.A.
John Ruskin
Walter Gropins
William Morris
William Addison Diggins
8. ¾ÖîÛãÓúšü ×¾ÖÂÞÖã ÛúÖê ÃÖ´ÖÙ¯ÖŸÖ ´ÖÓפü¸ü Æîü
»Öõ´ÖÞÖ ´ÖÓפü¸ü, ÜÖ•Öã¸üÖÆüÖê Ø»ÖÝÖ¸üÖ•Ö ´ÖÓפü¸ü, ³Öã¾Ö®Ö꿾ָü
¤ãüÝÖÖÔ ´ÖÓפü¸ü, ‹êÆüÖê»Ö ²ÖéÆü¤êü¿¾Ö¸ü ´ÖÓפü¸ü, ŸÖÓ•ÖÖî¸ü
9. ×¾ÖÂÞÖã ¯ÖÏןִÖÖ»ÖõÖÞÖ ´Öë ÛúÖê ×®Ö´®Ö ´Öë ÃÖê ×ÛúÃÖ ºþ¯Ö ´Öë ¤ü¿ÖÖÔµÖÖ •ÖÖŸÖÖ Æîü
´Ö×Æü»ÖÖ ÃÖÖ£Öß ÜÖÝÖÖê»ÖßµÖ ¾ÖßÖã
¯Öã¹ýÂÖ ÃÖÖ£Öß ‹Ûú ¾ÖÖÆü®Ö
10. ÝÖÖÓ¬ÖÖ¸ü Ûú»ÖÖ ÛúÖ ÃÖÓ²ÖÓ¬Ö ×®Ö´®Ö ´Öë ÃÖê ×ÛúÃÖ ÃÖê Æîü
ÝÖÏßÛúÖê-¸üÖê´Ö®Ö †Ö™Ôü ‡Ó›üÖê-¯ÖÙ¿ÖµÖ®Ö †Ö™Ôü
‡Ó›üÖê-ÝÖÏßÛú †Ö™Ôü ÃÖê®™Òü»Ö ‹×¿ÖµÖ®Ö †Ö™Ôü
11. ÛúÖÑÃÖê (²ÖÎÖò®•ÖÌ) ÛúÖ ´ÖÖ®ÖÛú Æîü
90% ÛúÖò¯Ö¸ü, 07% ×™ü®Ö †Öî¸ü 03% Ø•ÖÌÛú
90% ÛúÖò¯Ö¸ü †Öî¸ü 10% ×™ü®Ö
88% ÛúÖò¯Ö¸ü, 10% ×™ü®Ö †Öî¸ü 02% Ø•ÖÌÛú
95% ÛúÖò¯Ö¸ü, 02% ×ÃÖ»¾Ö¸ü †Öî¸ü 03% Ø•ÖÌÛú
12. "ÃÖ´ÖÖ´Öê»Ö®Ö" ×®Ö´®Ö ´Öë ÃÖê ×ÛúÃÖÛêú ×»Ö‹ ˆ¯ÖµÖãŒŸÖ ¿Ö²¤ü Æîü
¯ÖŸ£Ö¸ü ÛúÖÑÃÖÖ
»ÖÛú›Ìüß ±úÖ‡²Ö¸ü Ý»ÖÖÃÖ
13. ‹Þ›üü '±êúÃÖê•ÖÌ' ÛúÖ ÃÖÓ²ÖÓ¬Ö ×®Ö´®Ö ´Öë ÃÖê ×ÛúÃÖÃÖê Æîü
¯ÖÖê¸ü™Òêü™ü ¯ÖêØ®™üÝÖ ²ÖÎÖò®•ÖÌ ÛúÖØÙüÝÖ
™üÖ‡¯ÖÖêÝÖÏÖ±úß ÃÖê¸üÖ×´ÖÛú Ý»ÖêØ•ÖÝÖ
14. †´Ö¸üßÛúÖ ´Öë 1921 ´Öë 'ÝÖÏÖ×±úÛú ×›ü•ÖÌÖ‡®Ö' ¿Ö²¤ü Ûêú ÃÖé•Ö®Ö ÛúÖ ÁÖêµÖ ×®Ö´®Ö ´Öë ÃÖê ×ÛúÃÖê פüµÖÖ •ÖÖ ÃÖÛúŸÖÖ Æîü
•ÖÖò®Ö ¸ü×ÃÛú®Ö
¾ÖÖ»™ü¸ü ÝÖÏÖêׯ֮ÃÖ
×¾Ö×»ÖµÖ´Ö ´ÖÖê׸üÃÖ
×¾Ö×»ÖµÖ´Ö ‹›üßÃÖ®Ö ×›ü×ÝÖ®ÃÖ
15. In which media, the size of an advertisement is measured in Column X cm
Social media advertising Magazine
Newspaper Electronic media
16. The most common 'continuous tone' images are found in
a digital photograph
a newspaper illustration
a product magazine
a latent image on Bromide print
17. Tiger in Moonlit Night, 1978 is a work by the artist
Ramkinkar Baij Mrinalini Mukherjee
Anupam Sood Jogen Chowdhury
18. Properties of colour incorporate
Hue Value
Intensity All of the above
19. Center of Kalighat painting was
Calcutta Delhi
Bombay Madras
20. Which one of these is not used in the Indian Miniature painting
Lime Plaster Tulat
Neemkalam Lapis Lazuli
21. Choose the correct order of process in serigraphy
Frame, Exposing, Cleaning, Squeeze
Exposing, Frame, Squeeze, Cleaning
Frame, Cleaning, Squeeze, Exposing
Squeeze, Cleaning, Exposing, Frame
15. ×ÛúÃÖ ¯ÖÏÛúÖ¸ü Ûêú ´Öß×›üµÖÖ ´Öë ×¾Ö-ÖÖ¯Ö®Ö ÛúÖ †ÖÛúÖ¸ü ÛúÖò»Ö´Ö X ÃÖë™üß´Öß™ü¸ü ´Öë ´ÖÖ¯ÖÖ •ÖÖŸÖÖ Æîü
ÃÖÖê¿Ö»Ö ´Öß×›üµÖÖ ×¾Ö-ÖÖ¯Ö®Ö ¯ÖסÖÛúÖ
ÃÖ´ÖÖ"ÖÖ¸ü-¯Ö¡Ö ‡»ÖꌙÒüÖò×®ÖÛú ´Öß×›üµÖÖ
16. 'Ûú®™üß×®ÖµÖÃÖ Ûúß ÃÖ²ÖÃÖê ÃÖÖ´ÖÖ®µÖ "û×¾Ö ×®Ö´®Ö ´Öë ÃÖê ×ÛúÃÖ´Öë ¯ÖÖ‡Ô •ÖÖŸÖß Æîü
×›üו֙ü»Ö ±úÖê™üÖêÝÖÏÖ±ú
ÃÖ´ÖÖ"ÖÖ¸ü-¯Ö¡Ö ×"Ö¡Ö
¯ÖÏÖê›üŒ™ü ´ÖîÝÖ•ÖÌß®Ö
²ÖÎÖê´ÖÖ‡›ü ׯÖÏ®™ü ¯Ö¸ü »Öê™ëü™ü ‡´Öê•Ö
17. '™üÖ‡ÝÖ¸ü ‡®Ö ´Öæ®Ö»ÖÖ‡™ 1978 ×ÛúÃÖ Ûú»ÖÖÛúÖ¸ü Ûúß Ûéú×ŸÖ Æîü
¸üÖ´ÖØÛúÛú¸ü ²Öî•Ö ´ÖéÞÖÖ×»Ö®Öß ´ÖãÜÖ•Öá
†®Öã¯Ö´Ö ÃÖæ¤ü •ÖÖêÝÖê®Ö "ÖÖî¬Öã¸üß
18. ¸ÓüÝÖ Ûêú ÝÖãÞÖ¬Ö´ÖÔ Æïü
¸ÓüÝÖŸÖ ´ÖÖ®Ö
ŸÖß¾ÖΟÖÖ ˆ¯ÖµÖãÔŒŸÖ ÃÖ³Öß
19. ÛúÖ»Öß'ÖÖ™ü ×"Ö¡ÖÛú»ÖÖ ÛúÖ Ûêú®¦ü £ÖÖ
Ûú»ÖÛú¢ÖÖ ×¤ü»»Öß
²ÖÖ´²Öê ´Ö¦üÖÃÖ
20. ×®Ö´®Ö ´Öë ÃÖê ÛúÖî®Ö ³ÖÖ¸üŸÖßµÖ »Ö'Öã ×"Ö¡ÖÛú»ÖÖ ´Öë ¯ÖϵÖãŒŸÖ ®ÖÆüà Æîü
»ÖÖ‡´Ö ¯»ÖÖÙü¸ü ŸÖã»ÖŸÖ
®Öß´ÖÛú»Ö´Ö »ÖîׯÖÃÖ »ÖÖ•ÖÌå»Öß
21. ÃÖê׸üÝÖÏÖ±úß ¯ÖÏ×ÛÎúµÖÖ ´Öë ÃÖÆüß ÛÎú´Ö ÛúÖ "ÖµÖ®Ö Ûú¸ëü
±Ïêú´Ö, ‹ŒÃÖ¯ÖÖêØ•ÖÝÖ, Œ»ÖßØ®ÖÝÖ, ÃŒ¾Öß•ÖÌ
‹ŒÃÖ¯ÖÖêØ•ÖÝÖ, ±Ïêú´Ö, ÃŒ¾Öß•ÖÌ, Œ»ÖßØ®ÖÝÖ
±Ïêú´Ö, Œ»ÖßØ®ÖÝÖ, ÃŒ¾Öß•ÖÌ, ‹ŒÃÖ¯ÖÖêØ•ÖÝÖ
ÃŒ¾Öß•ÖÌ, Œ»ÖßØ®ÖÝÖ, ‹ŒÃÖ¯ÖÖêØ•ÖÝÖ, ±Ïêú´Ö
22. Choose the correct sequence in woodcut process
Engraving, Inking, Drawing, Pressing
Pressing, Drawing, Inking, Engraving
Drawing, Engraving, Inking, Pressing
Inking, Drawing, Pressing, Engraving
23. Select the correct sequence
Parthenon, Colosseum, Cathedral of Notre-Dame, Sistine Chapel
Cathedral of Notre-Dame, Sistine Chapel, Colosseum, Parthenon
Colosseum, Cathedral of Notre-Dame, Sistine Chapel, Parthenon
Sistine Chapel, Parthenon, Colosseum, Cathedral of Notre-Dame
24. Select the correct chronological order
Quwwat ul-Islam Mosque, Delhi, Dhai Din Ka Jhopra Mosque, Ajmer, Jama Masjid, Delhi, Badshahi Mosque, Lahore
Dhai Din Ka Jhopra Mosque, Ajmer, Jama Masjid, Delhi, Badshahi Mosque, Lahore Quwwat ul-Islam Mosque, Delhi
Quwwat ul-Islam Mosque, Delhi, Jama Masjid, Delhi, Badshahi Mosque, Lahore, Dhai Din Ka Jhopra Mosque, Ajmer
Jama Masjid, Delhi, Dhai Din Ka Jhopra Mosque, Ajmer, Badshahi Mosque, Lahore, Quwwat ul-Islam Mosque, Delhi
25. Select the correct chronological sequence
Bernini, Matise, Hanson, Brunelleschi
Matise, Bernini, Brunelleschi, Hanson
Brunelleschi, Bernini, Matise, Hanson,
Hanson, Matise, Bernini, Brunelleschi
26. Select the correct chronological sequence
Roman, Gothic, Egyptian, Greek
Egyptian, Greek, Roman, Gothic
Gothic, Greek, Egyptian, Roman
Greek, Gothic, Roman, Egyptian
22. ÛúÖšü×"Ö¡Ö ¯ÖÏ×ÛÎúµÖÖ ´Öë ÃÖÆüß ÛÎú´Ö "Öã×®Ö‹
‡®ÖÝÖÏêؾÖÝÖ, ‡ÓØÛúÝÖ, ›ÒüÖ‡ÓÝÖ, ¯ÖÏêØÃÖÝÖ
¯ÖÏêØÃÖÝÖ, ›ÒüÖ‡ÓÝÖ, ‡ÓØÛúÝÖ, ‡®ÖÝÖÏêؾÖÝÖ
›ÒüÖ‡ÓÝÖ, ‡®ÖÝÖÏêؾÖÝÖ, ‡ÓØÛúÝÖ, ¯ÖÏêØÃÖÝÖ
‡ÓØÛúÝÖ, ›ÒüÖ‡ÓÝÖ, ¯ÖÏêØÃÖÝÖ, ‡®ÖÝÖÏêؾÖÝÖ
23. ÃÖÆüß ÛÎú´Ö "Öã×®Ö‹
¯ÖÖÙ£Ö®ÖÖî®Ö, ÛúÖê»ÖÖê×ÃÖµÖ´Ö, ®ÖÖê¡Ö¤üÖ´Ö ÛúÖ Ûîú£Öê›Òü»Ö, ×ÃÖ×Ùü®Ö "Öî¯Ö»Ö
®ÖÖê¡Ö¤üÖ´Ö ÛúÖ Ûîú£Öê›Òü»Ö, ×ÃÖ×Ùü®Ö "Öî¯Ö»Ö, ÛúÖê»ÖÖê×ÃÖµÖ´Ö, ¯ÖÖÙ£Ö®ÖÖî®Ö
ÛúÖê»ÖÖê×ÃÖµÖ´Ö, ®ÖÖê¡Ö¤üÖ´Ö ÛúÖ Ûîú£Öê›Òü»Ö, ×ÃÖ×Ùü®Ö "Öî¯Ö»Ö, ¯ÖÖÙ£Ö®ÖÖî®Ö
×ÃÖ×Ùü®Ö "Öî¯Ö»Ö, ¯ÖÖÙ£Ö®ÖÖî®Ö, ÛúÖê»ÖÖê×ÃÖµÖ´Ö, ®ÖÖê¡Ö¤üÖ´Ö ÛúÖ Ûîú£Öê›Òü»Ö
24. ÃÖÆüß ÛúÖ»ÖÛÎú´Ö ÛúÖ "ÖµÖ®Ö Ûúßו֋
Ûãú¾¾ÖŸÖ ˆ»Ö-‡Ã»ÖÖ´Ö ´Ö×Õ֤ü, פü»»Öß; œüÖ‡Ô ×¤ü®Ö ÛúÖ —ÖÖê¯Ö›ÌüÖ ´Ö×Õ֤ü, †•Ö´Öê¸; •ÖÖ´ÖÖ ´Ö×Õ֤ü, פü»»Öß; ²ÖÖ¤ü¿ÖÖÆüß ´Ö×Õ֤ü, »ÖÖÆüÖî¸ü
œüÖ‡Ô ×¤ü®Ö ÛúÖ —ÖÖê¯Ö›ÌüÖ ´Ö×Õ֤ü, †•Ö´Öê¸; •ÖÖ´ÖÖ ´Ö×Õ֤ü, פü»»Öß; ²ÖÖ¤ü¿ÖÖÆüß ´Ö×Õ֤ü, »ÖÖÆüÖî¸ü; Ûãú¾¾ÖŸÖ ˆ»Ö-‡Ã»ÖÖ´Ö ´Ö×Õ֤ü, פü»»Öß
Ûãú¾¾ÖŸÖ ˆ»Ö-‡Ã»ÖÖ´Ö ´Ö×Õ֤ü, פü»»Öß; •ÖÖ´ÖÖ ´Ö×Õ֤ü, פü»»Öß; ²ÖÖ¤ü¿ÖÖÆüß ´Ö×Õ֤ü, »ÖÖÆüÖî¸ü; œüÖ‡Ô ×¤ü®Ö ÛúÖ —ÖÖê¯Ö›ÌüÖ ´Ö×Õ֤ü, †•Ö´Öê¸
•ÖÖ´ÖÖ ´Ö×Õ֤ü, פü»»Öß; œüÖ‡Ô ×¤ü®Ö ÛúÖ —ÖÖê¯Ö›ÌüÖ ´Ö×Õ֤ü, †•Ö´Öê¸; ²ÖÖ¤ü¿ÖÖÆüß ´Ö×Õ֤ü, »ÖÖÆüÖî¸ü; Ûãú¾¾ÖŸÖ ˆ»Ö-‡Ã»ÖÖ´Ö ´Ö×Õ֤ü, פü»»Öß
25. ÃÖÆüß ÛúÖ»ÖÖ®ÖãÛÎú´Ö ÛúÖ "ÖµÖ®Ö Ûúßו֋
²Öê¸ü®Öß®Öß, ´ÖŸÖßÃÖ, Æîü®ÖÃÖ®Ö, ²ÖÎã®Öê»ÖÃ"Öß
´ÖŸÖßÃÖ, ²Öê¸ü®Öß®Öß, ²ÖÎã®Öê»ÖÃ"Öß, Æîü®ÖÃÖ®Ö
²ÖÎã®Öê»ÖÃ"Öß, ²Öê¸ü®Öß®Öß, ´ÖŸÖßÃÖ, Æîü®ÖÃÖ®Ö
Æîü®ÖÃÖ®Ö, ´ÖŸÖßÃÖ, ²Öê¸ü®Öß®Öß, ²ÖÎã®Öê»ÖÃ"Öß
26. ÃÖÆüß ÛúÖ»ÖÖ®ÖãÛÎú´Ö ÛúÖ "ÖµÖ®Ö Ûúßו֋
¸üÖê´Ö®Ö, ÝÖÖê×£ÖÛú, ‡•Ö߯Ö׿ֵ֮Ö, ÝÖÏßÛú
‡•Ö߯Ö׿ֵ֮Ö, ÝÖÏßÛú, ¸üÖê´Ö®Ö, ÝÖÖê×£ÖÛú
ÝÖÖê×£ÖÛú, ÝÖÏßÛú, ‡•Ö߯Ö׿ֵ֮Ö, ¸üÖê´Ö®Ö
ÝÖÏßÛú, ÝÖÖê×£ÖÛú, ¸üÖê´Ö®Ö, ‡•Ö߯Ö׿ֵ֮Ö
27. Choose the correct sequence of digital photography
Shooting, Printing, Editing, Downloading
Downloading, Editing, Shooting, Printing
Shooting, Downloading, Editing, Printing
Printing, Downloading, Shooting, Editing
28. Arrange in terms of evolution of Advertising media
Social Media, Guerilla promotion, Radio, Newspaper
Newspaper, Guerilla promotion, Radio, Social Media
Guerrilla promotion, Social Media, Newspaper, Radio
Newspaper, Radio, Guerilla promotion, Social Media
29. Choose the correct sequence of technique in wash-painting
Soaking, Mounting, Drawing, Colouring
Mounting, Soaking, Colouring, Drawing
Drawing, Mounting, Soaking, Colouring
Drawing, Soaking, Mounting, Colouring
30. Choose the correct chronological sequence of the painters
Kamaluddin Behzad, Mir Sayyad Ali, Miskin, Mansur
Mir Sayyad Ali, Kamaluddin Behzad, Mansur, Miskin
Kamaluddin Behzad, Miskin, Mansur, Mir Sayyad Ali
Mansur, Mir Sayyad Ali, Kamaluddin Behzad, Miskin
31. Assertion In Serigraphy process only water soluble ink is used. Reason Because it is more smooth than oil based ink. Codes
and both are incorrect.
is incorrect and is partially correct.
is correct, is incorrect.
is incorrect, is correct.
27. ×›üו֙ü»Ö ±úÖê™üÖêÝÖÏÖ±úß ÛúÖ ÃÖÆüß ÛÎú´Ö "Öã®Öë
¿ÖæØ™üÝÖ, ׯÖÏØ®™üÝÖ, ‹×›üØ™üÝÖ, ›üÖˆ®Ö»ÖÖêØ›üÝÖ
›üÖˆ®Ö»ÖÖêØ›üÝÖ, ‹×›üØ™üÝÖ, ¿ÖæØ™üÝÖ, ׯÖÏØ®™üÝÖ
¿ÖæØ™üÝÖ, ›üÖˆ®Ö»ÖÖêØ›üÝÖ, ‹×›üØ™üÝÖ, ׯÖÏØ®™üÝÖ
ׯÖÏØ®™üÝÖ, ›üÖˆ®Ö»ÖÖêØ›üÝÖ, ¿ÖæØ™üÝÖ, ‹×›üØ™üÝÖ
28. ‹›ü¾Ö™üÖԇؕÖÝÖ ´Öß×›üµÖÖ Ûêú ×¾ÖÛúÖÃÖ ÛúÖ ÛÎú´Ö »ÖÝÖÖ‹Ñ
ÃÖÖê¿Ö»Ö ´Öß×›üµÖÖ, ÝÖã׸ü»»ÖÖ ¯ÖÏ´ÖÖê¿Ö®Ö, ¸êü×›üµÖÖê, ®µÖæ•Ö ¯Öê¯Ö¸ü
®µÖæ•Ö ¯Öê¯Ö¸ü, ÝÖã׸ü»»ÖÖ ¯ÖÏ´ÖÖê¿Ö®Ö, ¸êü×›üµÖÖê, ÃÖÖê¿Ö»Ö ´Öß×›üµÖÖ
ÝÖã׸ü»»ÖÖ ¯ÖÏ´ÖÖê¿Ö®Ö, ÃÖÖê¿Ö»Ö ´Öß×›üµÖÖ, ®µÖæ•Ö ¯Öê¯Ö¸ü, ¸êü×›üµÖÖê
®µÖæ•Ö ¯Öê¯Ö¸ü, ¸êü×›üµÖÖê, ÝÖã׸ü»»ÖÖ ¯ÖÏ´ÖÖê¿Ö®Ö, ÃÖÖê¿Ö»Ö ´Öß×›üµÖÖ
29. ¾ÖÖò¿Ö¯ÖëØ™üÝÖ ´Öë ŸÖÛú®ÖßÛú ÛúÖ ÃÖÆüß ÛÎú´Ö "Öã×®Ö‹
ÃÖÖêØÛúÝÖ, ´Öֈخ™üÝÖ, ›ÒüÖ‡ÓÝÖ, Ûú»ÖظüÝÖ
´Öֈخ™üÝÖ, ÃÖÖêØÛúÝÖ, Ûú»ÖظüÝÖ, ›ÒüÖ‡ÓÝÖ
›ÒüÖ‡ÓÝÖ, ´Öֈخ™üÝÖ, ÃÖÖêØÛúÝÖ, Ûú»ÖظüÝÖ
›ÒüÖ‡ÓÝÖ, ÃÖÖêØÛúÝÖ, ´Öֈخ™üÝÖ, Ûú»ÖظüÝÖ
30. ×"Ö¡ÖÛúÖ¸üÖë Ûêú ÃÖÆüß ÛúÖ»ÖÖ®ÖãÛÎú´Ö ÛúÖ "ÖµÖ®Ö Ûú¸ëü
Ûú´ÖÖ»Öˆ¤Ëü¤üß®Ö ²ÖÆü•ÖÌÖ¤ü, ´Ö߸ü ÃÖîµµÖ¤ü †»Öß, ×´ÖÃÖ×Ûú®Ö, ´ÖÓÃÖæ¸ü
´Ö߸ü ÃÖîµµÖ¤ü †»Öß, Ûú´ÖÖ»Öˆ¤Ëü¤üß®Ö ²ÖÆü•ÖÌÖ¤, ´ÖÓÃÖæ¸ü, ×´ÖÃÖ×Ûú®Ö
Ûú´ÖÖ»Öˆ¤Ëü¤üß®Ö ²ÖÆü•ÖÌÖ¤, ×´ÖÃÖ×Ûú®Ö, ´ÖÓÃÖæ¸ü, ´Ö߸ü ÃÖîµµÖ¤ü †»Öß
´ÖÓÃÖæ¸ü, ´Ö߸ü ÃÖîµµÖ¤ü †»Öß, Ûú´ÖÖ»Öˆ¤Ëü¤üß®Ö ²ÖÆü•ÖÌÖ¤, ×´ÖÃÖ×Ûú®Ö
31. †×³ÖÛú£Ö®Ö ÃÖê׸üÝÖÏÖ±úß ¯ÖÏ×ÛÎúµÖÖ ´Öë Ûêú¾Ö»Ö •Ö»Ö 'Öã»Ö®Ö¿Öß»Ö ÃµÖÖÆüß ÛúÖ ¯ÖϵÖÖêÝÖ ×ÛúµÖÖ •ÖÖŸÖÖ Æîü … ŸÖÛÔú ŒµÖÖë×Ûú µÖÆü ŸÖê»Ö †Ö¬ÖÖ׸üŸÖ õÖÖÆüß ÃÖê †×¬ÖÛú ÃÖãÝÖ´Ö ÆüÖêŸÖß Æîü … Ûæú™ü
†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
ÝÖ»ÖŸ&Ou
1.
(Signature) OMR Sheet No. ............................................... (To be filled by the Candidate)
(Name)
Roll No.
2.
(Signature) (In figures as per admission card)
(Name) Roll (In words)
J 7 9 1 6
Time 1 1/4 hours] [Maximum Marks 100
Number of Pages in this Booklet 24 Instructions for the Candidates
1.
Write your roll number in the space provided on the top ofthis page.
2.
This paper consists of fifty multiple-choice type of questions.
3.
At the commencement of examination, the question bookletwill be given to you. In the first 5 minutes, you are requestedto open the booklet and compulsorily examine it as below
To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accepta booklet without sticker-seal and do not accept an openbooklet.
Tally the number of pages and number of questionsin the booklet with the information printed on thecover page. Faulty booklets due to pages/questionsmissing or duplicate or not in serial order or anyother discrepancy should be got replaced immediatelyby a correct booklet from the invigilator within theperiod of 5 minutes. Afterwards, neither the QuestionBooklet will be replaced nor any extra time will begiven.
After this verification is over, the Test Booklet Numbershould be entered on the OMR Sheet and the OMR Sheet Number should be entered on this Test Booklet.
4.
Each item has four alternative responses marked (3)and You have to darken the circle as indicated below on the correct response against each item.
Example
where is the correct response.
5.
Your responses to the items are to be indicated in the OMR Sheet given inside the Booklet only. If you mark yourresponse at any place other than in the circle in the OMRSheet, it will not be evaluated.
6.
Read instructions given inside carefully.
7.
Rough Work is to be done in the end of this booklet.
8.
If you write your Name, Roll Number, Phone Number or putany mark on any part of the OMR Sheet, except for the spaceallotted for the relevant entries, which may disclose youridentity, or use abusive language or employ any other unfairmeans, such as change of response by scratching or usingwhite fluid, you will render yourself liable to disqualification.
9.
You have to return the Original OMR Sheet to the invigilatorsat the end of the examination compulsorily and must notcarry it with you outside the Examination Hall. You are,however, allowed to carry original question booklet andduplicate copy of OMR Sheet on conclusion of examination.
10.
Use only Black Ball point pen provided by C.B.S.E.
11.
Use of any calculator or log table etc., is prohibited.
12.
There is no negative marks for incorrect answers.
13.
In case of any discrepancy in the English and Hindi versions,English version will be taken as final.
Number of Questions in this Booklet 50
¯Ö¸üßõÖÖÙ£ÖµÖÖë Ûêú ×»Ö‹ ×®Ö¤ìü¿Ö
1.
‡ÃÖ ¯Öéšü Ûêú ‰ú¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö ¯Ö¸ü †¯Ö®ÖÖ ¸üÖê»Ö ®Ö´²Ö¸ü ×»Ö×ÜÖ‹ …
2.
‡ÃÖ ¯ÖÏ¿®Ö-¯Ö¡Ö ´Öë ¯Ö"ÖÖÃÖ ²ÖÆãü×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æïü …
3.
¯Ö¸üßõÖÖ ¯ÖÏÖ¸ü´³Ö ÆüÖê®Öê ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ †Ö¯ÖÛúÖê ¤êü ¤üß •ÖÖµÖêÝÖß … ¯ÖÆü»Öê ¯ÖÖÑ"Ö ×´Ö®Ö™ü †Ö¯ÖÛúÖê ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê ŸÖ£ÖÖ ˆÃÖÛúß ×®Ö´®Ö×»Ö×ÜÖŸÖ
•ÖÖÑ"Ö Ûêú ×»Ö‹ פüµÖê •ÖÖµÖëÝÖê, וÖÃÖÛúß •ÖÖÑ"Ö †Ö¯ÖÛúÖê †¾Ö¿µÖ Ûú¸ü®Öß Æîü
¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê Ûêú ×»Ö‹ ¯Öã×ßÖÛúÖ ¯Ö¸ü »ÖÝÖß ÛúÖÝÖ•Ö Ûúß ÃÖß»ÖÛúÖê ±úÖ›Ìü »Öë … ÜÖã»Öß Æãü‡Ô µÖÖ ×²Ö®ÖÖ Ã™üßÛú¸ü-ÃÖᯙ Ûúß ¯Öã×ßÖÛúÖþÖßÛúÖ¸ü Ûú¸ëü …
Ûú¾Ö¸ü ¯Öéšü ¯Ö¸ü "û¯Öê ×®Ö¤ìü¿ÖÖ®ÖãÃÖÖ¸ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ Ûêú ¯Öéšü ŸÖ£ÖÖ¯ÖÏ¿®ÖÖë Ûúß ÃÖÓܵÖÖ ÛúÖê †""ûß ŸÖ¸üÆü "ÖîÛú Ûú¸ü »Öë ×Ûú µÖê ¯Öæ¸êüÆïü … ¤üÖêÂÖ¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ ×•Ö®Ö´Öë ¯Öéšü/¯ÖÏ¿®Ö Ûú´Ö ÆüÖë µÖÖ ¤ãü²ÖÖ¸üÖ †ÖÝÖµÖê ÆüÖë µÖÖ ÃÖß׸üµÖ»Ö ´Öë ÆüÖë †£ÖÖÔŸÖË ×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü Ûúß¡Öã×™ü¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ Ã¾ÖßÛúÖ¸ü Ûú¸ëü ŸÖ£ÖÖ ˆÃÖß ÃÖ´ÖµÖ ˆÃÖê »ÖÖî™üÖÛú¸ü ˆÃÖÛêú ãÖÖ®Ö ¯Ö¸ü ¤æüÃÖ¸üß ÃÖÆüß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ »Öê »Öë …
‡ÃÖÛêú ×»Ö‹ †Ö¯ÖÛúÖê ¯ÖÖÑ"Ö ×´Ö®Ö™ü פüµÖê •ÖÖµÖëÝÖê … ˆÃÖÛêú ²ÖÖ¤ü ŸÖÖê †Ö¯ÖÛúß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¾ÖÖ¯ÖÃÖ »Öß •ÖÖµÖêÝÖß †Öî¸ü Æüß †Ö¯ÖÛúÖê
†×ŸÖ׸üŒŸÖ ÃÖ´ÖµÖ ×¤üµÖÖ •ÖÖµÖêÝÖÖ …
‡ÃÖ •ÖÖÑ"Ö Ûêú ²ÖÖ¤ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÛúÖ ®ÖÓ²Ö¸ü OMR ¯Ö¡ÖÛú ¯Ö¸ü †Ó×ÛúŸÖ Ûú¸ëü
†Öî¸ü OMR ¯Ö¡ÖÛú ÛúÖ ®ÖÓ²Ö¸ü ‡ÃÖ ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¯Ö¸ü †Ó×ÛúŸÖ Ûú¸ü ¤ëü …
4. ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ×»Ö‹ "ÖÖ¸ü ˆ¢Ö¸ü ×¾ÖÛú»¯Ö ŸÖ£ÖÖ ×¤üµÖê ÝÖµÖê Æïü … †Ö¯ÖÛúÖê ÃÖÆüß ˆ¢Ö¸ü Ûêú ¾Öé¢Ö ÛúÖê ¯Öê®Ö ÃÖê ³Ö¸üÛú¸ü ÛúÖ»ÖÖ Ûú¸ü®ÖÖ Æîü •ÖîÃÖÖ ×Ûú ®Öß"Öê פüÜÖÖµÖÖ ÝÖµÖÖ Æîü ˆ¤üÖÆü¸üÞÖ
•Ö²Ö×Ûúú(3) ÃÖÆüß ˆ¢Ö¸ü Æîü …
5.
¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü Ûêú¾Ö»Ö ¯ÖÏ¿®Ö ¯Öã×ßÖÛúÖ Ûêú †®¤ü¸ü פüµÖê ÝÖµÖê OMR ¯Ö¡ÖÛú ¯Ö¸ü Æüß †Ó×ÛúŸÖ Ûú¸ü®Öê Æïü … µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü פüµÖê ÝÖµÖê ¾Öé¢Ö Ûêú †»ÖÖ¾ÖÖ ×ÛúÃÖß †®µÖ ãÖÖ®Ö ¯Ö¸ü ˆ¢Ö¸ü ×"ÖÅ®ÖÖÓ×ÛúŸÖ Ûú¸üŸÖê ŸÖÖê ˆÃÖÛúÖ ´Ö滵ÖÖÓÛú®Ö ®ÖÆüà ÆüÖêÝÖÖ …
6.
†®¤ü¸ü פüµÖê ÝÖµÖê ×®Ö¤ìü¿ÖÖë ÛúÖê ¬µÖÖ®Ö¯Öæ¾ÖÔÛú ¯ÖœÌëü …
7.
Ûú""ÖÖ ÛúÖ´Ö (Rough Work) ‡ÃÖ ¯Öã×ßÖÛúÖ Ûêú †×®ŸÖ´Ö ¯Öéšü ¯Ö¸ü Ûú¸ëü …
8.
µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö Ûêú †»ÖÖ¾ÖÖ †¯Ö®ÖÖ ¸üÖê»Ö®Ö´²Ö¸ü, ±úÖê®Ö ®Ö´²Ö¸ü µÖÖ ÛúÖê‡Ô ³Öß ‹êÃÖÖ ×"ÖÅ®Ö ×•ÖÃÖÃÖê †Ö¯ÖÛúß ¯ÖÆü"ÖÖ®Ö ÆüÖê ÃÖÛêú, †Ó×ÛúŸÖ Ûú¸üŸÖê Æïü †£Ö¾ÖÖ †³Ö¦ü ³ÖÖÂÖÖ ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê µÖÖ ÛúÖê‡Ô
†
®µÖ †®Öã×"ÖŸÖ ÃÖÖ¬Ö®Ö ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê •ÖîÃÖê ×Ûú †Ó×ÛúŸÖ ×ÛúµÖê ÝÖµÖê ˆ¢Ö¸ü ÛúÖê ×´Ö™üÖ®ÖÖ µÖÖ ÃÖ±êú¤ü õÖÖÆüß ÃÖê ²Ö¤ü»Ö®ÖÖ ŸÖÖê ¯Ö¸üßõÖÖ Ûêú ×»ÖµÖê
†
µÖÖêÝµÖ 'ÖÖê×ÂÖŸÖ ×ÛúµÖê •ÖÖ ÃÖÛúŸÖê Æïü …
9. †Ö¯ÖÛúÖê ¯Ö¸üßõÖÖ ÃÖ´ÖÖ¯ŸÖ ÆüÖê®Öê ¯Ö¸ü ´Öæ»Ö OMR ¯Ö¡ÖÛú ×®Ö¸üßõÖÛú ´ÖÆüÖê¤üµÖ ÛúÖê »ÖÖî™üÖ®ÖÖ †Ö¾Ö¿µÖÛú Æîü †Öî¸ü ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ Ûêú ²ÖÖ¤ü ˆÃÖê †¯Ö®Öê ÃÖÖ£Ö ¯Ö¸üßõÖÖ ³Ö¾Ö®ÖÃÖê ²ÖÖÆü¸ü »ÖêÛú¸ü •ÖÖµÖë … ÆüÖ»ÖÖÓ×Ûú †Ö¯Ö ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ ¯Ö¸ü ´Öæ»Ö ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖŸÖ£ÖÖ OMR ¯Ö¡ÖÛú Ûúß ›ãü¯»ÖßÛêú™ü ¯ÖÏ×ŸÖ †¯Ö®Öê ÃÖÖ£Ö »Öê •ÖÖ ÃÖÛúŸÖê Æïü …
10.
Ûêú¾Ö»Ö C.B.S.E. «üÖ¸üÖ ¯ÖϤüÖ®Ö ×ÛúµÖê ÝÖµÖê ÛúÖ»Öê ²ÖÖ»Ö ¯¾ÖÖ‡Õ™ü ¯Öê®Ö ÛúÖ Æüß ‡ÃŸÖê´ÖÖ»Ö Ûú¸ëü …
11.
×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü ÛúÖ ÃÖÓÝÖÞÖÛú (Ûîú»ÖÛãú»Öê™ü¸ü) µÖÖ »ÖÖÝÖ ™êü²Ö»Ö †Öפü ÛúÖ ¯ÖϵÖÖêÝÖ ¾ÖÙ•ÖŸÖ Æîü …
12.
ÝÖ»ÖŸÖ ˆ¢Ö¸üÖë Ûêú ×»Ö‹ ÛúÖê‡Ô ®ÖÛúÖ¸üÖŸ´ÖÛú †ÓÛú ®ÖÆüà Æïü …
13.
µÖפü †ÓÝÖÏê•Öß µÖÖ ØÆü¤üß ×¾Ö¾Ö¸üÞÖ ´Öë ÛúÖê‡Ô ×¾ÖÃÖÓÝÖ×ŸÖ ÆüÖê, ŸÖÖê †ÓÝÖÏê•Öß ×¾Ö¾Ö¸üÞÖ
†Ó×ŸÖ´Ö ´ÖÖ®ÖÖ •ÖÖ‹ÝÖÖ …
VISUAL ARTS
Paper II
Note This paper contains fifty objective type questions of two marks each. All questions are compulsory.
1. A technique of two colour half-tone printing done from two identical plates of a single colour image is called
Half-tone Duo tone
Continuous tone Quarter tone
2. The value of white, black or any colour is called
Value Hues
Chroma Tints
3. Intaglio is a technique of
Photography Printmaking
Serigraphy Sculpture
4. Who has not done work as printmaker
Jai Zharotia Anupam Sud
Raja Ravi Varma Chitta Prasad
5. Bartered Walls are characteristic features of which Indo-Islamic architectural style
Khilji Tughlaq
Lodhi Mamluk
6. Colossal Mahaparinirvana Buddha in India is in
Ajanta and Badami Ajanta and Kushinagar
Kushinagar and Pitalkhora Ajanta and Bagh
7. Andy Warhol is associated with
Fauvism Futurism
Pop Art Romanticism
¥ü¿µÖ Ûú»ÖÖ
¯ÖÏ¿®Ö¯Ö¡Ö II
®ÖÖê™ü ‡ÃÖ ¯ÖÏ¿®Ö¯Ö¡Ö ´Öë ¯Ö"ÖÖÃÖ ²ÖÆãü-×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æüï … ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûúê¤üÖê †ÓÛú Æïü … ÃÖ³Öß ¯ÖÏ¿®Ö †×®Ö¾ÖÖµÖÔ Æïü …
1. ¤üÖê ¸ÓüÝÖ ÆüÖ±Ìú™üÖê®Ö "û¯ÖÖ‡Ô ÛúÖê ‹Ûú †Ûêú»Öê ¸ÓüÝÖ ¯ÖÏןÖØ²Ö²Ö Ûúß ¤üÖê ÃÖ´ÖÖ®Ö ¯»Öê™üÖë ÃÖê Ûú¸ü®Öê Ûúß ŸÖÛú®ÖßÛú ÛúÖê ÛúÆüÖ •ÖÖŸÖÖ Æîü
ÆüÖ±Ìú™üÖê®Ö ¤ãü¸ÓüÝÖÖ
¯ÖæÞÖÔ "ûÖµÖÖ Œ¾ÖÖ™Ôü¸ü ™üÖê®Ö
2. ÃÖ±êú¤ü, ÛúÖ»ÖÖ µÖÖ ×ÛúÃÖß ¸ÓüÝÖ Ûêú ´ÖÖ®Ö ÛúÖê ÛúÆüÖ •ÖÖŸÖÖ Æîü
´ÖÖ®Ö ¸ÓüÝÖŸÖ
ÛÎúÖê´ÖÖ †Ö³ÖÖ¸ÓüÝÖ
3. ˆŸÛúßÞÖÔ ×®Ö´®Ö ´Öë ×ÛúÃÖÛúß ‹Ûú ŸÖÛú®ÖßÛú Æîü
±ÌúÖê™üÖêÝÖÏÖ±úß ×¯ÖÏ®™ü ´ÖêØÛúÝÖ
ÃÖê׸üÝÖÏÖ±úß ´ÖæÙŸÖÛú»ÖÖ
4. ×ÛúÃÖ®Öê "ûÖ¯ÖÖÛúÖ¸ü Ûêú ºþ¯Ö ´Öë ÛúÖµÖÔ ®ÖÆüà ×ÛúµÖÖ
•ÖµÖ —Ö¸üÖê×™üµÖÖ †®Öã¯Ö´Ö ÃÖæ¤ü
¸üÖ•ÖÖ ¸ü×¾Ö ¾Ö´ÖÖÔ ×"Ö¢Ö ¯ÖÏÃÖÖ¤ü
5. ŸÖ߸ü"ûß ¤üß¾ÖÖ¸ëü ×ÛúÃÖ ‡Ó›üÖê-‡Ã»ÖÖ×´ÖÛú ¾ÖÖßÖã¿Öî»Öß Ûúß ×¾Ö¿ÖêÂÖŸÖÖ‹Ñ Æïü
×ÜÖ»Ö•Öß ŸÖãÝÖ»ÖÛú
»ÖÖê¬Öß ´ÖÖ´Ö»ÖãÛú
6. ×¾Ö¿ÖÖ»ÖÛúÖµÖ ´ÖÆüÖ¯Ö׸ü×®Ö¾ÖÖÔÞÖ ²Öã¨ü ³ÖÖ¸üŸÖ ´Öë ÛúÆüÖÑ ×Ã£ÖŸÖ Æîü
†•Ö®ŸÖÖ †Öî¸ü ²Ö¤üÖ´Öß †•Ö®ŸÖÖ †Öî¸ü Ûãú¿Öß®ÖÝÖ¸ü
Ûãú¿Öß®ÖÝÖ¸ü †Öî¸ü ¯ÖߟֻÖÜÖÖê¸üÖ †•Ö®ŸÖÖ †Öî¸ü
7. ‹Ó›üß ¾Ö¸üÆüÖê»Ö ×ÛúÃÖÃÖê ÃÖ´²Ö¨ü Æîü
±úÖî×¾Ö•´Ö °µÖæ"µÖæ׸ü•´Ö
¯ÖÖî¯Ö †Ö™Ôü ¸üÖê´ÖÖ×®™ü×ÃÖ•´Ö
8. Temple dedicated to Vaikuntha Vishnu
Lakshamana Temple, Khajuraho
Lingaraja Temple, Bhubaneswar
Durga Temple, Aihole
Brihadesvara Temple, Tanjore
9. In Vishnu iconography is represented as
Female companion Celestial being
Male companion A-vehicle
10. Gandhara art relates to
Greco-Roman Art Indo-Persian Art
Indo-Greek Art Central Asian Art
11. Standard bronze consists of
90% copper, 07% tin and 03% zinc
90% copper and 10% tin
88% copper, 10% tin and 02% zinc
95% copper, 02% silver and 03% zinc
12. "Amalgamate" is an appropriate word for
Stone Bronze
Wood Fibre Glass
13. and are the two terms associated with
Portrait painting Bronze casting
Typography Ceramic glazing
14. Who would be accredited for coining of the term 'Graphic Design' in 1921 in U.S.A.
John Ruskin
Walter Gropins
William Morris
William Addison Diggins
8. ¾ÖîÛãÓúšü ×¾ÖÂÞÖã ÛúÖê ÃÖ´ÖÙ¯ÖŸÖ ´ÖÓפü¸ü Æîü
»Öõ´ÖÞÖ ´ÖÓפü¸ü, ÜÖ•Öã¸üÖÆüÖê Ø»ÖÝÖ¸üÖ•Ö ´ÖÓפü¸ü, ³Öã¾Ö®Ö꿾ָü
¤ãüÝÖÖÔ ´ÖÓפü¸ü, ‹êÆüÖê»Ö ²ÖéÆü¤êü¿¾Ö¸ü ´ÖÓפü¸ü, ŸÖÓ•ÖÖî¸ü
9. ×¾ÖÂÞÖã ¯ÖÏןִÖÖ»ÖõÖÞÖ ´Öë ÛúÖê ×®Ö´®Ö ´Öë ÃÖê ×ÛúÃÖ ºþ¯Ö ´Öë ¤ü¿ÖÖÔµÖÖ •ÖÖŸÖÖ Æîü
´Ö×Æü»ÖÖ ÃÖÖ£Öß ÜÖÝÖÖê»ÖßµÖ ¾ÖßÖã
¯Öã¹ýÂÖ ÃÖÖ£Öß ‹Ûú ¾ÖÖÆü®Ö
10. ÝÖÖÓ¬ÖÖ¸ü Ûú»ÖÖ ÛúÖ ÃÖÓ²ÖÓ¬Ö ×®Ö´®Ö ´Öë ÃÖê ×ÛúÃÖ ÃÖê Æîü
ÝÖÏßÛúÖê-¸üÖê´Ö®Ö †Ö™Ôü ‡Ó›üÖê-¯ÖÙ¿ÖµÖ®Ö †Ö™Ôü
‡Ó›üÖê-ÝÖÏßÛú †Ö™Ôü ÃÖê®™Òü»Ö ‹×¿ÖµÖ®Ö †Ö™Ôü
11. ÛúÖÑÃÖê (²ÖÎÖò®•ÖÌ) ÛúÖ ´ÖÖ®ÖÛú Æîü
90% ÛúÖò¯Ö¸ü, 07% ×™ü®Ö †Öî¸ü 03% Ø•ÖÌÛú
90% ÛúÖò¯Ö¸ü †Öî¸ü 10% ×™ü®Ö
88% ÛúÖò¯Ö¸ü, 10% ×™ü®Ö †Öî¸ü 02% Ø•ÖÌÛú
95% ÛúÖò¯Ö¸ü, 02% ×ÃÖ»¾Ö¸ü †Öî¸ü 03% Ø•ÖÌÛú
12. "ÃÖ´ÖÖ´Öê»Ö®Ö" ×®Ö´®Ö ´Öë ÃÖê ×ÛúÃÖÛêú ×»Ö‹ ˆ¯ÖµÖãŒŸÖ ¿Ö²¤ü Æîü
¯ÖŸ£Ö¸ü ÛúÖÑÃÖÖ
»ÖÛú›Ìüß ±úÖ‡²Ö¸ü Ý»ÖÖÃÖ
13. ‹Þ›üü '±êúÃÖê•ÖÌ' ÛúÖ ÃÖÓ²ÖÓ¬Ö ×®Ö´®Ö ´Öë ÃÖê ×ÛúÃÖÃÖê Æîü
¯ÖÖê¸ü™Òêü™ü ¯ÖêØ®™üÝÖ ²ÖÎÖò®•ÖÌ ÛúÖØÙüÝÖ
™üÖ‡¯ÖÖêÝÖÏÖ±úß ÃÖê¸üÖ×´ÖÛú Ý»ÖêØ•ÖÝÖ
14. †´Ö¸üßÛúÖ ´Öë 1921 ´Öë 'ÝÖÏÖ×±úÛú ×›ü•ÖÌÖ‡®Ö' ¿Ö²¤ü Ûêú ÃÖé•Ö®Ö ÛúÖ ÁÖêµÖ ×®Ö´®Ö ´Öë ÃÖê ×ÛúÃÖê פüµÖÖ •ÖÖ ÃÖÛúŸÖÖ Æîü
•ÖÖò®Ö ¸ü×ÃÛú®Ö
¾ÖÖ»™ü¸ü ÝÖÏÖêׯ֮ÃÖ
×¾Ö×»ÖµÖ´Ö ´ÖÖê׸üÃÖ
×¾Ö×»ÖµÖ´Ö ‹›üßÃÖ®Ö ×›ü×ÝÖ®ÃÖ
15. In which media, the size of an advertisement is measured in Column X cm
Social media advertising Magazine
Newspaper Electronic media
16. The most common 'continuous tone' images are found in
a digital photograph
a newspaper illustration
a product magazine
a latent image on Bromide print
17. Tiger in Moonlit Night, 1978 is a work by the artist
Ramkinkar Baij Mrinalini Mukherjee
Anupam Sood Jogen Chowdhury
18. Properties of colour incorporate
Hue Value
Intensity All of the above
19. Center of Kalighat painting was
Calcutta Delhi
Bombay Madras
20. Which one of these is not used in the Indian Miniature painting
Lime Plaster Tulat
Neemkalam Lapis Lazuli
21. Choose the correct order of process in serigraphy
Frame, Exposing, Cleaning, Squeeze
Exposing, Frame, Squeeze, Cleaning
Frame, Cleaning, Squeeze, Exposing
Squeeze, Cleaning, Exposing, Frame
15. ×ÛúÃÖ ¯ÖÏÛúÖ¸ü Ûêú ´Öß×›üµÖÖ ´Öë ×¾Ö-ÖÖ¯Ö®Ö ÛúÖ †ÖÛúÖ¸ü ÛúÖò»Ö´Ö X ÃÖë™üß´Öß™ü¸ü ´Öë ´ÖÖ¯ÖÖ •ÖÖŸÖÖ Æîü
ÃÖÖê¿Ö»Ö ´Öß×›üµÖÖ ×¾Ö-ÖÖ¯Ö®Ö ¯ÖסÖÛúÖ
ÃÖ´ÖÖ"ÖÖ¸ü-¯Ö¡Ö ‡»ÖꌙÒüÖò×®ÖÛú ´Öß×›üµÖÖ
16. 'Ûú®™üß×®ÖµÖÃÖ Ûúß ÃÖ²ÖÃÖê ÃÖÖ´ÖÖ®µÖ "û×¾Ö ×®Ö´®Ö ´Öë ÃÖê ×ÛúÃÖ´Öë ¯ÖÖ‡Ô •ÖÖŸÖß Æîü
×›üו֙ü»Ö ±úÖê™üÖêÝÖÏÖ±ú
ÃÖ´ÖÖ"ÖÖ¸ü-¯Ö¡Ö ×"Ö¡Ö
¯ÖÏÖê›üŒ™ü ´ÖîÝÖ•ÖÌß®Ö
²ÖÎÖê´ÖÖ‡›ü ׯÖÏ®™ü ¯Ö¸ü »Öê™ëü™ü ‡´Öê•Ö
17. '™üÖ‡ÝÖ¸ü ‡®Ö ´Öæ®Ö»ÖÖ‡™ 1978 ×ÛúÃÖ Ûú»ÖÖÛúÖ¸ü Ûúß Ûéú×ŸÖ Æîü
¸üÖ´ÖØÛúÛú¸ü ²Öî•Ö ´ÖéÞÖÖ×»Ö®Öß ´ÖãÜÖ•Öá
†®Öã¯Ö´Ö ÃÖæ¤ü •ÖÖêÝÖê®Ö "ÖÖî¬Öã¸üß
18. ¸ÓüÝÖ Ûêú ÝÖãÞÖ¬Ö´ÖÔ Æïü
¸ÓüÝÖŸÖ ´ÖÖ®Ö
ŸÖß¾ÖΟÖÖ ˆ¯ÖµÖãÔŒŸÖ ÃÖ³Öß
19. ÛúÖ»Öß'ÖÖ™ü ×"Ö¡ÖÛú»ÖÖ ÛúÖ Ûêú®¦ü £ÖÖ
Ûú»ÖÛú¢ÖÖ ×¤ü»»Öß
²ÖÖ´²Öê ´Ö¦üÖÃÖ
20. ×®Ö´®Ö ´Öë ÃÖê ÛúÖî®Ö ³ÖÖ¸üŸÖßµÖ »Ö'Öã ×"Ö¡ÖÛú»ÖÖ ´Öë ¯ÖϵÖãŒŸÖ ®ÖÆüà Æîü
»ÖÖ‡´Ö ¯»ÖÖÙü¸ü ŸÖã»ÖŸÖ
®Öß´ÖÛú»Ö´Ö »ÖîׯÖÃÖ »ÖÖ•ÖÌå»Öß
21. ÃÖê׸üÝÖÏÖ±úß ¯ÖÏ×ÛÎúµÖÖ ´Öë ÃÖÆüß ÛÎú´Ö ÛúÖ "ÖµÖ®Ö Ûú¸ëü
±Ïêú´Ö, ‹ŒÃÖ¯ÖÖêØ•ÖÝÖ, Œ»ÖßØ®ÖÝÖ, ÃŒ¾Öß•ÖÌ
‹ŒÃÖ¯ÖÖêØ•ÖÝÖ, ±Ïêú´Ö, ÃŒ¾Öß•ÖÌ, Œ»ÖßØ®ÖÝÖ
±Ïêú´Ö, Œ»ÖßØ®ÖÝÖ, ÃŒ¾Öß•ÖÌ, ‹ŒÃÖ¯ÖÖêØ•ÖÝÖ
ÃŒ¾Öß•ÖÌ, Œ»ÖßØ®ÖÝÖ, ‹ŒÃÖ¯ÖÖêØ•ÖÝÖ, ±Ïêú´Ö
22. Choose the correct sequence in woodcut process
Engraving, Inking, Drawing, Pressing
Pressing, Drawing, Inking, Engraving
Drawing, Engraving, Inking, Pressing
Inking, Drawing, Pressing, Engraving
23. Select the correct sequence
Parthenon, Colosseum, Cathedral of Notre-Dame, Sistine Chapel
Cathedral of Notre-Dame, Sistine Chapel, Colosseum, Parthenon
Colosseum, Cathedral of Notre-Dame, Sistine Chapel, Parthenon
Sistine Chapel, Parthenon, Colosseum, Cathedral of Notre-Dame
24. Select the correct chronological order
Quwwat ul-Islam Mosque, Delhi, Dhai Din Ka Jhopra Mosque, Ajmer, Jama Masjid, Delhi, Badshahi Mosque, Lahore
Dhai Din Ka Jhopra Mosque, Ajmer, Jama Masjid, Delhi, Badshahi Mosque, Lahore Quwwat ul-Islam Mosque, Delhi
Quwwat ul-Islam Mosque, Delhi, Jama Masjid, Delhi, Badshahi Mosque, Lahore, Dhai Din Ka Jhopra Mosque, Ajmer
Jama Masjid, Delhi, Dhai Din Ka Jhopra Mosque, Ajmer, Badshahi Mosque, Lahore, Quwwat ul-Islam Mosque, Delhi
25. Select the correct chronological sequence
Bernini, Matise, Hanson, Brunelleschi
Matise, Bernini, Brunelleschi, Hanson
Brunelleschi, Bernini, Matise, Hanson,
Hanson, Matise, Bernini, Brunelleschi
26. Select the correct chronological sequence
Roman, Gothic, Egyptian, Greek
Egyptian, Greek, Roman, Gothic
Gothic, Greek, Egyptian, Roman
Greek, Gothic, Roman, Egyptian
22. ÛúÖšü×"Ö¡Ö ¯ÖÏ×ÛÎúµÖÖ ´Öë ÃÖÆüß ÛÎú´Ö "Öã×®Ö‹
‡®ÖÝÖÏêؾÖÝÖ, ‡ÓØÛúÝÖ, ›ÒüÖ‡ÓÝÖ, ¯ÖÏêØÃÖÝÖ
¯ÖÏêØÃÖÝÖ, ›ÒüÖ‡ÓÝÖ, ‡ÓØÛúÝÖ, ‡®ÖÝÖÏêؾÖÝÖ
›ÒüÖ‡ÓÝÖ, ‡®ÖÝÖÏêؾÖÝÖ, ‡ÓØÛúÝÖ, ¯ÖÏêØÃÖÝÖ
‡ÓØÛúÝÖ, ›ÒüÖ‡ÓÝÖ, ¯ÖÏêØÃÖÝÖ, ‡®ÖÝÖÏêؾÖÝÖ
23. ÃÖÆüß ÛÎú´Ö "Öã×®Ö‹
¯ÖÖÙ£Ö®ÖÖî®Ö, ÛúÖê»ÖÖê×ÃÖµÖ´Ö, ®ÖÖê¡Ö¤üÖ´Ö ÛúÖ Ûîú£Öê›Òü»Ö, ×ÃÖ×Ùü®Ö "Öî¯Ö»Ö
®ÖÖê¡Ö¤üÖ´Ö ÛúÖ Ûîú£Öê›Òü»Ö, ×ÃÖ×Ùü®Ö "Öî¯Ö»Ö, ÛúÖê»ÖÖê×ÃÖµÖ´Ö, ¯ÖÖÙ£Ö®ÖÖî®Ö
ÛúÖê»ÖÖê×ÃÖµÖ´Ö, ®ÖÖê¡Ö¤üÖ´Ö ÛúÖ Ûîú£Öê›Òü»Ö, ×ÃÖ×Ùü®Ö "Öî¯Ö»Ö, ¯ÖÖÙ£Ö®ÖÖî®Ö
×ÃÖ×Ùü®Ö "Öî¯Ö»Ö, ¯ÖÖÙ£Ö®ÖÖî®Ö, ÛúÖê»ÖÖê×ÃÖµÖ´Ö, ®ÖÖê¡Ö¤üÖ´Ö ÛúÖ Ûîú£Öê›Òü»Ö
24. ÃÖÆüß ÛúÖ»ÖÛÎú´Ö ÛúÖ "ÖµÖ®Ö Ûúßו֋
Ûãú¾¾ÖŸÖ ˆ»Ö-‡Ã»ÖÖ´Ö ´Ö×Õ֤ü, פü»»Öß; œüÖ‡Ô ×¤ü®Ö ÛúÖ —ÖÖê¯Ö›ÌüÖ ´Ö×Õ֤ü, †•Ö´Öê¸; •ÖÖ´ÖÖ ´Ö×Õ֤ü, פü»»Öß; ²ÖÖ¤ü¿ÖÖÆüß ´Ö×Õ֤ü, »ÖÖÆüÖî¸ü
œüÖ‡Ô ×¤ü®Ö ÛúÖ —ÖÖê¯Ö›ÌüÖ ´Ö×Õ֤ü, †•Ö´Öê¸; •ÖÖ´ÖÖ ´Ö×Õ֤ü, פü»»Öß; ²ÖÖ¤ü¿ÖÖÆüß ´Ö×Õ֤ü, »ÖÖÆüÖî¸ü; Ûãú¾¾ÖŸÖ ˆ»Ö-‡Ã»ÖÖ´Ö ´Ö×Õ֤ü, פü»»Öß
Ûãú¾¾ÖŸÖ ˆ»Ö-‡Ã»ÖÖ´Ö ´Ö×Õ֤ü, פü»»Öß; •ÖÖ´ÖÖ ´Ö×Õ֤ü, פü»»Öß; ²ÖÖ¤ü¿ÖÖÆüß ´Ö×Õ֤ü, »ÖÖÆüÖî¸ü; œüÖ‡Ô ×¤ü®Ö ÛúÖ —ÖÖê¯Ö›ÌüÖ ´Ö×Õ֤ü, †•Ö´Öê¸
•ÖÖ´ÖÖ ´Ö×Õ֤ü, פü»»Öß; œüÖ‡Ô ×¤ü®Ö ÛúÖ —ÖÖê¯Ö›ÌüÖ ´Ö×Õ֤ü, †•Ö´Öê¸; ²ÖÖ¤ü¿ÖÖÆüß ´Ö×Õ֤ü, »ÖÖÆüÖî¸ü; Ûãú¾¾ÖŸÖ ˆ»Ö-‡Ã»ÖÖ´Ö ´Ö×Õ֤ü, פü»»Öß
25. ÃÖÆüß ÛúÖ»ÖÖ®ÖãÛÎú´Ö ÛúÖ "ÖµÖ®Ö Ûúßו֋
²Öê¸ü®Öß®Öß, ´ÖŸÖßÃÖ, Æîü®ÖÃÖ®Ö, ²ÖÎã®Öê»ÖÃ"Öß
´ÖŸÖßÃÖ, ²Öê¸ü®Öß®Öß, ²ÖÎã®Öê»ÖÃ"Öß, Æîü®ÖÃÖ®Ö
²ÖÎã®Öê»ÖÃ"Öß, ²Öê¸ü®Öß®Öß, ´ÖŸÖßÃÖ, Æîü®ÖÃÖ®Ö
Æîü®ÖÃÖ®Ö, ´ÖŸÖßÃÖ, ²Öê¸ü®Öß®Öß, ²ÖÎã®Öê»ÖÃ"Öß
26. ÃÖÆüß ÛúÖ»ÖÖ®ÖãÛÎú´Ö ÛúÖ "ÖµÖ®Ö Ûúßו֋
¸üÖê´Ö®Ö, ÝÖÖê×£ÖÛú, ‡•Ö߯Ö׿ֵ֮Ö, ÝÖÏßÛú
‡•Ö߯Ö׿ֵ֮Ö, ÝÖÏßÛú, ¸üÖê´Ö®Ö, ÝÖÖê×£ÖÛú
ÝÖÖê×£ÖÛú, ÝÖÏßÛú, ‡•Ö߯Ö׿ֵ֮Ö, ¸üÖê´Ö®Ö
ÝÖÏßÛú, ÝÖÖê×£ÖÛú, ¸üÖê´Ö®Ö, ‡•Ö߯Ö׿ֵ֮Ö
27. Choose the correct sequence of digital photography
Shooting, Printing, Editing, Downloading
Downloading, Editing, Shooting, Printing
Shooting, Downloading, Editing, Printing
Printing, Downloading, Shooting, Editing
28. Arrange in terms of evolution of Advertising media
Social Media, Guerilla promotion, Radio, Newspaper
Newspaper, Guerilla promotion, Radio, Social Media
Guerrilla promotion, Social Media, Newspaper, Radio
Newspaper, Radio, Guerilla promotion, Social Media
29. Choose the correct sequence of technique in wash-painting
Soaking, Mounting, Drawing, Colouring
Mounting, Soaking, Colouring, Drawing
Drawing, Mounting, Soaking, Colouring
Drawing, Soaking, Mounting, Colouring
30. Choose the correct chronological sequence of the painters
Kamaluddin Behzad, Mir Sayyad Ali, Miskin, Mansur
Mir Sayyad Ali, Kamaluddin Behzad, Mansur, Miskin
Kamaluddin Behzad, Miskin, Mansur, Mir Sayyad Ali
Mansur, Mir Sayyad Ali, Kamaluddin Behzad, Miskin
31. Assertion In Serigraphy process only water soluble ink is used. Reason Because it is more smooth than oil based ink. Codes
and both are incorrect.
is incorrect and is partially correct.
is correct, is incorrect.
is incorrect, is correct.
27. ×›üו֙ü»Ö ±úÖê™üÖêÝÖÏÖ±úß ÛúÖ ÃÖÆüß ÛÎú´Ö "Öã®Öë
¿ÖæØ™üÝÖ, ׯÖÏØ®™üÝÖ, ‹×›üØ™üÝÖ, ›üÖˆ®Ö»ÖÖêØ›üÝÖ
›üÖˆ®Ö»ÖÖêØ›üÝÖ, ‹×›üØ™üÝÖ, ¿ÖæØ™üÝÖ, ׯÖÏØ®™üÝÖ
¿ÖæØ™üÝÖ, ›üÖˆ®Ö»ÖÖêØ›üÝÖ, ‹×›üØ™üÝÖ, ׯÖÏØ®™üÝÖ
ׯÖÏØ®™üÝÖ, ›üÖˆ®Ö»ÖÖêØ›üÝÖ, ¿ÖæØ™üÝÖ, ‹×›üØ™üÝÖ
28. ‹›ü¾Ö™üÖԇؕÖÝÖ ´Öß×›üµÖÖ Ûêú ×¾ÖÛúÖÃÖ ÛúÖ ÛÎú´Ö »ÖÝÖÖ‹Ñ
ÃÖÖê¿Ö»Ö ´Öß×›üµÖÖ, ÝÖã׸ü»»ÖÖ ¯ÖÏ´ÖÖê¿Ö®Ö, ¸êü×›üµÖÖê, ®µÖæ•Ö ¯Öê¯Ö¸ü
®µÖæ•Ö ¯Öê¯Ö¸ü, ÝÖã׸ü»»ÖÖ ¯ÖÏ´ÖÖê¿Ö®Ö, ¸êü×›üµÖÖê, ÃÖÖê¿Ö»Ö ´Öß×›üµÖÖ
ÝÖã׸ü»»ÖÖ ¯ÖÏ´ÖÖê¿Ö®Ö, ÃÖÖê¿Ö»Ö ´Öß×›üµÖÖ, ®µÖæ•Ö ¯Öê¯Ö¸ü, ¸êü×›üµÖÖê
®µÖæ•Ö ¯Öê¯Ö¸ü, ¸êü×›üµÖÖê, ÝÖã׸ü»»ÖÖ ¯ÖÏ´ÖÖê¿Ö®Ö, ÃÖÖê¿Ö»Ö ´Öß×›üµÖÖ
29. ¾ÖÖò¿Ö¯ÖëØ™üÝÖ ´Öë ŸÖÛú®ÖßÛú ÛúÖ ÃÖÆüß ÛÎú´Ö "Öã×®Ö‹
ÃÖÖêØÛúÝÖ, ´Öֈخ™üÝÖ, ›ÒüÖ‡ÓÝÖ, Ûú»ÖظüÝÖ
´Öֈخ™üÝÖ, ÃÖÖêØÛúÝÖ, Ûú»ÖظüÝÖ, ›ÒüÖ‡ÓÝÖ
›ÒüÖ‡ÓÝÖ, ´Öֈخ™üÝÖ, ÃÖÖêØÛúÝÖ, Ûú»ÖظüÝÖ
›ÒüÖ‡ÓÝÖ, ÃÖÖêØÛúÝÖ, ´Öֈخ™üÝÖ, Ûú»ÖظüÝÖ
30. ×"Ö¡ÖÛúÖ¸üÖë Ûêú ÃÖÆüß ÛúÖ»ÖÖ®ÖãÛÎú´Ö ÛúÖ "ÖµÖ®Ö Ûú¸ëü
Ûú´ÖÖ»Öˆ¤Ëü¤üß®Ö ²ÖÆü•ÖÌÖ¤ü, ´Ö߸ü ÃÖîµµÖ¤ü †»Öß, ×´ÖÃÖ×Ûú®Ö, ´ÖÓÃÖæ¸ü
´Ö߸ü ÃÖîµµÖ¤ü †»Öß, Ûú´ÖÖ»Öˆ¤Ëü¤üß®Ö ²ÖÆü•ÖÌÖ¤, ´ÖÓÃÖæ¸ü, ×´ÖÃÖ×Ûú®Ö
Ûú´ÖÖ»Öˆ¤Ëü¤üß®Ö ²ÖÆü•ÖÌÖ¤, ×´ÖÃÖ×Ûú®Ö, ´ÖÓÃÖæ¸ü, ´Ö߸ü ÃÖîµµÖ¤ü †»Öß
´ÖÓÃÖæ¸ü, ´Ö߸ü ÃÖîµµÖ¤ü †»Öß, Ûú´ÖÖ»Öˆ¤Ëü¤üß®Ö ²ÖÆü•ÖÌÖ¤, ×´ÖÃÖ×Ûú®Ö
31. †×³ÖÛú£Ö®Ö ÃÖê׸üÝÖÏÖ±úß ¯ÖÏ×ÛÎúµÖÖ ´Öë Ûêú¾Ö»Ö •Ö»Ö 'Öã»Ö®Ö¿Öß»Ö ÃµÖÖÆüß ÛúÖ ¯ÖϵÖÖêÝÖ ×ÛúµÖÖ •ÖÖŸÖÖ Æîü … ŸÖÛÔú ŒµÖÖë×Ûú µÖÆü ŸÖê»Ö †Ö¬ÖÖ׸üŸÖ õÖÖÆüß ÃÖê †×¬ÖÛú ÃÖãÝÖ´Ö ÆüÖêŸÖß Æîü … Ûæú™ü
†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
ÝÖ»ÖŸ&Ou
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