PAPER-II
TRIBAL REGIONAL LANGUAGE LITERATURE

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TRIBAL AND REGIONAL LANGUAGE LITERATURE
Paper II

Note This paper contains fifty objective type questions, each question carrying two
marks. Attempt all the questions.
1. Who was the propounder 'Bongavadi' Malinovsky Redcliff Brown Mazumdar of 6. What is Akhra Youth Dormitory Place of Worship Cultural center
Coderington Place of War
2. Which is most necessary for progress of society Change of Government the 7. Which is closest to Ethnology Physical Anthropology
Administrative Reform Economics
Devotion and Labour Morality Social Anthropology Psychology
3. Which tribe in Jharkhand is
associated with iron goods Oraon the production of 8. Why Ethnological studies necessary in the industrial situated in the tribal belt are areas
Khadia Lohra Ho For adjustment of the people. To know social evils. tribal
4. Among the following who is diffusionist scholar from Britain a To improve condition their economic
Fredrick Retjal Grafton Elliot-Smith Clark Wizler For their progress in the field of education.
A.L. Crober 9. Which of the communities of
5. What should be the method of study of the castes and tribes of India Jharkhand is the education most advanced in
today Comparative Classification One-sided Historical Oraon Munda Khadia Santal
Paper-II 2 D-70-10


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Read the following passage carefully and answer question numbers 10 14
The music and dance performances in Jharkhand are invariably collective never solo, where there are no audiences. In the Akhra all are performers, some of them are musicians, some singers and others dancers. That is why in Jharkhand there is no dividing line between the performers and the audiences. In fact, the audiences wait for their turn to perform or to give the performers a break. The audience and the performers are one and the same in Jharkhand.
There is no provision for a solo dance in Jharkhand culture. Whether Adiwasi or Sadan they all share the joy of collective thinking, collective living and collective dance, music and singing in Jharkhand.
Jharkhandi dances whether Adiwasi or Sadan are similar, their musical instruments are similar and the sentiment behind the songs are also similar. The differences of their mother languages, Agneya, Dravida and Sadani disappears as the emotional background is the same. The style and the body movements involved in the Adiwasi or Sadan music and dance are similar. Their respective inner distinctiveness produces variety in their style of presentation. Look at the dances of the Santal, Munda, Ho Bhumij and Khadia, the Oraon and the Sadans, your eyes will be glued to them. It would seem as if waves are rising and falling in the ocean of bliss. The nature and spirit of all Jharkhandi dances are the same in their original shape and vibration. The dances of Jharkhand are altogether different from those of the plains.
10. Which of the following is not correct

All audiences are not artists in Jharkhand music and dance.


There is a tradition of collective music and dance in Jharkhand.


Adiwasi and Sadan have different musical instruments.


The inner distinctiveness separates the different Jharkhandi music and dance style.


11. Who do the audience wait for

Dancing Playing


Singing Their turn


12. What is done mainly collectively

Eating


Drinking


Walking around


Thinking


13. The nature and of their dance is the same.

Nature Quality


Spirit Gestures


14. When does the performer become audience

When he does not feel like.


When not dancing well.


To give artists rest.


When strangers come in.


15. Practical state language of our country is

Hindi Urdu


English Sanskrit


16. What type of sound is studied in Phonetics

Physical


Sound produced by mouth


Meaningful sound


Sound of the instrument


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17. What do we study in Morphology

Morphs Beauty


Word Meaning


18. "Salvation of man depends on his will-power." What is 'salvation' in this sentence

Noun Adjective


Verb Adverb


19. Correct example of voicing is

Kak Kag


Megh Mekh


Vesh -Bhesh




Vanar Bandar


20. Which pair goes with which community
Name of music -Community dance variety

Udasi-Pawas Oraon


Jadur-Gena Ho


Dhuria-(iii) Sadan Chhechhari


Hero-Jomnama Munda


Group














21. How many Suktas are in Rigveda

2000 587


1054 1017


22. Which is the oldest of all 'Smrities'
Narad

Parashar Smriti


Manu Smriti


Charak Samhita


23. Who was the first lexicographer of the vedic words

Kautilya


Nighantu


Bharat


Vyas


24. What is the subject matter of SantaKavya

Sagun Bhakti


Human Love


Nirgun Bhakti


Nature


25. In what category will you put the 'Satsai'

Khand Kavya


Muktak


Long Poem


Epic


26. In which sect devotion is claimed to be the means of salvation

Gaudiya Vaisanav Sect


Madhwa Sect


Ramanandi Sect


Bhagwat Sect


27. In which language the 'Arunodaya' daily was being published

Hindi


Assamese


Oriya


Bengali


28. What is 'Tarsaptak'

Book of Music


Violine


Novel


Collection of Poems


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1s 3


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29. Which is the last drama written by Jay Shankar Prasad

Kamna


Dhruvaswamini



Chandragupta


Janme Jay Ka NagJagya


30. Which sequence is correct in terms of maximum to minimum population

Kharia Ho Munda Oraon

Santal


Santal Oraon Munda Kharia Ho


Oraon Munda Santal Kharia Ho


Santal Oraon Munda Ho


Kharia
31. 'Poetry basically, is the criticism of life'. Who has defined poetry in these words

Coleridge


Wordsworth


Shelley


Mathew Arnold


32. Which is important in the creation of Art

Intellect


Soul


Imagination


Idealism


33. What is the main characteristics of literary language

Logic


Satire


Statement


Sensibility


34. The central characteristic of lyrical technique is

Centralisation of feeling


Curiosity


Imitation


Ornamentation


35. What is the motivation behind literary creation according to Freud

Suppressed desire


Inferiority complex


Ego


Self-preservation


36. What is the central characteristic of the technique of fiction

Imitation


Curiosity


Ornamentation


Centralisation of feeling


37. What is the main purpose of literature

Self-satisfaction


Economic gain


Fame


Social-service


38. What type of character is Ram in "Ramcharit Manas"

Dheerlalita


Dheerodatta


Dheerodhatta


Dheer Prashant


39. What is the definition of poetry according to Acharyavishwanath

Sabdarthau Sahitau Kavyam


Tad do.sagunau


sau sabdarthau analankriti punah quapi
Vakyam rasatmakam Kavyam
Ramaniyarth pratipadakah sabdah kavyam
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40. Which group is most appropriate in terms of assertion and reason Assertion In Jharkhand one
who does not love music is not considered trustworthy. Reason Because he is not compassionate.

Both and are correct.


Both and are not correct.


is correct and is not correct.


is not correct and is correct.


41. Who is the author of 'Kavya­prakash'

Panditraj Jagannath


Acharya Vishwanath


Jaydeo


Acharya Mammata


42. Which Kavyaguna is desired in the poetry of Veer-rasa

Madhurya


Prasad


Oja
Gambhirya
43. Whose explanation of Rasa-sutra is acceptable to all

Bhatta Lollata


Abhinavgupta


Shankuk


Bhatta Nayak


44. What is the relationship between "Upmeya and Upman" in Rupak alankar?

Similarity Possibility


Abheda Anyonya


45. What alankar is employed in "Nari beech sari hai ki sari beech nari hai"

Rupak


Prateep


Sandeha


Bhrantiman
46. In adhikpad dosh

Words are less than desired


Words are more than desired


Absence of desired words


There are more desired words


47. What is expressed in Folk-literature

Individual mind


People mind


Folk mind


Supra mind


48. "Lok-sahitya is the ved of Folk-life." Whose statement is this

Dr. Satyendra


Dr. Uday Narayan Tiwari


Dr. Hazari Prasad Dwivedi


Ganga Sharan Singh


49. For whom the "Lori-songs" are sung

For the old people


For the young people


For children


For women


50. What is reflected more in Myth rather than the Legend

Religious faith


History


Imagination


Scientific attitude


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