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Test Booklet No.
PAPER-II
Time 1 1/4 hours] [Maximum Marks 100 TRIBAL AND REGIONAL LANGUAGE LITERATURE
Number of Pages in this Booklet 16 Number of Questions in this Booklet 50 Instructions for the Candidates
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2. This paper consists of fifty multiple-choice type of questions.
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11.
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TRIBAL AND REGIONAL LANGUAGE -LITERATURE
Paper II

Note This paper contains fifty objective type questions, each question carrying two

marks. Attempt all the questions.
1. Who was the propounder of 'Bongaism'

Malinowsky


Redcliff Brown


Majumdar


Coderington



2. Which of the following is needed for the progress of a country or society

Change of the Government


Loyalty


Working hard


Morality and hard work



3. Which of the following tribes of Jharkhand is known for smelting iron

Oraon Santal


Kharia Asur



4. Who among the following is British diffusionist scholar

Fredrich Ratzel


Grafton Elliot Smith


Clark Wizler


A.L. Kroeber



5. What should be the nature of the study of castes today

Comparative


Classification


One-sided


Historical


6. What is in the following

Youth dormitory


Place of worship


Place of cultural performance


Place of war


7. Which of the following is nearer to ethnology

Physical Anthropology


Economics


Social Anthropology


Psychology


8. Why is the ethnological study needed today in a multi-tribal industrial area

To keep in touch with the tribes in the industrial atmosphere.


To know the social evils of the area.


To bring improvement in the economic condition of the people.


To promote them from educational point of view.


-ÖÖê™ü
1.

2.

3.

4.


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׿Ö.ÖÖ .úß ¥üÛ™ü ÃÖê ˆ-Ö.úÖê †Ö.Öê ²ÖœÍüÖ-Öê .êú
‹.‹»Ö. .ÎúÖê²Ö¸ü ×»Ö‹ …

9. Which of the following tribes of Jharkhand has the largest population

Oraon Munda


Kharia Ho


Read the following description with attention and answer question numbers 10 to 14
After the tribal people's Agneya family, the place of the Oraons in the Dravid family is very important. The Oraon Society has a great love for music. The variety of music and dance among them is amazing, there is hardly any other community that is comparable with their artistic excellence. Their dress and musical instruments too are beautiful to look at. Their beautiful appearance and sweet sound makes one feel like rushing to the dance ground. mandar, nagara, thechka, ghanti, tirio etc. are their favourite musical instruments.
The dance of the Oraon are performed all year round with great joy. They cannot even imagine to live without them. There are some kinds of songs which are accompanied neither by any musical instrument or by any dance. Apart from Kurukh songs there is an abundance of Nagpuri songs among the Oraon. These songs are very pleasant in their style and melody.
The collections of folk songs by
W.G. Archer and Dharam Das Lakra are proofs of this. Many of the songs relating to rituals of wedding are in Nagpuri in addition to Kurukh. The Oraons have been greatly influenced by the Sadans. Infact Sadan, Munda, Oraon and Kharia have a history of living together from time immemorial. Consequently their being influenced by each other's music and dance is quite natural.

10. Which of the following is correct

After the Agneya family the importance of the Oraon among the Dravid is less.


The Oraon can imagine living even without music.


The history of the Munda, Oraon, Kharia and Sadan living together is unknown.


The music and dance of the Munda, Oraon, Kharia and Sadan are not influenced by each other.



11. Regarding which element is the Oraon music and dance incomparable

Sweetness


Artistic Presentation


Love of Music


Beauty



9. —ÖÖ¸ü.Ö›Óü .úß ×-Ö´-Ö×»Ö×.ÖŸÖ •ÖÖןֵÖÖë ´Öë ×.ú-Ö.úß ÃÖ.µÓÖÖ ÃÖ¾ÖÖ׬ÔÖ.ú Æîü

ˆ¸üÖѾÖ


´Ö.›ãüÖ


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10. ×-Ö´-ÖÖÓÖ ´ë .úÖ-Ö ÃÆüß Æü×.úŸÖîÖî?

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11. ×.úÃÖ ŸÖ¢¾Ö .úÖê »Ö.ú¸êü ˆ¸üÖ¾ÑÖ -ÖéŸµÖ †Ö¸îü ÃÖÓ.ÖßŸÖ .úß ŸÖ»ãÖ-ÖÖ -ÖÆüà .úß •ÖÖ ÃÖ.úŸÖß

´Ö¬Ö¸ãüŸÖÖ


.ú»ÖÖŸ´Ö.úŸÖÖ


ÃÖ.ÓÖߟÖׯֵÏÖŸÖÖ


ÃÖ-¤ãü¸üŸÖÖ



12. Among the Oraons, what songs are more abundant than in Kurukh

Chhotanagpuri


Mundari


Sadri


Jharkhandi



13. Why does one become anxious to get into the Akhra

For beauty and sweetness.


For beautiful dancing women.


For sweet sounding musical instrument.


Because of not able to control themselves.



14. Who is a collector of Oraon folk songs

W.G. Hunter


W.G. Prust


Dharmdas Lakra


Masihdas Lakra



15. Where do the words exist

Dictionary


Literature


Sentence


Morpheme



16. Which among the following is the correct example of Voicing

Kak Kag


Megh Mekh


Vesh Bhes


Banar Bandar



17. 'Mera Garibkhana', 'Apka daulatkhana' are examples of

Satire


Humility


Emotional stress


Environmental change



18. Devanagari is the script of the group

Pictographic script


Syllabic script


Symbolic script


Idiographic script



19. Ta, Tha, Da, Dha, N are the sounds of the group.

Retroflexed


Velar


Velar fricative


Glottal



ÖÑÖú›ú†×Ÿ×¸Ö .ÖÖ

12. ˆ¸ü¾ÖÖë ´ë .ãåÍü.Ö .êÖüŒŸ×.ú-Ö Öߟë .úß ³Ö¸ü´ÖÖ¸ü Æîü

"ûÖ™êüÖ-ÖÖ.Ö¯Ö¸ãüß


´Öã.›üÖ¸üß


ÃÖ¤ü¸üß


—ÖÖ¸ü.ÖÓ›üß



13. »ÖÖ.†.Ö¸Ö "Öœü-Öê .êÖ‹ Œµë ˆŸÖÖ¾»ÖÆüÖê ÖÖŸêêÖ üÍú×»ÖÖÖê•ÖÆïü

ÃÖ-¤ãü¸üŸÖÖ †Ö¸îü ´Ö¬Öã¸üŸÖÖ ÃÖê


ÃÖã-¤ü¸ü -ÖŸÖ×.úµÔÖÖë .ú ×»êÖ‹


´¬ãü¾ÖÖÓÖÖ.êÖ‹

ÖÖ¸ªµÖ¡ë ú×»


†¯Ö-Öê .úÖê ¸üÖê.ú .êú .úÖ¸ü.Ö



14. ˆ¸ü¾Ö »ÖÖ.ú.ߟÖ.ú ÃÓÖ-.úŸÖÖ.úÖ-Ö ÆüÖÑêÖÖëêÖ.ú»ÖÔ

›ü²»µÖ.•æÖß. ÆüÓ™ü¸ü


›ü²»µÖ.•æÖß. ¯ÖÙÏãü


¬Ö´Ö¤ÔüÖÃÖ »Ö.ú›ÍüÖ


´ÖÃÖßÆü¤üÖÃÖ »Ö.ú›üÍÖ



15. ¿Ö²¤üÖë .úÖ †Ûß֟¾Ö .úÆüÖÑ ¸üÆüŸÖÖ Æüî?

¿Ö²¤ü.úÖ¿êÖ ´Öë


ÃÖÖ×ÆüŸµÖ ´Öë


¾ÖÖŒµÖ ´Öë


¯Ö¤ü ´Öë



16. ×-Ö´-Ö×»Ö×.ÖŸÖ ´Öë 'ÖÖêÂÖß.ú¸ü.Ö .úÖ ÃÖÆüß ˆ¤üÖÆü¸ü.Ö
.úÖî-Ö Æîü

.úÖ.ú .úÖ.Ö


´Öê.Ö


¾Öê¿Ö ³ÖêÂÖ


¾ÖÖ-Ö¸ü ²Ö-¤ü¸ü



17. '´Ö¸êüÖ '†Ö¯Ö.úÖ ¤üÖî»ÖŸÖ.ÖÖ-ÖÖ' ×.úÃÖ.úÖ ˆ¤üÖÆü¸ü.Ö Æîü

¾µÖ.µÓÖ


×¾Ö-Ö´ÖŸÏÖÖ


³ÖÖ¾ÖÖŸ´Ö.ú ²Ö»Ö


¯Ö׸ü¾Ö¿êÖ ¯Ö׸ü¾ÖŸÖÔ-Ö



18. ¤üê¾Ö-ÖÖ.Ö¸üß ×.úÃÖ ¾Ö.ÖÔ .úß ×»Ö×¯Ö Æüî?

×"Ö¡Ö×»ÖׯÖ


†.Ö¸üÖŸ´Ö.ú ×»ÖׯÖ


¯ÖŸÏÖß.úÖŸ´Ö.ú ×»ÖׯÖ


³ÖÖ¾Ö´Öæ»Ö.ú ×»ÖׯÖ



19. ™ü, šü, ›ü, .Ö ×.úÃÖ ¾Ö.ÖÔ .úß ¬¾Ö×-ÖµÖÖÑ

´Ö¨æüÔ-µÖ


†-ŸÖãÖ


וÖžÖÖ´Öæ»ÖßµÖ ÃÖ'ÓÖÂÖá


.úšÓü¶



20. Which group is most matching
List-I List II Theories on
Name of
origin of Linguists Language

Supporter of Prof. Max. divine theory Muller


Founder of Prof. Renan agreement theory


Founder of Rousseau Ding-Dong theory


Critic of Sussmilch Wow theory


Code















21. What is the main theory of Vedanta

Brahmawada


End of the Veda


Mayawada


Lilawad




22. What has M imansa originated from

Purana


Panchashika


Veda


Adhyatma Ramayana



23. Padma Purana is related to

Vedic Religion


Buddhism


Karma Kanda


Jain Religion



24. In which sect 'Bhakti' is described as 'Moksha'


Gaud iya Vaishnava sect


Madhwa sect


Ramananda sect


Bhagwata sect



25. What is meant by Sarveshwar

All are God


Only one God exists everywhere


Shubha (virtue) is God


Universe beyond Dharma-Adharma



26. To which category belong the writings of Qutuban

Krishnashray i


Ramashray i


Premamulaka


Nirgun Bhakti



20. ×.úÃÖ ÃÖ´ÖÆæü ´Öë ÃÖÆüß ×´Ö»ÖÖ-Ö Æüî? ÃÖ"Öß I ÃÖæ"Öß II
³ÖÖÂÖÖ ˆŸ¯Ö×¢Ö ³ÖÖÂÖÖ ×¾Ö-ÖÖ-Öß .úÖ ×ÃÖ¨üÖ-ŸÖ

¤üî¾Öß ×ÃÖ¨üÖ-ŸÖ .úÖ ¯ÖÏÖ. ´êÖŒÃîÖ ´Ö»æÖ¸ü ÃÖ´Ö£ÖÔ.ú


ÃÖ´Ö—ÖÖŸîÖÖ¾ÖÖ¤ü .úÖ ¯ÖÖÏê. ¯ÖÏן֯ÖÖ¤ü.ú


¬ÖÖŸÖã ×ÃÖ¨üÖ-ŸÖ .úÖ ºþÃÖÖê ¯ÖÏן֯ÖÖ¤ü.ú


¬¾Ö-µÖÖ-Öã.ú¸ü.Ö ÃÖãÃÖ×´Ö»¿Ö ×ÃÖ¨üÖ-ŸÖ .úÖ


†Ö»ÖÖ"êÖ.ú
.ú™æü


(iii)












21. ¾Öê¤üÖ-ŸÖ .úÖ ´Ö.µãÖ ×ÃÖ¨üÖ-ŸÖ ŒµÖÖ Æüî?

²ÖÎɾÖÖ¤ü


¾Öê¤ü .úÖ †ÓŸÖ


´ÖÖµÖÖ¾ÖÖ¤ü


»Öß»ÖÖ¾ÖÖ¤ü



22. ´Öß´ÖÖÓÃÖÖ .úÖ ˆ¤Ëü³Ö¾Ö ×.úÃÖÃÖê Æãü†Ö

¯Ö¸ãüÖ.Ö


¯Ö"ÓÖÖ׿Ö.úÖ


¾Ö¤êü


†¬µÖÖŸ´Ö ¸üÖ´ÖÖµÖ.Ö



23. ¯Ö© ¯Ö¸ãüÖ.Ö .úÖ ÃÖ²ÓÖ¬ÓÖ Æîü

¾Öîפü.ú ¬Ö´ÖÔ ÃÖê


²ÖÖ¨îü ¬Ö´ÖÔ ÃÖê


.ú´ÖÔ.úÖ.›ü ÃÖê


¬Ö´ÖÔ ÃÖê



24. ³ÖÛŒŸÖ .úÖê ´ÖÖê.Ö ŸÖ»µãÖ ×.úÃÖ ÃÖ´¯Ö¤ÏüÖµÖ ´Öë .úÆüÖ .ÖµÖÖ Æîü

.ÖÖ›îÍüßµÖ ¾ÖîÂ.Ö¾Ö ÃÖ´¯Ö¤ÏüÖµÖ


´Ö¬¾Ö ÃÖ´¯Ö¤ÏüÖµÖ


¸üÖ´ÖÖ-Ö-¤ü ÃÖ´¯Ö¤ÏüÖµÖ


³ÖÖ.Ö¾ÖŸÖ ÃÖ´¯ÖϤüÖµÖ



25. ÃÖ¾Ö쿾ָü .úÖ ŒµÖÖ †£ÖÔ Æüî?

ÃÖ³Öß ‡Ô¿¾Ö¸ü Æüï…


×ÃÖ±ú ‹.ú ‡ÔÔ¿¾Ö¸ü ÃÖ¾ÖÔ¡Ö ¸üÆüŸÖÖ Æüî…


¿Ö³ãÖ Æüß ‡¿¾ÔÖ¸ü Æîü …


¬´Ô Ö´ÔÃê¯Ö¸.ú²ÖÖ.›


ÖÖ­†¬ÖÖ üêÖ ÎÉü…


26. .úŸãÖã²Ö-Ö .úß ¸ü"Ö-ÖÖ†Öë .úÖê ×.úÃÖ ÁÖ.êÖß ´Öë ¸ü.Öë.Öê

.éúÂ.ÖÖÁÖµÖß


¸üÖ´ÖÖÁÖµÖß


¯ÖêÏ´Ö ´Ö»æ Ö.ú


×-Ö.ÖÔã.Ö ³ÖÛŒŸÖ



27. 'Arunodaya Samwad-Patra' used to be published in

Hindi


Assamees


Oriya


Bengali



28. What is 'Tar Saptak'

Book of music


Violin


Novel


Collection of poems



29. Which is the modern play of Prasad
Kamana


Dhrvaswamin i


Mudra Rakshasa


Janmejaya Ka Nagyagya



30. Which is the correct historical order of medieval Hindi Poets listed below

Kabirdas, Tulsidas, Biharilal, Bhushan.


Tulsidas, Kabirdas, Biharilal, Bhushan.


Kabirdas, Biharilal, Tulsidas, Bhushan.


Tulsidas, Kabirdas, Bhushan, Biharilal.



31. 'Poetry is a spontaneous outburst of powerful feelings', who stated this

Coleridge


Shelley


Wordsworth


Mathew Arnold



32. What is the natural outcome of feeling

Logic Intellect


Imagination Thought



33. What is more important than the subject in Literature

Attitude of the writer


Language


Feeling


Technique



34. What is the main base of dramatic Art

Neutrality of writer


Dialogue


Character


Theme



35. What is the structural similarity between song and personal essay

Personality of writer


Intensification of feeling


Language


Technique



27. †¹ý.ÖÖê¤üµÖ ÃÖ¾ÓÖÖ¤ü­¯Ö¡Ö ×.úÃÖ ³ÖÖÂÖÖ ´Öë ×-Ö.ú»ÖŸÖÖ £ÖÖ

×Æü-¤üß


†ÃÖ×´ÖµÖÖ


ˆ×›ÍüµÖÖ


²ÖÓ.Ö»ÖÖ



28. ÃÖ¯ŸÖ.ú' ŒµÖÖ Æüî?

ÃÖ.ÓÖßŸÖ .ÖÏ£ÓÖ


¾ÖÖµÖ»Öß-Ö


ˆ¯Ö-µÖÖÃÖ


.ú×¾ÖŸÖÖ ÃÖÓ.ÖÆÏü



29. ¯ÖÃÏÖÖ¤ü .úÖ †Ö¬Ö×-ãÖ.ú -ÖÖ™ü.ú .úÖ-îÖ ÃÖÖ Æîü

.úÖ´Ö-ÖÖ


¬ÖãоÖþÖÖ×´Ö-Öß


´Ö¦ãüÖ¸üÖ.ÖÃÖ


•Ö-´Ö•êÖµÖ .úÖ



30. ×-Ö´-Ö×»Ö×.ÖŸÖ ´Ö¬µÖ.úÖ»Öß-Ö ×Æü-¤üß .ú×¾ÖµÖÖë ´Öë ÃÖê .úÖ-îÖ ÃÖÖ ‹êןÖÆüÖ×ÃÖ.ú †-Ö.ãÎú´Ö ÃÖÆüß Æîü

.ú²Ö߸ü¤üÖÃÖ, ŸÖ»ãÖÃÖߤüÖÃÖ, ײÖÆüÖ¸üß»ÖÖ»Ö, ³ÖÂæÖ.Ö


ŸÖã»ÖÃÖߤüÖÃÖ, .ú²Ö߸ü¤üÖÃÖ, ײÖÆüÖ¸üß»ÖÖ»Ö, ³ÖÂæÖ.Ö


.ú²Ö߸ü¤üÖÃÖ, ײÖÆüÖ¸üß»ÖÖ»Ö, ŸÖã»ÖÃÖߤüÖÃÖ, ³ÖÂæÖ.Ö


ŸÖ»ãÖÃÖߤüÖÃÖ, .ú²Ö߸ü¤üÖÃÖ, ³ÖæÂÖ.Ö, ײÖÆüÖ¸üß»ÖÖ»Ö



31. '.ú×¾ÖŸÖÖ ³ÖÖ¾Ö-ÖÖ†Öë .úß ÃÖÆü•Ö
†×³Ö¾µÖÛŒŸÖ µÖÆü ˆÛŒŸÖ ×.úÃÖ.úß Æüî?

.úÖê»Ö׸ü•Ö


¿Ö»îÖß


¾Ö›üÔËÃÖ¾Ö£ÖÔ


´Ö£µîÖæ †Ö-ÖÔ»›ü




32. ³ÖÖ¾Ö-ÖÖ†Öë .úß ÃÖÆü•Ö ¯Ö׸ü.Ö×ŸÖ ŒµÖÖ Æîü

ŸÖ.Ôú ²Öרãü


.ú»¯Ö-ÖÖ Ø"ÖŸÖ-Ö



33. ÃÖÖ×ÆüŸµÖ ´Öë ×¾ÖÂÖµÖ .úß †¯Ö.êÖÖ ŒµÖÖ ´ÖÆü¢¾Ö¯Öæ.ÖÔ Æüî?

»Ö.êÖ.ú .úß ¥üÛ™ü


³ÖÖÂÖÖ


³ÖÖ¾Ö-ÖÖ‹Ñ


׿ֻ¯Ö



34. -ÖÖ™ü˵Ö.ú»ÖÖ .úß ´Ö.µãÖ ×³Ö×¢Ö ŒµÖÖ Æüî?

»Öê.Ö.ú .úß ŸÖ™üã֟ÖÖ


ÃÖ¾ÓÖÖ¤ü


"Ö׸ü¡Ö


.ú£ÖÖ¾ÖßÖã



35. .ÖßŸÖ †Ö¸îü »Ö×»ÖŸÖ ×-Ö²ÖÓ¬Ö ´Öë ÃÖ¸Óü"Ö-ÖÖŸ´Ö.ú ÃÖ´ÖÖ-ÖŸÖÖ ŒµÖÖ Æîü

»Öê.Ö.ú .úÖ ¾µÖÛŒŸÖŸ¾Ö


³ÖÖ¾ÖÖë .úß


³ÖÖÂÖÖ


׿ֻ¯Ö



36. What is the basic motivation for poetic creativity according to Marx

Inferiority complex


Class-struggle


Economy


Social revolution



37. What does art make a man

Lazy


Utopian


Escapist


Active



38. Who is the example of 'Dhirlalit' character

Lord Rama


Lord Krishna


Ravna



Mahavira

39. 'vakyam rasatmakam kavyam.' Who provided this definition of poetry

Acharya Dandi


Acharya Bhamah


Acharya Mammat


Acharya Vishwanath



40. Which grouping of the assertion and reason is most appropriate in the following
Assertion According to Indian dramatologists, there are three elements of drama Theme, Hero and Rasa.
Reason Because Theme includes environment, Hero includes character, dialogue, action and Rasa includes language, style and aim.

Both and are correct.


Both and are not correct.


is correct, but is not.


is not correct, but is correct.



41. Who is the author of 'Sahitya Darpan'

Acharya Mammat


Pandit Jagannath


Acharya Vishwanath


Acharya Bhamah



42. Which poetic quality is desired in 'Shringar Rasa'
Oj Prasad

Gambh ira Madhura

36. ´ÖÖŒÃÖÔ .êú †-ÖãÃÖÖ¸ü .úÖ¾µÖ­ÃÖ•éÖ-Ö .úß ´Ö»æÖ ¯Ö¸Ïêü.ÖÖ ŒµÖÖ Æîü

Æüß-Ö .ÖÏ×£ÓÖ


¾Ö.ÖÔ ÃÖÓ'ÖÂÖÔ


†£ÖÔ¾µÖ¾ÖãÖÖ


ÃÖÖ´ÖÖוÖ.ú .ÎúÖÛ-ŸÖ



37. .ú»ÖÖ ´Ö-Öã嵅 .úÖê ŒµÖÖ Æîü

.úÖ×Æü»Ö


þ֯-Ö•Öß¾Öß


¯Ö»ÖÖµÖ-Ö¾ÖÖ¤üß


.ú´ÖšÔü



38. »Ö×»ÖŸÖ' "Ö׸ü¡Ö .úÖ ÁÖšêü ˆ¤üÖÆü¸ü.Ö .úÖ-îÖ Æüî?

³Ö.Ö¾ÖÖ-Ö ¸üÖ´Ö


³Ö.Ö¾ÖÖ-Ö .éúÂ.Ö


¸üÖ¾Ö.Ö


´ÖÆüÖ¾Ö߸ü



39. '¾ÖÖŒµÖ´Ö ¸üÃÖÖŸ´Ö.ú´Ö .úÖ¾µÖ´Ö' .úÖ¾µÖ .úß µÖÆü ¯Ö׸ü³ÖÖÂÖÖ ×.úÃÖ-Öê ¤üß Æüî?

†Ö"ÖÖµÖÔ ¤ü.›üß


†Ö"ÖÖµÖÔ ³ÖÖ´ÖÆü


†Ö"ÖÖµÖÔ ´Ö´´Ö™ü


†Ö"ÖÖµÖÔ ×¾Ö¿¾Ö-ÖÖ£Ö



40. ×-Ö´-Ö×»Ö×.ÖŸÖ ´Öë ãÖÖ¯Ö-ÖÖ †Öî¸ü .úÖ¸ü.Ö .úÖ .úÖ-îÖ ÃÖÖ .ÖãÏ¯Ö ÃÖ¾ÖÖ׬ÔÖ.ú ˆ¯ÖµÖãŒŸÖ Æîü
ãÖÖ¯Ö-ÖÖ ³ÖÖ¸üŸÖßµÖ -ÖÖ™ËüµÖ¿ÖÖÛáֵÖÖë .úê
†-ÖãÃÖÖ¸ü -ÖÖ™ü.ú .ú ŸêÖß-Ö ŸÖ¢¾Ö Æïü ¾ÖßÖã, -ÖÖµÖ.ú †Öî¸ü ¸üÃÖ …
.úÖ¸ü.Ö ŒµÖÖë×.ú ¾ÖßÖã ´Öë ¯Ö׸ü¾Ö¿êÖ, -ÖÖµÖ.ú ´Öë ÃÖÓ¾ÖÖ¤ü ‹¾ÖÓ †×³Ö-ÖµÖ ŸÖ£ÖÖ ¸üÃÖ ´Öë ³ÖÖÂÖÖ ¿Ö»îÖß ‹¾ÖÓ ˆ§êü¿µÖ ÃÖ´ÖÖ×ÆüŸÖ ¸üÆüŸÖê Æüï…

†Ö¸îü ¤üÖ-êÖÖë ÃÖÆüß Æüï…


†Öî¸ü ¤üÖê-ÖÖë ÃÖÆüß -ÖÆüà Æüï…


ÃÖÆüß Æüî, ¯Ö¸ü ÃÖÆüß -ÖÆüà Æüî…


ÃÖÆüß -ÖÆüà Æîü, ¯Ö¸ü ÃÖÆüß Æüî…




41. ÃÖÖ×ÆüŸµÖ ¤ü¯Ö.ÔÖ .ú ¸êü"Ö×µÖŸÖÖ .úÖî-Ö

†Ö"ÖÖµÖÔ ´Ö´´Ö™ü


¯Ö×›ÓüŸÖ


†Ö"ÖÖµÖÔ ×¾Ö¿¾Ö-ÖÖ£Ö


†Ö"ÖÖµÖÔ ³ÖÖ´ÖÆü



42. ÀÖ.ÓéÖÖ¸ü ¸üÃÖ ´Öë .úÖî-Ö ÃÖÖ .úÖ¾µÖ .Öã.Ö ¾ÖÖÓ×"ûŸÖ Æîü

†Ö•êÖ


¯ÖÃÏÖÖ¤ü


.ÖÖÓ³ÖßµÖÔ


´ÖÖ¬ÖãµÖÔ



43. Who propounded the theory of

'Sadharan ikaran'

Bhatt Lollat


Abhinav Gupta


Shankuk


Bhattnayak



44. What is the relationship between 'Upmeya' and 'Upmana' in 'Upama Alankar'

Sadrisya


Sambhavya


Abhed


Anyonya



45. Which 'Arthalankar is in 'Chhavigrih

Deep Shikha Janu Bara

Roopak


Utpreksha


Bhrantiman


Sandeh



46. In Nyunpad dosh

Words are more than required


Words are less than required


Desired words do not exist


Undesired words are more than one



47. What is the direct identify of folk literature

Expression of 'Muni Manas'


Expression of Janmanas


Expression of Lokmanas


Expression of Atindriya-Manas



48. Which of the following statements regarding folk literature is by Hazari Prasad Dwiwedi

Folk literature is the Veda of folk-life.


Folk literature is the expression of folk mind.


There is an inner story of village life in folk literature.


Folk literature is an accumulated treasure of knowledge.



49. What is the name of the song sung by a mother to make children sleep

Ritual song


Festival song


Lullaby


Work song



50. In which folk-tales does historicity exist comparatively more

Myth


Legend


Fairy tale


Creation story



43. 'ÃÖÖ¬ÖÖ¸ü.Öß.ú¸ü.Ö' .úê×ÃÖ¨üÖ-ŸÖ .úÖ ¯ÖÏן֯ÖÖ¤ü-Ö ×.úÃÖ-Öê ×.úµÖÖ

³Ö¼ü »ÖÖê»»Ö™ü


†×³Ö-Ö¾Ö .Ö¯ŸãÖ


¿ÖÓ.ãú.ú


³Ö¼ü-ÖÖµÖ.ú



44. ˆ¯Ö´ÖÖ †»ÖÓ.úÖ¸ü ´Öë ˆ¯Ö´ÖêµÖ †Ö¸îü ´Öë ŒµÖÖ ÃÖÓ²ÖÓ¬Ö ÆüÖêŸÖÖ Æüî?

ÃÖÖ¥ü¿µÖ


ÃÖ³ÓÖÖ¾µÖ


†³Ö¤êü


†-µÖÖ-µêÖ



45. '"û×¾Ö.ÖÆéü ¤ü߯Ö׿Ö.ÖÖ •Ö-Öã ²Ö¸ü‡'Ô´Öë .úÖ-îÖ ÃÖÖ
†£ÖÖÔ»ÖÓ.úÖ¸ü Æîü

ºþ¯Ö.ú


ˆŸ¯ÖÏ.êÖÖ





ÃÖÓ¤êüÆü



46. ¯Ö¤ü ¤üÖÂêÖ ´Öë

¿Ö²¤ü •Öºþ¸üŸÖ ÃÖê †×¬Ö.ú ÆüÖŸêÖê Æïü …


¿Ö²¤ü •Öºþ¸üŸÖ ÃÖê .ú´Ö ÆüÖêŸÖê Æüï…


¾ÖÖÓ×"ûŸÖ ¿Ö²¤ü -ÖÆüà ¸üÆüŸÖÖ …


†¾ÖÖÓ×"ûŸÖ ¿Ö²¤ü ‹.ú ÃÖê †×¬Ö.ú ¸üÆüŸÖê Æïü …



47. »ÖÖê.ú ÃÖÖ×ÆüŸµÖ .úß ÃÖ߬Öß ŒµÖÖ Æüî?

´Ö×-ãÖ´ÖÖ-ÖÃÖ .úß †×³Ö¾µÖÛŒŸÖ


.úß †×³Ö¾µÖ&Ucir