PAPER-II VISUAL ARTS Signature and Name of Invigilator
1.
(Signature) OMR Sheet No. ............................................... (To be filled by the Candidate)

(Name)
Roll No.


2.
(Signature)


(Name)

D 7 9 1 3

Time 1 1/4 hours] [Maximum Marks 100




Number of Pages in this Booklet 12 Number of Questions in this Booklet 50 Instructions for the Candidates

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English version will be taken as final.
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VISUAL ARTS Paper II Note This paper contains fifty objective type questions of two marks each. All
questions are compulsory.

1. Archaeological site Dholavira is situated in

Madhya Pradesh


Orissa


Haryana


Gujarat



2. Masaroor Rock cut monolithic temples are located in

Jammu Kangra


Udaigiri Nasik



3. Indo-Islamic monument Alai Darwaza is located at

Ajmer Aurangabad


Hyderabad Delhi



4. Jean Jacques Rousseau's idea mostly influenced the artistic movement of

Neo-Classicism


Romanticism


Realism


Impressionism



5. Blue period is related to

Henry Matisse


Pablo Picasso


Emil Nolde


Salvador Dali



6. Shock tactics was introduced by

Eduard Munch


Edger Degas


Henry Matisse


Claude Manet



7. Theodore Rousseau was a French Landscape painter of

16th Century 17th Century


18th Century 19th Century



8. Blue Horse painting belongs to

Emil Nolde


Franz Marc


Eduard Munch


Wassily Kandinsky



9.
10.
11.

12.

13.

14.

15.

16.

17.


Himmat Shah studied at

Delhi College of Art


Vishva Bharati, Shantiniketan


M.S. University, Baroda


B.H.U., Varanasi

In which medium, Abanindranath Tagore works entitled and are executed


Wood Terracotta


Iron Bronze

In which medium, the Sculpture entitled 'Flight' by P.R. Pochkhanawala is made


Steel Bronze


Marble Aluminium

Sculptor V.R. Khajuriya belonged to


Bhopal Chandigarh


Jammu New Delhi

'The Life of a Virgin' is a


Painting Mural


Woodcut Sculpture

Conte is used in


Painting


Lithography


Screen printing


Sculpture

The term 'Undercutting' is related to


Sculpture Etching


Painting Woodcut

is an effect achieved on


Wood Metal


Canvas Stone

Name a graphic image editing program introduced by Adobe.


Adobe Photoshop


Adobe Illustrator


Adobe Premiere Pro


Adobe After effects






¥ü¿µÖ Ûú»ÖÖ‹Ñ ¯ÖÏ¿®Ö¯Ö¡Ö II
×®Ö¤ìü¿Ö ‡ÃÖ ¯ÖÏ¿®Ö¯Ö¡Ö ´Öë ¯Ö"ÖÖÃÖ ²ÖÆãü-×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æïü … ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ¤üÖê †ÓÛú Æïü … ÃÖ³Öß ¯ÖÏ¿®Ö †×®Ö¾ÖÖµÖÔ Æïü …
1. ¯Öã¸üÖŸÖÖ×¢¾ÖÛú Ã£Ö»Ö ¬ÖÖî»ÖÖ¾Ö߸üÖ ÛúÆüÖÑ ×Ã£ÖŸÖ Æîü
9. ×Æü´´ÖŸÖ ¿ÖÖÆü ®Öê ÛúÆüÖÑ ÃÖê †¬µÖµÖ®Ö ×ÛúµÖÖ
´Ö¬µÖ ¯ÖϤêü¿Ö ˆ›ÌüßÃÖÖ
פü»»Öß Ûú»ÖÖ ´ÖÆüÖ×¾ÖªÖ»ÖµÖ
Æü׸üµÖÖÞÖÖ ÝÖã•Ö¸üÖŸÖ

×¾Ö¿¾Ö ³ÖÖ¸üŸÖß, ¿ÖÖÓ×ŸÖ ×®ÖÛêúŸÖ®Ö


‹´Ö.‹ÃÖ. ×¾Ö¿¾Ö×¾ÖªÖ»ÖµÖ, ²Ö›ÌüÖî¤üÖ




2. ´ÖÃÖºþ¸ü ¿Öî»ÖˆŸÛúßÞÖÔ ‹ÛúÖ¿´Ö ´ÖÓפü¸ü ÛúÆüÖÑ ×Ã£ÖŸÖ Æîü
²Ö®ÖÖ¸üÃÖ ØÆü¤æü µÖæ×®Ö¾ÖÙÃÖ™üß, ¾ÖÖ¸üÖÞÖÃÖß
•Ö´´Öæ ÛúÖÓÝÖ›ÌüÖ

10. †²Ö®Öß®¦ü®ÖÖ£Ö ™îüÝÖÖê¸ü Ûúß Ûú»ÖÖÛéú×ŸÖ '†Öˆ»Ö ‹Þ›ü

ˆ¤üµÖ×ÝÖ׸ü ®ÖÖ×ÃÖÛú ²Ö›Ôü' ×ÛúÃÖ ´ÖÖ¬µÖ´Ö ´Öë †Ó×ÛúŸÖ Æîü


ÛúÖšü ™îü¸üÖÛúÖê™üÖÆîü



3. ‡Ó›üÖê-‡Ã»ÖÖ×´ÖÛú ôÖÖ¸üÛú †»ÖÖ‡Ô ¤ü¸ü¾ÖÖ•ÖÖ ÛúÆüÖÑ ×ã֟Ö
»ÖÖîÆü ÛúÖÓõÖ
†•Ö´Öê¸ü †Öî¸ÓüÝÖÖ²ÖÖ¤ü

11. ¯Öß.†Ö¸ü. ¯ÖÖê"ÖÛúÖ®Ö¾ÖÖ»ÖÖ ÛúÖ '°»ÖÖ‡™ü ¿ÖßÂÖÔÛú
Æîü¤ü¸üÖ²ÖÖ¤ü פü»»Öß ´ÖæÙŸÖ׿ֻ¯Ö' ×ÛúÃÖ ´ÖÖ¬µÖ´Ö ´Öë Æîü
‡Ã¯ÖÖŸÖ ÛúÖÓõÖ


4. וֵÖÖÓ •ÖÖòÛú ºþÃÖÖê Ûêú ×¾Ö"ÖÖ¸ü ®Öê ÃÖ¾ÖÖÔ׬ÖÛú ×ÛúÃÖ
ÃÖÓÝÖ´Ö¸ü´Ö¸ü ‹»µÖã´Öß×®ÖµÖ´Ö†ÖÓ¤üÖê»Ö®Ö ÛúÖê ¯ÖϳÖÖ×¾ÖŸÖ ×ÛúµÖÖ

12. ´ÖæÙŸÖÛúÖ¸ü ¾Öß.†Ö¸ü. ÜÖ•Öæ׸üµÖÖ ÛúÆüÖÑ ÃÖê ÃÖÓ²ÖÓ×¬ÖŸÖ Æïü
×®ÖµÖÖê Œ»ÖÖ×ÃÖ×ÃÖ•´Ö
³ÖÖê¯ÖÖ»Ö "ÖÓ›üßÝÖœÌü
¸üÖê´ÖÖÓ×™ü×ÃÖ•´Ö
•Ö´´Öæ ®Ö‡Ô ×¤ü»»Öß

׸ü‹×»Ö•´Ö


‡Ó¯ÖÏê¿Ö×®Ö•´Ö



13. »ÖÖ‡±ú †Öò±ú ‹ ¾ÖÙ•Ö®Ö' ŒµÖÖ Æîü
×"Ö¡Ö ´µÖæ¸ü»Ö


5. ²»Öæ-¯Öß׸üµÖ›ü ×ÛúÃÖÃÖê ÃÖÓ²ÖÓ×¬ÖŸÖ Æîü
¾Öã›ü Ûú™ü ´ÖæÙŸÖ ×¿Ö»¯Ö
Æêü®Ö¸üß ´ÖÖןÖÃÖ

14. ÛúÖë™êü ÛúÖ ¯ÖϵÖÖêÝÖ ×ÛúÃÖ´Öë ÆüÖêŸÖÖ Æîü
¯ÖÖò²Ö»ÖÖê ׯÖÛúÖÃÖÖê
×"Ö¡ÖÛú»ÖÖ ×»Ö£ÖÖêÝÖÏÖ±úß
‹×´Ö»Ö ®ÖÖê»›êü
ÃÛÎúß®Ö Ø¯ÖÏØ™üÝÖ ´ÖæÙŸÖ ×¿Ö»¯Ö
ÃÖ»¾ÖÖ›üÖê¸ü ›üÖ»Öß

15. '†Ó›ü¸üÛúØ™üÝÖ' ¿Ö²¤ü ×ÛúÃÖÃÖê ÃÖÓ²ÖÓ×¬ÖŸÖ Æîü

6. ¿ÖÖòÛú ™îü׌™üÃÖ ×ÛúÃÖ®Öê ¯ÖÏÖ¸Óü³Ö Ûúß
´ÖæÙŸÖ׿ֻ¯Ö ‹Ø"ÖÝÖ
‹›ü¾Ö›Ôü ´ÖãÓÜÖ ‹›üÝÖ¸ü ¤êüÝÖÖ•Ö
×"Ö¡ÖÛú»ÖÖ ¾Öã›ü Ûú™ü
Æêü®Ö¸üß ´ÖÖןÖÃÖ Œ»ÖÖê¤ü ´ÖÖ®Öê

16. ×ÛúÃÖ ¯Ö¸ü ¯ÖϳÖÖ¾Ö Æîü

7. ×£ÖµÖÖê›üÖê¸ü ºþÃÖÖê ×ÛúÃÖ ¿ÖŸÖÖ²¤üß ÛúÖ ±Ïëú"Ö ³Öæ-¥ü¿µÖ
ÛúÖšü ¬ÖÖŸÖã×"Ö¡ÖÛúÖ¸ü £ÖÖ
Ûîú®Ö¾ÖÃÖ ¯ÖÖÂÖÖÞÖ

16¾Öà ¿ÖŸÖÖ²¤üß 17¾Öà ¿ÖŸÖÖ²¤üß


18¾Öà ¿ÖŸÖÖ²¤üß 19¾Öà ¿ÖŸÖÖ²¤üß



17. ‹›üÖê²Ö «üÖ¸üÖ ¯ÖÏÖ¸Óü³Ö ×Ûú‹ ÝÖ‹ ÝÖÏî×±úÛú ‡´Öê•Ö ‹×›üØ™üÝÖ ÛúÖµÖÔÛÎú´Ö ÛúÖ ®ÖÖ´Ö ŒµÖÖ Æîü
8. ²»Öæ ÆüÖÃÖÔ ×"Ö¡Ö ×ÛúÃÖÃÖê ÃÖÓ²ÖÓ×¬ÖŸÖ Æîü
‹›üÖê²Ö ±úÖê™üÖê¿ÖÖò¯Ö

‹×´Ö»Ö ®ÖÖê»›êü


‹›üÖê²Ö ‡»ÖÙÒêü™ü¸ü

±Ïëú•ÖÌ ´ÖÖÛÔú

‹›üÖê²Ö ¯ÖÏß×´ÖµÖ¸ü ¯ÖÏÖê

‹›ü¾Ö›Ôü ´ÖãÓÜÖ

‹›üÖê²Ö †Ö±ú™ü¸ü ‡±êúŒ™ËüÃÖ
¾ÖêÃÖ»Öß ÛïúØ›üÃÛúß

18. Who used this aphorism "Less is More"

Ludwig Mies Van der Rohe


Paul Rand


Alain Fletcher


Ivan Charmayeff



19. Which Branding Company designedthe logo of "Xerox"

Ivan Charmayeff and Thomas Geismar


Sagmeister Inc.


Geyrhalter Company


Adams Morioka



20. Who developed full Roman typeface for the first time

Nicholas Jenson


Claude Garamond


Francois Didot


Giambatista Bodoni



21. Choose the correct sequence of monuments' sites from North to South in India.

Sanghol, Jaggayyapet, Martand, Bhimbetka


Martand, Sanghol, Bhimbetka, Jaggayyapet



Bhimbetka, Jaggayyapet, Sanghol, Martand


Martand, Bhimbetka, Sanghol,Jaggayyapet



22. Choose the reverse chronological correct sequence of the following monuments

Teen Darwaza, Buland Darwaza, Dakhil Darwaza, Alai Darwaza


Alai Darwaza, Teen Darwaza, Buland Darwaza, Dakhil Darwaza


Alai Darwaza, Buland Darwaza, Teen Darwaza, Dakhil Darwaza


Buland Darwaza, Teen Darwaza, Dakhil Darwaza, Alai Darwaza


23. Choose the correct sequence according to seniority

Chitamani Kar, D.P. Chowdhury, Ajit Chakraborty, Sarbari RoyChoudhury


D.P. Chowdhury, Chitamani Kar, Ajit Chakraborty, Sarbari RoyChoudhury


Ajit Chakraborty, Sarbari RoyChoudhury, Chitamani Kar, D.P. Chowdhury


Sarbari Roy Choudhury, AjitChakraborty, Chitamani Kar,



D.P. Chowdhury

24. Choose the correct chronologicalsequence of sculptors

Dhanraj Bhagat, AbanindranathTagore, A.M. Davierwalla, K. Kunhiramman


K. Kunhiramman, DhanrajBhagat, Abanindranath Tagore,

A.M. Davierwalla


Abanindranath Tagore, Dhanraj Bhagat, A.M. Davierwalla,

K. Kunhiramman


A.M. Davierwalla,


K. Kunhiramman, Abanindranath Tagore, Dhanraj Bhagat

25. Place in chronological order

Amrita Shergil, Devyani Krishna,Arpana Caur, Vasundhara Tiwari


Devyani Krishna, Arpana Caur,Amrita Shergil, Vasundhara Tiwari


Arpana Caur, Vasundhara Tiwari, Amrita Shergil, Devyani Krishna


Vasundhara Tiwari, Amrita Shergil, Arpana Caur, Devyani Krishna



26. Select the correct chronologicalsequence of the paintings

Demoiselles d'avignon, Abstract Speed, Stone Breaker, Water Lilies


Stone Breaker, Water Lilies,Demoiselles d'avignon,Abstract Speed


Water Lilies, Demoiselles d'avignon, Abstract Speed,Stone Breaker


Water Lilies, Abstract Speed, Stone Breaker, Demoiselles d'avignon



27. Choose the correct sequence of theprinting processes in reverse order

Screen printing, Lithography, Etching, Woodcut


Etching, Woodcut, Screen printing, Lithography


Screen printing, Woodcut,Lithography, Etching


Woodcut, Lithography, Screen printing, Etching



28. Choose the correct chronological sequence

Henri Moore, Albrecht Durer,Francesco de Goya, Pablo Picasso


Henri Moore, Albrecht Durer,Pablo Picasso, Francesco de Goya


Albrecht Durer, Francesco de Goya, Pablo Picasso, Henri Moore


Pablo Picasso, Henri Moore,Albrecht Durer, Francesco de Goya



18. '»ÖêÃÖ ‡•Ö ´ÖÖê¸ü'ˆ×ŒŸÖ ÛúÖ ¯ÖϵÖÖêÝÖ ×ÛúÃÖ®Öê ×ÛúµÖÖ

»Öã›ü×¾ÖÝÖ ´ÖÖ‡ÃÖ ¾ÖÖ®Ö ›ü¸ü ¸üÖêÆêü


¯ÖÖò»Ö ¸ëü›ü


‹»Öê®Ö °»Öê"Ö¸ü


‡¾ÖÖ®Ö "ÖÖ¸ü´Öê±ú



19. '•Ö߸üÖêŒÃÖ' ÛúÖ »ÖÖêÝÖÖê ×ÛúÃÖ ²ÖÎÖÓØ›üÝÖ Ûú´¯Ö®Öß ®Öê ×›ü•ÖÖ‡®Ö ×ÛúµÖÖ

‡¾ÖÖ®Ö "ÖÖ¸ü´Öê±ú †Öî¸ü £ÖÖò´ÖÃÖ ÝÖêÃÖ´ÖÖ¸ü


ÃÖêÝÖ´ÖևÙü¸ü ‡ÓÛú


ÝÖêÆüÖÔ»™ü¸ü ‹Þ›ü ÛÓú¯Ö®Öß


‹›ü´ÃÖ ´ÖÖê׸üµÖÖêÛúÖ



20. ÃÖ¾ÖÔ¯ÖÏ£Ö´Ö ±ãú»Ö ¸üÖê´Ö®Ö ™üÖ‡±êúÃÖ ÛúÖê ×ÛúÃÖ®Öê ×¾ÖÛú×ÃÖŸÖ ×ÛúµÖÖ

×®ÖÛúÖê»ÖÃÖ •Öê®ÃÖ®Ö


Œ»ÖÖê¤ü ÝÖ´ÖÖìÞ›ü


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21. ³ÖÖ¸üŸÖ ´Öë ˆ¢Ö¸ü ÃÖê ¤ü×õÖÞÖ Ûêú ôÖÖ¸üÛúÖë ÛúÖ ÃÖÆüß ÛÎú´Ö "ÖµÖ®Ö Ûú¸ëü …

ÃÖÓ'ÖÖê»Ö, •ÖݵÖÖ¯Öê™ü, ´ÖÖŸÖÔÞ›ü, ³Öß´Ö²Öê™üÛúÖ


´ÖÖŸÖÔÞ›ü, ÃÖÓ'ÖÖê»Ö, ³Öß´Ö²Öê™üÛúÖ, •ÖݵÖÖ¯Öê™ü


³Öß´Ö²Öê™üÛúÖ, •ÖݵÖÖ¯Öê™ü, ÃÖÓ'ÖÖê»Ö, ´ÖÖŸÖÔÞ›ü


´ÖÖŸÖÔÞ›ü, ³Öß´Ö²Öê™üÛúÖ, ÃÖÓ'ÖÖê»Ö, •ÖݵÖÖ¯Öê™ü



22. ×®Ö´®Ö×»Ö×ÜÖŸÖ Ã´ÖÖ¸üÛúÖë ´Öë ÃÖê ÃÖÆüß ×¾Ö¯Ö¸üßŸÖ ÛÎú´Ö ÛúÖ "ÖµÖ®Ö Ûúßו֋

ŸÖß®Ö ¤ü¸ü¾ÖÖ•ÖÖ, ²Öã»ÖÓ¤ü ¤ü¸ü¾ÖÖ•ÖÖ, ¤üÖ×ÜÖ»Ö ¤ü¸ü¾ÖÖ•ÖÖ, †»ÖÖ‡Ô ¤ü¸ü¾ÖÖ•ÖÖ


†»ÖÖ‡Ô ¤ü¸ü¾ÖÖ•ÖÖ, ŸÖß®Ö ¤ü¸ü¾ÖÖ•ÖÖ, ²Öã»ÖÓ¤ü ¤ü¸ü¾ÖÖ•ÖÖ, ¤üÖ×ÜÖ»Ö ¤ü¸ü¾ÖÖ•ÖÖ


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²Öã»ÖÓ¤ü ¤ü¸ü¾ÖÖ•ÖÖ, ŸÖß®Ö ¤ü¸ü¾ÖÖ•ÖÖ, ¤üÖ×ÜÖ»Ö ¤ü¸ü¾ÖÖ•ÖÖ, †»ÖÖ‡Ô ¤ü¸ü¾ÖÖ•ÖÖ



23. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖ ¾Ö׸üšüŸÖÖ Ûêú †®ÖãÃÖÖ¸ü ÃÖÆüß ÛÎú´Ö ÛúÖ "ÖµÖ®Ö Ûúßו֋

×"Ö®ŸÖÖ´Ö×ÞÖ Ûú¸ü, ›üß.¯Öß. "ÖÖî¬Ö¸üß, †×•ÖŸÖ "ÖÛÎú¾ÖŸÖá, ÃÖ¸ü²Ö¸üß ¸üÖµÖ "ÖÖî¬Ö¸üß


›üß.¯Öß. "ÖÖî¬Ö¸üß, ×"Ö®ŸÖÖ´Ö×ÞÖ Ûú¸ü, †×•ÖŸÖ "ÖÛÎú¾ÖŸÖá, ÃÖ¸ü²Ö¸üß ¸üÖµÖ "ÖÖî¬Ö¸üß


†×•ÖŸÖ "ÖÛÎú¾ÖŸÖá, ÃÖ¸ü²Ö¸üß ¸üÖµÖ "ÖÖî¬Ö¸üß,×"Ö®ŸÖÖ´Ö×ÞÖ Ûú¸ü, ›üß.¯Öß. "ÖÖî¬Ö¸üß


ÃÖ¸ü²Ö¸üß ¸üÖµÖ "ÖÖî¬Ö¸üß, †×•ÖŸÖ "ÖÛÎú¾ÖŸÖá,×"Ö®ŸÖÖ´Ö×ÞÖ Ûú¸ü, ›üß.¯Öß. "ÖÖî¬Ö¸üß



24. ´ÖæÙŸÖÛúÖ¸üÖë Ûêú ÃÖÆüß ÛúÖ»ÖÛÎú´Ö ÛúÖ "ÖµÖ®Ö Ûúßו֋

³ÖÝÖŸÖ, †²Ö®Öß®¦ü®ÖÖ£Ö ™îüÝÖÖê¸ü, ‹.‹´Ö. ›üÖ×¾ÖµÖ¸ü¾ÖÖ»ÖÖ, Ûêú. Ûãú®Æü߸ü´ÖÞÖ


Ûêú. Ûãú®Æü߸ü´ÖÞÖ, ³ÖÝÖŸÖ,

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‹.‹´Ö. ›üÖ×¾ÖµÖ¸ü¾ÖÖ»ÖÖ, Ûêú. Ûãú®Æü߸ü´ÖÞÖ,


†²Ö®Öß®¦ü®ÖÖ£Ö ™îÖ¸
üÝÖÖê¸ü, ³ÖÝÖŸÖ

25. ÛúÖ»ÖÛÎú´Ö ´Öë »ÖÝÖÖ‡‹

†´ÖéŸÖÖ ¿Öê¸ü×ÝÖ»Ö, ¤êü¾ÖµÖÖ®Öß ÛéúÂÞÖ, †¯ÖÔÞÖÖ

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†¯ÖÔÞÖÖ ÛúÖî¸ü, ¾ÖÃÖãÓ¬Ö¸üÖ ×ŸÖ¾ÖÖ¸üß,¿Öê¸ü×ÝÖ»Ö, ¤êü¾ÖµÖÖ®Öß ÛéúÂÞÖ

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26. ×®Ö´®Ö×»Ö×ÜÖŸÖ ×"Ö¡ÖÖë ÛúÖ ÃÖÆüß ÛúÖ»ÖÛÎú´Ö "Öã×®Ö‹

›êü´ÖÖêÃÖê»ÃÖ ¤ü †×¾Öݮ֮Ö, ‹²ÖÙÒêüŒ™ü ïÖß›ü, ÙüÖê®Ö ²ÖÎêÛú¸ü, ¾ÖÖ™ü¸ü ×»Ö»Öß•Ö


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†×¾Öݮ֮Ö, ‹²ÖÙÒêüŒ™ü ïÖß›ü


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¾ÖÖ™ü¸ü ×»Ö»Öß•Ö, ‹²ÖÙÒêüŒ™ü ïÖß›ü, ÙüÖê®Ö ²ÖÎêÛú¸ü, ›êü´ÖÖêÃÖê»ÃÖ ¤ü †×¾Öݮ֮Ö



27. "ûÖ¯ÖÖ ×"Ö¡ÖÞÖ ¯ÖÏ×ÛÎúµÖÖ ´Öë ×¾Ö¯Ö¸üßŸÖ ÃÖÆüß ÛÎú´Ö "Öã×®Ö‹

ÃÛÎúß®Ö Ø¯ÖÏØ™üÝÖ, ×»Ö£ÖÖêÝÖÏÖ±úß, ‹Ø"ÖÝÖ, ¾Öã›üÛú™ü


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28. ÃÖÆüß ÛúÖ»ÖÛÎú´Ö ÛúÖ "ÖµÖ®Ö Ûúßו֋

Æêü®Ö¸üß ´Öæ¸ü, †»²ÖÎîÜŸÖ ›ËüµÖæ¸ü¸ü, ±úÖÓ×ÃÖÃÖÛúÖê ×›ü ÝÖÖêµÖÖ, ¯ÖÖ²»ÖÖê ׯÖÛúÖÃÖÖê


Æêü®Ö¸üß ´Öæ¸ü, †»²ÖÎîÜŸÖ ›ËüµÖæ¸ü¸ü, ¯ÖÖ²»ÖÖê ׯÖÛúÖÃÖÖê, ±úÖÓ×ÃÖÃÖÛúÖê ×›ü ÝÖÖêµÖÖ


†»²ÖÎîÜŸÖ ›ËüµÖæ¸ü¸ü, ±úÖÓ×ÃÖÃÖÛúÖê ×›ü ÝÖÖêµÖÖ, ¯ÖÖ²»ÖÖê ׯÖÛúÖÃÖÖê, Æêü®Ö¸üß ´Öæ¸ü


¯ÖÖ²»ÖÖê ׯÖÛúÖÃÖÖê, Æêü®Ö¸üß ´Öæ¸ü, †»²ÖÎîÜŸÖ ›ËüµÖæ¸ü¸ü, ±úÖÓ×ÃÖÃÖÛúÖê ×›ü ÝÖÖµêÖÖ



29. Write in the correct sequence of historical development .

Corporate identity, Cuneiform, Syllabic Writing, Pictogram


Corporate identity, Pictogram, Cuneiform, Syllabic Writing


Cuneiform, Syllabic Writing, Pictogram, Corporate identity


Syllabic Writing, Pictogram, Cuneiform, Corporate identity



30. Choose the correct sequence of decades.

Soap Opera, Consumerism, Consumer Protection, Industrial Revolution


Consumerism, Industrial Revolution, Soap Opera, Consumer Protection


Consumerism, Consumer Protection, Industrial Revolution, Soap Opera


Industrial Revolution, Soap Opera, Consumerism, Consumer Protection



31. Assertion Expressionism is an art style, which allows to depict distortion of forms.
Reason Because it gives freedom to artists to express subjective emotions rather than objective reality.

and both are correct.


is correct, but is incorrect.


is incorrect and is correct.


and are incorrect.



32. Assertion Gandharan Art emphasizes realism of visual forms in manifestation.
Reason Because artists were trained imitating the objective reality.

and both are correct.


is correct but is incorrect.


is incorrect and is correct.


and both are incorrect.



33. Assertion Amrita Shergil mainly focused on Indian themes in painting.
Reason Because she was influenced by Raja Ravi Verma.

and both are correct.


and are incorrect.


is correct but is incorrect.


is incorrect and is correct.



34. Assertion Frida Kahlo was a feminist artist.
Reason Because she made a painting depicting two images of her, entitled "Two Fridas".

and both are correct.


and are incorrect.


is correct but is incorrect.


is incorrect and is correct.



35. Assertion Paraffin Wax is less used in metal casting than the bee-wax.
Reason Because Paraffin Wax is harder and brittle.

and both are incorrect.


and both are correct.


is correct but is incorrect.


is incorrect and is correct.



36. Assertion Shankho Choudhury is a major renowned sculptor of India.
Reason Because he brought the concept of community studio in India for the first time.

and both are incorrect.


and both are correct.


is correct but is incorrect.


is incorrect and is correct.



29. ‹êןÖÆüÖ×ÃÖÛú ×¾ÖÛúÖÃÖ Ûêú ÃÖÆüß ÛÎú´Ö ÛúÖ "ÖµÖ®Ö Ûúßו֋

ÛúÖ¸ü¯ÖÖê¸êü™ü †Ö‡›ëü×™ü™üß, ŒµÖæ®Öß±úÖò´ÖÔ, ×ÃÖ»ÖêײÖÛú ¸üևؙüÝÖ, ׯ֌™üÖêÝÖÏÖ´Ö


ÛúÖ¸ü¯ÖÖê¸êü™ü †Ö‡›ëü×™ü™üß, ׯ֌™üÖêÝÖÏÖ´Ö, ŒµÖæ®Öß±úÖò´ÖÔ, ×ÃÖ»ÖêײÖÛú ¸üևؙüÝÖ


ŒµÖæ®Öß±úÖò´ÖÔ, ×ÃÖ»ÖêײÖÛú ¸üևؙüÝÖ, ׯ֌™üÖêÝÖÏÖ´Ö, ÛúÖ¸ü¯ÖÖê¸êü™ü †Ö‡›ëü×™ü™üß


×ÃÖ»ÖêײÖÛú ¸üևؙüÝÖ, ׯ֌™üÖêÝÖÏÖ´Ö, ŒµÖæ®Öß±úÖò´ÖÔ, ÛúÖ¸ü¯ÖÖê¸êü™ü †&Ou