PAPER-II
VISUAL ARTS

Signature and Name of Invigilator
1.
(Signature) OMR Sheet No. ............................................... (To be filled by the Candidate)

(Name)
Roll No.


2.
(Signature) (In figures as per admission card)




(Name) Roll (In words)
D 7 9 1 4

Time 1 1/4 hours] [Maximum Marks 100
Number of Pages in this Booklet 24 Instructions for the Candidates
1.
Write your roll number in the space provided on the top of this page.

2.
This paper consists of fifty multiple-choice type of questions.

3.
At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below

To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet.
Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given.
After this verification is over, the OMR Sheet Number should be entered on this Test Booklet.


4.
Each item has four alternative responses marked and You have to darken the circle as indicated below on the correct response against each item.


Example

where is the correct response.

5.
Your responses to the items are to be indicated in the OMR Sheet given inside the Paper I Booklet only. If you mark at any place other than in the circle in the OMR Sheet, it will not be evaluated.

6.
Read instructions given inside carefully.

7.
Rough Work is to be done in the end of this booklet.

8.
If you write your Name, Roll Number, Phone Number or put any mark on any part of the OMR Sheet, except for the space allotted for the relevant entries, which may disclose your identity, or use abusive language or employ any other unfair means such as change of response by scratching or using white fluid, you will render yourself liable to disqualification.

9.
You have to return the test question booklet and Original OMR Sheet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. You are, however, allowed to carry original question booklet and duplicate copy of OMR Sheet on conclusion of examination.

10.
Use only Blue/Black Ball point pen.

11.
Use of any calculator or log table etc., is prohibited.

12.
There is no negative marks for incorrect answers.

13.
In case of any discrepancy in the English and Hindi versions, English version will be taken as final.


Number of Questions in this Booklet 50
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1.
‡ÃÖ ¯Öéšü Ûêú ‰ú¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö ¯Ö¸ü †¯Ö®ÖÖ ¸üÖê»Ö ®Ö´²Ö¸ü ×»Ö×ÜÖ‹ …

2.
‡ÃÖ ¯ÖÏ¿®Ö-¯Ö¡Ö ´Öë ¯Ö"ÖÖÃÖ ²ÖÆãü×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æïü …

3.
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•ÖÖÑ"Ö Ûêú ×»Ö‹ פüµÖê •ÖÖµÖëÝÖê, וÖÃÖÛúß •ÖÖÑ"Ö †Ö¯ÖÛúÖê †¾Ö¿µÖ Ûú¸ü®Öß Æîü
¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê Ûêú ×»Ö‹ ˆÃÖÛêú Ûú¾Ö¸ü ¯Öê•Ö ¯Ö¸ü »ÖÝÖß ÛúÖÝÖ•ÖÛúß ÃÖᯙ ÛúÖê ±úÖ›Ìü »Öë … ÜÖã»Öß Æãü‡Ô µÖÖ ×²Ö®ÖÖ Ã™üßÛú¸ü-ÃÖᯙ Ûúß
¯Öã×ßÖÛúÖ Ã¾ÖßÛúÖ¸ü Ûú¸ëü …
Ûú¾Ö¸ü ¯Öéšü ¯Ö¸ü "û¯Öê ×®Ö¤ìü¿ÖÖ®ÖãÃÖÖ¸ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ Ûêú ¯Öéšü ŸÖ£ÖÖ¯ÖÏ¿®ÖÖë Ûúß ÃÖÓܵÖÖ ÛúÖê †""ûß ŸÖ¸üÆü "ÖîÛú Ûú¸ü »Öë ×Ûú µÖê ¯Öæ¸êüÆïü … ¤üÖêÂÖ¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ ×•Ö®Ö´Öë ¯Öéšü/¯ÖÏ¿®Ö Ûú´Ö ÆüÖë µÖÖ ¤ãü²ÖÖ¸üÖ †ÖÝÖµÖê ÆüÖë µÖÖ ÃÖß׸üµÖ»Ö ´Öë ÆüÖë †£ÖÖÔŸÖË ×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü Ûúß¡Öã×™ü¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ Ã¾ÖßÛúÖ¸ü Ûú¸ëü ŸÖ£ÖÖ ˆÃÖß ÃÖ´ÖµÖ ˆÃÖê»ÖÖî™üÖÛú¸ü ˆÃÖÛêú ãÖÖ®Ö ¯Ö¸ü ¤æüÃÖ¸üß ÃÖÆüß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ »Öê »Öë …
‡ÃÖÛêú ×»Ö‹ †Ö¯ÖÛúÖê ¯ÖÖÑ"Ö ×´Ö®Ö™ü פüµÖê •ÖÖµÖëÝÖê … ˆÃÖÛêú ²ÖÖ¤ü ®ÖŸÖÖê †Ö¯ÖÛúß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¾ÖÖ¯ÖÃÖ »Öß •ÖÖµÖêÝÖß †Öî¸ü Æüß †Ö¯ÖÛúÖê
†×ŸÖ׸üŒŸÖ ÃÖ´ÖµÖ ×¤üµÖÖ •ÖÖµÖêÝÖÖ …
‡ÃÖ •ÖÖÑ"Ö Ûêú ²ÖÖ¤ü OMR ¯Ö¡ÖÛú Ûúß ÛÎú´Ö ÃÖÓܵÖÖ ‡ÃÖ ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ¯Ö¸ü †Ó×ÛúŸÖ Ûú¸ü ¤ëü …

4. ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ×»Ö‹ "ÖÖ¸ü ˆ¢Ö¸ü ×¾ÖÛú»¯Ö ŸÖ£ÖÖ ×¤üµÖêÝÖµÖê Æïü … †Ö¯ÖÛúÖê ÃÖÆüß ˆ¢Ö¸ü Ûêú ¾Öé¢Ö ÛúÖê ¯Öê®Ö ÃÖê ³Ö¸üÛú¸ü ÛúÖ»ÖÖ Ûú¸ü®ÖÖ Æîü
•ÖîÃÖÖ ×Ûú ®Öß"Öê פüÜÖÖµÖÖ ÝÖµÖÖ Æîü …

ˆ¤üÖÆü¸üÞÖ
•Ö²Ö×Ûúú(C) ÃÖÆüß ˆ¢Ö¸ü Æîü …

5. ¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü Ûêú¾Ö»Ö ¯ÖÏ¿®Ö ¯Ö¡Ö I Ûêú †®¤ü¸ü פüµÖê ÝÖµÖê OMR ¯Ö¡ÖÛú ¯Ö¸ü Æüß
†Ó×ÛúŸÖ Ûú¸ü®Öê Æïü … µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü פüµÖê ÝÖµÖê ¾Öé¢Ö Ûêú †»ÖÖ¾ÖÖ×ÛúÃÖß †®µÖ ãÖÖ®Ö ¯Ö¸ü ˆ¢Ö¸ü ×"ÖÅ®ÖÖÓ×ÛúŸÖ Ûú¸üŸÖê ŸÖÖê ˆÃÖÛúÖ ´Ö滵ÖÖÓÛú®Ö®ÖÆüà ÆüÖêÝÖÖ …

6.
†®¤ü¸ü פüµÖê ÝÖµÖê ×®Ö¤ìü¿ÖÖë ÛúÖê ¬µÖÖ®Ö¯Öæ¾ÖÔÛú ¯ÖœÌëü …

7.
Ûú""ÖÖ ÛúÖ´Ö (Rough Work) ‡ÃÖ ¯Öã×ßÖÛúÖ Ûêú †×®ŸÖ´Ö ¯Öéšü ¯Ö¸ü Ûú¸ëü …

8.
µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö Ûêú †»ÖÖ¾ÖÖ †¯Ö®ÖÖ ¸üÖê»Ö®Ö´²Ö¸ü, ±úÖê®Ö ®Ö´²Ö¸ü µÖÖ ÛúÖê‡Ô ³Öß ‹êÃÖÖ ×"ÖÅ®Ö ×•ÖÃÖÃÖê †Ö¯ÖÛúß ¯ÖÆü"ÖÖ®Ö ÆüÖêÃÖÛêú, †Ó×ÛúŸÖ Ûú¸üŸÖê Æïü †£Ö¾ÖÖ †³Ö¦ü ³ÖÖÂÖÖ ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê µÖÖ ÛúÖê‡Ô

†
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ˆ¢Ö¸ü ÛúÖê ×´Ö™üÖ®ÖÖ µÖÖ ÃÖ±êú¤ü õÖÖÆüß ÃÖê ²Ö¤ü»Ö®ÖÖ ŸÖÖê ¯Ö¸üßõÖÖ Ûêú ×»ÖµÖê

†
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9.
†Ö¯ÖÛúÖê ¯Ö¸üßõÖÖ ÃÖ´ÖÖ¯ŸÖ ÆüÖê®Öê ¯Ö¸ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ‹¾ÖÓ ´Öæ»Ö OMR ¯Ö¡ÖÛú×®Ö¸üßõÖÛú ´ÖÆüÖê¤üµÖ ÛúÖê »ÖÖî™üÖ®ÖÖ †Ö¾Ö¿µÖÛú Æîü †Öî¸ü ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ Ûêú ²ÖÖ¤üˆÃÖê †¯Ö®Öê ÃÖÖ£Ö ¯Ö¸üßõÖÖ ³Ö¾Ö®Ö ÃÖê ²ÖÖÆü¸ü »ÖêÛú¸ü •ÖÖµÖë … ÆüÖ»ÖÖÓ×Ûú †Ö¯Ö¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ ¯Ö¸ü ´Öæ»Ö ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ŸÖ£ÖÖ OMR ¯Ö¡ÖÛú Ûúß ›ãü¯»ÖßÛêú™ü¯ÖÏ×ŸÖ †¯Ö®Öê ÃÖÖ£Ö »Öê •ÖÖ ÃÖÛúŸÖê Æïü …

10.
Ûêú¾Ö»Ö ®Öß»Öê/ÛúÖ»Öê ²ÖÖ»Ö ¯¾ÖÖ‡Õ™ü ¯Öê®Ö ÛúÖ Æüß ‡ÃŸÖê´ÖÖ»Ö Ûú¸ëü …


11.
×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü ÛúÖ ÃÖÓÝÖÞÖÛú (Ûîú»ÖÛãú»Öê™ü¸ü) µÖÖ »ÖÖÝÖ ™êü²Ö»Ö †Öפü ÛúÖ

¯ÖϵÖÖêÝÖ ¾ÖÙ•ÖŸÖ Æîü …


12.
ÝÖ»ÖŸÖ ˆ¢Ö¸üÖë Ûêú ×»Ö‹ ÛúÖê‡Ô ®ÖÛúÖ¸üÖŸ´ÖÛú †ÓÛú ®ÖÆüà Æïü …


13. µÖפü †ÓÝÖÏê•Öß µÖÖ ØÆü¤üß ×¾Ö¾Ö¸üÞÖ ´Öë ÛúÖê‡Ô ×¾ÖÃÖÓÝÖ×ŸÖ ÆüÖê, ŸÖÖê †ÓÝÖÏê•Öß ×¾Ö¾Ö¸üÞÖ
†Ó×ŸÖ´Ö ´ÖÖ®ÖÖ •ÖÖ‹ÝÖÖ …
D-79-14



1 P.T.O.
VISUAL ARTS
Paper II

Note This paper contains fifty objective type questions of two marks each. All questions are compulsory.
1. In Indian Iconography, Chakra Purusha and Gada Devi are depicted as attending divinities of

Brahma Vishnu


Shiva Lakshmi


2. Name the modern Indian abstract painter and philosopher whose favorite theme was rocks and birds.

J. Swaminathan Jehanghir Sabawala


M. F. Hussain Sarbajeet Singh


3. Which of the following temple is panchayatan type

Kandariya Mahadev Temple Sun temple of Konark


Shore temple of Mahabalipuram Dashavatar Temple, Deogarh


4. Identify the period when Indian sculpture represented perfect fusion of form and emotion with best naturalism.

Mauryan Sunga


Kushan Gupta


5. 'The Starry Nights' by Vincent van Gogh is housed in which museum

Museum of Modern Art, New York Victoria Albert Museum, London


National museum, New Delhi Louvre Museum, Paris



¥ü¿.Ö Ûú»ÖÖ‹Ñ ¯ÖÏ
¿®Ö¯Ö¡Ö II
×®Ö¤ìü¿Ö ‡ÃÖ ¯ÖÏ¿®Ö¯Ö¡Ö ´Öë ¯Ö"ÖÖÃÖ ²ÖÆãü­×¾ÖÛú»¯Öß.Ö ¯ÖÏ¿®Ö Æïü … ¯ÖÏŸ.ÖêÛú ¯ÖÏ¿®Ö Ûêú ¤üÖê †ÓÛú Æïü … ÃÖ³Öß ¯ÖÏ¿®Ö †×®Ö¾ÖÖ.ÖÔ Æïü …
1. ³ÖÖ¸üŸÖß.Ö ¯ÖÏןִÖÖ ×¾Ö-ÖÖ®Ö ´Öë "ÖÛÎú ¯Öã¹ýÂÖ ŸÖ£ÖÖ ÝÖ¤üÖ ¤êü¾Öß ×®Ö´®Ö ´Öë ÃÖê ×ÛúÃÖÛêú ¯Ö׸ü"ÖÖ¸üÛú ¤êü¾Öß­¤êü¾ÖŸÖÖ†Öë Ûêú ºþ¯Ö ´Öë ×"Ö×¡ÖŸÖ ×Ûú‹ ÝÖ‹ Æïü

²ÖÎÉÖ ×¾ÖÂÞÖã


×¿Ö¾Ö »Öõ´Öß


2. ˆÃÖ †Ö¬Öã×®ÖÛú ³ÖÖ¸üŸÖß.Ö †´ÖŸÖÔ Ö¡ÖÛúÖ¸ü Ö£ÖÖ ¤Ö¿ÖÔÖÖ‡‹ ו֮ÖÖ ¯ÖÃÖÓ¤üߤüÖ ×¾ÖÂÖ.Ö ÖÏÃÓÝÖ "Ö¼üÖ®Öë †Öî¸ü ¯ÖõÖßæ×"Ÿü×®ÖÛú ÛúÖ ®ÖÖ´Ö ²ÖŸÛú¯ÖÆîü

•Öê. þÖÖ´Öß®ÖÖ£Ö®Ö •ÖÆüÖÓÝÖ߸ü ÃÖÖ²Ö¾ÖÖ»ÖÖ


‹´Ö.‹±ú. ÆãüÃÖî®Ö ÃÖ²ÖÔ•ÖßŸÖ ØÃÖÆü


3. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÛúÖî®Ö ÃÖÖ ´Ö×®¤ü¸ü ¯ÖÓ"Ö.ÖŸÖ®Ö ¯ÖÏÛúÖ¸ü ÛúÖ Æîü

ÛÓú¤ü׸ü.ÖÖ ´ÖÆüÖ¤êü¾Ö ´Ö×®¤ü¸ü ÛúÖêÞÖÖÛÔú ÃÖæ.ÖÔ ´Ö×®¤ü¸ü


´ÖÆüÖ²Ö»Ö߯Öã¸ü´Ö ÛúÖ ŸÖ™üß.Ö ´Ö×®¤ü¸ü ¤ü¿ÖÖ¾ÖŸÖÖ¸ü ´Ö×®¤ü¸ü, ¤êü¾ÖÝÖœÌü


4. ×ÛúÃÖ ÛúÖ»Ö Ûêú ¤üÖî¸üÖ®Ö ³ÖÖ¸üŸÖß.Ö ´ÖæÙŸÖÛú»ÖÖ ÁÖêšü ¯ÖÏÛéúן־ÖÖ¤ü Ûêú ÃÖÖ£Ö †ÖÛéú×ŸÖ ŸÖ£ÖÖ ³ÖÖ¾Ö®ÖÖ ÛúÖ ¯ÖæÞÖÔ ×¾Ö»Ö.Ö®Ö ×®Öºþ×¯ÖŸÖ Ûú¸üŸÖß Æîü

´ÖÖî.ÖÔ ¿ÖãÝÖ Ó


ÛãúÂÖÖÞÖ ÝÖ㯟Ö



5. ؾÖÃÖê®™ü ¾ÖÖ®Ö ÝÖÖòÝÖ ÛúÖ "ÙüÖ¸üß ®ÖÖ‡™ËüÃÖ" ×ÛúÃÖ ÃÖÓÝÖÏÆüÖ»Ö.Ö ´Öë ¸üÜÖÖ ÝÖ.ÖÖ Æîü

†Ö¬Öã×®ÖÛú Ûú»ÖÖ ÃÖÓÝÖÏÆüÖ»Ö.Ö, ®.Öæ.ÖÖòÛÔú ×¾ÖŒ™üÖê׸ü.ÖÖ ‹¾ÖÓ †»²Ö™Ôü ÃÖÓÝÖÏÆüÖ»Ö.Ö, »ÖÞ¤üü®Ö


¸üÖ™Òüß.Ö ÃÖÓÝÖÏÆüÖ»Ö.Ö, ®Ö‡Ô פü»»Öß »Ö¾ÖæÎ ÃÖÓÝÖÏÆüÖ»Ö.Ö, ¯Öê׸üÃÖ


6. In which European country movement of Expressionism emerged

France England


Germany Russia


7. Who has painted the series 'Words and symbols'

K.C.S. Panikar Ganesh Pyne


G. R. Santosh K. G. Subramanian


8. Who painted 'King Vulture and Griffin' the famous painting of the Mughal school

Basawan Mansoor


Farukh Manohar


9. The doors of the Florence Baptistery were designed by

Michelangelo Giotto


Lorenzo Ghiberti Alberti


10. Porcelain can only be cast by the following process

Lost Wax Press Mould


Piece Mould Slip Casting


11. The Pietra Dura technique involves laying

Metal wire into wood Stained Glass into lead frame


Semi-precious stones into stone Ivory into wood


12. Annealing is a process by which metal is prevented from becoming

Tensile Brittle


Resistant to temperature Resistant to water



6. †×³Ö¾.ÖÓ•Ö®ÖÖ¾ÖÖ¤ü ÛúÖ †Ö®¤üÖê»Ö®Ö .Öæ¸üÖê¯Ö Ûêú ×ÛúÃÖ ¤êü¿Ö ´Öë ˆ³Ö¸ü Ûú¸ü ÃÖÖ´Ö®Öê †Ö.ÖÖ

±ÏúÖÓÃÖ ‡ÓÝ»ÖîÞ›ü


•Ö´ÖÔ®Öß ¸ü׿Ö.ÖÖ ºþÃÖ



7. "¾Ö›ÔüÃÖË ‹Þ›ü ×ÃÖ´²Ö»ÖËÃÖ" (¿Ö²¤üÖë †Öî¸ü ¯ÖÏŸÖßÛúÖë) Ûúß ÀÖéÓÜÖ»ÖÖ†Öë Ûúß ×ÛúÃÖ®Öê ×"Ö¡ÖÛúÖ¸üß Ûúß Æîü

Ûêú.ÃÖß.‹ÃÖ. ¯ÖÖ×ÞÖÛú¸ü ÝÖÞÖê¿Ö ¯ÖÖ‡®Ö


•Öß.†Ö¸ü. ÃÖ®ŸÖÖêÂÖ Ûêú.•Öß. ÃÖã²ÖÎÖ´Ö×®Ö.Ö®Ö



8. ´ÖãÝÖ»Ö ÃÛæú»Ö Ûêú ×¾ÖÜ.ÖÖŸÖ ×"Ö¡Ö, "ØÛúÝÖ ¾Ö»"Ö¸ü ‹Þ›ü ×ÝÖÏ×±ú®Ö" Ûúß ×"Ö¡ÖÛúÖ¸üß ×ÛúÃÖ®Öê Ûúß Æîü

²ÖÃÖ¾ÖÖ®Ö ´ÖÓÃÖæ¸ü


±úÖ¹ýÜÖ ´Ö®ÖÖêÆü¸ü


9. °»ÖÖê¸ëüÃÖ ²Öî¯Ö×™ü×ÙÒü (²Ö¯ÖןÖôÖÖÛúõÖ) Ûêú ¤ü¸ü¾ÖÖ•Öê ×ÛúÃÖÛêú «üÖ¸üÖ ×›ü•ÖÖ‡®Ö ×Ûú‹ ÝÖ‹ £Öê

´ÖÖ‡Ûú»Ö‹Ó•Ö»ÖÖê וֆÖê™üÖê


»ÖÖò¸ëü•ÖÖê ÝÖß²Ö™üá †»²Ö™üá


10. ¯ÖÖêÙÃÖ»Öê®Ö ("Öß®Öß­×´Ö¼üß Ûêú Ûúß œü»ÖÖ‡Ô Ûêú¾Ö»Ö ×®Ö´®Ö×»Ö×ÜÖŸÖ ¯ÖÏ×ÛÎú.ÖÖ «üÖ¸üÖ Ûúß •ÖÖ ÃÖÛúŸÖß Æîü

»ÖÖêÙü ¾ÖîŒÃÖ ¯ÖÏêÃÖ ´ÖÖê»›ü


¯ÖßÃÖ ´ÖÖê»›ü ×Ã»Ö¯Ö ÛúÖØÙüÝÖ


11. ׯָ֟üÖ ¤Ëü.Öæ¸üÖ ŸÖÛú®ÖßÛú Œ.ÖÖ »ÖÝÖÖ®Öê ÃÖê •Öã›Ìüß Æîü

ÛúÖšü ´Öë ¬ÖÖŸÖã Ûúß ŸÖÖ¸ü ÃÖßÃÖÖ Ûêú ±Ïêú´Ö ´Öë ¤üÖÝÖ¤üÖ¸ü ¸ÓüÝÖß®Ö ÛúÖÑ"Ö


¯ÖŸ£Ö¸ü ´Öë †¨Ôü­´Öæ».Ö¾ÖÖ®Ö ¯ÖŸ£Ö¸ü ÛúÖšü ´Öë ÆüÖ£ÖߤüÖÑŸÖ


12. ŸÖÖ¯ÖÖ®Öã¿ÖßŸÖ®Ö (†®ÖßØ»ÖÝÖ) ‹Ûú ŸÖ¸üÆü Ûúß ¯ÖÏ×ÛÎú.ÖÖ Æîü וÖÃÖÛêú «üÖ¸üÖ ¬ÖÖŸÖã ÛúÖê ×®Ö´®Ö ÃÖê ¸üÖêÛúÖ •ÖÖŸÖÖ Æîü

(™êü®ÃÖÖ‡»Ö) ³Öã¸ü³Öã¸üÖ¯Ö®Ö (ײÖΙü»Ö)


ŸÖÖ¯Ö´ÖÖ®Ö ×¾Ö¸üÖê¬Öß •Ö»Ö ×¾Ö¸üÖê¬Öß


13. Channel running down between two pages in the middle of a spread is called

Stream River


Gutter Canal


14. A Spine is referred as

Width of a book Size of a book


Thickness of a book Height of a book


15. The No. One Medium of the National Advertising in India is

Television Newspapers


Films Magazines


16. Space between two characters in typography is called

Tracking Kerning


Leading Gapping


17. Ukio-e is a genre of woodblock printing which flourished in Japan from
thththth
12 and 13 century 14 to 16 century
thththth
17 to 19 century 18 and 19 century
18. In which year Francisco Goya made the print series of 'Disasters of War'

1810 AD 1815 AD


1820 AD 1825 AD


19. 'Boat on the Padma' woodcut was made in 1936 by

Amrita Shergil Anupam Sud


Ramendra Nath Chakraborty Jamini Roy


13. ¤üÖê ¯ÖéšüÖë Ûêú ±îú»ÖÖ¾Ö Ûêú ´Ö¬.Ö Ûêú ²Öß"Ö ¯ÖϾÖÖ×ÆüŸÖ ÆüÖê®Öê ¾ÖÖ»ÖÖ "Öî®Ö»Ö Œ.ÖÖ ÛúÆü»ÖÖŸÖÖ Æîü

¬ÖÖ¸üÖ (ÙÒüß´Ö) ®Ö¤üß (׸ü¾Ö¸ü)


¯Ö¸ü®ÖÖ»ÖÖ (ÝÖ™ü¸ü) ®ÖÆü¸ü (Ûêú®ÖÖ»Ö)


14. ïÖÖ‡®Ö (¯Öéšü­¾ÖÓ¿Ö) ×ÛúÃÖÛúÖ ÃÖÓÛêúŸÖ Ûú¸üŸÖÖ Æîü

¯ÖãßÖÛú Ûúß "ÖÖî›ÌüÖ‡Ô ¯ÖãßÖÛú ÛúÖ †ÖÛúÖ¸ü


¯ÖãßÖÛú Ûúß ´ÖÖê™üÖ‡Ô ¯ÖãßÖÛú Ûúß »Ö´²ÖÖ‡Ô


15. ¸üÖ™Òüß.Ö ×¾Ö-ÖÖ¯Ö®Ö ÛúÖ ®ÖÓ. ‹Ûú ´ÖÖ¬.Ö´Ö Æîü

™êü»Öß×¾Ö•ÖÌ®Ö ÃÖ´ÖÖ"ÖÖ¸ü ¯Ö¡Ö


×±ú»´Öë ¯ÖסÖÛúÖ‹Ñ


16. ´Öã¦üÞÖ Ûú»ÖÖ ´Öë ¤üÖê †õÖ¸üÖë Ûêú ²Öß"Ö •ÖÝÖÆü ÛúÖê Œ.ÖÖ ÛúÆüŸÖê Æïü

™ÒîüØÛúÝÖ ÛúÚ®ÖÝÖ


»ÖßØ›üÝÖ ÝÖدîÖÝÖ


17. .Öæ×Ûú†Öê­‡Ô ÛúÖšü ²»ÖÖòã¦ÞÖ Ûúß ‹Ûú ¿Öî»Öß Æîü ´Öë ×®Ö´®Ö ÛúÖ»Ö ÃÖÃÖ´Öé¨ü Æãü‡Ô
Ûú´Öüê ê

12¾Öà ŸÖ£ÖÖ 13¾Öà ¿ÖŸÖÖ²¤üß 14¾Öà ÃÖê 16¾Öà ¿ÖŸÖÖ²¤üß


17¾Öà ÃÖê 19¾Öà ¿ÖŸÖÖ²¤üß 18¾Öà †Öî¸ü 19¾Öà ¿ÖŸÖÖ²¤üß


18. ±ÏúÖÓ×ÃÖÃÛúÖê ÝÖÖê.ÖÖ ®Öê ×ÛúÃÖ ¾ÖÂÖÔ ´Öë "×›üÃÖÖÙü¸ËüÃÖ †Öò±ú ¾ÖÖ¸ü" (.Öã¨ü Ûúß ×¾Ö¯Ö¤üÖ‹Ñ) Ûúß ´Öã¦üÞÖ ÀÖéÓÜÖ»ÖÖ‹Ñ ²Ö®ÖÖ‡Õ

1810 ‹.›üß. 1815 ‹.›üß.


1820 ‹.›üß. 1825 ‹.›üß.


19. ¾ÖÂÖÔ 1936 ´Öë "²ÖÖê™ü †Öò®Ö ¤üß ¯Ö¤Ëü´ÖÖ" ÛúÖšü×"Ö¡Ö ×ÛúÃÖÛêú «üÖ¸üÖ ²Ö®ÖÖ.ÖÖ ÝÖ.ÖÖ £ÖÖ

†´ÖéŸÖÖ ¿Öê¸ü×ÝÖ»Ö †®Öã¯Ö´Ö ÃÖæ¤ü


¸ü´Öꮦü ®ÖÖ£Ö "ÖÛÎú¾ÖŸÖá •Öê×´Ö®Öß ¸üÖò.Ö



20. Name the artist who made the series 'Wounds'.

Somnath Hore Dhiraj Chaudhury


Jogen Chowdhury Anupam Sud


21. Choose the correct chronology of the monuments:

Tughlakabad Fort, Dhai Din Ka Jhopra-Ajmer, Khirki Masjid-Delhi, Buland Darwaza-Fatehpur Sikri


Dhai Din Ka Jhopra-Ajmer, Tughlakabad Fort, Khirki Masjid-Delhi, Buland Darwaza-Fatehpur Sikri


Dhai Din Ka Jhopra-Ajmer, Khirki Masjid-Delhi, Tughlakabad Fort, Buland Darwaza-Fatehpur Sikri


Khirki Masjid-Delhi, Dhai Din Ka Jhopra-Ajmer, Tughlakabad Fort, Buland Darwaza-Fatehpur Sikri


22. Choose the correct chronology of the artists

Dhiman, Bisandas, Manku, Titus


Titus, Dhiman, Bisan Das, Manku


Titus, Manku, Bisan Das, Dhiman


Dhiman, Titus, Bisan Das, Manku


23. Choose the correct sequence of mechanism

Aperture, Shutter, Lens, Image plane


Shutter, Lens, Aperture, Image plane


Lens, Aperture, Shutter, Image plane


Lens, Shutter, Image plane, Aperture


24. Choose the correct sequence of print advertisement according to their approximate sizes

Advertorial, Display, Ear Panel, Classified


Display, Advertorial, Ear Panel, Classified


Ear Panel, Display, Advertorial, Classified


Classified, Display, Advertorial, Ear Panel


25. Choose the correct sequence in soft ground

Protecting the Plate, Tracing, Etching, Cleaning the Plate


Tracing, Protecting the Plate, Etching, Cleaning the Plate


Protecting the Plate, Cleaning the Plate, Tracing, Etching


Etching, Protecting the Plate, Tracing, Cleaning the Plate


20. "¾ÖÓæ›ËüÃÖ" ÀÖéÓÜÖ»ÖÖ ×ÛúÃÖ Ûú»ÖÖÛúÖ¸ü ®Öê ²Ö®ÖÖ‡Ô £Öß

ÃÖÖê´Ö®ÖÖ£Ö ÆüÖê¸ü ¬Ö߸ü•Ö "ÖÖî¬Ö¸üß


•ÖÖÝêÖê®Ö "ÖÖî¬Ö¸üß †®Öã¯Ö´Ö ÃÖæ¤ü


21. ×®Ö´®Ö×»Ö×ÜÖŸÖ Ã´ÖÖ¸üÛúÖë Ûêú ÃÖÆüß ÛúÖ»ÖÖ®ÖãÛÎú×´ÖÛú ÛÎú´Ö ÛúÖ "Ö.Ö®Ö Ûúßו֋

ŸÖãÝÖ»ÖÛúÖ²ÖÖ¤ü ÝÖœÌü, œüÖ‡Ô ×¤ü®Ö ÛúÖ —ÖÖê¯Ö›ÌüÖ­†•Ö´Öê¸ü, ×ÜÖ›ÌüÛúß ´Ö×Õ֤ü­×¤ü»»Öß, ²Öã»Ö®¤ü ¤ü¸ü¾ÖÖ•ÖÖ­±úŸÖêÆü¯Öã¸ü ÃÖßÛú¸üß



œüÖ‡Ô ×¤ü®Ö ÛúÖ —ÖÖê¯Ö›ÌüÖ­†•Ö´Öê¸ü, ŸÖãÝÖ»ÖÛúÖ²ÖÖ¤ü ÝÖœÌü, ×ÜÖ›ÌüÛúß ´Ö×Õ֤ü­×¤ü»»Öß, ²Öã»Ö®¤ü ¤ü¸ü¾ÖÖ•ÖÖ­±úŸÖêÆü¯Öã¸ü ÃÖßÛú¸üß


ü¯Ö›êüÝÖ»ÖÛúÖ²üã


œüÖ‡Ô ×¤®Ö ÛúÖ —ÖÖêÌüÖ­†•Ö´Ö¸ü, ×ÜÖ›ÌüÛúß ´Ö×Õ֤­×¤ü»»Öß, ŸÖãÖÖ¤ü ÝÖœÌü, ²Öã»Ö®¤ü ¤¸ü¾ÖÖ•ÖÖ­±úŸÖêÆü¯Ö¸ü ÃÖßÛú¸üß


×ÜÖ›ÌüÛúß ´Ö×Õ֤ü­×¤ü»»Öß, œüÖ‡Ô ×¤ü®Ö ÛúÖ —ÖÖê¯Ö›ÌüÖ­†•Ö´Öê¸ü, ŸÖãÝÖ»ÖÛúÖ²ÖÖ¤ü ÝÖœÌü, ²Ö»Ö®¤ãü ¤ü¸ü¾ÖÖ•ÖÖ­±úŸÖêÆü¯Öã¸ü ÃÖßÛú¸üß



22. Ûú»ÖÖÛúÖ¸üÖë ÛúÖê ÃÖÆüß ÛúÖ»ÖÖ®ÖãÛÎú×´ÖÛú †®ÖãÃÖÖ¸ü "Ö.Ö®Ö Ûúßו֋

ײֿ֤֮üÖÃÖ, ´ÖÑÛãú, ™üÖ‡™üÃÖ ™üÖ‡™üÃÖ, ײֿ֤֮üÖÃÖ, ´ÖÑÛãú


™üÖ‡™üÃÖ, ´ÖÑÛãú, ײֿ֤֮üÖÃÖ, ¬Öß´Ö®Ö ™üÖ‡™üÃÖ, ײֿ֤֮üÖÃÖ, ´ÖÑÛãú


23. ×ÛÎú.ÖÖ×¾Ö×¬Ö Ûêú ÃÖÆüß †®ÖãÛÎú´Ö ÛúÖ "Ö.Ö®Ö Ûúßו֋

×"û¦ü, ¯Ö¤üÖÔ »Öê®ÃÖ, ײִ²Ö ÃÖŸÖÆü ¯Ö¤üÖÔ, »Öê®ÃÖ, ×"¦ü, ײִ²Ö ÃÖŸÖÆü


»Öê®ÃÖ, ×"û¦ü, ¯Ö¤üÖÔ, ײִ²Ö ÃÖŸÖÆü »Öê®ÃÖ, ¯Ö¤üÖÔ, ײִ²Ö ÃÖŸÖÆü, ×"û¦ü


24. ´ÖãצüŸÖ ×¾Ö-ÖÖ¯Ö®Ö Ûêú ²Ö›Ìêü ÃÖê "ûÖê™êü †ÖÛúÖ¸üÖë Ûêú †®ÖãÃÖÖ¸ü ˆ®ÖÛêú ÃÖÆüß †®ÖãÛÎú´Ö ÛúÖ "Ö.Ö®Ö Ûúßו֋

‹›ü¾Ö¸ü™üê׸üïֻÖêü¯Ö®Ö»Ö, Œ»Öü

Ö.Ö»Ö, ×›ü, ‡.Ö¸ îÖÃÖß±úÖ‡›


×›üïֻÖê, ‹›ü¾Ö¸ü™üÖê׸ü.Ö»Ö, ‡.Ö¸ Œ»ÖÖÃÖß±úÖ‡›ü


‡.Ö¸ ×›üïֻÖê, ‹›ü¾Ö¸ü™üÖê׸ü.Ö»Ö, Œ»ÖÖÃÖß±úÖ‡›ü


Œ»ÖÖÃÖß±úÖ‡›ü, ×›üïֻÖê, ‹›ü¾Ö¸ü™üÖê׸ü.Ö»Ö, ‡.Ö¸ ü¯Öî®Ö»Ö


25. ÃÖÖê°™ü ÝÖÏÖ‰Óú›ü ´Öë ÃÖÆüß †®ÖãÛÎú´Ö ÛúÖ "Ö.Ö®Ö Ûúßו֋

¯»Öê™ü ÛúÖê œüÛú®ÖÖ, ™ÒêüØÃÖÝÖ, ‹Ø"ÖÝÖ (†´»Ö ¯»Öê™ü ÛúÖê ÃÖÖ±ú Ûú¸ü®ÖÖ


™ÒêüØÃÖÝÖ, ¯»Öê™ü ÛúÖê œüÛú®ÖÖ, ‹Ø"ÖÝÖ (†´»Ö ¯»Öê™ü ÛúÖê ÃÖÖ±ú Ûú¸ü®ÖÖ


¯»Öê™ü ÛúÖê œüÛú®ÖÖ, ¯»Öê™ü ÛúÖê ÃÖÖ±ú Ûú¸ü®ÖÖ, ™ÒêüØÃÖÝÖ, ‹Ø"ÖÝÖ (†´»Ö


‹Ø"ÖÝÖ (†´»Ö ¯»Öê™ü ÛúÖê œüÛú®ÖÖ, ™ÒêüØÃÖÝÖ, ¯»Öê™ü ÛúÖê ÃÖÖ±ú Ûú¸ü®ÖÖ


26. Choose the correct sequence of process in planography

Cleaning the surface, Grinding, Inking, Printing


Cleaning the surface, Inking, Grinding, Printing


Grinding, Inking,, Printing, Cleaning the surface


Grinding, Inking, Cleaning the surface Printing


27. Choose the correct escalating order of opacity

Cobalt Blue, Alizarin Crimson, Zinc White, Flake White


Alizarin Crimson, Cobalt Blue, Zinc White, Flake White


Zinc White, Alizarin Crimson, Cobalt Blue, Flake White


Cobalt Blue, Alizarin Crimson, Flake White, Zinc White


28. Choose the correct sequence of preparation of gesso

Dissolve animal glue in boiling water, Add chalk powder, Applying thin layer on canvas, Grinding of surface with sandpaper


Grinding of surface with sandpaper, Dissolve animal glue in boiling water, Add chalk powder, Applying thin layer on canvas,


Add chalk powder, Dissolve animal glue in boiling water, Applying thin layer on canvas, Grinding of surface with sandpaper


Applying thin layer on canvas, Dissolve animal glue in boiling water, Add chalk powder,, Grinding of surface with sandpaper


29. Select the correct chronological sequence

Michelangelo, Canova, Rodin, Myron


Myron, Michelangelo, Canova, Rodin


Canova, Rodin, Myron, Michelangelo,


Rodin, Myron, Michelangelo, Canova


26. ¯»Öê®ÖÖêÝÖÏÖ±úß ´Öë ¯ÖÏ×ÛÎú.ÖÖ Ûêú ÃÖÆüß †®ÖãÛÎú´Ö ÛúÖ "Ö.Ö®Ö Ûúßו֋

ÃÖŸÖÆü Ûúß Œ»ÖßØ®ÖÝÖ, ÝÖÏև؛üÝÖ, ‡ÓÖ, دÏüÝÖ

Ó ØÛúÝÖØ™


ÃÖŸÖÆü Ûúß Œ»ÖßØ®ÖÝÖ, ‡ÓØÛúÝÖ, ÝÖÖχ؛ÓüÝÖ, دÖÏØ™üÝÖ


ÝÖÖχ؛ÓüÝÖ, ‡ÓØÛúÝÖ, دÖÏØ™üÝÖ, ÃÖŸÖÆü Ûúß Œ»ÖßØ®ÖÝÖ


ÝÖÖχ؛ÓüÝÖ, ‡ÓØÛúÝÖ, ÃÖŸÖÆü Ûúß Œ»ÖßØ®ÖÝÖ, دÖÏØ™üÝÖ


27. †¯ÖÖ¸ü¤üÙ¿ÖŸÖÖ ÛúÖ ÃÖÆüß ²ÖœÌüŸÖÖ Æãü†Ö ÛÎú´Ö ²ÖŸÖÖ‡‹

ÛúÖêÖ»™ü ‹×»Ö•ÖÌ׸ü®Ö ×ÛÎú´ÖÃÖ®Ö, Ø•ÖÛú ¿¾ÖêÖÛú °»ÖêÛú) ¿¾ÖêŸÖ

²ÖÖ ŸÖ,¯Ö¡


‹×»Ö•Ö׸Ìü®Ö ×ÛÎú´ÖÃÖ®Ö, ÛúÖê²ÖÖ»™ü Ø•ÖÛú ¿¾ÖêŸÖ, ¯Ö¡ÖÛú °»ÖêÛú) ¿¾ÖêŸÖ


Ø•ÖÛú ¿¾ÖêŸÖ, ‹×»Ö•Ö׸Ìü®Ö ×ÛÎú´ÖÃÖ®Ö, ÛúÖê²ÖÖ»™ü ¯Ö¡ÖÛú °»ÖêÛú) ¿¾ÖêŸÖ


ÛúÖê²ÖÖ»™ü ‹×»Ö•ÖÌ׸ü®Ö ×ÛÎú´ÖÃÖ®Ö, ¯Ö¡ÖÛú °»ÖêÛú) ¿¾ÖêŸÖ, Ø•ÖÛú ¿¾ÖêŸÖ


28. ÝÖîÃÃÖÖê ŸÖî.ÖÖ¸ü Ûú¸ü®Öê ÛúÖ ÃÖÆüß †®ÖãÛÎú´Ö ²ÖŸÖÖ‡‹

ÃÖ¸êüÃÖ ÛúÖê ˆ²Ö»ÖŸÖê ¯ÖÖ®Öß ´Öë ÜÖ×›Ìü.ÖÖ ÛúÖ ¯ÖÖ‰ú›ü¸ü ×´Ö»ÖÖ®ÖÖ, Ûîú®Ö¾ÖÃÖ ¯Ö¸ü ¯ÖŸÖ»Öß ¯Ö¸üŸÖ »ÖÝÖÖ®ÖÖ, ÃÖŸÖÆü ¯Ö¸ü ÃÖï›ü¯Öê¯Ö¸ü (¸êüÝÖ´ÖÖ»Ö)


ÃÖŸÖÆü ¯Ö¸ü ÃÖï›ü¯Öê¯Ö¸ü (¸êüÝÖ´ÖÖ»Ö) ÃÖ¸êüÃÖ ÛúÖê ˆ²Ö»ÖŸÖê ¯ÖÖ®Öß ´Öë ÜÖ×›Ìü.ÖÖ ÛúÖ ¯ÖÖ‰ú›ü¸ü ×´Ö»ÖÖ®ÖÖ, Ûîú®Ö¾ÖÃÖ ¯Ö¸ü